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Gmm Grammy Public Company Limited | Annual Report 2013
CONTENTS 20 22 24 34 46 Message from Securities and Management Board of Directors Financial Highlights Chairman and Shareholder Structure and Management Group Chief Information team Executive Officer 48 48 48 50 52 Policy and Business Vision, Mission and Major Changes and Shareholding Revenue Structure Overview Long Term Goal Developments Structure of the and Business Company Group Description 82 85 87 89 154 Risk Factors Management Report on the Board Report of Sub-committee Discussion and of Directors' Independent Report Analysis Responsibility Auditor and towards the Financial Financial Statement Statements 154 156 157 158 159 Audit Committee Risk Management Report of the Report of the Corporate Report Committee Report Nomination and Corporate Governance Remuneration Governance and Committee Ethics Committee 188 189 200 212 214 Internal Control and Connected Corporate Social Details of the General Information Risk Management Transactions Responsibilities Head of Internal and Other Audit and Head Significant of Compliance Information 214 215 220 General Information Companies in which Other Reference Grammy holds more Persons than 10% Please see more of the Company's information from the Annual Registration Statement (Form 56-1) as presented in the www.sec.or.th. or the Company's website 20 ANNUAL REPORT 2013 GMM GRAMMY Mr. Paiboon Damrongchaitham Ms. Boosba Daorueng Chairman of the Board of Directors Group Chief Executive Officer …As one of the leading and largest local content providers, with long-standing experiences, GMM Grammy is confident that our DTT channels will be channels of creativity and quality, and successful. They will be among favorite channels in the mind of viewers nationwide, and can reach viewers in all TV platforms.
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Pee Mak Full Movie with Eng Subs
Pee Mak Full Movie With Eng Subs Pee Mak Full Movie With Eng Subs 1 / 3 2 / 3 Pee Mak Mario Maurer, Beautiful Wife, Mixed Martial Arts, Baby Boy Newborn, ... Night 2017 Episode 32 English Subbed Full HD Online for Free New Movies.. When watching movies with subtitle. FshareTV provides a feature to display and translate words in the subtitle. You can activate this feature by clicking on the .... Watch Pee Mak Phrakanong, Thai Movie directed by Banjong Pisanthanakun, ... Kantaphat Phoemphunphatsuk and วิวัฒน์ คงราศรี full movie online in HD subs .... Subs HD. Rent. Apple iTunes. €3.99 HD. Buy. Apple iTunes. €7.99. Something's wrong? Let us know. DISCOVER. Pee Mak Phrakanong not available on your .... Mak” (Mario Maurer) was no exception and had to leave his pregnant wife to join the fight. Mak introduced them to his beautiful wife “Nak” (Davika Hoorne) and .... Pee Mak Thai Movie Eng Sub (2013). By Lakorn Addict on August 13, 2013. Mak served in the war during the beginning of the Rattanakosin Dynasty. At war he .... The following pee mak phrakanong Episode 1 English SUB has been released. Dramacool will always be the first to have the episode so .... Pee Mak. 2013TV-MA 1h 51mThai Movies. Mak's friends just want to protect him, ... This movie is... Scary, Goofy. Audio. Thai [Original], Thai [Original]. Subtitles. English, Thai ... Twenty years after witnessing a bus full of students disappear, Astrid runs into a man she recognizes as one of the victims and begins to investigate.. Pee Mak is a 2013 Thai comedy-horror-romance film directed by Banjong Pisanthanakun.
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Mak, Nak and People of Phra Khanong"
Whose Voice? Love Legend of Phra Khanong: A Case of "Mak, Nak and People of Phra Khanong" Arunwadi Leewananthawet, Assumption University, Thailand The Asian Conference on Arts & Humanities 2016 Official Conference Proceedings Abstract The love legend of Mae Nak Phra Khanong was perceived and portrayed as a haunting, revenge and furious ghost story for almost a century. In 1999, Nonzee Nimibutr’s version of Nang Nak was claimed as the first version that humanized Mae Nak and depicted tragic aspect of her as a mournful young lady who devoted her life to her husband, a strong stereotype of how Thai girl (in the past) should conduct. However, Nimibutr had also highlighted the aspect of Buddhist Animism that finally ended ‘the life of Mae Nak’ in this story. The truth is Mae Nak has never died. In 2013, Banjong Pisanthanakun and his team had recreated a comedy version of this legend to retell a reverse aspect from Mak, Nak’s husband, and his friends. This version declared a turning point of how this legend has been perceived and also how the contemporary Thai society has evolved. The research began to question and revisited this legend. In order to investigating the roots of personal and political conflicts in the legend and in contemporary Thai society, the researcher embarked on the collaboration of revising the story of Mak, Nak as individuals and the society of Phra Khanong. This research paper examines and reinterprets individualism and community. The concept of ‘ghost’ and the sense of belonging in the community have been explored and questioned.
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DORISEA WP 23 Ainslie Thai Horror Film in Malaysia-2.Pdf (594.9Kb)
Competence Network DORISEA – Dynamics of Religion in Southeast Asia 1 DORISEA WORKING PAPER ISSUE 23, 2016, ISSN: 2196-6893 MARY J. AINSLIE THAI HORROR FILM IN MALAYSIA URBANIZATION, CULTURAL PROXIMITY AND A SOUTHEAST ASIAN MODEL 23 DORISEA Working Paper, ISSUE 23, 2016, ISSN: 2196-6893 DORISEA WORKING PAPER SERIES EDITORS Peter J. Bräunlein Michael Dickhardt Andrea Lauser Competence Network “Dynamics of Religion in Southeast Asia” (DORISEA) The research network “Dynamics of Religion in Southeast Asia” (DORISEA) connects scholars from various academic institutions focused on Southeast Asia. It is coordinated by the Department of Social and Cultural Anthropology at the Georg-August-University of Göttingen. Its core is formed by scholars from the Universities of Göttingen, Hamburg, Münster, Heidelberg and Berlin (Humboldt University) who are involved in several projects that investigate the relationship between religion and modernity in Southeast Asia. How to cite this paper: Mary J. Ainslie (2016): Thai horror film in Malaysia. Urbanization, Cultural Proximity and a Southeast Asian model. In: DORISEA Working Paper Series, No. 23. Göttingen: Institute for Social and Cultural Anthropology. DOI: 10.3249/2196-6893-dwp-23 © 2016 by the author This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. http://creativecommons.org/licenses/by-nc/4.0 ISSN: 2196-6893 DOI: 10.3249/2196-6893-dwp-23 Research Network DORISEA Dynamics of Religion in Southeast Asia Project Office Georg-August-University Göttingen Institute of Social and Cultural Anthropology Theaterstr. 14 D - 37073 Göttingen Germany FUNDED BY: [email protected] www.dorisea.net Competence Network DORISEA – Dynamics of Religion in Southeast Asia 3 MARY J.
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Bangkok Is Burning: Queer Cultural Productions of Thainess in Diaspora
BANGKOK IS BURNING: QUEER CULTURAL PRODUCTIONS OF THAINESS IN DIASPORA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES JULY 2018 By Pahole Sookkasikon Dissertation Committee: Vernadette Vicuña Gonzalez, Chair Lorena Joyce Zapanta Mariano Elizabeth Colwill Cristina Bacchilega Mariam Lam Keywords: Thai Studies, Thai American Studies, Cultural Studies, Diaspora, Gender and Sexuality, Popular Culture, and Media ©2018 By Pahole Sookkasikon All rights reserved ii DEDICATION: For everyday Thais who maintained the delicate balance. iii ACKNOWLEDGEMENTS This project would not be here today without the unwavering support of my dissertation committee. I owe an unpayable debt to my chair, Dr. Vernadette Vicuña Gonzalez, who helped deepen my project and its contributions to Thai American Studies. Throughout my tenure as a PhD student, Professor Gonzalez was tough mentor, pushing me to think about the importance of my project. “Bangkok is Burning” would not be possible without her guidance. In addition to her mentorship and help, she has been a friend, understanding that I, as a queer student of color and the child of immigrants, continually had pressing obligations outside of the academe. For her compassion, generosity, and much more, I am forever obliged. I am also indebted for the backing, intellectual growth, and friendship that my entire committee gave me throughout this process. In addition to Vernadette Gonzalez, my committee of Joyce Mariano, Elizabeth Colwill, Cristina Bacchilega, and Mariam Lam, helped cultivate my ideas, guiding me, in different ways, through the doctoral process.
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NEWS Sentosa Spooktacular Ropes in Thailand's Leading Film Studio To
PRESS RELEASE Sentosa Spooktacular Ropes in Thailand’s leading film studio to double the thrill and fun factor GTH, creator of international horror hits, partners with Sentosa to deliver Asia’s “Scariest Fun” Singapore, 13 June 2013 ― Sentosa today announced that for the first-time ever, it will be teaming up with renowned Thai movie production studios, GMM Tai Hub Co. Ltd. (GTH), in a joint production of its annual signature Halloween event – Sentosa Spooktacular 2013. Creator of international horror hits such as Coming Soon, Shutter, Body, Dorm and Pee Mak, GTH will bring their unique brand of storytelling, deeply-rooted in Asian horror folklore, to redefine this year’s edition of Sentosa Spooktacular. Pee Mak, the studio’s blockbuster horror-comedy, along with other horror titles will transform Fort Siloso, setting the stage for a terrifying Halloween event, filled with blood-curdling screams and side-splitting laughter. Sentosa Spooktacular, Asia’s largest horror fest, is set to take place for six nights in October and November. Fans of classic Thai horror films can expect to have their nerves tested in up to five elaborately themed, haunted trails inspired by GTH’s internationally acclaimed films namely, Coming Soon, Shutter, Pee Mak, Dorm and Body. These trails will be held once again at Fort Siloso. “Sentosa Spooktacular has been synonymous with Asia’s scariest fun and is one of the biggest Halloween events in Singapore. At GTH, we want people to experience the same terror, scares and a whole host of other emotions that are akin to watching a Thai horror movie.
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BACC E-Journal 2021.Pdf
1 Message from the Director Luckana Kunavichayanont 2 “Intelligence is the capacity to perceive the essential, The BACC agenda has begun its second decade with the what is; and to awake this capacity, in oneself an expansion of new possibilities, utilizing other and in others, is education.” – Jiddu Krishnamurti platforms for displays, participatory activities, and information dissemination to help us reach a larger Since its inception more than 12 years ago, the audience. Beyond organizing lectures by artists and Bangkok Art and Culture Centre (BACC) has aimed experts, we are thrilled to have these opportunities to be a source of learning based on the content of because they expand the potential for learning our artistic and cultural works relating to the history beyond the Pathumwan intersection. At the moment, of modern and contemporary art movements in the wonderful collaborative participation we have Thailand and around the world. It’s all a process of received from artists, curators, professors, and experts fostering inspiration, encouraging critical thinking in art and culture, as well as various fields of the and the posing of questions in order to awaken social sciences, can be seen in the articles they have understanding, make connections, and bring rational contributed to Volume 1 of the Bangkok Art and analysis to a variety of issues. Culture Centre E-journal. Learning in this space not only generates excite- The Bangkok Art and Culture Centre places a high ment and entertainment through forms of art that value on the presentation of diverse artistic and are beautiful, impressive, diverse, or represent new cultural works, as well as the promotion of cross- trends; it also trains us to read both past and present disciplinary collaboration.
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The Key Elements of Horror Films
THE KEY ELEMENTS OF HORROR FILMS: COMPARATIVE STUDY BETWEEN THAILAND AND CHINA THE KEY ELEMENTS OF HORROR FILMS: COMPARATIVE STUDY BETWEEN THAILAND AND CHINA Li Zheyu This Independent Study Manuscript Presented to The Graduate School of Bangkok University in Partial Fulfillment of the Requirements for the Degree Master of Communication Arts 2018 ©2018 Li Zheyu All Rights Reserved Li, Z. Y. Master of Arts in Communication Arts, February 2018, Graduate School, Bangkok University. The key elements of horror films: Comparative study between Thailand and China (82 pp.) Advisor: Assoc. Prof. Boonlert Supadhiloke, Ph.D. ABSTRACT This research is focus on the key elements of horror film and national culture. The objectives of research are finding key elements in China and Thailand horror film and compare the culture of China and Thailand horror film. Six horror films from China and Thailand had been selected to be sample from 2008 to 2017. They are The house that never dies (2014), Who in the mirror (2012), Mysterious Face 2013, Pee Mark (2013), The Snow White (2010), and Phobia 2-Ha phraeng (2009). This study also combined with Greet Hofstede’s culture dimensions to explore the similarity and differences of Chinese and Thai horror film. The ghost events in Chinese horror film always occur at night and the image of ghost always female. Chinese horror film has defects on narrative logic. The ghost events in Thailand horror film mainly occur at night and the image of ghost in different ages and gender besides female. The tone of Thailand horror film is humorous. Keywords: Chinese horror film, Thailand horror film, Elements, Culture v ACKNOWLEDGMENT This study is firstly dedicated to my beloved family and friends for standing by me during the process of this project and providing with their knowledge and support.
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A Study of Historical Overview and Current Situation of Thailand Film Tourism
A Study of Historical Overview and Current Situation of Thailand Film Tourism Thapthep Paprach, Silpakorn University, Thailand Rohani Hashim, Universiti Sains Malaysia, Malaysia The Asian Conference on Arts & Humanities 2018 Official Conference Proceedings Abstract This research aims to investigate the historical overview and current situation of Thai film tourism, based on texts and documents research. Research offers the categorization by original stakeholder’s producing, in which, consists of Western film production, Bollywood production, China film production and Thai local film production. Tourism discipline primarily focused on the numbers of people visiting the places featured in movies and Hollywood has played an important role. The nail-shaped island popularized by The Man with The Golden Gun, classic films such as The Deer Hunter, The Killing Fields, box office hit The Hangover Part II and The beach, the country has proven itself as a favorite location for international filmmakers. In recent years, Indian filmmakers have introduced Thailand’s destinations on their films, Bangkok, Phuket and Pattaya emerges as hubs for filming Bollywood movies. And the last evidence is Lost in Thailand which causes Chinese want to experience Thailand more, especially Chiang Mai. Meanwhile, Thai local cinemas could meet success in international market, for example, Ong Bark, Shutter, Pee Mak and the latest hit in China Bad Genius, all could not do their best in promoting the filming location, but these films act in the form of cultural tourism and become the source of information on certain aspects of the country such as nature, culture and people which result in the construction of the attitudes towards the country, contributing factor to making a decision to actually visit the country rather than to follow filming locations.
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Heart Attack"
Communication and Media in Asia Pacific (CMAP) 97 When Art-house Director Enters Commercial Film Industry: A Case Study of the Film "Heart Attack" Kin Ho WONG Kin Ho WONG ([email protected]) is a Candidate for Bachelor of Arts in Humanities, expected in 2020, Hong Kong Baptist University Abstract Article Info This paper is a study on the film Heart Attack (also known as Freelance Received 1 January 2020 Ham Puay... Ham Phak... Ham Rak Mor) (2015) by Nawapol Revised 13 July 2020 Thamrongrattanarit which has attained success in the box office despite Accepted 30 July 2020 its alternative filmmaking style to the mainstream. Using textual analysis and intertextuality to study how the art-house director placed himself in the commercial industry with a film that demonstrates both the art-house Keywords: Thai Cinema, and commercial elements, results show that the director’s understanding Film Studies, on audience demands and his strategy of embodying the art-house spirit Art-house Cinema, underneath the commercial contents have been effectively performed in Film Industry, the film. Thailand Introduction Entertaining commercial films are not Thailand National Film Association Awards surprised to attain box office success. Yet the 2016 with eight awards in total and it film Heart Attack (also known as Freelance was screened at various film festivals Ham Puay... Ham Phak... Ham Rak Mor) (Thamrongrattanarit, n.d.). Therefore, this (2015) written and directed by an art-house paper will discuss how Heart Attack attained film director, Nawapol Thamrongrattanarit, has its commercial success despite being been a rare case which topped the domestic produced in an alternative style and how box office for two weeks and recorded as Nawapol retained his artistic style in a the second-highest-grossing Thai film of commercial film.
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Thai Horror Film in Malaysia: Urbanization, Cultural Proximity and a Southeast Asian Model Mary J
Thai Horror Film in Malaysia: Urbanization, Cultural Proximity and a Southeast Asian Model Mary J. Ainslie This article examines Thai horror films as the most frequent and visible representation of Thai cultural products in Malaysia. It outlines the rise of Thai horror cinema internationally and its cultivation of a pan- Asian horrific image of urbanization appropriate to particular Malaysian viewers. Through a comparison with Malaysian horror film, it then proposes a degree of ‘cultural proximity’ between the horrific depictions of these two Southeast Asian industries which point to a particularly Southeast Asian brand of the horror film. Despite such similarity however, it also indicates that in the changing and problematic context of contemporary Malaysia, the ‘trauma’ that is given voice in these Thai films can potentially offer the new urban consumer an alternative depiction of and engagement with Southeast Asian modernity that is not addressed in Malaysian horror. Keywords: Thai Cinema, Malaysian Cinema, Horror, Southeast Asia Introduction In recent years, increased attention has been paid to the movement of cultural products across national borders within the Asian region. Such a development is due in part to the success of East Asian popular culture, which has displaced the previous American cultural domination of the region. This began with Japanese cultural products in the late 1990s and is now arguably dominated by the ubiquitous “Korean Wave,” which has received much academic attention and continues to be a source of much influence and enjoyment across Asia (see Cho, 2005, 2011; Chua, 2004; Huang, 2011; Kim, 2005; Onishi, 2006; Shim, 2006, 2008; Sung, 2008, 2010).
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Mae Nak Through the Years | Bangkok Post: Lifestyle
Mae Nak Through The Years | Bangkok Post: lifestyle 3/27/2013 Home Help Lite Version Log in Sign up Member benefit 27 Mar 2013 | 14:24 GMT+7 E - Paper SMS Print Front Page Newswire Print subscription RSS Advanced search NEWS BUSINESS OPINION LEARNING TECH LIFESTYLE TRAVEL AUTO PROPERTY MULTIMEDIA THAILAND GUIDE CLASSIFIEDS JOBS MORE Where to dine & chill out What's on Review Women Family Arts Music Film Food Interview Culture Book Charities Horo Games Lifestyle > Film Most Viewed Mae Nak Through The Years Given URL i4s not allowJeudm pbinyg t hine f eAept fpirlsict:a Btriaoznil icano ndafizgzulersa Ttihoani.: One or more of the given URLs is not allowed by the App's settings. Premier League Published: 27 Mar 2013 at 00.00 match the Website URL or Canvas URL, or the domain must be a subdomain of one of the App's domains. Like 'If Thailand wanted me to play for Newspaper section: Life its national squad, I'd say 'yes' in The story is apocryphal, but fiction has entrenched it as our reality. The tale of Mae Nak Phra Khanong _ a woman of a heartbeat. Thailand is my second home," said Cleiton the early Rattanakosin period who died during childbirth but continued to live with her living husband _ is the most Silva. The Brazilian-born BEC romantic zombie story ever. Whether she be ghost, ghoul or the original overly attached girlfriend, the living dead Mae Tero Sasana striker has been playing in the Thai Nak has over the years transcended the status of a lovelorn, screaming banshee in pulp-horror into a recognisable Premier League for three years and last ..
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