humanities Article There’s No Nostalgia Like Hollywood Nostalgia Thomas Leitch Department of English, University of Delaware, Newark, DE 19716, USA;
[email protected]; Tel.: +1-302-239-4100 Received: 15 September 2018; Accepted: 18 October 2018; Published: 19 October 2018 Abstract: This essay argues that the complexities of the nostalgic impulse in Hollywood cinema are inadequately described by Svetlana Boym’s particular description of Hollywood as “both induc[ing] nostalgia and offer[ing] a tranquilizer” and her highly influential general distinction between restorative and reflective nostalgia. Instead, it contends that Hollywood departs in important ways from the models of both the restorative nostalgia established by the heritage cinema and Great Britain and the reflective nostalgia commonly found in American literature. Using a wide range of examples from American cinema, American literature, and American culture, it considers the reasons why nostalgia occupies a different place and seeks different kinds of expressions in American culture than it does in other national cultures, examines the leading Hollywood genres in which restorative nostalgia appears and the distinctive ways those genres inflect it, and concludes by urging a closer analysis of the more complex, multi-laminated nostalgia Hollywood films offer as an alternative to Boym’s highly influential categorical dichotomy. Keywords: American literature; heritage cinema; Hollywood; reflective nostalgia; restorative nostalgia Hollywood nostalgia deserves more respect. According to Svetlana Boym, the leading contemporary theorist of nostalgia: “Popular culture made in Hollywood, the vessel for national myths that America exports abroad, both induces nostalgia and offers a tranquilizer; instead of disquieting ambivalence and paradoxical dialectic of past, present, and future, it provides a total restoration of extinct creatures and a conflict resolution” (Boym 2001, p.