225268In Robin EC

Total Page：16

File Type：pdf, Size：1020Kb

Erich Wolfgang Korngold (1897-1957) 8.225268 MARCO POLO the adventures of Playing www. g h of this compact disc prohibited. & copying All rights reserved. broadcasting performance, Unauthorised public Time 2003 HNH International Ltd. 2003 HNH International Ltd. 8.225268 robin hood Film Score,1938 78:27 KORNGOLD: naxos.com Score Restorations by John Morgan Moscow Symphony Orchestra conducted by William Stromberg 1 Main Title—Muted Fanfare 1:49 # The Tournament—Robin Hood’s 2 Sir Guy and Robin Hood 1:49 Appearance at the Archery Field— 3 The Meeting 1:11 Preparation for the Archery Contest— 4 Robin Hood Starts to Shoot—Finale The Banquet 2:14 of Robin Hood The Adventures of the Archery Contest 6:38 5 Robin Hood Outside—Robin Hood’s $ Entrance—The Fight—The Chase Arrest of Robin Hood 0:47 of Robin Hood—The Victims 6:13 % Tribunal—The Jail 2:27 6 Robin Hood Meets Little John— ^ The Gallows—The Flight of Robin Robin Hood Fights with Little John— Hood 4:40 Jolly Friendship 3:56 & Love Scene 6:25 7 The Oath and The Black Arrow 1:58 * Arrest of Lady Marian 0:45 8 The Fish—Robin Hood’s Fight with ( Much: The Knife Fight 1:10 The Adventures of Robin Hood The Adventures Friar Tuck 3:29 ) Richard Meets Robin Hood—Richard 9 A New Companion (Friar Tuck) 0:56 the Lion Heart 4:03 0 Robin Hood Attacks Sir Guy’s Party— ¡ The Procession 3:09 The Attack 5:12 ™ Prince John 1:33 MADE IN ! Flirt—Feast—Poor People’s Feast— £ The Battle—The Duel—The Victory 5:36 E.C. Gold 5:59 ¢ Epilogue 1:33 KORNGOLD: @ The Poor People 4:19 ∞ End Cast 0:35 DDD Recorded at Mosfilm Studio, Moscow, Russia in February 2003 8.225268 09158 Recording Engineer & Editor: Genadiy Papin Producer: Betta International Notes: Brendan Carroll & Rudy Behlmer Booklet Design: Ron Hoares MARCO POLO.

Copy Link

Recommended publications

By Peter Dell ' O Rto and S Ean Punch
BY P ETER D ELL’ORTO AND S EAN P UNCH Written by PETER DELL’ORTO and SEAN PUNCH Additional Material by VOLKER BACH and C.J. CARELLA Edited by SEAN PUNCH Cover Art by BOB STEVLIC Illustrated by ABRAR AJMAL and BOB STEVLIC ISBN 978-1-55634-762-7 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES Committed Attack . 99 Defensive Attack. 100 Evaluate . 100 Feint . 100 ONTENTS Ready . 101 C Who Draws First?. 103 Move . 105 Realism Level . 29 INTRODUCTION . 4 Move and Attack . 107 Beginning Students as PCs. 30 Publication History . 4 Wait . 108 About the Authors . 4 CHARACTER TEMPLATES . 31 ADDITIONAL COMBAT OPTIONS . 109 Del Duque (350 points) . 33 Melee Attack Options . 109 1. HISTORY . 5 Frauds . 35 A Matter of Inches . 110 Adrian Froste (200 points) . 37 TIMELINE . 6 Untrained Fighters . 113 Kai Lian (250 points) . 39 ASIA . 8 Close-Combat Options. 114 China . 8 ADVANTAGES, DISADVANTAGES, Teeth. 115 Xia . 8 AND SKILLS . 42 Grab and Smash! . 118 Monks and Martial Arts . 9 Advantages . 42 Ranged Attack Options . 119 India . 10 Desirable Advantages . 43 Rapid Fire with Thrown Weapons. 120 Northern vs. Southern Kung Fu . 10 Chi Powers for Martial Artists . 46 Active Defense Options . 121 Religion, Philosophy, and Fists . 11 Perks . 49 Harsh Realism for Indonesian Archipelago. 12 Disadvantages. 53 Unarmed Fighters . 124 Japan . 12 Common Disadvantages. 53 CINEMATIC COMBAT . 125 Ryu . 12 Skills . 54 Multiple Attacks . 126 Ninja: Legend vs. History . 13 Combat Skills . 55 Chambara Fighting . 128 Korea. 14 Wildcard Skills for Styles . 60 Mind Games . 130 Other Nations.
[Show full text]
PANEL SCHEDULE Last Updated 03/05/2020 @ 4:30PM Schedule Is Subject to Change Without Notice
PANEL SCHEDULE Last updated 03/05/2020 @ 4:30PM Schedule is subject to change without notice. For the most up-to-date info during the con, get the FREE Indiana Comic Convention app! FRIDAY CONVENTION HOURS: 12:00 PM - Midnight BOX OFFICE 11:00 AM - Midnight // Hall F Get your Indiana Comic Convention credentials here! Bring a printed or digital copy of your purchase confirmation, or buy them right here with cash or credit! EXHIBITOR HALL 12:00 PM - 7:00 PM // Hall H Comic books, graphic novels, toys, magazines, cards, artwork, games, apparel, cosplay, guest artists and celebrity guests-- they can all be found in the exhibitor hall! It's truly the hub for nerdy commerce. STAR SIGNING AND PHOTO OPS 12:00 PM - 7:00 PM // Hall I Want to meet your favorite celebrity? Head over to Star Signing to meet media guests from all of your favorite fandoms! Autograph and photo-op sales are cash only, so be sure to visit an ATM first. SILENT AUCTION 12:00 PM - 7:00 PM // Retail Booth Bid to take home one-of-a-kind Indiana Comic Convention celebrity banners! Winners will be announced at 3pm on Sunday, and items must be picked up before 5pm. EXTREME ARCHERY 12:00 PM - Midnight // Rm. 106 Experience the thrill of Extreme Archery by Archery Tag! This team activity is for all skill levels and is extremely safe. BOARD GAME HAVEN 12:00 PM - 10:00 PM // Rm. 106 Wind down and play free board games, courtesy of Good Games Indianapolis! Sign up via http://GoodGamesIndy.eventbrite.com for the following events: ● 4:00 PM - 7:00PM ○ D&D5e - Valley of the Gilded Tower ○ Starfinder - Rude Awakening ○ D&D5e - The Ghoul's Notes 1 THE GRID: E-GAMING 12:00 PM - Midnight // Rm.
[Show full text]
The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors Summer 2003 The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons MMARTIALARTIALAARTSRTS ONON TTOUROUR BBARAR FFIGHTSIGHTS In Voice of the Dragon, Miao Hin (Philip Silvera, left) battles with his nemesis Red Phoenix Manchu Warrior (Bilqis Benu). Martial arts choreography and photo provided by Jose Manuel Figueroa. The 24th Annual Society of American Fight Directors National Stage Combat Workshops July 7-25, 2003 SAFD and University of Nevada-Las Vegas College of Fine Arts, Department of Theatre ForFor moremore information:information: LindaLinda McCollumMcCollum atat (702)(702) 895-3662895-3662 oror www.safd.orgwww.safd.org www.safd.org Actor/Combatant Workshop (ACW) Train in the foundation skills of stage combat. World-class industry professionals teach tech- niques in Rapier and Dagger, Unarmed and Broadsword. Additionally, participants will receive an introduction to Quarterstaff, film fighting, and other weapon styles. Participants may opt to take an adjudicated Skills Proficiency Test at the end of the workshop. Intermediate Actor/Combatant Workshop (IACW) Move past the basics in this exciting workshop. Study many weapon styles and other issues of fight performance for stage and film. Build onto your existing knowledge of stage combat under the tutelage of a wide array of world-class industry professionals. Participants may opt to take a combination of adjudicated Skills Proficiency Tests or Renewal Tests in up to six weapon forms at the workshop.
[Show full text]
Secret Intelligence Service Knife Fighting Scrapbook Courtesy – Borrowed from the FSB
Secret Intelligence Service Knife Fighting Scrapbook Courtesy – borrowed from the FSB Knife fighting. The KGB/FSB Special Forces System (C-I) For self-defense, in principle, one can approach any knife. In shootouts can be used makeshift items that have piercing-cutting properties. In the latter case, the range of tools of intimidation and attack can be very wide - from razor to a sharpened file. If only it was possible to cut and chop. But the goals pursued by the use of cold weapons of close combat, in this case are simple - bullying, intimidation and murder. In fact, it's not a knife fight. The knife fight as a real martial art is used in the limited and specific legal purposes: to protect the homeland, fulfill orders in the melee, or perform special tasks. From a legal point of view, it is the use of a knife fight and corresponding weapons - combat knife, [1] despite the fact that the weapon in the hands of a professional can be any - is not only fighting with a knife. Modern Combat Knife Actually, the combat knife can only be regarded as a knife, officially put into service by the army or other security forces. The rest of the knives differ not only as per their legal status, but also functionality, and can be categorized as cutting, souvenir, etc. A special class of non-lethal self-defense knife does not exist. The combat knife - the only kind of knives, focus on the use of anti-human. Yes. At the armed units of the Russian Armed Forces for example and UK SAS, today are the HP-43 knives "Cherry", "Katran", "Wag-1" and NR-2 and others.
[Show full text]
The Fight Master, Fall/Winter 2008, Vol. 31 Issue 2
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors Winter 2008 The Fight Master, Fall/Winter 2008, Vol. 31 Issue 2 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons THE www.safd.org FFall/WinterIGHT 2008 JournalJournal of of the theM Society Society of ofASTER American American Fight Fight Directors Directors Dynamic Gunplay The Sounds of Violence Towards A Dramaturgy of Stage Combat David Boushey: Closing Distance Swashbuckling for the Silver Screen PRSRT STD FORWARDING &RETURN SERVICE REQUESTED US Postage PAID Bartlett, IL Permit No. 51 THE 2009 NATIONAL STAGE COMBpresentedAT byWORKSHOPS The Society of American Fight Directors and The University of North Carolina School of the Arts July 5 - July 24, 2009 INTRODUCTION TO STAGE COMBAT (ISC) Immerse yourself in introductory courses in all eight disciplines recognized by the Society of American Fight Directors. Explore stage violence ranging from unarmed combat to sword and shield battles! Enrollment is open to professionals, college and high school students who are over 15 and have completed 9th grade. $1350 - Full tuition (High School students) $1250 - Full tuition (College students/Professionals) $830 - Room & Board ACTOR/COMBATANT WORKSHOP (ACW) Dive into the foundations of SAFD training with an emphasis on Rapier & Dagger, Unarmed and Broadsword disciplines. Students will be eligible to take Skills Proficiency Tests toward SAFD Actor Combatant status on the final day of the workshop. Enrollment is open to adults 18 and over.
[Show full text]
Scola Metallorum Rapier Training Manual
Scola Metallorum Rapier Training Manual Last Updated: 22 June 2007 Author: Lord Randal The Malcontent (Randal Ames) email: [email protected] Web Conversion: Lord David ap Llywelyn ap Gwyn (David H. Clements) email: [email protected] Web Editor: Lord David ap Llywelyn ap Gwyn (David H. Clements) Randal Ames © Copyright 2002, 2003. All Rights Reserved. Table of Contents ● Table of Contents ● Introduction: Drills and Information, What We Forgot to Tell You ● Mission Statement and Philosophy ● The Theory: Successful Offense and Defense o Offense ▪ Theory of Offense ▪ Strategic Principles o Defense ▪ Theory of Defense o Chaining/Training ● Summary of Fencing Basics o Footwork and Stances ▪ Introduction ▪ Basics ▪ Conclusion o Four Types of Basic Attack o Defense Against the Four Types of Attack ▪ To Defend Against a Single Thrust ▪ To Defend Against Multiple Attacks ▪ To Defend Against Attack on Riposte ▪ To Defend Against Attack on Void ● Targeting and Advanced Defense o Voiding and Blocking o From The Armpit To The Bird Blunt o Head, Trunk And Legs ▪ The Head and Techniques of Disruption ▪ Concepts of Disruption ▪ Defending the Head ▪ The Body ▪ Defending the Body ▪ The Legs ▪ Defending the Legs o Defense Conclusions ● Thrust and Point Control o Thrust o Point Control o A Different Kind of Thrust o Calibration and Blow Calling ▪ Hard Shots ▪ Hard Shots: Part Deux ▪ Skippy ▪ Mask ▪ Tip Cuts ▪ Calibration Conclusion ● Cutting Edges: Daggers, Sabres, and Rapiers o The Sabre o The Dagger ▪ The Rules ▪ Strategy and Tactics ▪ Use of
[Show full text]
Medieval and Renaissance Dagger Combat Free Ebooks on Line
Medieval And Renaissance Dagger Combat free ebooks on line Daggers are mentioned in many modern books about medieval and Renaissance swordplay, but until now none described how daggers were used in combat. Drawing from sources written from 1409-1600 (including the works of Hans Talhoffer, Fiore dei Liberi, Filippo Vadi, Joachim Meyer and more), this book uses step-by-step photos and historic illustrations to demonstrate the deadly and effective techniques of European dagger fighting. Talhoffer and the others were men with real fighting experience, not self-promoted "grand masters" or denizens of the training hall, and they wrote the manuals that form the basis for Medieval and Renaissance Dagger Combat. The dynamics of the knife fight have not changed over the centuries, and the masters' lessons are as useful against an attacker with today's tactical folder as they were against the first dagger. Paperback: 234 pages Publisher: Paladin Press (July 1, 2006) Language: English ISBN-10: 158160517X ISBN-13: 978-1581605174 Product Dimensions: 8.4 x 0.6 x 11 inches Shipping Weight: 1.4 pounds (View shipping rates and policies) Average Customer Review: 4.7 out of 5 starsÂ Â See all reviewsÂ (21 customer reviews) Best Sellers Rank: #864,994 in Books (See Top 100 in Books) #77 inÂ Books > Crafts, Hobbies & Home > Antiques & Collectibles > Firearms & Weapons > Swords & Knives #102 inÂ Books > Sports & Outdoors > Individual Sports > Fencing #1198 inÂ Books > History > Military > Weapons & Warfare > Conventional Jason Vail began his study of martial arts with judo at age 12, and at 18 he began a lifelong study of karate.
[Show full text]
The Virginia Beach Bash Stage & Screen Combat Workshop 2019
THE VIRGINIA BEACH BASH STAGE & SCREEN COMBAT WORKSHOP 2019 Saturday, March 30 Time Venue/Space Instructor/Staff Class/Session Title Weapon/Form Level Camera Coverage Class/Session Description All personal weapons must be Head Intern & checked and 8:00 am to 8:30 am Lobby Interns Registration cleared by staff. All Staff and Workshop is introduced to the Instructors, 8:30 am to 9:00 am Main Theater Participants Introductions & Orientation N/A Interns, and Staff All participants engage mind and body by partipating in mild stretching and a little cardio to warm-up the body in preparation 9:00 am to 9:15 am Main Theater Interns Warm-ups N/A All Participants for the day's activities. All weapons are checked in and out in 9:15 am to 9:30 am Armory Interns Weapons Check-Out All weapons between sessions. Let's use fundamentals and technique as catalyst for delving deeper, challenging focus in nuanced sequencing, precision in targeting, clarity of blade-trajectory, and "Clean up your Act!!!": Bi-Lateral Precision clearity in fight narrative. Let's get rid of 9:30 am to 10:45 am Main Theater Chin in Rapier & Dagger Rapier & Dagger Advanced/Intermediate bad habits and our R&D skills. Preparation session for those participants have arranged to take an SPR; review Studio Theater TBA Skills Proficiency Renewal: Session 1 TBA TBD and choreography is introduced When it comes to fighting for you life anything goes. Marques of Queensbury rules go out the window. You stab, cut, kick, punch, and bite if that what it takes.
[Show full text]
Bloody Brazilian Knife Fighting Techniques.Pdf
Bloody Brazilian Knife Fightin Techniques Livro1.p65 1 29/07/04, 17:42 Bloody Brazilian Knife Fightin´ Techniques by FESTERING PUBLICATIONS Direct inquiries and/or orders to the above address and visit my website www.unclefesterbooks.com. All rights reserved. Except for use in a review, no portion of this book may be reproduced in any form without the written permission of the publisher. Neither the authors nor the publisher assumes any responsibility for the use or misuse of the information contained in this book. Photos: Pedro Cavalcanti Drawings: Ricardo Nakayama Models: Ricardo Nakayama and Alexandre Cruz Bloody Brazilian Knife Fightin’ Techniques©2004 By Steve Preisler, Bloody Brazilian Knife Fightin’ Techniques©2004 By Festering Publications All Rights Reserved Printed in USA Published by: Festering Publications 826 S. BairdGreen Bay, WI 54301 Library of Congress Catalog Card Number 89-092677 ISBN 0-9701485-5-0 Bloody Brazilian Knife Fightin’ Techniques By Uncle Fester, Rick “Kamakaze” Nakayama, Pedro “Fat” Cavalcanti and Mad Abe Published by Festering Publications 826 S. Baird St.Green Bay, WI 54301 Copyright@2004 by Festering Publications Printed in the United States of America Livro1.p65 2 29/07/04, 17:42 Rick Kamikaze Nakayama Pedro Fat Cavalcanti Mad Abe (J. R. R. Abrahão) Uncle Fester (Steve Preisler) Foreword by Jim Benson Bloody Brazilian Knife Fightin Techniques FESTERING Publications Livro1.p65 3 29/07/04, 17:42 Foreword Knife fighting is a subject that has been There is in-depth discussion, accompa- covered in many books, articles and videos nied by high-quality illustrations, of knife- over the years.
[Show full text]
Special-Edition FCS.Pdf
Publisher Steven K. Dowd Contributing Writers Gigie Alunday Nate Hill John Kovacs Carlos "Pipo" Lopez Rich Verdejo Rico Cortes Ray Cole Doshu L.D. Stone Harold Evans Mark Edward Cody Contents From the Publishers Desk Tuhon Ray Dionaldo - Founder of Filipino Combat Systems FCS a Multi-Tiered Art Modern Filipino Combat Systems Knife Fighting Concepts Lakan Guro Ray Cole and FCS Knife Tapping The Counter-Offensive Mindset in Eskrima and Guro John Kovacs Gigie Alunday and Rich Verdejo - California FCS Representatives Lakan Guro Harold Evans Dr. Simeon Lao My Beginning FCS in Puerto Rico Lakan Guro Rico Cortes FCS Kali Israel Observations & Comments Doshu L.D. Stone “Stoney” Clint Bear Wink Steve Cordaro Ultimate Sinawali - The History of FCS-Kali Filipino Combat Systems: A Martial Arts Success Story Tuhon Dionaldo’s Scrap Book FCS Representatives Worldwide Modern Day On-Line Martial Art Training: The FCS-Kali Way Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest.
[Show full text]
Sword Training – Part 3 Don't Go Into a Knife Fight Empty Handed
Sword Training – Part 3 Don’t Go Into a Knife Fight Empty Handed (Ephesians 6) Big city lawyer hunting and bird he shoots falls on old farmer’s land. Lawyer goes to get bird and farmer says that it’s his bird since it’s on his land. Lawyer says that he’ll take farmer to court over it. Farmer says we settle things differently around here. Three kick contest Lawyer is young and scrappy so he agrees. Lets farmer go first. Farmer kicks him in side of knee takes him to ground … kicks in gut and then face with big boots. Lawyer woozy but able to get to feet Says, now it’s my turn Farmer says “No, that’s okay, you can have the bird. I didn’t really want it anyway. Satan doesn’t fight fair. So we’re going to need to know how to defend ourselves. I want to return to the text we started this series with: Ephesians 6:10-17 So far we’ve seen that God’s Word is our – BREAD – WATER – BREATH – LIGHT And a soldier who is malnourished, dehydrated, out of breath, and fighting in the dark, won’t be very effective. That’s why we need God’s Word. God’s Word nourishes us … It hydrates and cleanses us … It gives us breath … and It keeps us from stumbling in the dark. Today we’re going to take a closer look at the sword. We’re going to see exactly what Paul means by “sword.” We’re going to define the sword of the Spirit.
[Show full text]
FMA Informative Newspaper Vol3 No.12
Vol 3 No 12 - 2014 Newspaper Propagating the Filipino Martial Arts and the Culture of the Philippines 2012 FMA Informative FMA Informative 3rd Year Anniversary Newspaper Articles This is the 3rd Anniversary of the FMA Infor- phone calls or emails some of the best in the mative. The owner would like to thank the Filipino martial arts (also some outside of the 2013 FMA Informative staff, all the writers, practitioners etc., for their Filipino martial arts that have much to offer) Newspaper Articles support, and of course the FMA Informative people and is honored to promote and prop- Article wants to thank the subscribers which is just agate them and their art and their activities. 2014 FMA Informative a little over 6,000 at the time of this issue and Of course there are those that are lazy, Newspaper Articles the Face Book crowd which is moving to- unprofessional, their word is worth noth- Article wards 3,000 members for all their support.. ing, and some that just talk crap and are The FMA Informative reaches out to assholes that no matter what one tries to 2011 FMA Informative all writers and practitioners and historical do in bringing forth and promoting them Issues avenues available to bring information on it just is not going to happen - to those the Article organizations, styles, groups, practitioners, FMA Informative has found it is better just 2012 FMA Informative events, etc., also every aspect of the Filipino to let them alone and to not bother pub- Issues martial arts and culture that it can think of.
[Show full text]