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Will Total Unity in the Filipino Martial Arts Ever Be a Reality?

Will Total Unity in the Filipino Martial Arts Ever Be a Reality?

Informative Issue No. 1 2011

Will Total Unity in the Filipino Martial Ever Be A Reality?

Legends who have unfortunately and with sadness passed away. However they are practitioners that have inspired others, in sharing their philosophies, skills, and knowledge with their students, who continue to share what they have learned with others who are interested. Will Total Unity in the Filipino Ever Be A Reality? - Steven K. Dowd Pundador Manuel Molina Aguillon Sr. [1915 – 1991] Balite - Steven k. Dowd Ok you may ask, what is an Informative Issue? Well it will be in magazine form on a particular subject Grandmaster Gerardo “Larry” Alcuizar [1934 – 2007] Eskrido - Kirk Gooding for information purposes to bring about knowledge on a particular asset, history, or view point about the Philip- Grandmaster Venancio Bacon [1912-1980] Balintawak - Sam Buot pine martial arts and culture. If studying a Philippine martial one should know the culture and some of the Guro Mariano Bermodes [1958 – 2006] Serrada - Wade Williams history about of the as a whole, not just the art that one is training in. Guro Grande George Brewster [1924 – 2006] Brewster Arnis - Peter Freedman In this first issue starting off is; “Will Total Unity in the Ever Be A Reality?”, this Grandmaster Angel Cabales [1917 - 1991] Serrada Eskrima - covers some of the history of Alliances, Federations, Organizations etc., that when brought together united Grandmaster Jose Caballero [1907 – 1987] De Campo Uno-Dos-Tres Orihinal many of the Philippine martial arts, but as time passed dwindled and disappeared or are just hanging in there. Founder Filemon De La Cuesta Canete [1904 - 1995] San Miguel Eskrima - Tom Bisio With the Arnis being signed on December 11, 2009 making Arnis the country’s national martial art Grandmaster Vicente Carin [1920 - 2004] - Vince Palumbo and sport it has been a question at least outside of the Philippines what is going on? Are the Philippine martial Grandmaster Gregorio “Goyong” Ceniza [1925 – 2007] Baraw Sugbo - Kaloy Bugoy / Karlon N. Rama arts uniting or trying to? Has an executive board been established? Is there one set of rules that is fair to both Roland Tango Pintoy Dantes [1945 - 2009] - Steven Dowd traditional and modern tournament competition? It has been almost 2 years and maybe within the Philippines Master Robert M. Du [? - 2007] PAKAMUT - Marc Lawrence something is on the move, but outside the Philippines little or nothing is known on what is transpiring. So what Ama Maestro Saturnino Fabia [1915 - 2005] Estella Sinkatan Arnis - Bernardo Salinas is written as the article transpires is what has been heard in trying to unite the Philippine martial arts and hope- Grandmaster Emertius Leovigildo (Leo) Miguel Giron [1911 - 2002] BAHALA NA - Tony Somera fully will carry on outside the country. Julian Goc-ong [1925 – 2003] Abanico De Vertical - Celestino C. Macachor Continuing on are practitioners who have unfortunately and with sadness passed away. They are legends Grandmaster Antonio Ilustrisimo [1904 - 1997] Kali Ilustrisimo - Reynaldo S. Galang in that they are practitioners that have inspired others, in sharing their philosophies, skills, and knowledge with Mangisursuro [1944 - 2000] Inayan Eskrima - Jon their students, who continue to share what they have learned with others who are interested. Maestro de Maestro Sozimo ‘Sosing’ Labor [1924 - 2008] Siete Pares Escrima - Nelson Estanol / Joe Giron Many of these practitioners in some way contributed to the different Organizations in the Philippines Grandmaster Louis Lagarejos [1935 – 2004] and outside of the Philippines in trying to bring the arts together. Grandmaster Ben Largusa [1926 - 2010] Villabrille-Largusa Kali System - Zena Sultana Babao The Mataw-Guro Notebook would like to thank the FMAdigest for its cooperation and permission to use Grandmaster Federico T. Lazo [1938 - 2010] Luzviminda Arnis Kali Brotherhood some of the material in this issue. Dr. Guillermo B. Lengson [1929 - 2000] KAFEPHIL - Jeff Suministrado Punong Guro Mark Lledo [1974 - 2008] Amara Arkanis - Emmanuel Querubin Respectfully Grandmaster Benjamin Luna-Lema [1919 - 2003] Lightning Scientific Arnis Mar Angeles Founder Reynaldo Ayo Magdaraog [1945 - 1998] Magdaraog Philippine Zen Jutsu Ryu Publisher Roy B. Magdaraog Grandmaster Romeo Mamar, Sr. [1938 - 2005] Tapado Grandmaster Timoteo Timor Maranga [? – 1988] Eskrima Maranga Grandmaster Jose Mena [1917 - 2005] Doblete Rapilon Grandmaster Arnulfo Mongcal [1924 - 2005] New Concept of Philippine Arnis - Rino Balinado Master Joe Napial [1958 - 2004] Doce Pares - Alfred Bandalan Master Chian Brozula Ong Jr. [1953 - 2008] Baton Masters - Steven K. Dowd Lolo Guro Isidro Pambuan [1920 - 2008] Pambuan Arnis - Raffy Pambuan Batikan Eduardo Pedoy [1946 - 2008] Pedoy’s Style Derobio Escrima - Tyrone J. Takahashi Great Grandmaster Braulio Tomada Pedoy [1900 - 1992] Pedoy’s Style Derobio Escrima - Kent Lighter Great Grandmaster Ernesto Presas [1945 - 2010] - Alexander Bautista Bayot Professor Remy A. Presas [1936 - 2001] - Kelly Worden Grandmaster Rafael Reston [1927 - 2006] Combat - Craig Radcliffe / Bill Anderson Master Christopher Ricketts [1955 - 2010] Kali Ilustrisimo - Steven K. Dowd Grand Tuhon Baltazar “Bo” Sayoc [1934 - 2007] Sayoc Kali Punong Guro Edgar Sulite [1957 - 1997] Lameco Eskrima - Inc. Guru H. Yasser Tanadjalan [1950 - 2007] Sawdara - Felipe ‘Bot’ Jocano Jr. Grandmaster Bernandino G. Tanique [1933 - 2005] Tanique Arnis Grandmaster Floro Villabrille [1912 - 1992] Villabrille-Largusa Kali The articles are the property of the author’s that wrote them and cannot be used without the permission Great Grandmaster Atty. Jose Villasin [1923 - 1988] Balintawak - Sam Buot of the author. The Mataw-Guro Notebook is the property of the Mataw-Guro Association and is for the promul- Professor Florendo Visitacion [1910 - 1999] Vee Arnis Jitsu gation and promotion of the Filipino Martial Arts Education. Maestro Sonny Umpad [1948 - 2006] Visayan Corto Kadena NO issue can be printed and Sold for Monies, without the express permission of the Mataw-Guro Asso- Brian / Jackie Quilalang Umpad / George M. Yore ciation. Maestro Elmer Ybanez [1953 - 2004] Lema Scientific Kali Arnis - Steven K. Dowd Will Total Unity in the Filipino Martial Arts Ever Be A Reality?

President Arroyo on December 11, hroughout the history of the and teachings. Other legends such T 2009, a move that was welcomed Philippines, there have been fight- as Remy Presas of Modern Arnis, by Senator Zubiri and the countless ing arts for survival. This is promi- Eduardo J. Pedoy of Derobio Arnis practitioners throughout the nently noted during the time the Escrima, Angel Cabales of Serrada country. Spanish dominated the Philippines, Eskrima, Leo Giron of Giron Sys- It’s quite ironic that Arnis, along with World War II with the tem of Arnis Escrima (BAHALA the traditional martial arts, is being Japanese, and even when other NA), Isidro Pambuan of Pambuan practiced more in other countries countries had tried to control the Arnis Tulisan Caballero and others than inside Philippines. Philippines, like the Portuguese, left the Philippines bringing their In they have Dutch, and Americans. art with them and sharing it in the , in they Once the Philippines country that they resided in. Also have Tae Kwon-Do and in Indo- gained their independence fully, one must not forget the practitio- nesia they have , now still the Filipino art known as ners that head their systems and the Philippines; has Arnis as the Arnis (Kali or Eskrima in some are still alive and well and sharing areas) was still not taught publicly, their knowledge in the Philippines The long wait is over for staying in the province, backyard, and also outside the Philippines. Arnis, the traditional Filipino mar- indoors, underground etc. December 11, 2009 tial arts, has become the national Throughout the history of Senate Majority Leader sport. And it took a Senator and the Philippines the fighting arts who, along Arnis experts as well, to give the have been for village survival etc, with Representative Henry Teves sport, around the world, the recog- but as time progressed their art be- and George Arnais, authored the nitions it deserves. came refined to their heritage and law making Arnis the country’s surroundings. Many had to take national martial arts and sport. The their art underground or disguise it Arnis Bill of Law, Republic Act in a dance form during the time the No. 9850, an act declaring Arnis as Spanish ruled, and also during the the National martial arts and sport Japanese occupation. of the Philippines was signed by It is in just the last century that the Filipino art of Arnis has come out somewhat and has been taught to fellow countrymen and foreigners. Some of the legends which have passed away such as: Venancio “Anciong” Bacon of Balintawak Eskrima, Jose D. Caballero of De Campo Uno-Dos- Tres Orihinal, Filemon Canete of San Miguel Eskrima, Anto- nio “Tatang” Ilustrisimo of Kali Ilustrisimo, Benjamin Luna-Lema of Lightning Scientific Arnis, Jose L. Vinas of Lapu-Lapu Vinas Arnis and the list goes on, did not leave the Philippines, and were known but unfortunately became Senator Zubiri spoke in front of the Arnis Grandmasters from different styles, well known after their passing clubs, and organizations from across the country as they paid a courtesy call on through their students dedication Philippine Sports Commission Chairman Harry Angpin.

Unifying the Filipino art known ship to hold such schools or group on making Arnis a pillar in the Arnis Philippines, and the Interna- one stick individual (single stick as Arnis together, to steer it towards a world of martial arts. tional Arnis Federation, Arnis form), men’s anyo two sticks team With the coming of the direction, so as to prevent Arnis Because of the vacuum and Philippines for those who do not (double stick synchronized team Americans, in the beginning of the from slipping into oblivion. taking advantage of the much know, are the official governing forms), and women’s anyo two 20th century the were In 1975, the National Arnis preferred democratic space and of body recognized by the Philippine sticks team (double stick synchro- taken in with this new culture, that Association of the Philippines course, the renewed enthusiasm of government are in fact the 33rd nized team forms). most indigenous cultures were (NARAPHIL) was formed by the Philippine society, these Member of the Philippine Olympic With the conclusion of the relegated almost to oblivion. The Gen. Fabian C. Ver. This Organi- Founders decided to bring together Committee. As the Chairman of 23rd South East Asian Games as Filipino art known as Arnis, the zation acted as the first National the various Arnis clubs and styles International Affairs Roland time passed, many practitioners Filipino martial art, almost suf- Organization for Arnis in the in the spirit of unity. This was Dantes worked not just with moved on their own way, not fered the same fate. Once the Philippines. Its existence however, preceded by the observation that Organizations within the Philip- being a part of Arnis Philippines martial art of the pre-Spanish faded after the radical change and Arnis, which was fast becoming a pines, but also with different and instead continued to support natives and the illustrados of the total revamp in the Philippine dying art in the country, should be countries to promote and bring their art, , organization etc. Spanish era, Arnis almost disap- government caused by the Philip- revived and promoted. Thus, with unity to the Filipino martial arts. Arnis Philippines is still in exis- peared in the urban areas and were pine Revolution of 1986. the firm objectives of promoting, With the Southeast Asian tence but the unity cannot be noted mostly preserved in the provinces. In the meantime, in many propagating and preserving the Games being held in the Philip- as when first started. The rise to popularity of Filipino martial arts, the Philippine pines in 2005, a historic event took Roland Dantes passed various non-Filipino martial arts Arnis Federation was born. place for Arnis/Kali/Eskrima it away March 16, 2009, leaving the such as Karate, Judo, Kun Fu, and On August 20, 1986, the became an official event and not Philippine Council of Kali Eskri- brought the local martial Organization was formally recog- simply a demonstration sport. So ma Arnis Masters without a figure art into the limelight. Suddenly, nized as Arnis Philippines Incorpo- this in its self was a monumental head of his capabilities and it is rated. Arnis Philippines received moment and is noted in history. still not widely known who has immediate recognition from the This came about not only through taken the reins and is in charge of been put by several sources it is to official sports bodies in the Philip- the efforts of Arnis Philippines and the Organization. It is hoped that promoting, propagating and pre- its President, Mr. Raymond S. the Organization will continue serving the Roland Dantes Velayo and all officers and staff. with the same spirit that it was In Roland Dantes quest to The 23rd South East Asian Games formed with. bring together the Filipino martial arts were held in December 2005 in What is the purpose of the throughout the world he formed The parts of the world, popular names Arnis Bill besides bringing recog- Philippine Council of Kali Eskrima and groups had been busy propa- nition and establishing the Filipino Arnis Masters. The Philippine Council of gating the Filipino martial arts, martial art known as Arnis? As has Kali Eskrima Arnis Masters was pushing their teachings and tech- incorporated under the laws of the The PKA a dominate martial art Or- niques. Some people successfully ganization during the early 70’s while made their way into martial arts President Marcos was in office. schools, police academies, military interest in Arnis began to surge. schools, educational institutions, Popular practice of the art of Arnis government agencies, and even in however, also had its share of prob- the entertainment world. pines. On January 12, 1987 Arnis lems. For one, there was a dire On July 11, 1986, Mr. Philippines was solely accredited need to consolidate the various Raymond Soriano Velayo, a young Arnis arm and association in the forms, styles and strains of Arnis. civic-minded and noted sports- Philippine Olympic Committee Arnis is not just one technique nor man, convened a group of men and was accepted as the 33rd just one school, it is as varied as truly devoted to the art at the member of the said Olympic and other locations, all the islands of the country, with its Restaurant at City, Metro Committee. around the Philippines. more than eighty (80) languages Manila, Philippines. They formed Also to note; always one to For Arnis they had six and about one hundred forty-two the Philippine Arnis Federation, contribute and assist in the preser- events, namely: men’s full contact (142) dialects in an archipelago of which was later renamed as Arnis vation and promotion of the (up to 71 kg), women’s seven thousand one hundred (7, Philippines (ARPI). Succeeding Filipino martial arts, Roland full contact sparring (up to 52 kg), 100) islands. Furthermore, there meetings saw the joining of more Dantes held the position as Chair- men’s anyo one stick individual A gathering of Grandmasters and Masters with Roland Dantes and the author. was also a need for a strong leader- distinguished men who were bent man of International Affairs of (single stick forms), women’s anyo This was the afternoon of March 15, 2009 in Manila. Republic of the Philippines in 2005 Soteco, met Grandmaster Remy A. Education and School Sports start, for it was at the wake for of Louelle Lledo. He and registered with the Securities Presas, the “Father of Modern (BPESS), whose aim is to make Mark Lledo, son of Louelle Lledo selected the teachers Exchange Commission (Registration Arnis” at San Beda College, definite and concrete P.E. activities when the idea of an association to he knows who have a # CN200519278). Mendiola, Manila, Philippines. for P.E. 1, 2, 3, and 4. The BPESS strengthen the position of teachers successful program of Filipino martial art known Sometimes, all it takes is a officials approved that Arnis be of Arnis de as educators in instruction. as Arnis. It is to bring together and chance encounter between two included in P.E. 3, with course the Filipino martial arts education- So it was on unify all Filipino martial arts of people to impact on each other’s description as Individual/Dual al system was born. February 12, 2010, the Arnis / Kali / Eskrima and estab- lives. The lessons they learn from Sport. To offer their condolence, Mataw-Guro Associa- lish a uniform set of rules and each other are lasting remem- Because the seed of love the group of Roland Dantes of the tion was formally estab- regulations for competition. brances that they surely makes one for Arnis, that planted in his heart Kali, Eskrima and Arnis Masters, lished, composed of the The Bill is also to establish beautiful story of friendship and as insatiable, he thinks of the Atty Salvador Dimaisip, President 17 founding members an educational program for schools benefits the other way. growth and development of Arnis. of International Modern Arnis of and 2 posthumous mem- To note in the Mataw-Guro Association the from elementary to universities In their spare time, espe- Thus, in 2003, he organized and the Philippines, and Professor Ar- bers. that are of the basics of Arnis that practitioners are designated with the same cially during weekends, Grand- put a School of Arnis Professionals mando Soteco, Training Director of On March 6, title, and the reason is that all are equal in the does not single out a particular art, master Remy Presas, personally at the National College of Physical the School of Arnis Professionals, 2010 at the Joy Tsin Lau development of the Mataw-Guro Associa- but will teach the basics and leave taught Professor Armando C. Education, Pamantasan ng Lung- motored to Indang, at the Restaurant, 1026-2B tion which the Association will (once fully it to the student if desired to seek Soteco the art of Arnis, from the sod ng Maynila (University of the residence of Louelle Lledo. Race St., Philadelphia, established) be comprised of Filipino martial outside the school if interest is of a most basic to the most complex. City of Manila) in , While watching Louelle PA., where the United arts practitioners that can properly teach the particular style. But, there was a passing of Manila, Philippines. Lledo, conduct his class at the Fellowship of Martial ABC’s (basics) of the Filipino martial arts. Now there are programs touch of some sorts when Grand- Professor Soteco was Cavite State University, the group Artists was holding their established already in some of the master Remy Presas migrated to designated as Director of this agreed that a standard program of first Hall of Fame Ban- schools of the Philippines; how- the United States in 1975. He left seminar type course by Dr. Ale- instruction was necessary to up- quet. With the cooperation of Dr. arts. WEKAF is one of the largest ever they are of a particular style to him the responsibility of propa- jandro L. Dagdag, Jr., the Execu- grade Filipino martial arts to the John Lee the head of the United organizations in the world, with or system and not of the pure gating all the more the art of Arnis tive-Director of NCPE. level of an educational curriculum. Fellowship of Martial Artists, members in over 25 countries. basics of the art. These programs while he was doing his part of The program was designed One thing led to another. Although Punong Mataw-Guro Louelle Lle- WEKAF contributes to the have been in existence for many introducing the Filipino version of to prepare professional Arnis nothing concrete came out of the do was able to commence form- Filipino martial arts community by years, and that are also in certain martial arts in the United States Instructors and P.E. teachers by talks, the framework for an associ- ing a foundation for his dream of organizing regular tournaments, colleges and universities and are and other European countries. providing scientific know-how in ation of educators was established. uniting the teachers of the Filipino including invitational events and accredited. When he appointed him as Presi- teaching/coaching and managing The need for a term to con- martial arts. qualifiers for the World Champion- But what must be done as dent of the Modern Arnis from Arnis competitions. Included in the vey the meaning of a high standard In this a category for the ships. WEKAF holds the World stated before is to establish an 1975 to 1977, he also passed to Arnis Professional Course are teacher of the martial arts in the ac- main body of Mataw-Guro-s Championships every 2nd year, educational program for schools Professor Armando C. Soteco his some theoretical subjects like: ademe environment became neces- (Master Teachers) was formed and and regularly hosts some of the from elementary to universities teaching load at the National sary. The term Mata-Guro, coined recognized. largest Filipino Martial Arts tour- that are of the basics of Arnis that • Sport Science (Biomechanics) College of Physical Education, • Physiology of Exercise and from Mataas na guro was suggest- Since that time The naments in the World. does not single out a particular art, wherein Arnis is a required subject ed. But the word did not have the Mataw-Guro Association and WEKAF was founded with but will teach the basics and leave Physical Fitness for teachers taking up P.E. major, • Traumatology (First Aid) “ring” or the “backbone” required. School of Arnis Professionals have the goal of organizing a set body it to the student if desired to seek the teaching at the Armed Forces The term was later changed to came inline offering the basics of of rules and conventions under outside the school if interest is of a • Sports Psychology (Teaching of the Philippines where Military Methodology) Mataw, which was coined from the Philippine martial arts. which practitioners from various particular style. Police took Arnis lessons and mataas ang tanaw (high standard). traditions could come together and One such program is the • Nutrition and Drugs Police Officers around the country. • Sports and Recreation Manage- Thereafter, the title Mataw-Guro In regards to Sports Arnis safely compete in Stickfighting and School of Arnis Professional He is also instrumental in (knowledgeable teacher or master Forms. This gives practitioners a offered by Pamantasan ng Lung- ment one of the oldest established Orga- the inclusion of Arnis in Physical teacher) thereafter was chosen as nizations is WEKAF. chance to showcase their skills and sod ng Maynila (University of the Education curriculum in High However the program the rank of the highest level in the City of Manila) over seen by though covering a wide range of The World Eskri- School students and supported the academe. ma Kali Arnis Federation Professor Armando C. Soteco addition of Arnis in the College basics and valuable information With the title and the need Director, S.A.P. and Dr. Alejandro for practitioners was dominated by (WEKAF) is an International program when he participated in to form an association of educators Organization of like minded L. Dagdag Executive Director, the 1989 Consultative Seminar Modern Arnis. agreed upon, it became impera- NCPE. November of 2008 and as martial artists, including teach- Workshop of then Department of tive to set down the qualifications ers, students and practitioners It was in the mid of 1971 Education Culture and Sports strange as it seems the Mataw- and requirements to be a member. when Professor Armando C. Guro Association had an eerie who share a common enthu- (DECS), Bureau of Physical This task fell on the shoulders siasm for the Filipino martial focus on increasing its appeal as a spectator sport. Cañete also worked evitable when members to draft rules for tournaments and to design protective sparring gear for have a falling out, when these events, enabling competitors to safely compete in a full-contact a group begins to doubt format. the credibility of one’s In 1979, the first National Arnis Championships was held in leader. City on March 24. During this event, leaders from the National Arnis Association (NARAPHIL), Cebu Eskrima Association, and others present agreed to launch a worldwide promotional effort. The need for a world governing body became quickly apparent, a In August of 1989, over Since 1989, WEKAF has grown to What has been Heard, body which would be centered on promoting and 100 people from 10 different coun- represent over 24 countries where But What are the Real Facts? tries assembled at the Convention the art has gained tremendous fol- supervising the growth of the Filipino Martial Arts Now with the Arnis bill Hall at the Sacred Heart Center in lowing. There have been 8 World in teaching and in competition. being approved almost 2 years ago , Philippines, to formal- championship tournaments to date International interest in the making Arnis the National Sport in ize a world organization for the (1989 Manila, Philippines; 1992 the Philippines, one can’t help but Filipino martial arts Filipino Martial Arts. The success Manila, Philippines; 1994 Ma- ruminate and wonder the amaz- WEKAF was envisioned by one of the plan to broaden international nila, Philippines; 1996 Los Ange- In August of 1987, Cañete invited Masters ing progress it will bring to the man. His initiative and work at appeal of the arts was evident in les, CA; 1998 Cebu, Philippines; and notable instructors from outside the Philip- Filipino people if united. One of bringing people together was the fact that three quarters of the 2000 Cebu, Philippines; 2002 pines for a seminar in Cebu City. Seventeen peo- the major accomplishments of this responsible for its inception and people at the meeting were from London, ; 2004 Cebu, ple from USA, England, Australia, New Zealand, bill is that Arnis, Kali and Escrima continued growth. outside of the Philippines. Philippines) as well as countless and Guam attended the 5 day affair, which was should finally gain recognition in Grandmaster Dionisio Cañete - Dionisio Cañete was cho- regional, national, and invitational called the 1st World Instructors’ Arnis Seminar. the Philippines where the art is Doce Pares International Chairman sen as the Chairman and Presiding competitions. Those who attended left energized, excited deeply rooted and throughout the Emeritus - WEKAF officer of the newly named World WEKAF as any Organiza- about the future of the arts. Many of the partici- world. Schools in the Philippines Eskrima Kali Arnis Federation tion has had its problems, but are pants would go on to play key roles, representing will be required to include it in highlight their Art on a Regional, (WEKAF). Articles and By laws continually working through them the WEKAF organization in their own countries. their curriculum instead of the oth- National and International level. were adopted by the Assembly, and once again will grow strong. Among others, participants at this event included er international disciplines we have WEKAF is open to all including that each member coun- Of course within the Phil- Bobby Breen (England), Sharon Burns (Austra- adopted for so long. Now, with the practitioners of the Filipino Martial try be represented by at least one ippines several Organizations have lia), Greg Henderson (New Zealand), Arif Shaikh law being passed, it is not anymore Arts, all traditions and styles are Director on the Board, and that the their set of rules and regulations (), and Tom Sipin (United States). a matter of choice or necessity for welcome. The rules are set up to Officers responsible for supervis- for Sport Arnis. It was at this gathering that the formation schools to implement its teachings; emphasize and maintain the safety ing the day to day activities of the It can be noted that in the for the World Federation was crystallized, and the it is supposedly a matter of fact. of its participants, accommodate Federation would be elected from Philippines the styles are numer- group agreed to meet within two years to finalize However what is perceived techniques common to most sys- among the members of the Board. ous. Some are intricate and some and implement the plan. Cañete was elected as as a problem is that most clubs tems of Filipino Martial Arts, and During the elections, 35 simple, but no matter which styles chairman of the organization, provisionally titled have their own set of rules and to insure exciting action and pow- candidates were nominated and the one prefers adopting, all of them the World Arnis Federation. each has its own tenets that seemed erful demonstrations of skill and following Directors were elected: are beautiful and unique in their In 1988, the goal of hosting competitions resilient enough to stand on their ability. Dionisio Cañete, Arnulfo Cuesta, own special way. It is really just a outside of the Philippines was realized as the 1st own. There is exquisiteness in this The history of WEKAF Richard Bustillo, Fred Degerberg, matter of choice and the comfort a USA National Eskrima Arnis Championship was but the predicament sets in when a dates back to 1975, when Dionisio Bobby Breen, Arif Shaikh, Sharon particular style brings to one who held in San Jose, California. Thanks to the com- National event is organized and the Cañete met with , Burns, Nino Pilla, Roland Krauer, chooses it. bined efforts of Alfred Bandalan, Arnulfo “Dong” Filipino martial arts community Richard Bustillo and Fred Ban- Manuel Fragoso, Jorge Alcordo, For many years practitio- Cuesta and Dionisio Cañete, the tournament at- starts to cogitate on which set of dalan. Together they agreed to Ted Javier, Andreas Becker, Ane- ners of Arnis Kali and Escrima tracted more than one hundred competitors from rules to apply. combine their efforts in promoting bro Paay and Greg Henderson. Ca- have been shrouded under the various parts of the United States Once the Arnis Bill was the Filipino Martial Arts. Cañete ñete was subsequently elected as shadow of uncertainty. There are This event was also the first time in many years that the signed the Manila Bulletin Pub- convinced the Masters of the Doce the Chapter President with Richard transgressions from some clubs / top three Grandmasters of the Filipino arts living in the US were in lishing Corporation published an Pares Organization (led by his Bustillo as the Vice President, their organizations, subterfuge to dis- attendance together at the same event Grandmaster Ben Largusa (Vil- article which in it stated: It didn’t father, Eulogio) to standardize and term of office to last for two years credit other groups unfortunately labrille-Largusa Kali), Grandmaster Leo Giron (Giron Arnis Escrima) take long for the Philippine Sports promote a format for competing until the 2nd World championships happens, and the peril of a divided and Grandmaster Angel Cabales (Serrada Eskrima). Commission Chairman Harry Ang- in the Filipino Martial Arts with a and Congress. community is in the air. This is in- The World Eskrima Kali Arnis Federation is formed pin to his full support into Arnis through a 5 million pesos It has been rumored (can- take the initiative to integrate the pledge, and an office space for not state as fact) that at one point rules of each club, choosing only Arnis training at the PSC Building. an alliance was established in the the best or something mundane Soon afterwards some were Philippines directed towards the might escalate into a bigger prob- claiming to be Executive Direc- Arnis Bill, but who is a part of it lem tors, (of what it is still a mystery) is not fully known outside of the The other dilemma which some were asking for some of the Philippines. Finally sometime in is not definitely known throughout money to promote their events. the beginning of 2011 (it is said) the world in the Filipino martial Some submitted their established that Senator Zubiri finally said he arts community and also most or suggested rules and regula- would be assuming the position likely throughout the Philippines is tions for tournaments. But no one of being in charge of the alliance. there a unified body that all groups was taking charge. Meetings were However sine Zubiri has resigned can join and will recognize, ac- taking place with a lot of picture from the Senate will he still hold cept, and look to in supporting and taking but not much else. the position? receiving support? It seemed the biggest prior- A meeting shortly after The community of Fili- ity was to get rules and regulations Zubiri resigned there was to be a pino martial arts practitioners for tournaments which would be meeting of the IRR which stands throughout the world waits to see the mandate throughout the Philip- for International Rules and Regu- and hopefully follow the guid- pines. With a few promoting their lations. But it did not come about. ance if ever set from the country own idea of education of Arnis for So if Zubiri’s agenda has that brought the Arnis Bill about the schools and basically this was changed due to his situation will in recognition of all the practitio- after the Mataw-Guro Associa- he continue to hold the top posi- ners throughout history that made A Prayer tion was founded and Professional tion in trying to bring together the the art of Arnis, Kali and Eskrima In unison with the many Grandmasters, Masters, Instructors, and Organizations, who constantly shared Arnis came in line for support in Philippine martial arts commu- what it is today. their knowledge, promulgation, promotion and continuously worked hard for the Arnis Bill to come about. It is the Philippines. nity? Or will someone have to to hoped that all practitioners of Filipino martial arts will set aside their differences, petty squabbles, and will unite and come together to share this most special time when the Filipino arts will bring forth the basic education of the Filipino martial arts and then the specialties of each art from all and then in competition showing the art to its fullest tradition, skills, and beauty. Not just as a sport, but as part of the history of the Philippines which has been continuously handed down from generation to generation. Manuel Molina Aguillon Sr. Grandmaster Gerardo “Larry” Alcuizar [1915 – 1991] World Eskrido Federation Arnis Balite [1934 – 2007] Practiced in the Aguillon family since the upon his passing away on January A man who never grew old, a domination of the Philippines by the Spanish. 8, 1991, only a hand full of stu- he would regularly say about for those who were fortunate to And is still unknown to most, unless they are dents is known to exist that has the many martial arts schools “they know Grand Master Larry Alcuizar from the province of on the island knowledge of Aguillon Arnis. are just making money” a state- and even more fortunate to train of in the Philippines. A style of arnis de Passing away in 1991 ment that is unfortunately true. with him, at 73 years old Grand- mano passed down from generation to genera- Grandmaster Manuel Molina Agu- Having lived as a non-native in master lived life and trained as if tion, concepts added by each generation to illon Sr. his qualified instructors Saudi Arabia for over 20 years he was in his 30’s. A very charis- improve the style. in the Philippines taught as he did allowed him to test and tune his matic person, the type of person Born June 19, 1915 in San Antonio, Zam- in an informal atmosphere, taking martial arts in many real life who presents could be felt in a bales on the island of Luzon in the Philippines, few students and maintaining the experiences, experiences most room of many. I can recall intro- Manuel Aguillon commenced his training in high standards which Pundador people only see on TV. In martial ducing him to people that new or the fighting arts as a young boy. As a teenager promulgated and believed in. arts Grandmaster was always cared nothing about martial arts he also found that he had a great desire to use Pundador wife Consola- thinking two steps ahead and and they would ask me who he his hands with or without the cane, he turned to cion Mata Aguillon passed away always welcoming the challenging was, as if by his presence they boxing. He found that boxing was demanding in 1995. They have left behind questions regarding a technique. could tell he was someone special. syllabus delineating out the tech- in using the flowing movements of the body their four daughters and one son. Often times asking the difficult At 73 years old he amazed niques to be learned by the student coupled with foot and hand coordination. With Named by his surviving family question of his own technique, people in demonstrations with his and ever new lesson was linked to his desire of Arnis and boxing he combined the body movements. Going members as the most senior stu- “now what do you do if he is speed and accuracy. After a dem- what was previously learned and to to Manila and various other cities throughout the Philippines his skills as dent and Executor of the Arnis bigger than you” he would ask and onstration, I enjoyed sitting back what was to be learned in the a boxer grew and soon he became known as ‘Kid Balite.’ Winning many Balite system Punong Guro Steven then go on to answer is own and watching for the amazed look future. bouts and building his career as a boxer he became a champion in 1938. K. Dowd has been appointed by question, a question others should on people’s faces when they Till the very end a few of To be a true student of Pundador Aguillon learning his fam- the family to carry on their father’s have asked. Not so concerned discovered his actual age. us trained religiously with Grand- ily art was an opportunity that only few would get for his standards of art and philosophies. about how applicable a technique Having been raised in Cebu master every Sunday at Ron trust, conduct, personality, and morality were key factors which would Punong Guro Dowd re- was for scoring points in competi- in the Philippines, Grandmaster as Manrique house in Southern permit one to become a personal student of his. As he would instruct, he turned to the Philippines in 2004 tion, Grandmaster always made he was normally addressed by his California. Having trained with would learn your weaknesses and strengths. This was to better instruct for a visit with the Aguillon fam- sure his technique where appli- students was raised in the Cebu Grandmaster since his early arrival the student, building his weaknesses into an equal relationship with ones ily and has learned that the other cable for true to life self defense during the Japanese occupation. to the United States, Ron was more strengths. instructors that were personally and sparing an opponent in a self Having had him share with me like a son than a student to Grand- A student that later became a celebrity in Hong Kong and taught by their father have passed defense situation was not an stories of what he had witnessed as master. Grandmaster always had throughout the Philippines in the movies and used the philosophies, and away during the years. And he is option he taught. His art is a hard a child, I would not wish those Ron handle the business side and taught what he learned from Pundador Aguillon and later established his the only original student left that style that has not been desensi- experiences on my worst enemy. It assist in the teaching of the stu- own organization was Grandmaster Trovador Ramos of TRACMA [Tro- was taught by their father Punda- tized, an art that has not been helped me to later understand why dents. vador Ramos Consolidated Martial Arts - of Combat Judo and Karate]. dor Manuel Aguillon. turned into a dance or a sport, but one might live, eat, and sleep Not only did we lose a Grandmaster Ramos always has shown the highest respect to Pundador a true form of self defense. An art martial arts for over 50 years as he Grandmaster, a gifted martial artist, for sharing his knowledge with him. that emphasizes both did. those who trained with him also Pundador constantly throughout his life reached out for more (stick and ), and empty hands Martial arts; was his life, it lost a mentor and a friend. I am knowledge, either from other Arnisadors, Grandmasters, and Masters of but always assumes ones opponent was his work, his hobby, and teach- fortunate for the time I was able to other fighting arts and even books when available. Constantly practic- may have a weapon. ing his knowledge to those who he spend with Grandmaster. Memo- ing and combining his family’s stick fight art any fighting art that would During his life he had wanted to know his art is what he ries that can never be lost, he is a blend in with his philosophies. Manuel found that the graceful move- many students from many differ- loved. A life simply satisfied by person that someday we will want ments of other martial arts such Judo, Ju Jitsu, Karate, Kung Fu and ent corners of the world, both martial arts, Grandmaster’s martial to tell our grandchildren about. coupled with the swift hand and foot fighting techniques of boxing, made civilian and military. He had the knowledge and experience could Those who trained with Grandmas- a distinct and characteristic form of Arnis into a Scientific Filipino Mar- gifted ability not only to excel in fill encyclopedias. For him it was ter are not only very fortunate to tial Art. martial artists, but also to be an never about the money it was about have been able to share his art, but As the years passed Manuel Aguillon became set and guarded excellent teacher. His teaching and his passion for martial arts, mold- also fortunate to have known him in his families art. Being selective and discreet in choosing students, he materials were very organized and ing, and shaping his students. As and to have shared his life. would only teach those who he found had high morale standards. So methodical. Every new lesson had My Sunday afternoons will my instructor in Combat Judo and Grandmaster Grandeza to inform teach me his techniques anymore. ing my speed and power, along Grandmaster Alcuizar devoted never be the same, Kirk Gooding Arnis. Master Candawan was also of our intention to affiliate to the Grandmaster Momoy has so many with my knowledge in Korean much of his time to the propaga- friend and student. Below is the working in the Registrar’s office Moo Duk Kwan ( Soo Do locks in Combat Judo and Espada Tang Soo Do punches, tion and development of the art, story of his fascinating life as of CIT. We practiced at the CIT Assn). Y Daga. He has a beautiful long- strikes, kicking, , and taking a more direct and scientific could only be told by him. compound every night from 8:00 However, in early 1966, range style and Arnis . Maybe stamina. approach. It was in 1950 during my p.m. to 11:00 p.m. Actually, Master Nanding Candawan left no one knew that Grandmaster When I was in Saudi WEF was organized to help vacation in Sabang, Sibonga, Master Fernando “Nanding” Cebu to pursue a job in the Regis- Momoy and my mother-in-law Arabia , I became a member of develop strict discipline in sports- Cebu, the birthplace of my father, Candawan, aside from Combat trar’s office in the University of were very close friends, and that WTSDA (World Tang Soo Do manship, promote sound mind and that I met Maning Tenebro, who Judo and Arnis, is also a Judo . Nevertheless, I main- the former house of my mother-in- Assn.), based in Philadelphia , by body, and improve skill and stami- became my first instructor in (Japanese) player. He is a former tained our practice in CIT every law was very close to the house of Grandmaster Jae Shin, and I na. In addition, the training re- Combat Judo and Arnis. He is a boxer and a bodybuilder. After a Sunday morning. We had strength Momoy. Grandmaster Momoy was received the lifetime mem- ceived allowed members to en- polite, calm, wholesome, and few months working as a security of more than one hundred, all CIT also a faith healer, so when my bership of said association. Later, I hance the moral and social reserved person. He is one of the , I was transferred to the students, and were able to expand mother-in-law got sick, Grandmas- also became a member of the responsibility of the youth, thus most respected men in the barrio Registrar’s office where Master our club to Lapu-Lapu City Cebu, ter Momoy would use his Oracion WOMA (World Organizer of minimizing and completely elimi- of Sabang. His father is a faith Nanding Candawan also worked. Minglanilla Cebu, City to cure her. Once when I got a Martial Arts, Saudi Arabia ) by nating delinquency. The philoso- healer. Maning himself offered to A few months later, we organized Mindanao, de Oro City, severe headache, Grandmaster Grandmaster Tianero. phy taught within the WEF cur- teach me and a nephew of my a club with some enthusiasts in and Tagbilaran City Bohol. Momoy applied his Oracion by I am indebted to all the riculum involved the following: sister’s husband combat judo and Combat Judo and Arnis. That was Later I went to the club of holding the back of my head, and Grandmasters and students 1) Develop physical, mental, as Arnis in preparation for the Sa- the formal birth of DUREX- Judo- Grandmaster Felimon “Momoy” within 30 seconds the headache throughout my martial arts career, well as social emotions of an indi- bang barrio fiesta demonstration. Arnis-Karate Club in the head- Cañete, a walking distance, and to was gone. I was always curious especially to my personal instruc- vidual. At the time, I was still an elemen- quarters inside CIT. In addition to the Doce Pares headquarters with about his ability to cure, and if it tor Grandmaster Fernando “Nand- tary student, so I had the house of Grandmaster had anything to do with his exper- ing” Candawan for his influence 2) Provide guidance to students in enough time to Ciriaco “Cacoy” Cañete. tise in Arnis or Espada Y Daga. I and role in my martial arts skills; the training of self-defense, physi- practice with Master Unknown to all then, I invited Grandmaster Momoy to to Grandmaster Felimon “Mo- cal fitness, self-control, and mental Maning, especially had private lessons with dinner, and had the chance to talk moy” Cañete for his patience, discipline which contributes to during vacation. As I Grandmaster Momoy to him about his extraordinary skill wisdom, and trust in me not only nonviolence. became more inter- Cañete, especially in the in curing by the use of Oracion, but as a martial artist, but also a 3) Develop students ability to gain ested, I wanted to Espada Y Daga and was afraid to open my mouth. protector of his secret techniques; the rare knowledge of knowing how improve my tech- double Arnis amara. Before I went to Saudi Arabia, I to my first to win without fighting, benefiting niques. I wanted to Grandmaster Momoy is a met Grandmaster Eulogio instructor Manuel “Maning” Yu; to others as well as within. practice every day, secretive man; I like that. “Yulling” Cañete. I cannot forget Grandmaster Casimiro “Chingi” 4) Guide students by imparting in since I was schooling Almost every Sunday his advice to me: “Don’t forget the Gradenza, President of the Philip- their minds what Eskrido could do in Cebu City. We afternoon I attended techniques that you learned from pine Moo Duk Kwan (Korean as a part of physical education in practiced every practice with his senior your instructor;” it is the same Tang Soo Do) of the City; the moral, physical, and spiritual Saturday and Sunday. students, such as Ben Doce Pares style. Later he told me and to Maning “Undo” Tenebro. development of an individual. One time Maning told me that his Eskrima/Arnis (stick defense) and Culanag, Ben Irog-irog, Peryong, to always search for techniques to August 1989 was an epic instructor was Doring Saavedra. Combat Judo (knife defense), we and Banoy Borja. I really practiced improve my style and abilities. making year. Spearheaded by Within the aspects of learn- Nevertheless, at that time I was not also offered Korean Martial Arts with Grandmaster Momoy after all I remember during the chief instructor Grandmaster ing any martial art, discipline train- interested to know who discovered Moo Duk Kwan (Tang Soo Do). his students left the class. He Doce Pares annual celebration, all Gerardo B. Alcuizar and a handful ing is a must. Thru this training, the said art or the style or where it In the same year, we affiliated the refrained me from joining the clubs affiliated with Doce Pares of energetic, sports-minded indi- students gain a moral philosophy came from. I just hungered for DUREX Judo-Arnis-Karate Club advance students. However, I would give a demonstration includ- viduals and self-defense enthusi- of obedience and a sense of duty techniques - just teach me how to to the Doce Pares headquarters always followed his advice and his ing the DUREX Club. But the most asts, he transformed a dream into and respect. The overall philoso- fight, protect, or defend myself if and our Tang Soo Do to the instructions not to tell or give to awaited performers were the reality by forming and founded the phy of the art is to help develop my life is in danger. headquarters in Bacolod City anyone what I have learned from Grandmasters. Every time they World Eskrido Federation (WEF) each student’s individual character, After I graduated from under Grandmaster Casimiro him. As I said earlier, he is a very demonstrated, I always watched at King Khalid Air Base Sports mental strength, and respect to oth- Cebu Institute of Technology “Chingi” Grandeza. We personally secretive man. That is why even in their movements, , and Complex, Kingdom of Saudi ers as well as the ability to do what (CIT), I got a job as a security talked to Grandmaster Ciriaco DUREX Club, nobody knew that I the flow of their hands in applying Arabia. WEF concentrated on is right, rather than what is easy or guard at CIT. That was when I met “Cacoy” Cañete about our affilia- was practicing with Grandmaster techniques. However, I made my Arnis/ Kali/Garote (Stick Fight- wrong. Not long after, many people Fernando Candawan from Doce tion to Doce Pares Club, and I Momoy Cañete because I was own research with my own tech- ing), Combat Judo (Knife De- from the different parts of Khamis Pares. In a short time, he became went to Bacolod City to meet with afraid he might not give me or niques, and refined them, develop- fense) including Karate influence. Mushayt, Kingdom of Saudi Arabia started to join WEF. Each member was screened to be of good moral and the daga or that was used with a student. Often, a student that he used necessary deadly force social standing. in earlier training. This was at first spent training time with his senior to defend his life. Until his death To date, the majority of the members are Filipino, along with other ridiculed by his detractors since the students or head instructor. An- in his seventies, this little man was Nationalities. At present, WEF has several branches scattered in Assir Region, double stick was the standard of ciong would supervise instructions known to humiliate young, strong Kingdom of Saudi Arabia, and in the Philippines Luzon, , and Mindanao. the day. and executions were done cor- and disrespectful karatekas, mar- In October of 2003, I came to join my wife as an immigrant here in the The rumor is that Tatay rectly. When a student was wait- tial artists and eskrimadors. Often United States of America. At the same time I was also invited as a representative Ensong took the short stick or daga ing for an instructor, a student had landing them on the seat of their from Saudi Arabia and Philippines for a World Tang Soo Do tournament held in from him when he would stab his to listen amid the din of clicking pants with him hovering over them Philadelphia, PA, USA. Since being here in the states, I have conducted a 4-part sparring partners. Whether that is sticks, to what the Grandmaster in a menacing manner. His talent seminar in Arnis, in cooperation with the Ferrer Academy of Martial Arts in Cy- a fable or the truth is beside the was teaching other students. A was esteemed, admired and even press, California. point. Anciong created and mas- diligent and attentive student could romanticized and embellished by Grandmaster Alcuizar resided in Bellflower, California, and was active tered the single stick and stuck pick up and overhear valuable les- his students and admirers. He was pursuit of continuing his contributions to the promotion of Filipino martial arts. to its practical usage. Today it is sons. Therefore, although a student also shunned or avoided by his ri- He used the term “ESKRIDO” as a combination for Eskrima, Arnis, and Combat widely imitated and copied by rival may have spent years at his club, vals. Regardless, he was a prodigy Judo and registered the name of “World Eskrido Federation” in the Philippine clubs who in the past advocated he may not have spent that much and master of his art that gained Securities and Exchange Commission (SEC). that two sticks were better than time in personalized instructions the respect and admiration of both Grandmaster Alcuizar was laid to rest in his homeland Cebu, Philippines. one. Anciong abhorred the fancy with the Grandmaster. That is not friend and foe. stick twirling, a signature of the to say his instructors were not So few have deserved the “rival club”, as impractical in real proficient and capable. They were title. As far as the author is con- fights. An apocryphal story is that excellent. In later years, Bacon’s cerned, there is and will always be Grandmaster Venancio “Anciong” Bacon he did not know how to do the body started to deteriorate from a only one Grandmaster of Balint- [1912-1980] amara. This sounds preposterous wasting disease. Many times, he awak, that is, “Anciong” Bacon. Founder Balintawak Eskrima since there is no mystery in the took time outs through long lapses Many sophomoric eskrimadors move. Even my little boy can do of conversation that would inter- have used the title “grandmaster” Venancio “Anciong” Timor Maranga, Jesus Cui, Ationg it. Bacon’s moves were music in rupt the workouts. To this day, or “supreme grandmaster” in a Bacon was born October 15, 1912 Abella, Jugo Milan and Vicente motion – direct, graceful, balanced, Balintawak is still a one-on-one trivial manner as if attaining a in Carcar, Cebu, Philippines, He Atillo later joined Anciong or elegant, effective and powerful teaching method. That is, if you self-anointed black belt. This is lived in Labangon, Cebu City. studied under Anciong, as Anciong – even mysterious and baffling. have to understand the nuances true, not only in Balintawak but He studied under Lorenzo “Tatay innovated and revolutionized the He preached balance and was the and fine shades of the art. Com- especially in other styles. It seems Ensong” Saavedra in the 1930’s in art. He advocated direct, efficient master of the mind game or psy- mercialized workouts just that those who have the temerity a style called corto linear. “Tatay” and effective moves. Nothing chological warfare. He called this don’t work that well. and audacity to make the claim just is an affectionate term for father was lavish or fancy; nevertheless, “taking the power” away from your Anciong was a genius of make their stake on the title. The as in the American term “pops” it was graceful and elegant. The opponent. his art, certainly a daring claim, term has been trifled and cheap- or “dad”. “Tatay Ensong” orga- other stylists brought their own Bacon established a club in not by Anciong but by me, his ened - it has become worthless. nized what was then known as the basic training methods and were the very small backyard of his stu- pupil. He was fabled and legend- Who grants these grandiose and Labangon Club, which picked up by the young masters, dent Eduardo Baculi. This was at ary - loved and respected by his spurious titles of grandmaster any- evolved as the Doce Pares (twelve were tested at workouts and thus the back of Baculi’s watch shop on students but hated and feared by way? Is it just bald-faced egotism pairs). After the death of Tatay the evolution and progression of a side street known as Balintawak his rivals and lifetime enemies but and immodesty? Have any of these Ensong, through club rivalry, the art. Street in downtown Cebu City, never disrespected. He was the so called grandmasters developed Anciong seceded from the club. Anciong was not only in- thus the name Balintawak. Balint- single most deadly practitioner a style, theory that is different, Bacon was frustrated with internal novative and original but fearless. nent of the single stick, using the awak is a place in , , of the art with verifiable battles independent or original? Have they club struggles and politics. He and He was the proponent of the cuen- free hand in what is known as known as Pugadlawin, where the (bahad - full contact ) to his written a book or a treatise on the Teodoro “Doring” Saavedra were tada method, often mouthed by tapi-tapi, checking hand or liter- patriot Andres Bonifacio made his name, including one that landed art? Have they promoted the art be- Tatay Ensong’s most outstanding many but seldom understood. Part ally translated as the rebuking or famous cry for an armed struggle him in jail for homicide. He killed yond their own clubs? ‘Just asking. students. Doring Saavedra died of his training was as a wrestler reproving (badlong) hand. The in revolt against Spain. This was a man who waylaid him in the None of Anciong’s students during during the Second World War at and boxer. The man was small in left hand was used to push, pull, later known as later Sigaw ng Pu- dark among the trees in his lifetime dared call themselves the hands of the Japanese kem- stature, probably only 5’2” or less clear, , , stab, poke, gadlawin (Cry of the hawks nest). Labangon. His lawyer failed to “grandmaster”. A precious few petai. in height and no more than 120 slap, distract, chop, lift, raise and Bacon had several students convince the judge that what he today have come close to the title. Several other skilled es- pounds, soaking wet swing and swing over the oppo- and he had to make the rounds be- did was done in self-defense. His krimadors such as Delfin Lopez, Anciong was a propo- nent’s stick. It was used in lieu of fore he could spend valuable time lawyer apparently failed to prove Guro Mariano Bermodes him. His style was quite unique and very effective. I [1958 – 2006] am honored to say that Guro Mariano Bermodes was Serrada my first escrima instructor. Guro Bermodes is appreciated by everybody that has spent time with him. Not only is my friend a Mariano Baldo “Butch” Bermodes, away due to the stories that were great man, a great husband, and a great father, a great 47 of Stockton, passed away on being told about myself and the escrimador. He is a great human being that I have Thursday, October 19, 2006 in his I was involved in and the had the honor and privilege to call my friend and home. Born on October 26, 1958 trouble that I might bring to him brother now for over 22 years. in Fresno, CA, he graduated from if he decided to hang around with My friend and instructor Mariano has a beau- Edison High School in 1976. He me. In spite of the rumors and sto- tiful wife Febe and 4 wonderful children. When the was a grocery clerk for Safeway ries that were being told to anyone and a manager in the dairy indus- that would listen, he agreed to try for 21 years. Butch loved the teach me serrada. Our first lesson outdoors, snow boarding, paint was one I will never forget. balling and camping. He was an He sat me down and drilled advanced instructor of the Fili- me. He said, “When I tell you to pino martial art Escrima Serrada do something, don’t ask why or System and was a photographer the class will end for good.” Do for West Coast Youth Explosion what he asked without question some of the best and funniest days Ministries. A member of the Com- and the training would go fine. If I of all my training for the last 22 munity Church of God. Butch was did not want to do a drill or any- years. a Corporal in the Marines thing that he asked me the class He was the man who intro- from 1977 to 1980. would end for good. He spent duced me to Grandmaster Angel Cabales. Mariano had told me that I first met Mariano Ber- about an hour telling me how the training was going to go. If I had our training had to end because he modes in the year of 1984. I had could not teach me anymore, that I just transferred into the retail store any reservations, then just leave now and class will never start. needed to go to the Grandmaster to that he was working in. I had been finish my training. Angel did take training in Goju Ryu for almost With everything that he told me, I was not sure if I even me as a student, which in time I 3 years at the time. I had noticed received my advanced Instructors that Mariano carried himself with wanted to learn. But there was just something that Mariano pos- degree and afterwards my Masters confidence, humbleness and kind- degree under Grandmaster Ca- ness. He was a very nice man. I sessed that had me saying to him “no problem I wanted to learn. We bales. had asked him if he trained in any My first instructor and great martial arts at all and his answer spent about 3 hours getting started. My first class was so much fun. friend was there when Grandmas- to me was an astounding “NO”. I ter Cabales presented me with my said okay, I just thought I would He made his escrima come to life. time is right I will finish their training as their father has He truly expressed his master’s degree. He was as happy ask. A week or two had passed for me, maybe more than anybody asked me to do. and he came back to me and asked art in a very special way. I was there for the accomplishment. Those of you that are out there that knew Mari- me why I had asked him about not a brand new student that was Mariano went on to train ano Bermodes; please keep him in your thoughts and training. I told him the reason and awestruck with his abilities. He many people since taking me on. prayers. There are good Escrimadors, even very good he smiled at me and said that he was truly a gifted escrimador and teacher. His other students were He has students stretching from Escrimadors; Mariano is one of the great ones. trained under Grandmaster An- Sacramento to Tracy; CA. Mariano also very good at the level they He is survived by his wife of 18 years, Febe Bermodes gel Cabales. He had received an is an instructor who preferred to be were at, during their training. This of Stockton. Loving father of Mariano Bermodes, Jr., advanced instructors’ certificate. I under the radar. He loved seeing definitely showed me he knew Douglas Bermodes, Brittany Bermodes and Cortney asked if he had any students that his students advance and become what he was doing. He had intro- Bermodes, all of Stockton . Also survived by numerous he was currently training. He told very competent instructors in their duced me to many Serradians dur- brothers and sisters. “Proud Godfather of Elai John me he did. I then asked if I could own rights. become a student under him. ing our training days. The days I Asio and Khryzel A. Boron.” trained with Guro Bermodes were He was satisfied to see the He did not answer right art taught, the way it was taught to Guro Grande George Brewster Grandmaster Angel Cabales [1924 – 2006] [1917 - 1991] Brewster Arnis Serrada Eskrima Quote from Guro George Brewster - The training must go on! Quote from Guro Peter Freedman - And so it will! Grandmaster Angel Cabales was born in Barrio Igania, Sibalom, , Philippines, in the early 20’s. His mother died when Angel was only two weeks old. His father entrusted the care of young Cabales to his maternal the German concentration camps. who he spoke to over the phone. Uncle in Barrio Guintas, San Jose, Antique. Cabales’ uncle took care of him He helped to build bridges to help Guro Brewster had J.C. Cabiero until young Cabales reached the age of 16. It was in this Barrio setting that Patton’s tanks cross over. travel from California to teach young Cabales became interested in the Filipino art of stick fighting which he Guro George Brewster Angel Cabales later referred to as Escrima. His introduction into the Filipino art was through started Martial arts in early 1950. Serrada System, to his an Escrimador by the name of Felicisimo Dizon. Dizon was known as the He was a practitioner of Judo and students. He also had Guro Felix “Wizard” because of his skill in combat. In fact he was the undisputed death Karate. He started out with Oki- Valencia visit to teach the Lameco match champion of the Philippines; never having been defeated in reality nawan Goju Ryu Karate with Geo Escrima system to his students. He death matches. In 1932 at the tender age of 15, Gonis and then Goju Kai Karate has Peter Freedman Sensei / Guro Angel Cabales began his rigorous and intensive training under the watch- where he achieved the rank of his senior student who also teaches ful eyes of Felicisimo Dizon. Cabales absorbed the knowledge of Escrima Master. Guro George Brewster Ketsugo for close quarters quickly. It was common occurrences for other schools to challenge their Guro Grande George was introduced Arnis in 1975 by Brewster grew up on Hammond empty hand as well. competitors; this was no exception when word circulated that Cabales was Amante P. Marinas who taught Guro Grande George Dizon’s top student. In his first challenge Cabales defeated his opponent Street in Boston Massachusetts him Arnis Lanada. He also studied where he attended and graduated Brewster was laid to rest on March in short order. As other challenges came to Dizon, Cabales would be his Arnis Lanada from Porferio S. 30, 2006, with family and many right hand man. Together the two were a formidable team in the stick/knife Sherwin Elementary School and Lanada founder of Arnis Demano English High School. friends in attendance. art. Most matches last less than a few seconds, as Dizon and Cabales were Federation. Guro George Brewster If any body wants to train precise in their Escrima art. Dizon and Cabales were an undefeated duo. He served in the United founded the Boston Arnis Club. States Army in 1943 (World War with the Boston Arnis Club, they Time finally came when the two had to take different paths in life. Without any technical job skills, Cabales had Guro Brewster also started can contact Guro Peter Freedman to take any type of job that he could get to survive economically. He landed odd jobs on the docks of the Phil- Two) he participated in four major training with Guro Rey Galang of campaigns, Normandy, Northern who will be carrying on Guro ippines, working as dock worker, laborer, cement mixer and longshoreman. Recognized as an accomplished Bakbakan International from Lodi Grande George Brewster’s Escrimador he was hired by wealthy Filipino Matrons as a bodyguard. He also worked as a special policeman France, Rhineland, and Central New Jersey. It was here that he Europe. He also was part of the Legacy of Arnis, which will now at Muella Industria, Intramuros, in Manila. added to his knowledge the art of be called - Brewster Arnis. Ev- In 1939 Angel Cabales departed the Philippines and joined the crew of the SS Don Jose, a freighter car- unit that helped to blow up the gas Kali Ilustrisimo. Guro Brewster tanks at the Battle of the Bulge so ery thing will be taught as Guro rier under the flagship of the Madrigal Shipping Lines. The vessel was plying route from Manila to several ports also knew the great late Angel George Brewster had taught and of the world, which included the ports in the United States. the German panzer tanks could Cabales Serrada Escrima Master, not refuel. He helped to shut down passed his art to others. Seeing great opportunities in the United States, Angel Cabales abandoned his job as a sailor and decided to reside in Stockton, California, where he opened his first EscrimaAcademy in 1966. His reputation spread and soon he attracted some of the legendary martial artists of the time as students. Such names as Max Sarm- iento, Mike Inay, Dentoy Revillar, Al Concepcion, Jimmy Tacosa, Leo T. Fong, Dan Inosanto, Fred Bandalan, Richard Bustillo, Ted Lucylucay, Anthony Davis, Leo Giron, and many others were privileged to learn Cabales Serrada Escrima System. Cabales died in 1992 and leaves a rich legacy of his art through his students. Serrada Escrima is now being taught around the world. Grandmaster Jose D. Caballero Founder Filemon De La Cuesta Canete [1907 – 1987] [1904 - 1995] De Campo Uno-Dos-Tres Orihinal San Miguel Eskrima Grandmaster Jose D. Caballero was born on August 7, 1907 in barrio Ibo, The island of Cebu is Toledo City west of Cebu Province. In his early youth he used to go from barrio famous for developing some of the to barrio to watch eskrima exhibitions during fiesta celebrations.These demon- finest martial artists in the Philip- strations were more of a cultural presentation than a display of real fighting.The pines. Chief among these were exhibitions mostly pre-arranged sparring called de Cadena was far from the real members of the Illustrisimo family combat that the young Caballero was doggedly searching for. From his observa- in Northern Cebu, the Saavedra tions of these exhibitions he later modified the moves with emphasis on three family in Central Cebu, and the striking levels: the eyes, hands or elbows and knees. He later named the method Romo family in Southern Cebu. as De Campo Uno-Dos-Tres Orihinal. These families were friendly with Momoy towards a traditional mid- The name of the method was derived from his middle name Diaz and each other and it is likely that they to long-range style of eskrima, in powerful counter- or thrust, his surname Caballero. He also postulated that when lifting heavy objects, it is trained together from time to time contrast to the shorter-range styles and created a more aggressive role usually accomplished at the count of three as in “Uno Dos y Tres!” A rabid fan (although a lack of written records that were becoming more popu- for the dagger, which could now be of movies, he likens his style to the quick draw. Whoever lands the first makes this difficult to determine). lar. His eskrima was sometimes used both to monitor and control strike in a stick fight, wins! In the early 1900s, the Saavedras referred to as the “Batangueno” an opponent’s weapons as well as Grandmaster Caballero served in the Philippine Constabulary and was were among the most respected style. to the opponent with thrusts. once assigned in the hostile Moro country of Lanao province. After his retirement fighters in Cebu and many of the In 1932, the Canete broth- Momoy also introduced practice from the Constabulary he continued to teach his brand of Eskrima, and at the same time the challenges that was great Eskrimadors of that century ers and the Saavedras were the with the , an ancient weapon part and parcel of the art continued to hound him. One of his most memorable matches was in 1936 when he trained with them. principle organizers of the Doce that had fallen into disregard dur- fought an eskrimador named Anoy from the nearby town of Tangub. During the match the hometown crowd Filemon De La Cuesta Pares Club. Momoy was officially ing the Spanish occupation. He rooting for their challenger, cheered as Grandmaster Caballero dodged, backpedaled around the tennis court. In Canete (“Momoy” to his friends) listed as one of the Sergeants at linked the movements of the spear a flash Grandmaster Caballero unleashed his trademark one-two three strikes and sent the opponent’s stick fly- was born in 1904 on the island Arms. Momoy considered the to those of the stick and dagger, ing into the air. The challenger, hands and pride bleeding surrendered. The crowd not seeing the blurring combi- of Cebu, Philippines. He and his Saavedras to be his main teachers, and added the ananangkil, chain, nations of Grandmaster Caballero thought the whole match was fixed, shouted “TAYOPE!” (fixed) In his prime brothers were taught eskrima by and the stick and dagger meth- bullwhip, and to his Grandmaster Caballero was the vaunted Juego Todo (All Out, no holds barred) champion and beat famous their father, Gregorio “Oyong” ods that he later developed into arsenal of weapons. These were all Eskrimadors like Simeon Saavedra of Talisay, Balbino Mancao, Vicente Labor, Juan Carolla of Ilocos, Alfredo Canete, and their uncle, Pedro his method of eskrima are based used as weapons in their own right, Macalolan of Negros, Tanciong Lopez from Cebu City, Salomon Canonio and many lesser known challengers Canete. As he grew older, Momoy directly on their teachings. The but also to develop attributes that to his crown. studied with Eskrimadors from style of Eskrima practiced by the Momoy considered essential to his His most illustrious students were Punong Guro Edgar G. Sulite Founder of Lameco Eskrima Interna- the San Fernando region of Cebu, Saavedra family consisted mainly method of eskrima. tional, his brother Helacrio Sulite, Jr. and favorite protege Ireneo L. Olavides. Never realizing his dream to gain including Lieutenant Cipriano Ara- of counters to the different angles During World War II, the recognition like the more popular “Doce Pares” and “Balintawak” methods, the old warrior died on August nas, Huanso Tecson, Juan Takya, of attack, and Tapi-Tapi - a form Momoy ferried supplies from the 24, 1987. Goriong Tagalog, Andres Suarez of controlled sparring at close Americans to the Filipino resis- and Tito de Goma. In 1920, the quarters that emphasized the use tance army in the mountains and family moved to the San Nicolas of the empty hand to monitor and forests. He also served as a healer district of Cebu City, and he began control the opponent’s weapon. In for many Filipino soldiers. The to study with Lorenzo “Tatay addition, Doring Saavedra taught Japanese killed many eskrimadors Ensong” Saavedra and his nephew a method of espada y daga that during the war. Those who sur- Teodoro “Doring” Saavedra. Mo- utilized the daga in a manner that vived either hid with the guerrillas moy also explored faith healing was similar to the use of the empty or fled. Teodoro “Doring” Saave- with Don Tecson, who was known hand in tapi-tapi. dra was executed by the Kempetai, as a faith healer and wild animal Momoy concentrated on and Lorenzo “Tatay Ensong” catcher. He later studied Combat espada y daga in his own training Saavedra died of old age in Mam- Judo with Jeseus Cui and blended because he considered it the most baling. its principles with his eskrima. Je- difficult style to master. He de- After the war, Momoy sus Cui was also versed in espada veloped extensive footwork skills became well known in the San y daga (Punta y Daga) and Tapi- to allow him to evade an attack Nicolas barrio of Cebu City as Tapi. He is credited with orienting and move back in quickly with a a healer. Often during Eskrima practice he would pause to treat tion. Tom Bisio states that during Bisio formed the “San Miguel Grandmaster Vicente “Inting” Carin patients from the neighborhood breaks in Eskrima practice he Eskrima Association” in the United [1920 – 2004] with spiritual healing and hilot in could often be seen staring off into States. The goal of this group is Doce Pares his courtyard. As he massaged an space, clapping his hands together to preserve, promote and develop Vicente Carin was born in Dalaguete, which is in Cebu, and it’s approxi- injury, aligned bones, or healed ill- to mark time as he created new Master Canete’s eskrima method. mately 40 miles away from Cebu City. ness, he recited spiritual words and forms. The name is a product of discus- At the time of his birth there was a mix up with dates and times of the birth, prayers. Momoy attributed his skill Momoy Canete continued sions with Master Canete in 1987. so throughout his life he always had to celebrate two birthdays, one for the date told to God and claimed that concen- to teach and refine his Eskrima up It is also an attempt to define his to him by his mother, and the other was the date that was eventually put on the birth trated prayer developed his ability until his death in 1995. His stu- method as a traditional style of certificate documents, but no-one knew which date was the correct one. to heal. (It is interesting to note dents continue to develop and pass eskrima that emphasizes the use of When Vicente Carin was very young, his father Gorio persuaded his wife that Momoy may have based the on his art. Some of these students the , and to differentiate his Merta to leave their dwellings and to go live in Cebu City where he had found a name “San Miguel Eskrima” on include Nong U. Borja, Noy A. method from the modern tourna- new job. a statue of Saint Michael in Cebu Canete, Vicente “Inting” Carin, ment styles of Doce Pares. But Merta did not like the idea because she was happy with the resources City that depicts him slaying a Nong I. Casio, P. Flores, A. Pasa, Tom Bisio is the head of the that they had, and to her it was sufficient enough for their family to live with. dragon in a crossed-legged stance; and A. Dacayana Grandmaster San Miguel Eskrima Association. “San Miguel Stepping” employs Diony Canete and Master Dong He made several trips to the Philip- Her decision was supported tation as a very tough opponent, Ybanez, and everyone knew that a similar stance as the transition Cuesta of the Doce Pares system pines to train with Filemon Canete by her brothers, but this made especially after having some very Ponsing Ybanez was a great stick between forward and backward have propagated aspects of Mo- between 1979 and 1987. The name Gorio very mad, so he decided to hard fights. fighter, and he became Vicente footwork movements. According moy’s eskrima method. Steven of the association and its goals to burn their house down, then he fled He also worked as a coun- Carin’s teacher, hero and idol. to Grandmaster Casio, Momoy Drape studies with Grandmas- preserve and develop the principles there from Dalaguete with his son ter salesman in a Japanese owned There was a time when a may also have developed his ideas ter Urbano “Banoy” Borja and and methods of the old eskrima young Vicente ‘Inting’ Carin on his store before the war. family feud erupted into full blown from the concept of “Sinugdanan teaches eskrima in Saudi Arabia. came out of a series of discussions shoulders. As a child he studied to a mayhem between his Eskrima- ug Kataposan,” which means that Ramon Rubia, also of Doce Pares, between Mr. Bisio and Master Gorio was later targeted by good level of education, actually dor relatives and a group of stone no one can conquer or defeat an studied both with Momoy and Canete that took place during those his in-laws, and they chased him this was almost an equivalent level throwing distant relatives. angel of God.). with several of his senior students, years. Mr. Bisio was given author- with hand made guns, and blow to the school teachers there in the Even Vicente Carin’s old Momoy also learned to and teaches Momoy’s eskrima in ity at that time to promote Filemon darts, so when they caught up with Philippines, because he was very father Gorio got involved in that play the guitar, and composed Southern California. Agapito Gon- Canete’s Eskrima method. The him eventually, he was imprisoned bright and articulate, and especial- battle and he protected any of his several popular songs. He was zalez, Ralph Hamrick, Ron Harris, San Miguel Eskrima Association for burning down the house, and ly with the English language. fallen relatives by screaming at the considered a talented musician and and Mike Berkeley also traveled to is composed of a dedicated group for trying to kidnap his son Vicen- When World War 2 broke oncoming distant relatives who songwriter. His ability to come up Cebu to study with Momoy in the of instructors who wish to preserve te. out, the young man Vicente Carin were coming to kill the fallen fam- with new movements and forms late 1980’s. Master Canete’s art and personal Later on his family did signed up as a soldier, and he was ily member. was attributed by his students to Following the death of vision. decide to transfer to Cebu City, be- then inducted as regular member Gorio Carin chased people his talent for musical composi- Filemon Canete in 1997, Tom cause there was more opportunity of the Philippine Guerilla Platoon. away with his knife, and at times for work there. He was very active as he would even pick up a stone and In his early teens Vicente a Geurilla fighter in the moun- throw it back at the angry group Carin witnessed his elder brother tains around Cebu, and he fought of distant relatives. (The old man Cipriano get fatally shot and mur- against the Japanese. saved the fallen ones from a certain dered, then his body was thrown in After the war he was death!) the mud and was covered up just honorably discharged as a soldier, Old man Gorio was not like a pig, this act was carried out so he sought refuge back in Da- fully convince that Eskrima was by a very nasty and cruel Police laguete where he was born, but effective enough in a danger- Officer from Dalaguete. when he arrived there he got a real ous fight, so he preferred to use a Even at a young age, Vi- surprise when he found out that bladed weapon instead. cente Carin vowed revenge for his most of his the senior family rela- When Vicente Carin had brother’s death, and he knew that tives had commenced the practice learned enough of the Filipino eventually he would kill the man of Eskrima, and they trained with Stickfighting from his Uncle Pons- who murdered his brother. great pride and honor. ing Ybanez, he had to fight a As young man, Vicente He learned his Eskrima ‘Juego Todo’ stick fight with his Carin became an amateur boxer, skills from the leader of the teacher just to see if he was worthy and he earned himself quite a repu- group, this was his Uncle Ponsing enough to be a real stick fighter. It was here that Vicente now his sons teach the style of ritual was all done in Latin words Delfin Lopez, Grandmaster An- Mayor of Cebu, this person always Carin earned his reputation as a their father, and they continue his for personal protection, power and ciong Bacon, Coling Javelosa, the received a stern warning from champion stick fighter, because he legacy. anticipation, which could be used Saavedra Brothers, and the Canete Delfin Lopez, and they would also was too tough for his Uncle Pons- Note: ‘Espada y Daga’ means- to calm an otherwise volatile indi- Brothers. get a beating just to show who was ing Ybanez, because he fought and Dagger Techniques vidual or animal, and these pow- This was a time when in charge, and this is why nobody him so hard that eventually Pons- ‘Juego Todo’ means- Stick fight ers, could also be used to calm an Vicente Carin developed his own ever stood up to Delfin Lopez. ing Ybanez surrendered. without any rules, and no protec- aggressive spirit or demon. version of the espada y daga tech- (He’d always challenge any of the At the height of Vicente tive equipment. Vicente Carin taught his older son niques, and he also developed the Bodyguards to a fight!) Carins popularity as a ‘Juego Alfredo how to use these powers as new series of techniques for the Nobody at that time had the Todo’ stick fighter, he sought the There are many styles well, and he practiced this ancient long range and close range knife guts to become the Lord Mayors where abouts of his brother’s kill- in Cebu that once belonged to belief and Mantra for many years, fighting. Bodyguard because they were all er, because he wanted to avenge the original Doce Pares Eskrima actually Vicente Carin continued Vicente Carin came from scared of that fierce man named his brother’s death. Organization which was founded this ritual and Mantra rite up to his the school of hard knocks, so Delfin Lopez, and what he would That brutal Policeman in 1932, but a lot of these styles death in 2004. he earned his living by being a do to them. heard that Vicente Carin was look- have branched off to create their When Vicente Carin joined minder for business men, and at The only person who ac- ing for him so as to avenge his own style of Eskrima, yet it is so receive from his father if he ever the Doce Pares organization he times he was employed to put the cepted the task of being a Body- brother’s , so the Police- very obvious to see the essence of found out the real truth of what had already had well polished Eskrima hard word on staff members who guard for the Lord Mayor was man got so scared that together the original Doce Pares Eskrima really happened to that money and skills that he had learned from the were cheating their bosses by be- Vicente Carin, because he was not with his family they all left to go techniques still in their systems, the documents for the USA resi- great Grandmaster Momoy Canete, ing dishonest in their behavior at scared of Delfin Lopez, and this live in Mindanao. even at this time now. dency application. this also included the basics of Es- their work place. was due to the fact that Vicente The Policeman had been The Doce Pares Eskrima This is something he regret- pada y daga, and he was taught the In early 1950s the Cebu Carin knew everything about the told about Vicente Carin’s ‘Juego Organization is respected as the ted all his life, because if he had old techniques from the original City Mayor named Inting Del fierce Delfin Lopez, so this also Todo’ stick fights, and his acts leader and front runner of Eskrima done the right thing, all of his fam- Labangdon Fencing Club. Rosario was always harassed by a meant that he knew his strengths of bravery during the war, so the in Cebu City of the Philippines, ily and himself could have been Vicente Carin liked to prac- Doce Pares member, his name was and weaknesses as a man, and as a Policeman became so afraid of ever since it was formulated in American citizens, and then they tice using a sharp single blade pi- Delfin Lopez, he was a killer and fighter as well. Vicente Carin’s day of vengeance, 1932. would all be eligible to receive nute, or the long bladed a hulk of a man, because he was Therefore Vicente Carin so he just fled. Doce Pares Eskrima Stick some form of pension as well. sword, and he also liked to demon- a wrestler, boxer and an expert was hired and appointed as the After the war Vicente fighters are known as real stick- After this he became an strate his skills with these weapons Eskrimador, so Delfin Lopez was Senior Bodyguard for the Lord Carin polished and upgraded his fighting warriors in the Philip- amateur boxer, and he was known whenever he did an exhibition for feared all over Cebu, and nobody Mayor of Cebu! Eskrima skills to a very effective pines. for his tremendous the public. dared to challenge this fierce man! and combative level, and he taught Vicente Carin was given punch, but after having a few Some original members of Whatever Bodyguard had his family members his own style money from his father and he was bouts, he decided to quit boxing the Doce Pares Club consisted of been chosen to look after the Lord of Eskrima. asked to process his documents so because of his height disadvantage Vicente Carin later joined that he could get residency for all against much taller opponents. the very famous Doce Pares Es- of the Carin family in the USA, There was a time when Vi- krima Organization, so he became this was because Vicente Carin cente Carin’s distant uncle taught the student of Grand Master Mo- was a member of the USAFFE him how to use special amulet moy Canete, and he was taught the during World War 2. powers, this was also while he Espada y Daga techniques from Unfortunately Vicente was still back in the army brigade this great teacher. Carin lost the money because he near his hometown, and his uncle Vicente Carin was later had stopped by at a local gambling showed him how he would inflict ranked as a ‘Grand Master’ in the den along the way, and he had lost a stab or slash against some of his Doce Pares Eskrima system, and all the money with his gambling, disciples onto their arms and body, he would do a lot of sparring with so he decided to dispose of all the but it wouldn’t pierce the skin of the club’s ‘Juego Todo’ champion, USA residency application forms, the person. the very famous Cacoy Canete! and he hoped that his father would His uncle told Vicente Eventually Grandmaster just think that the family’s applica- Carin that these powers protected Vicente Carin branched out and tion did not get accepted. people against and bullets. created his own style of ‘Da- Vicente Carin was very Vicente Carin was given laguete Doce Pares Eskrima’, and afraid of the wrath that he would the daily Mantra prayer, and the Gregorio Ceniza eous slashes that take dozens of stitches to close. 1925 - 2007 Thus a martial art that allows a man to defend himself from a knife attack is definitely significant, espe- Baraw Sugbo cially now that a gun ban - which does nothing but encourage street by prohibiting law-abiding citizens from fighting back – has limited our manner of protecting ourselves. The Passing of an Eskrima Patriarch Sun Star Cebu By Karlon N. Rama The community of Eskrimadores ing to the book Cebuano Eskrima: Roland Tangco Pintoy Dantes in Cebu, mourn the passing of a Beyond the Myth of Dr. Ned [1944 – 2009] teacher - Gregorio Ceniza, 82. Nepangue and Celestino Maca- A very sad day for the Roland Dantes was viewed Goyong to friends and chor, learned the dagger art from rulers and Filipino martial arts community by family, friends and fellow fellow practitioners, he was a his uncle, the late Lucresio Albaño culminated throughout the world, Roland martial artists at Marian Memo- proponent of Baraw Sugbo, a who learned it from a certain Simo, in a move Dantes was rushed to the Philip- rial Chapel located on Marcos dagger-oriented system that traces Saavedra’s only student in knife to capture pine Heart Center, East Ave., Que- Highway, Antipolo City, Rizal, its roots to Lorenzo Saavedra - one fighting. and arrest zon Coty, Philippines and expired Philippines; he was dressed in his of the patriarchs of Eskrima in Ceniza taught the art to him. This at 1:52 am on March 16, 2009. Arnisador uniform with two bas- Indeed very few prac- Cebu and teacher to both Venancio two men, Cronnie Cabatingan and made it to Just the afternoon and tons at his side. titioners of the Art of Eskrima “Anciong” Bacon (1912-1981) Rene Capangpangan (1953-2000), where he was evening before he had joined in a Roland Dantes was laid to nowadays specialize only in one of Balintawak and Filemon “Mo- as well as to his son, Eduardo constantly on gathering of Filipino martial arts rest on March 22, 2009 at Heav- facet of a complex fighting system moy” Cañete (1904-1995) of Doce “Boy” Ceniza. the move to practitioners at Peachie Baron- en’s Gate Memorial Park, Anti- ranging from solo , double Pares. It was Capangpangan who elude them, Saguin home, enjoying the cama- polo, Philippines. baston, espada y daga, pangamot- Baraw Sugbo, however, is baptized the technique as Baraw moving from raderie and brotherhood of fellow Looking back to when the the entire gamut of the Filipino one of the least known styles of Sugbo with Ceniza’s approval. Ba- one place to martial artists. Spanish dominated the Philip- Martial Arts. One such rare master Eskrima. This is understandably so raw is the Cebuano word for dag- another. Untiring in his quest in the pines, Guro Dantes Spanish grand- is Gregorio “Goyong” Ceniza of because when people think “Eskri- ger. Cabatingan and the younger Real- promulgation and promotion of father Loreto arrived from Spain, Mandaue City, Cebu. Grandmaster ma” they only see two people with Ceniza continue to teach it today. izing his life the Filipino martial arts, Roland only to see that the Filipino people Goyong specializes only in the sticks fighting in their heads. And Most of their students are friends was in dan- Dantes was a man that had touched were being unjustly ruled and deadly business of knife fighting, Goyong never went main stream and the friends of friends who are ger should he every one’s life that had met him, treated. Seeing this, his response period. Baraw Sugbu formerly by teaching on a commercial interested. stay in Manila, his a true crusader and ambassador of was to join the resistance against known as Arnis Diablo traces its scale. Thus, word of his art didn’t Minus the 181 “vigilante- grandfather fled Manila on a ship the Filipino martial arts and the the Spanish, he eventually came lineage to the patriarch of Cebuano spread outside his own close-knit style” that media has whose Captains name was Pintoy. Philippine culture. to the attention of the Spanish Doce Pares the Great Grandmas- community of practitioners. reported heavily on since 2004, Adopting the name Pintoy to assist ter Lorenzo Saavedra. Saavedra Training is done in twos the knife rules Cebu City’s mean him in eluding the taught a distinct brand of knife and proceeds as an interactive streets. More people are brought Spanish authorities, fighting that he shared to only drill. Trainings begin standing up, to government hospitals for stab he was constantly on a few chosen disciples. One of just like corto mano practice in wound rather than gunshot wound the move from one Saavedra’s protégés a certain Simo Eskrima, or on the ground. Like treatment, attests Dr. Tyrone Mer- island to another to later passed on the methodology to in Eskrima, the concept of the live cader. And the wounds, he said, evade capture and he Lucresio Okit Albano who became or checking hand opposite the range from the ordinary-looking found himself in the later Goyong Ceniza’s mentor in weapon hand is very evident. And puncture marks to those long hid- southern regions of Baraw Sugbu. instead of being taught a series and Mindanao. The system was so secret of disarming techniques, Baraw Note: There is an that Grandmaster Ceniza says they Sugbo teaches a flowing maneuver island off the coast used to practice under a cloak of of attacks, counters and counter- of Leyte, which is blanket to screen the deadly drills. to-counter moves like the palakaw named Pintuyon One of Grandmaster of Eskrima. The students exchange Island; this be- Ceniza’s top students was the late roles so they can both practice the ing named after his Aproniano “Rene” Capangpangan attacking and defending compo- grandfather for this who also later became the mentor nents of the art. was is main refuge of Dr. Ned Nepangue. Lineage: Ceniza, accord- from the Spanish. Being Spanish, he was that what he was teaching him Always one to contribute to come about. It is hoped that all promoted and worked hard for this continuously throughout the world. already familiar with the Span- were techniques for survival and and assist in the preservation and practitioners of Filipino martial to come about. It is hoped that all Additionally, he has promoted the ish methods of fencing, however that the Filipinos had their own promotion of the Filipino martial arts will come to share this most practitioners of Filipino martial art of Arnis continuously through- due to his involvement with the effective combat methods. After arts, Master Roland Dantes holds special time when the Filipino arts will come to share this most out the world since the 1970s. resistance, he was exposed to the his father’s death, Roland interest the position as Chairman of Inter- arts will compete showing the art special time when the Filipino Awarded a 7th degree Black Belt in various approaches his Filipino in martial arts stayed with him and national Affairs of Arnis Philip- to its fullest tradition, skills, and arts will compete showing the art Arnis de Mano in 1977 by the late resistance fighters he led and the he eventually earned black belts in pines, and the International Arnis beauty. Not just as a sport, but as to its fullest tradition, skills, and Grandmaster Remy Presas of Mod- Filipinos he came into contact Shotokan and Moo Duk Kwan. Federation, Arnis Philippines for part of the history of the Philip- beauty. Not just as a sport, but as ern Arnis, he was later promoted with. While in pines which has been continuously part of the history of the Philip- to the rank of 8th degree black belt On a very sad day, while college and major- handed down from generation to pines which has been continuously prior to Professor Remy passing again moving to elude the Spanish, ing in PE (physi- generation. This has been through handed down from generation to away. Guro Dantes has also studied on a boat off the island of Mind- cal education), such men as Professor Remy A. generation. This has been through with some of the most recognized anao, Roland’s grandfather, grand- he met Professor Presas, Grandmaster Ben Luna such men as Professor Remy A. Filipino martial artists such as: mother and several of his men of Remy Presas. It Lema, Grandmaster Antonio Presas, Grandmaster Ben Luna Grandmaster Ben Lima - Light- the resistant were transiting in a was Professor Ilustrisimo, Grandmaster Angel Lema, Grandmaster Antonio ning Scientific Arnis, Grandmaster boat. Pirates attacked the boat, and Presas’s program Cabales, Grandmaster Filemon Ilustrisimo, Grandmaster Angel Johnny F. Chiuten, Grandmaster a fierce battle took place. Only the that was one of Canete, Grandmaster Filemon Cabales, Grandmaster Filemon Filemon Caburnay - Lapunti Arnis one of the men of Roland’s grand- the first of its kind Caburany, Grandmaster Leo Giron, Canete, Grandmaster Filemon de Abaniko, Grandmaster Antonio father is noted to be a survivor, and to be accepted by Mangisursuro Mike Inay, Grand- Caburany, Grandmaster Leo Ilustrisimo - Ilustrisimo system/ in accounting the events of the at- the Department of master Timoteo Maranga, Punong Giron, Mangisursuro Mike Inay, Kali Ilustrisimo, Grandmaster tack elaborated on what happened. Physical Educa- Guro Edgar Sulite, to mention just Grandmaster Timoteo Maranga, Jose Mena - Mena Style/Doblette He tells a story that Loreto, the tion to be used a few, for the list goes on and on. Punong Guro Edgar Sulite, to Rapilon, Grandmaster Dr. Guiller- grandfather of Master Dantes, was as a physical education subject. those who do not know, are the It is because due to the efforts of mention just a few, for the list goes mo Lengson (Kafephil / Arfephil/ fighting fiercely against the pirates With his interest in arnis instantly official governing body recognized these great martial artists and the on and on. Due to the efforts of Sagasa), Grandmaster Ciriaco upon hearing his wife yelling from re-ignited, Roland started train- by the Philippine government are organizations that have promoted these great martial artists and the “Cucoy” Canete - Doce Pares, the rear; he turned to assist her ing directly under Professor Remy in fact the 33rd Member of the the Filipino martial arts so future Organizations, that have promoted Grandmaster Porfirio Lanada - only to be cut down from behind. Presas and went onto become Philippine Olympic Committee. generations can benefit. the Filipino martial arts so future Lanada Arnis, Grandmaster Edgar Two American missionar- one of his top students and close As the Chairman of International This came about not generations can benefit. Sulite - De Campo, Caballero style ies took in Roland’s father Cli- friends. Affairs he works not just with or- only through the efforts of Arnis An Arnis Master in his / Lameco, Grandmaster Jose Vil- maco Pintoy now an orphan. Later, Roland assisted Professor ganizations within the Philippines, Philippines and its President, own right, Guro Roland Dantes lasin - Balintawak, Grandmaster he entered the Philippine Military Remy in traveling to the Japan and but also with different countries Mr.Raymond S. Velayo and all has studied under and exchanged Johnny Chiuten - Combined Open Academy and graduated as an of- the US to introduce Modern Arnis to promote and bring unity to the officers and staff. But for the ideas with a vast who’s who in style, Grandmaster Chris Ricketts - ficer of the Philippine Military. His in the 1970s. When Professor Filipino martial arts. many organizations, grandmasters the world of Filipino martial arts, Bakbakan, Grandmaster Leo Gaje father’s career saw him assigned Remy left the Philippines to teach With the next Southeast and masters who have constantly and has promoted the art of Arnis - Pekiti Tirsia, to name just a few. as Military Provincial Command- in the US in the late 1970s, Master Asian Games being held in the shared their knowledge and have ers of the provinces of , Dantes still having a strong desire Philippines in 2005, a historic Davao, Lano, Dipolog and Zam- to learn the art and by this time event will take place for Arnis/ boanga. After being promoted, since he was a well-known body Kali/Eskrima will be an official Brigadier General Climaco Pintoy builder and actor, he was fortunate event and not simply a demon- became the Military Zone Com- to be able to study with several of stration sport. So this in its self mander of the 4th military area, the grandmasters and masters of will be a monumental moment which comprised all the main different Filipino martial arts. and will be noted in history. This southern islands including Mind- Always acknowledging came about not only through the anao, , Sulu, , etc. As these teachers of their skills and efforts of Arnis Philippines and its Roland grew up in the different ar- knowledge, Master Dantes be- President, Mr. Raymond S. Velayo eas, he learned boxing from his fa- lieves in giving due credit. From and all officers and staff. But the ther and was shown a little of arnis his college days until today, Mas- many organizations, grandmasters de mano before his father passed ter Dantes passion for furthering and masters who have constantly away. In teaching his son, Briga- his understanding of the Filipino shared their knowledge and have dier General Pintoy told Roland martial arts still burns strongly. promoted and worked hard for this Master Robert M. Du Ama Maestro Saturnino Quinto Fabia [? – 2007] [1915 - 2005] PAKAMUT Estrella Sinkatan Arnis On December 15, 2007 PAKAMUT representative in the Philippines Master Robert M. Du and one of Inheritor of Estrella Sinkatan Arnis from Ama Mauricio Fabia (Father) the most senior student of Grandmaster Felix Roiles died passed away. Ama Maestro Saturnino Quinto Fabia born on November 29, 1915, is one of the According to Mike one of the students, that Robert has been ill since August due to some internal bleed- legendary Masters still living today at the age of 89 yrs old. ing. Master Du was doing a lot of seminars and private instruction in law enforcement under the guidance of After the death of his father, Maestro Mauricio Fabia, Ama Maestro Saturnino Grandmaster Felix Roiles. Master Du’s contribution to the development of PAKAMUT was very instrumental Quinto Fabia became the successor of the family system of Estrella de Estoque. which made him travel to different countries for the sole purpose of promoting the system which he believed to Only family members interested in the Art practiced the Estrella system quietly and be the origin of the fighting art in the Philippine Archipelago. secretly. Our deepest condolence goes out from the Headquarters of PAKAMUT International Association and The Cinco Tiros style is Maestro Fabia masterpiece. His father taught him Council of Masters in the United States to his family and students the Cinco Tiros system after mastering the Ocho Tiro Orihinal. Maestro Saturnino Fabia is also known by his father’s legendary nickname “Langka.” He describes his art as a survival self defense, used only to protect yourself, your family, and those who cannot protect themselves. In the sixties and seventies, the Estrella system remained unknown due to the influence of Karate, Kung Fu, and other systems. The younger genera- tion was drawn to these different styles because of Western influences. It was unknown until 1986 when Maestro Bernardo Fabia Salinas started to research his family’s forgotten art. Maestro Salinas is now introducing this art in North America and United States for all students and practitioners who wishes to learn. Ama Maestro Saturnino Quinto Fabia is recognized as one of the most respected master’s alive today, and is the leader of the Sinkatan-Arnis Estrella system. Maestro Fabia is a very traditional and humble man, a dedicated practitioner, Master Robert M. Du on the left in red. teacher, and a true Master of Filipino martial arts. Grandmaster Emertius Leovigildo (Leo) Miguel Giron he would return too live a new and move to Stockton along with his weapon and will be always remem- [1911 - 2002] normal life in America as a Filipi- Bahala Na Club. And in 1973 the bered as a great man, a humble Giron System of Arnis Escrima no American, not pondering on his first student to graduate from his man, with dignity, love in his heart, BAHALA NA heroics during the War. After the system would be Stockton born a living legend and martial art war Giron would return to Stock- and World Renown Martial Art- Icon. He was a super star, he was ton, California to raise a family. ist Dan Inosanto. In 1979 the first our star and he was our shinning Leovigildo “Leo” Miguel would “play” deep in the orchards Because of a person back meeting was called to order of the light of life. He gave us all the Giron was born in Bayambang so no one would be able to watch East that had killed several nurs- Bahala Na Filipino Martial Arts liberty of freedom to learn of life a little barrio in the province of the secret training of the deadly art ing students, most of them Filipino Association. Grand Master Giron and the arts, Equality in having the , Philippines on August of Arnis / Escrima. There training women this would enrage Giron was the founder and leader of this necessary ability and strength, Fra- 20, 1911. Young Giron first started would last from 1929 until 1932. that only if they would know self Association that is governed by a ternity in which the same beliefs his training in the Filipino arts be- Vergara and Giron would meet defense they could have try to sub- Constitution and by laws. in work along with fellowship and cause of the neighborhood children again directly after the outbreak due this maniac. So in 1968 Leo Grandmaster Giron’s con- family. and bullies that would take advan- of World War II. They would train Giron would open his first licensed tributions to the Filipino Martial Grandmaster Giron left us tage of him and others. Giron soon again for the last time from Octo- Bahala Na club in Tracy Califor- Arts in general were enormous. He with a legacy that we must all carry learned, however, that if he stood ber 1942 until January 1943. nia. was known as the Father of Larga on with all of those that would like up to him and made one of them In 1937 Giron was initiated In 1970 Grandmaster Leo Mano in America. A World War II to share in his system. cry, the rest would run away and into the Legionarios del Trabajo in tives for General Douglas Mac- M. Giron and wife Alberta would veteran that knew how to use his America. The Legionarios del Tra- leave him alone. arthur. Then Sergeant Leo Giron bajo is a fraternal order or lodge, All of Giron’s early train- would be dropped behind enemy they would be known as one of ing was with family members. lines by submarine nearly one full “BAHALA NA” the most powerful and riches of They would train under the year before any America Soldier any other Filipino lodge. This As a direct result of superior skill and devotion to the princi- tree late at night. Giron would would set foot on Philippine soil. organization with membership pals, philosophy and purpose of Bahala Na Martial Arts combined with first hold the lantern for the train- It was there assignment to search at the time would top over 3,000 leadership and his master level Instructorship, Master Tony Somera ing until his father had asked the out the enemy, extending lines members, 86 men’s lodges and 12 was promoted to the rank and responsibility of Grandmaster by the late teacher to train young Giron. His of communication, securing vital women’s only lodges. Grandmaster and Founder of Bahala Na Martial Arts Leo M. Giron. training started in 1921 and lasted weather data and obtaining military On September 24, 1942 Grandmaster Somera is the leading authority and promotes the art of until 1926 until Giron would set information and not to be detected he was inducted into the United Giron Arnis Escrima along with its rich Filipino history and culture. Tony sail on the USS President Lincoln by the enemy. Sergeant Giron lead States Army and would be at- Somera is the only person ever to be promoted to the rank of Master and for America. a group of American and Philip- tached to the 2nd Filipino Infantry then Grandmaster by the late Grandmaster Emeritus Leo M. Giron. Giron landed in San Fran- pine soldier’s through the most Regiment and would later be as- cisco in November 1926 and hazardous conditions of Would signed to the famous 978th Signal was picked up by his cousin and War II deep in the jungles of the Group and The Allied Intelligence brought to Stockton, California. Philippines. Many encounters are Bureau. This was a select group of During this time Stockton, Califor- documented in the United States men that served as secret opera- nia had the largest population of in Washington Filipinos in American that it would DC. Because of his contributions earn the nickname “Little Manila”. during World War II Sergeant Young Giron would work in vari- Giron would receive, The Bronze ous areas in Stockton until in 1929 Star Medal, The Philippine Libera- when he would move to Meridian, tion Ribbon, The Asiatic Pacific California to pick prunes. During Campaign Medal, The American this time he would meet a man Campaign Medal, the World War II by the name of Flaviano Vergara. Victory Medal and a letter of com- Vergara was from the town of mendation ordered by the President Santa Cruz in Luzon, of the United States of America. Philippines. Vergara was the top Giron would return to civil- student of Dalmacio Bergoina who ian life as World War II hero and a defeated the great champion San- part of America’s Greatest Genera- tiago Toledo. Giron and Vergara tion. But, without anyone knowing Julian Goc-ong Julian who loosened his bite at the and dummy. Felix did not hesitate of disarming in his repertoire. His [1925 – 2003] moment of impact, Maciong bit the to recommend his favorite nephew disarming skills was put to good Abanico De Vertical pakaw so tight and almost lost his Julian. use when a certain Esing Laron, a teeth in the process. Julian encountered a cocky deranged man, went amok armed He is the quintessential Cebuano resistance against Span- Titi’s advice for the hot- Boca de Leon (Lion’s Mouth) styl- with a sapang a short spear about World War II hero that would ish and American colonizers. headed Maciong to control his ist who bragged killing three dogs 42 inches in length. Twenty-two have made a perfect model for The only person known temper fell on deaf ears. Thus, it with one strike with his favorite of the town’s best eskrimadores of Tom Brokaw’s best selling book- to have inherited directly Am- became apparent later on that the amara technique. He challenged came to encircle Esing who was The Greatest Generation. He is boy Kidlat’s eskrima was Felix levelheaded Julian would one day the best eskrimador in town and cornered but none can get close the embodiment of the good old Goc-ong the granduncle of Noy inherit the eskrima of Pablo Saba- without the slightest hesitation Ju- because of Esing’s extraordinary virtues and discipline of a truly Julian. Felix or “Titi” trained with nal a.k.a. Amboy Kidlat through lian took his challenge in a hagad strength and the sapang that he great generation that fought with a certain “Tiboy” and migrated to the guidance and tutelage of Felix sparring drill. Julian fed the fighter brandished with a tight . A blood and guts for peace, freedom Hilo, Hawaii in 1920 as a contract “Titi” Goc-ong. Julian also trained with a slow wetik to the crown but more daring eskrimador Ingko and democracy. An epitome of worker. A contemporary of Moro- and sparred with other eskrima- was countered by a fast sneaky Genio tried to tackle Esing, but he machismo, he is endowed with Moro stylist and fellow town mate dores in their like Abon strike that he blocked with an agak was no match for the agitated amok extraordinary strength and pure Telesforo Subing-subing, “Titi” Julian started learning the Agbay and Cadio Arcilla. (check) with his left hand. Julian who was able to escape his dumog courage. Manoy Julian is third in joined a labor strike in the Hilo art of eskrima as a teenager with In his old age, Felix Goc- goaded him: “Can I see your am- when both of them fell hard. the line of succession of an archaic plantation where he once worked. a certain Himaya as his first in- ong continued to give private les- ara, so I will have an idea how you Francing Sereno went to eskrima that traced its lineage to An American officer on horseback structor who taught him the first sons to prominent figures of their killed three dogs with it”. The man Julian to seek assistance in pacify- Pablo Sabanal the legendary es- tried to break the picket line, but the double stick florete technique. town like Judge Tumulak. Judge quickly obliged but warned Julian: ing Esing who was still armed with krimador of Southwest Cebu also “Titi” did not budge an inch and When Felix “Titi” Goc-ong arrived Tumulak took pity of Felix’s Goc- “I will but I have to warn you that the sapang, only this time even known as Amboy Kidlat. Amboy instead hit the horse with a power- from Hawaii in 1922, he gathered ong’s asthmatic condition and re- this is going to be very fast”, by more agitated and very violent. Kidlat was the grandson Laurente ful punch on the face knocking it all his nephews to train in eskrima. quested for a proxy training partner which Julian retorted: “You be Julian approached cautiously and Sabanal an 18th century pioneer of down and its American rider. The Julian along with his cousin careful too and promise not cajoled him into putting down the Moalboal that was reputed to have incident earned him the respect of Dalmacio “Maciong” Goc-ong to get angry with my block sapang to shake his hand. Esing repulsed Moro invaders with his the American plantation official trained with their Tio Titi in Ba- and counter.” Not even half- agreed to shake hands without magic cane and orasyon. who later became a matchmaker rangay Nanca during moonlit way to the amara, Julian hit laying down his sapang. Julian When Manoy Julian was of juego todo (no holds barred) nights Eskrima in the old days was the left crown with a doblete took the opportunity by offering interviewed for this article he was fights. Titi beat the Hilo Eskrima taught at night to maintain secrecy. strike and the boca de leon his right hand and simultaneously very explicit in telling us that they Champion and later killed an Afri- The highlight of these nocturnal eskrimador left town humili- executed an elbow locked using his do not have a name to their style can American in a fair . workouts was the triangular foot- ated with a bad gash on his left hand from below the weapon of eskrima. It was simply called Titi was reputed to be very work drill. The exercise requires head hand of Esing and swiftly when the eskrima, however for purposes fast with his hands that he could alternate stepping on three coconut Julian Goc-ong was born weapon fell locked the right wrist of making a distinction of their catch a live fish in the shallows shells cut in half to develop bal- on Oct. 18, 1925 in Balam- of Esing and successfully subdued system from the others and it being barehanded. ance and body angling. ban town west of Cebu prov- and locked him into confinement. the dominant technique of their The other styles that comprise They started with slow ince. He joined the renowned Another challenger Guiller- methodology, he calls it abanico Abanico de Vertical are: bansay-bansay sa sagáng (defen- Philippine Scouts then mo “Emot” Villamor tried to test de vertical which is just one of the sive blocks) and ginunting (scis- trained by the U.S. Army and Julian’s skills. Prior to the fight • Fraile - basically kulúb- hayáng styles they practiced along with sors) blocks of the Florete style. became a decorated World Emot bragged that a fledgling (pronation-supination) and ginunt- the florete, fraille, juego literada In one of their Hagad drills Titi hit War II veteran. His favorite chick (alluding to Noy Julian) is no ing, espada corta, punta y daga techniques. Maciong with a wayward strike on advice to eskrimadors is to match to a seasoned fighting cock. techniques. The horseback riding the shoulders. Accidental injuries stay cool and composed in a The town officials sanctioned the • Florete - basically double stick. Amboy Kidlat roamed the rugged sometimes resulting in sprains, lethal confrontation and treat fight with the protagonists offering • Juego Literida - akin to Lastico mountains of Central Cebu Prov- bruises and fractures were not it like “sayun kaayo” (piece their sticks in the altar of San An- technique to counter aggressive ince and taught eskrima after the uncommon in the old days when of cake) but nonetheless to tonio in Celestino Subing-subing’s opponents. Philippine American War in the armor was not yet available. To always keep a high level of private chapel. It was the town • Cadena de Pasa - a fluid motion early 20th century. His favorite test his hitting accuracy, sometimes alertness. Fiesta in honor of San Antonio. of continuous double stick strikes sanctuary cum spiritual retreat is Titi would let the two of them bite His archaic form of es- After the prayers and rituals Emot starting from the lower extremities the famous Sudlon Mountains - pakaw (corncobs) and hit them krima is heavy on triangular deceivingly picked up Julian’s gu- to the head or vice versa. considered as the last bastion of with fast witik strikes. Unlike footwork with a good dose od (thick rounded ) stick while Julian reluctantly picked up immediately sprang into action. Manoy Julian. Like a cliffhanger Mangisursuro Michael G. Inay Emot’s lipák. Emot’s first strike Before the rabid dog could attack scene from an action movie his son [1944 – 2000] broke Julian’s stick in half in the more people Noy Julian killed it threw the stick to Manoy Julian Inayan Eskrima first round. Emot bragged to break with his kabò (dipper). Most of the who caught it and with a blinding Suro Inay devoted his entire adult life to the promotion, pres- Julian’s head like a coconut in time he used latigó to subdue rabid speed hit the man’s sepa- ervation, and propagation of the Filipino Martial Arts. He was born on the second round. Forewarned by dogs. His latigó techniques also rating the handle from the blade December 11 1944 at Dos Palos Community Hospital in Dos Palos, CA. spectators of Emot’s treacherous came from the legendary Amboy while in the motion of drawing the After his Mother gave him up at six weeks his father Mateo Inay raised plan Julian anticipated his head Kidlat. sharp pinutì. Now his enemy was him. strike with a sumbrada (umbrella Another altercation almost only armed with nothing but the Suro’s first experience in Eskrima and would not realize it until block) that he converted to a turned to a lethal confrontation wooden handle of his blade that later in life was when he was a child. Was from an old migrant worker punyo (butt) strike to the face of when Manoy Julian got into a already fell off from his waist. The named Mariano. Suro was playing with a makeshift wooden word and the Emot. Emot grimaced in pain with heated argument with a neighbor helpless farmer fell to his knees old man asked, “So, you can fight boy?” and young Suro said yep. Mari- a bad cut stretching from his right who was encroaching into his to asked forgiveness from Manoy ano picked up a branch and teased Suro badly. In hindsight Suro realized forehead down to the bridge of the land. Julian. that the man was an Eskrimador. nose to his left cheek. The trespasser who was He passed on his eskrima to his Working in the asparagus fields of Stockton and living in the Noy Julian is also famous caught plowing Manoy Julian’s prodigious son Pat Goc-ong a Nes- temporary camps was not where Mateo wanted for his son while going in the town of Balamban for re- field was armed with a pinutì. tle sports executive and two-time to High School so he arranged for Suro to live with one of Suro’s friends, straining or in extreme cases kill- Sensing an imminent bloody Philippine weightlifting champion Benny. Mateo paid Benny’s mother Mrs. Amigable to take care of him. ing mad dogs on the loose. In one encounter was brewing, one of in the bantamweight division. incident Noy Julian noticed a com- his sons rushed to their home to Manoy Julian Goc-ong While living with this family Suro with both Angel Cabales and Max lo. Suro Inay was instrumental in motion while taking a bath and get the bahì stick of the unarmed passed away in February 19, 2003. was introduced to Max Sarmiento. Sarmiento. bringing both The “West Coast Es- Max was married to Benny’s sister Suro Inay co-founded the krima Society” and the “Cabales- so he was around the house often. West Coast Eskrima Society with Serrada Eskrima Association” to When Suro was dating his first its first chairman, Max Sarmiento light. They were the forerunners wife Mary she had a relative in San in 1979. The West Coast Eskrima of the present day Filipino Mar- Jose that got Suro a job so Suro Society was formally inaugurated tial Arts organizations that have and Mary moved to San Jose. It in Los Gatos, California in Suro emerged in the last 20 years. Suro Inay also played an integral role Grandmaster Antonio “Tonyong Moton” Ilustrisimo was while Suro was in San Jose Inay’s home. The West Coast Es- in the events over the past several [1904 - 1997] practicing Gung Fu that he found krima Society was founded in the years that lead to the growing ac- Kali Ilustrisimo out about Max being an Eskri- hopes of preserving, propagating mador through Mary’s sister. She and promoting the Filipino Martial ceptance of the Filipino Martial Antonio Ilustrisimo was born on Kinatarcan Island, Santa Fe, said she had read an article in the Arts. Arts in the U.S. Philippines, in 1904. He began learning the art of eskrima at the age of newspaper about Angel Cabales The “West Coast Eskrima Suro Inay began teaching seven under his father, Isidro Ilustrisimo, and his uncle, Melecio Ilustri- and Max Sarmiento. Society” was, for the first time in law enforcement throughout the simo. Among his earliest recollections is his “calling” to go to America. Well when Suro heard the Filipino Martial Arts commu- United States and became well By the age of nine, he was determined to do just that. Along the way, he about this he could hardly believe nity, able to unite several Filipino known and respected in the law encountered martial arts masters from around the world and fought in it. He called Max and asked to take Masters under one organization. enforcement community. Suro more patayan (death-matches) than perhaps any other Filipino master. He lessons. Max invited him up to The Society’s Charter was signed Inay also began traveling abroad is among the most respected and revered masters that the Filipino martial his house that weekend to begin. in Suro Inay’s house in Los Gatos, to conduct seminars and clinics on arts have ever known, as indicated by his nickname, “Tatang” (a Tagalog When Suro got there he walked California on January 13, 1979. Inayan Eskrima in England, Ger- term of respect). in, hugged his uncle Max and got Many notable Eskrima Masters many, France, Norway, Sweden, Kali Ilustrisimo is the system of combat practiced for centuries by introduced to the little man sitting joined the West Coast Eskrima Canada and Australia. the family of the very great master fighter, Grandmaster Antonio ‘Tatang’ on the couch smoking a cigarette. Society and were present dur- At the request of a large Ilustrisimo. This was Angel Cabales. After the ing the Charter signing. Some of Midwest law enforcement organi- The Ilustrisimo clan has a long history as warriors and “men of power” (mystics or medicine men if you introduction was over they cleared the original members were: Max zation, PPCT, Suro Inay developed like) that continues unbroken to this day. Grandmaster Antonio Ilustrisimo was the head of the style. The previ- the furniture from the living room Sarmiento, Mike Inay, Jimmy the first nationwide law enforce- ous head was his uncle, the great Melecio Ilustrisimo, who was famous and dominant in northern Cebu (north and started with Suro’s first les- Tacosa, Jeffrey Elliott, San Ten- ment knife defense program called coast, Bantayan and Bohol islands) in the early 20th Century. son. This was sometime in 1965. dencia, Dentoy Revillar, Gilbert “Spontaneous Knife Defense”. He Another famous relative was the great mystic Agapito Ilustrisimo (grand uncle?), who was active as a Suro continued his weekly private Tenio, Leo Giron, Narrie Babao, also appeared on Law Enforcement fighter in the revolutionary . lessons for approximately 8 years Dan Inosanto and Richard Bustil- Television Network (LETN). During this period, he also de- taken from us long before his time, puts them together as it fits their This style is credited as being the first complete formal style to teach the use of the Kampilan. veloped and refined the Inayan he made a profound impact in the particular way of fighting. Supplemental styles include: System of Eskrima (ISE). Inayan Martial Arts world and improved Each style has its own ad- • Inayan Dequerdas Eskrima is comprised of 7 distinct the lives of many. Those that he vantages and is very effective in its • Inayan Sinawali styles of Eskrima. Each of these touched most have vowed to keep own right but might not be the best • Inayan Espada y Daga styles have a complete set of basic, his dream alive by spreading the answer to every combative situa- • Inayan /Bankow intermediate, and advanced tech- word of Inayan Eskrima. tion. For example, a Largo Mano niques and concepts that make “To be a truly complete stylist is very adept at long ranges, Inayan Systems International is made up of the following three components: them independent of each other in and effective fighting defense, but what happens if that student is Inayan Brotherhood of Eskrima (IBE).: The IBE is the active founding terms of self-defense viability. a style must have an arsenal of standing in a corner when con- Guro council that sets the policy and direction for the underlying organiza- Suro Inay put a learning competent techniques and theory fronted and has no space to move tions. structure to these styles and a rank- to pull from to use in any situation the way he or she was taught? In Inayan Systems International (ISI): The ISI is made up of the core schools ing system for grading. He elected without borrowing from another this particular situation, having a and students. These schools are headed by Inayan Guros and have Inayan to call all of the styles he teaches style.” good working knowledge of a me- Eskrima as their core curriculum. “Inayan” to avoid confusion with Inayan Eskrima was devel- dium- or short-range style would other teachers and styles that have oped by Mangisursuro Michael G. be very beneficial. Inayan Federation of Eskrima (IFE): The IFE is made up of the schools, the same or similar names. This Inay. In Inayan Eskrima several Having 3 ranges at his or the IFE Instructors, and individual students within those schools that train also reduced the amount of contro- styles of Eskrima are studied but her disposal is a great asset to the from ISI instructors by either intensive seminars or private on-going curricu- versy and claims of validity others the focus are on three “core styles” Inayan student. Whatever situation lum. could or could not profess with which are Inayan Kadena de they might find themselves in, the regard to “Inayan” Eskrima. Mano, Inayan Serrada, and In- student can quickly adapt to the Suro Inay developed sev- ayan Largo Mano. Each is taught surroundings at hand. They can eral courses dealing with pressure in its whole form as a complete then “flow” easily from range to sensitive nerve areas, riot baton style and covers a specific range: range and/or style to style, depend- and advanced knife training. He short (Kadena), medium (Ser- ing on the circumstance, without also developed the use of the rada) and long (Largo). Having corrupting their objective. knife as an alternative weapon for these three styles that cover these Taking this a step further, executive protection in instances three separate ranges is the key to the advanced student can under- where a firearm is not warranted or balancing out Inayan Eskrima. All stand how to implement long-range safe to use. three (short, medium and long) are theory in short-range engagement Mangisursuro Michael essential. When the Inayan student or possibly medium-range theory G. Inay passed away while doing reaches the proper level he or she in long-range engagement. what he loved the most - teaching can then understand how each Inayan Eskrima. Though he was piece fits the greater puzzle and

Below is a brief description of the three core styles that make up the backbone of Inayan Eskrima in Inayan Systems International and the Inayan Federation of Eskrima. • Inayan Kadena de Mano Kadena De Mano translates to “chain of hand” and is a combination of empty-hand and knife/dagger techniques. It covers basic and advanced hand and knife drills as well as permuted locks from the basic/ad- vanced drills. Lock/flow/trap practice drills are stressed as well as subject control through the use ofVital Points (Pressure Sensitive Nerves). • Inayan Serrada Serrada translates to either “to close” or “close quarters”. The style is noted for using a shorter cane, male triangle footwork, and quick, linear, in-close fighting. This blade and stick style translates well into empty- hand applications. • Inayan Largo Mano Largo Mano translates to “long hand” and is a long-range system of Eskrima. Evolved to use a longer/ heavier cane (~40”) and to use the cane as if it were a Kampilan, the longest sword found in the Philippines. Maestro de Maestro Sozimo ‘Sosing’ Labor floor. At 7:00 that evening, Sos- on his way back to Subic Bay Escrima coming from. Each day [1924 – 2008] ing arrived at Bert’s house with a and reported to his duty station starts from a different angle. On Siete Pares Escrima coconut leaf center rib shaped like at Naval Supply Depot, oil farm November 30, 1994, Maestro de a sword. He then instructed Bert to as a new maintenance chief. For Maestros or Grandmaster Sosing favorite weapon was the bamboo made of motorcycle with sidecar strike. Bert only remembered his 3 years, while stationed in Subic, Labor passed the stewardship of lance or bankao. Sosing was taken that can carry up to 7 passengers. one and only strike, the rest he was Bert trained daily with Maestro Siete Pares Escrima to Bert Labi- by Caloy Jaranella under his wing Nobody knows that we have a not able to remember. He gained de Maestro Sosimo Labor in the tan, Maestros or Grandmaster of and trained him for tournament champion among our midst. consciousness while his mom was fighting art of 7 Pares Escrima. the system. fighting. applying medicinal coconut oil On the 3rd year of their train- 7 Pares Escrima is com- When the town fiesta was Bert Labitan, born in the to his bruises, thus started Bert’s ing, Bert was able to differentiate posed of the following styles: a few weeks away and the Ameri- Visayas, the province of Cebu, lesson in 7 Pares Escrima. After and isolate each style of the Siete Sinawali, Di Campo, Tinulisan, cans, Filipino soldiers and gueril- grew up in Subic City, his father’s a couple months in Subic Bay, Pares system. Bert was wondering Figura 8, Orabis, Disalon, Binukid- las were fighting with the Japanese hometown. As a son of a poor fam- the U.S.S. Dixie went back to the throughout those years of training non, Kapakapa or Pupog, Pabilog, Imperial Army in the surrounding ily, Bert learned hardship in early United States in San Diego, Cali- why he can’t figure out where was Combate Heneral, Cruzada, At Iba cities, towns and islands, Sosing life. Their livelihood was fishing fornia. Two months later, Bert was the number one strike of 7 Pares Pa. Labor was also honing his skill on on the Bay of Subic. That barely the upcoming tournament. The big supports a family of 5, so Bert day arrived and the tournament the eldest of the children learned was bloody. Sossing Labor fought illegal ways of fishing, like dyna- and defeated the seven brothers, On June 29th, 2008, the mite and the use of poison to bring Grandmaster Louis Lagarejos thus becoming the youngest tour- Founder of the Siete Pares Escrima home more fish. Like his forefa- [1935 – 2004] nament of death champion in their System, Sozing Labor passed thers before him, he also sought town. away in the Philippines. He was in greener pastures and was blessed Sikaran hook ) and the batamba (flying The war was over, the old- that he was recruited by the U.S. his 90’s. When Grandmaster Louis spinning back kick) are deceiv- est of the seven brothers died and Navy. We honor his memory and Lagarejos came to the United ing to an opponent trying to block Sosing Labor was asked to take In the early part of 1976, are proud to be part of his legacy States, he brought with him all of them. The front kick, roundhouse the leadership of the 7 Pares Es- Bert stationed on board the U.S.S. to this day. the original Sikaran techniques kick, and the side thrust are crima System. Sosing Labor then Dixie and was in Subic Bay for The fighting arts of Siete and there were few knowledge- executed in such a manner that the incorporated his style of fighting, R and R. As a new Black Belt Pares Escrima can be traced to a able people left in the Philippines does not snap (which causes the De Campo, Disalon and Orabis of Arnis , as taught by certain town in Philippines, to carry out the art and it seemed much of the damage to that joint system. Sosing Left his prov- Master Babao, presented an exhi- as practiced by seven brothers, to have died out. Some attempts seen in martial arts today). There ince of Iloilo to seek the greener bition of the art during the town’s each one fights with a different have been made to revive this lost are also many types of flying and pastures of the city of Manila. celebration for the farmers. As- style or way from each other. They art. However, it has been alive and spinning flying kicks. Working as a handy man for the sisted by his compadre, Reggie were the defending champion in well in the United States for over The hands are used to Magsaysay family, in which one Probst, a brown belt of the art, their town for so many years, un- 50 years. block and parry and there are some would bring his sandals inside. became president of the Republic, he brought the people into wild beatable and undefeated, until one Started in the jungles of Lu- hand strikes used only by Sikaran If she would not choose, Ramon Magsaysay. Sosing then applause. When the celebration day a young man named Sozimo zon in the Philippines, Sikaran is practitioners. These techniques the two men would fight to the settled in the town of Subic or was over, Bert and Reggie, like Labor or Sosing as known by his the only classical Philippine style include pangahilos (paralyzing death with their wrists tied together Subic City as known to U.S. ser- triumphant gladiators walked in town mate of Janiway came into of karate. Much of the original blocks, strikes, and kicks) fol- by a cord and a balisong (butterfly vicemen. It’s about 65 miles north the town street with heads up and the picture. A prodigy of Carlos history is lost however; Sikaran did lowed by pamatory (potentially knife) in the other hand. Often the from the city of Manila and 8 chest out. Sosing Labor was in the Jaranella, an adventurer and fighter exist when the Spanish discovered fatal blows). winner was in no shape to claim miles north of the U.S. naval base audience and walked with them who earned his skills from Cebu the islands in 1521. Sikaran is a tough style her hand. Fortunately some of the in Subic Bay. Here he settled into toward Bert’s house a few hundred who travelled back to Iloilo as It is a style of karate in with its roots going back to ancient older traditions have been omitted. a quiet life, blessed with a wife yards from the celebration. Sosing guerilla, a soldier of World War which the legs are very strong. tradition in the Philippines. One of Under Marcos’ rule, the and 2 sons. then said to Bert that it was a good II and also a tournament of death There are several kicks, which these traditions involved dating. If balisong was outlawed in the Phil- Tired of the hustle and bus- show, but can be made better. He fighter. Sosing Labor learned have earned Sikaran the popularity two young men wished to woo a ippines, but its study is included in tle of the big city, he came home then told Bert, who regards him his Arnis/Escrima basics from it enjoys and are responsible for young lady, they would place their the Sikaran schools in the United to Subic and became a driver of as a distant relative, that he’ll see his father, Zacarias Labor, a De the strength of the legs of its par- sandals on her doorstep. If she States along with the other clas- the community transportation, him that night. Bert’s house also Campo and Disalon fighter whose ticipants. The biachi (similar to a wished to accept one of them she sical weaponry. The Sikaran style the tricycle, a Filipino innovation served as a small gym in the first today includes all of the traditional Philippine weapons including sticks, balisong, , etc. Master Agustin, he was accepted Lagusa’s choice! With Largusa’s particular system. Ben Largusa was Under Spanish rule, laws were passed outlawing the study of martial arts and it was necessary for the as a student of Grandmaster demise, Grandmaster Mel Lopez is among those presenters. practitioners to hide their study of the art. This is why there are no shouts in the Sikaran system to this day. Villabrille. the third grandmaster of the Parker decided that Bruce Code of Conduct At the age of 25, Largusa Villabrille-Largusa Kali System. Lee would be the last to present. • Sikaran is our way of life. trained one-on-one for seven Largusa moved to San While giving the values of his • We shall always practice humility. consecutive years with Villabrille, Francisco from Kauai when he Gung-fu system, felt he • We shall always practice gentleness in our relationships with others. who was still in his prime then at was around 32 or 35 because was talking above the heads of the • We shall always practice and display proper respect to the other martial arts. 39 years old. At the onset of his Grandmaster Villabrille told him people present. Most of the other • We shall always practice good sportsmanship in competition. training, Grandmaster Villabrille to train and spar with opponents of martial arts instructors were even • We shall always practice patience, never to use our knowledge to abuse others except in defense of our had him promise to never teach different styles. Once in the Bay baffled of what Lee was talking loved ones, the weak, and ourselves. anyone else the art of Kali. At the Area, he met people from different about. • We shall always keep the fighting spirit of Sikaran. time, few people had ever heard of Karate and Kung-Fu styles. He When Lee saw what was this deadly art because it was a was invited to spar with practitio- happening, he made eye contact closely-guarded secret that was ners of , , with most of the instructors present passed only from teacher to stu- and Praying Mantis. Because he and pointedly commented, “It Grandmaster Ben Largusa dent and from father to son. could easily handle the fighters, seems that most of you have no (1926 - 2010) As his years of training everyone thought that he trained in idea of what I’m talking about. It Villabrille-Largusa Kali System with Villabrille progressed, Lar- kung-fu, although he didn’t. looks like Ben Largusa is the only gusa realized that what he was Villabrille’s system gave him the one who understands.” “To live in the hearts we leave behind is not to die.”- Thomas Campbell learning was primarily comprised facility to effectively deal with On the day of the Interna- “Death leaves a heartache no one can heal, Love leaves a memory no one can steal.” - Author Unknown of fighting techniques and theory, other martial arts styles. tionals, both Bruce Lee and Ben and that he could not teach the I have heard that one of Largusa were introduced to the and is survived by his wife Phi- The very first Grandmaster system the way it was taught to Largusa’s constant sparring part- American public for the very first lomena, daughter Lois, and sons in Kali was no other than Grand- him. So he broke down step-by- ners was a Kung Fu Sifu who time! Jerry and Lindsey. master Floro Villabrille, the Philip- step and move-by-move – Grand- claimed to be a practitioner of the On stage, Bruce Lee dem- His passing is a great loss pines’ most revered fighter and master Villabrille’s complete “Hundred Elephant” style. Said onstrated his modified form of to the Filipino martial arts world! champion of numerous stick-fight- system. Sifu tried numerous times to Wing Chun Gung Fu, the precursor Grandmaster Largusa was the head ing death matches. It is from the In recognition, the Kali penetrate Largusa’s defenses but to , as well as Lee’s of Kali - an ancient but existing Patriarch of Kali himself that Patriarch gave Ben T. Largusa a failed. Like a master chess player, very well publicized, powerful martial arts system. It is so effec- Grandmaster Largusa learned a signed legal document designating Largusa was always many moves two-inch punch. Largusa, on the tive in combat that during Spain’s unique blend of deadly and devas- him the sole heir to the Villabrille ahead of the sifu’s planned attacks. other hand, demonstrated sparring conquest of the Philippines some tating methods, strategies and method and the title of Tuhan Grandmaster Ben Largusa using Eskrima sticks with his Southern Philippine tribes had techniques in martial arts. (Master). Largusa was also autho- was the first man to bring and brother, Dominador Largusa, as his successfully resisted the armored Grandmaster Largusa was rized to add his name to Vil- introduce Kali into the United partner. might of the Spaniards for nearly born in Kauai in 1926 where his labrille’s system of martial arts, States public arena. He gave Prior to their performance, four centuries. parents immigrated to from Carcar, hence it is widely known today as: America its first demonstration of Largusa asked the audience to Grandmaster Largusa is Cebu, Philippines. Although he Kali Grandmaster Ben T. Villabrille-Largusa Kali System. Kali in 1964 at the Ed Parker refrain from taking any still photos widely regarded as the final word started his Filipino martial arts Largusa - a Filipino martial arts When Grandmaster Vil- International Karate Champion- or home-movie pictures. At that on this devastating and deadly training from his father, his first legend and one of the greatest labrille passed away in March 8, ships in Long Beach, California. time there were no video cameras method of combat. Kali is a Eskrima instructor was a Master martial artists in the world – has 1992, Tuhan Largusa automati- Also in attendance were numerous or cell phones yet. His plea fell on system so unique that it is said to Agustin. His training with Agustin left the narrow bonds of earth to cally became the second grand- martial artists from around the deaf ears because he noticed the be the source of all Eskrima styles. ended when he joined the U.S. touch the face of God! master of the Villabrille-Largusa world, including the legendary flashing lights of several cameras, It could also be the only martial Army in 1945 during World War Grandmaster Largusa Kali System. Upon assuming the Bruce Lee, Dan Inosanto and so he had to cut short his presenta- arts system in the Philippines and II. passed away at age 84 early Sun- mantle of leadership, Grandmaster Jhoon Rhee. tion. the United States where there is While in the Army, Largusa day morning, October 3, 2010, in Largusa was duty-bound to also On the eve of this event, The great Ed Parker was a one Grandmaster and one Master trained in several fighting systems his home in Kauai, Hawaii. A select who among the officially Parker gathered the top instructors martial artist with an open mind. at any given time. In other systems that also included Judo and boxing. high-ranking yet truly humble designated Kali guros (instructors) of the various martial arts inside a Even way before the 1964 Karate it is a common practice that there Upon his discharge from the Army martial artist, a husband, father and will be the next in line. hotel ballroom. Every instructor Championships, Parker wanted to are several Masters, Grandmasters in 1951, he returned to Kauai, and grandfather, he was preceded in Guro/Professor Mel Lopez was given a chance to present the know more about the art of Kali. and even Great Grandmasters at with the blessings of his instructor death by his sons Lance and Layne, of San Francisco was Grandmaster principles and theories of their Largusa explained to him that Kali the same time. is not just about stick-fighting, and decided to offer the part to Lar- fame, fortune and glory. Kali heirarchy, seated L to R: Grandmaster Floro he proceeded to show Parker gusa first and Bruce second. I and my husband first met Villabrille, Kali Patriarch; Grandmaster Ben Largusa, empty-hand movements and Largusa told him that he truly this great yet humble man, who Villabrille’s successor; and Grandmaster Mel Lopez, techniques. Parker was very im- appreciated the offer but that he describes himself as “just a man of Largusa’s successor. pressed and decided that he and couldn’t answer right then; he Kali” back in 1976 in one of the Largusa get together more often. needed time to think. A few days Filipino martial arts events in Los look-out for a good guitar player or Parker loved the Kali movements later, he called Parker back and Angeles. We were introduced to instructor from whom he could and footwork. They had another declined the offer. Parker was him by our very good friend and learn more. His refined ear for friend, a Choy Li Fut practitioner, disappointed that he didn’t accept, kumpadre Dan Inosanto, another music was probably inspired by on these get-togethers. When but he understood. So Parker said, martial arts legend, who is the Grandmaster Villabrille who taught Parker decided to put on his fa- “I’ll have to call Bruce Lee.” And godfather of our youngest son, him the musical rhythm of Kali. mous Karate Internationals, he the rest is history. Kris. The various beats and tempo of the asked Largusa to demonstrate. Everyone who knew And then in 1978, Largusa drums, the gong and the to “Babao Arnis” we called it “Kali A few weeks after the Grandmaster Ben Largusa knows made my husband a Kali Guro these papers was the San Diego (Philippine musical instruments) Academy of San Diego.” Karate Internationals, Parker that he is a very humble man. He when his U.S. navy ship made a Taliba (News) which I edited. can only be appreciated by a In 1981, at a very special received a phone call from William never dreamed of using his martial port visit to San Francisco. Before The last time we saw knowledgeable Kali practitioner ceremony in Kauai which we Dozier, the producer of the “Bat- arts knowledge as a way to gain we changed our martial arts school Grandmaster Largusa was in Los who could use these musical beat attended, Grandmaster Villabrille man” TV series. Ed Parker had a Angeles in June 18, 1993 at the and tempo as tools in sophisticated presented then Tuhan Largusa the lot of friends in Hollywood and very memorable event called “The fighting moves. “Conveyance of Life Interest”, was teaching martial arts to some City of Los Angeles Honors the Until now there are folk which gave Largusa the exclusive of the top people in the industry. Living Treasures of the Filipino dances in the Southern part of the right, license and authority to use Dozier was then planning to Martial Arts.” I remember that Philippines where the dancers’ the name of Floro Villabrille produce a new action TV series among the Filipino martial arts fluid movements are actually School of Kali in perpetuating and called “The Green Hornet.” He legends present, aside from Grand- camouflaged fighting moves. It’s promoting the Kali system. Al- asked Parker’s assistance to help master Largusa, were the late up to the audiences’ depth of though there were others who him search for a real martial artist Grandmaster Leo Giron, the late knowledge of Philippine martial trained under Villabrille, it was to play the role of Kato, the Green Grandmaster Sam Tendencia, the arts or Philippine history to actu- Largusa who was chosen by Vil- Hornet’s sidekick. late Senior Guro Lucky Lucaylu- ally perceive these moves. labrille to be his successor. It was Parker called up Largusa At the “Living Treasures of the Filipino Martial Arts” grand event in Los Angeles, cay, Grandmaster Richard Bustillo, Grandmaster Ben T. Lar- such an honor and a privilege for and told him that Hollywood California in 1993 attended by Filipino martial artists from all over the United Guro Dan Inosanto, and Professor gusa - you are gone but not forgot- States. me to meet Grandmaster Villabrille needed a person for that role, and Greg Lontayao. ten. You have left a lasting legacy in person! I wrote about him, and he thought of two people - Ben When not practicing to us all in the Martial Arts world! other Filipino martial artists, in Largusa and Bruce Lee. But he martial arts, Grandmaster Ben You will forever be loved and some newspapers and magazines I Largusa’s main hobby was playing revered! Rest in peace with the write for through the years. One of his guitar. He was always on the Lord!!

Grandmaster Largusa holding the “San Diego Taliba Grandmaster Largusa with the Award of (News)” which Zena edited at that time Recognition as an FMA Living Treasure Grandmaster Federico T. Lazo Dr. Guillermo B. Lengson [1938 – 2010] [1929 - 2000] Luzviminda Arnis Kali Brotherhood KAFEPHIL A common theme among true masters of the martial arts is a growing desire to see their arts preserved for future generations. Grandmaster Lazo is Dr. Lengson migrated to new martial arts system based on no exception. After having distilled his art of Luzviminda Arnis Kali for over the USA during the mid 1980’s Doc’s teachings and Jeff’s acquired fifty-five years the Grandmaster now feels that the time has come to ferof this and resided in Los Angeles, Cali- knowledge and experience in both uniquely refined art to the public. The year 2007 marks the historic year of the fornia. Jeff Suministrado met Dr. competition and actual fights, as debut of the Luzviminda Arnis Kali Brotherhood in accord with Grandmaster Lengson at a local martial arts club well as the training received from Lazo’s desire to share his legacy with the world. which was owned by one of Dr. other previous instructors, two of Luzviminda Arnis Kali Brotherhood (L.A.K.B.) is a Filipino martial arts Lengson’s former students. Jeff whom were Ben and Bobet Tor- organization that aims to propagate the Filipino martial culture both in its clas- began his martial arts training with res, Founders of the Kuroi (black) sical form as well as its modern interpretation. The aim is to teach an all-around Dr. Lengson (known as “Doc” by Karate Club and members his students) at Doc’s apartment of the KAFEPHIL (Karate Arnis knowledge of all the Filipino weapons as well as proficiency with empty hands. LuzvimindaArnis is not a sport in the garage and in his dental lab Federation of the Philippines), both but purely combat oriented fighting art. Doctor Guillermo Lengson at the backyard, practicing what were top fighters of their club. He The goal is to train highly skilled fighters and who will later go on to become highly skilled teachers, was born on March 12, 1929, in is today known as Sagasa Karate also instructed Jeff to rename his preserving the art for generations to come. Over 55 years of study in the Filipino martial arts has resulted in the Pangasinan City in the Philippines. , and Doc’s own arnis club under his own name. On July formulation of the Luzviminda Arnis style. Because he had a bad condition of system. The relationship between 18, 2000, Guillermo “Doc” Leng- Grandmaster Federico T. Lazo is a living treasure, and a peerless expert in the highly esteemed martial asthma, he started training arnis at Doc and Jeff grew closer and can son passed away in his L.A. apart- arts of the Philippine archipelago. Rarely does an individual progress to the levels of martial arts mastery that an early age to improve his health. be best described as father and ment. His club in L.A. was closed Grandmaster Lazo has ascended to. Even more rarely do they openly share what they have learned with others. Over time, he became proficient in son. Jeff even took on Doc’s name, and Jedokan martial arts under the A quiet and humble man by nature, Grandmaster Lazo has always been one to avoid public attention during his boxing, kickboxing, some form of and was sometimes known to all ownership and instruction of Jeff 55-year plus span of intense study, practice and application of these bona-fide warrior arts. combat Judo, Kung Fu, and Shoto- as Jeff Lengson. With Doc’s ap- Suministrado, was born on July 27, Although Grandmaster Lazo was actively involved with the creation and promotion of what is today kan. He eventually developed his proval, Jeff renamed Doc’s Martial 2000. known as Modern Arnis, for decades he has chosen to live in seclusion, preferring to teach just a handful of stu- own training methods based on his Arts System as Lengson Martial Dr. Lengson’s training dents. When Grandmaster Lazo is not engaged in the further refinement of his own signature art or training his martial arts background, as well as Arts. Under this name, Jeff oper- methods focused on mind and body core disciples, he passes his time by making authentic battle-ready weapons and refurbishing antique Filipino his sparring and training experienc- ated his first official martial arts coordination, specializing in devel- blades. es with close friends Remy Presas school in Northridge, California oping powerful hips and amazing Grandmaster Lazo is and always was a man with a deep passion for every aspect of his art, from little and Johnny Chuten. Dr. Lengson while Doc had his club in L.A. footwork. It was very important to known historical details to subtle differences in the application of techniques and everything in between. It is had his own martial arts club, and Together, Doc and Jeff, along with Doc that students learn very strong that enduring passion for the arts that he loves so dearly that has led this grandmaster to break out of seclusion his team, the Black Banders, was instructors and members, Salvador stances, powerful execution of at- and share his unique personal art, this crowning jewel, with the new generation of practitioners. This is his way the longtime reigning champion in “Badong” Alinas, Vic Alzate, Che tack the ability to dodge or evade of displaying his gratitude to all of the enthusiastic lovers of these arts and the passion and dedication that they karate and arnis. Dr. Lengson along Navidad, Jenny Oh, Debbie Oh, an oncoming force or attack, and have invested into their practice of the combat legacy of his homeland. with Remy Presas was invited to Mel Bautista, Bob Suministrado, the effective manipulation of the demonstrate and teach arnis, or gave demonstrations and seminars opponent in a fight. Dr. Lengson’s kali, to the Tokoyo Police Depart- to those interested in martial arts. martial art system includes basic ment. He also trained the Philip- During the late 1990’s, stances, basic blocks and basic pine Air Force Anti Riot Squad in Doc’s health began to decline. His strikes, borrowed from karate; his martial arts system. teaching became more detailed lower body dexterity and kick- Dr. Lengson was re-known oriented and very instructional. boxing, strength, upper body speed for inventing dodging drills, Sa- Doc began to train Jeff separate and power-punching borrowed gasa drills and drills which empha- from the other students, exposing from boxing; agility, fluidity and size the strengthening of the hips. him to different types of empty- flexibility borrowed from Kung fu; Adding to his fame, he was the first hand and arnis drills. Doc also and weapons mastery from Filipino Filipino martial arts instructor to began to teach Jeff on how to Arnis. However, what made Doc’s have a television program in the modify and simplify training mate- system so unique are the dodging Philippines (Karate Arnis Pilipino) rials. One of Doc’s main instruc- drills and other training methods which featured Karate and Arnis tions to Jeff before he passed which he himself developed. No ring tournaments. away was to have Jeff establish a martial arts system in the world has the dodging drills that Doc’s martial arts, is a way of life, the medium and short ranges, during drills. 2. Understanding the principles ment, united but with additional system has. This is the one of the knowledge of which should be freestyle attack, things change and - Double stick drills such as basic or knowing why to move in knowledge. main secrets of Doc’s martial arts passed down to new generations other types of strikes are also used. sinawali, sinawali-salisi, sinawali- such a way, and We did not use many tag- system. of people dedicated to making Grandmaster Lengson was very pinagsabay, one of our drills is 3. Application which is the along terms. Also, the training is Even during his older age, martial arts an integral part of their technical and freestyle-like rather the two sticks for the teacher and freestyle mode of attack and not so traditional but more scien- Doc was still sparring with Jeff lives. than in formation. Students were single stick for the student, and receiver and sparring as well. tific. However, we were always and joining his other students in Doc is one of the most taught to react or respond freely the student gets attacked and must I also added more ad- reminded of traditional discipline. physical conditioning drills. Doc unique martial artists in the rather than make assumptions. react freely or in freestyle mode. vanced and faster deflection drills. The reason why Grandmaster was an honest instructor who did world, having developed a train- Almost like not thinking just react. - The arnis system is both designed All or most of my disarming Lengson and I used mostly the his best to teach all he could to his ing method that simply does not That’s why basic training was very for stick and blade fighting drills are reality based and had English language is to simplify chosen students, especially those compare to any other. Even though important and we focused so much There was also - been used effectively in sparring the training methods being that the training to become instructors. Doc is gone, his work continues on it. The student depended on ba- ing drills which follows the same matches including competition. I best way to teach and to learn is Doc always talked about his best on through Jeff Suministrado (aka sic blocks and dodging with proper patterns as the arnis, but a bit of do not teach things just because through simplicity and most stu- friends Remy Presas and Johnny Jeff Lengson) and Jedokan Martial footwork which everything came adjustments were made in distanc- so and so taught it. I teach things dents spoke and understood Eng- Chuten. He would refer to the Arts. from the styles empty hand system. ing and some of the dodging and because they work. I like to stay lish. fun times they had and how they A look into Grandmaster/Dr. Also, before the student deflecting. Focus was more on basic based on what I learned from In Jedokan, I have the ten went about developing moves and Guillermo Lengson Arnis system did arnis, training often was in deflecting in the empty hand and Grandmaster Lengson but at the basic strikes which are designed drills. Doc also spoke a lot about empty hand first. There was also weapons training. The empty hand same time, which is why I still more as a tool to defend against. his team the Black Banders. He Grandmaster/Dr. Guiller- disarming. There were six basic I also formed 8 sets of basic of- mo Lengson arnis system had six and weapons training has the same fight is to continue to update and always mentioned how great his disarming and the rest was taught pattern of movements, this was improve my Arnis system. The fensive strikes, and 8 sets of basic former students were. More im- basic strikes. The 2 upper strikes and learned during what was called disarming. were focused on the upper left why the students fight very much drills I have written above I still portantly, Doc never failed to give semi-prearrange. This is the stage alike with weapons and without practice but with more attacks and Then I have ten basic lessons about life and marital arts and right sides of the body, 2 were where the student is attacked by receivers or short forms which focused on the lower left and right In my own version which more angles. as a way of life. He spoke highly the teacher in a freestyle mode is the JEDOKAN Arnis, I follow Fighters back then fight includes the Pasuntok drills and about Ben and Bobet Torres as sides of the body and 1 thrust to but with control. The student is to disarming. The Pasuntok is what the center of the body sometimes the same similar patterns but I use differently than today that is why top fighters in their club, Salvador respond from all ranges, long, me- ten basic strikes to defend against I believe in fighting and practicing many call today as punyo or the “Badong” Alinas whom he first to the stomach region and some- dium, short, to disarming, tripping, usage of the fist or the butt of to the face or throat, then the and I have simplified some of the old system and the new system. used to test and was proven that takedowns, and locks or grappling. dodging, disarming, locking, and I In Jedokan, je-jeff, do-method, stick. We also use the same sinawa- his system was indeed effective last 1 is an overhead strike which li drills as Grandmaster Lengson sometimes applied on the sides of Some of our basic drills were: do more attack and receive drills in k-karate (any types of empty-hand, and Vic Alzate who was known freestyle. I also allow the students kickboxing, boxing, or grappling, system. I also believe in half blade for having powerful execution of the neck although in training it is - Dodging arnis drills (combined mode and half stick mode system. used to strike the top of the head. dodging, , parrying, at- to spar at an early stage so they a-arnis or kali, n-new system - techniques. He also talked about can get the idea of the application. which is like the old testament of However, we tend to practice more Topher Ricketts sincere dedica- The striking drills which tacking in short forms and later the stick drills than because are part of the system are mostly forms are attack which becomes I believe that there are three basic the bible and the new testament. tion to martial arts, and Topher’s paths in learning. Grandmaster Lengson system is there are obviously more things to brother , who Doc designed for the purpose of attack- receiver drills) do with arnis than the bolo in terms ing the students and not so much - Tapikan freestyle 1. Imitation of movements or more like the old-testament and often said was very good in spar- mine is more like the new-testa- of real combat. ring. Doc also often described Jeff on the offense. It was taught not to - Salagan or disarming drills drills, Suministrado as having a gift or worry so much about matching an - Ispada at daga inborn skills in the martial arts attack with specific blocks but in- - Sunggab kalas and used to refer to him as being stead, to dodge, parry, or side step - Dodge-hand check versatile. To his students, Doc was depending on where the attack is - Semi prearrange (attacking the more than an instructor - he was a coming from. student in freestyle mode) father, a mentor, and a best friend. Students focused a lot on - Receiver drills (kind a like a kata Doc was not much talked about in attacker and receiver drills and but not exactly, short forms that we the world of glamorized martial when the students are able to attack in formation that later move arts because of his humble nature move freely and comfortably with to freestyle) and non-commercialized system. the basic six strikes, then they - Locks and release drills He disapproved of com- would attack in a freestyle mode. - Grappling drills and takedowns mercializing martial arts, and Even though the style - There was some twirling with never did. He believed that the used six basic strikes for long, doblete drills, pilantik or witik Punong Guro Mark Lledo force). he lets his students attack him at [1974 – 2008] Besides his father, Mark random, sometimes all at the same Amara Arkanis sought instructions from the best time. To the students this was fun teachers, such as Rodel Dagooc time, to Mark it was preparation in “The man who would have been FMA Master” of International Modern Arnis of evasion and prevention from being the Philippines, Ciok Glaraga of hit in street fighting against mul- As a youngster he watched restrictive. He preferred the all-out Kalaki, Yaming and Arnis, Yuli tiple attackers. Because the attacks his father teach martial arts. He sabakan or free style sparring. Romo of the Philippine Panantu- are unstructured, Mark learned imitated the movements that he Mark sparred with Louelle’s men- kan Pendakali Stick Boxing Soci- how to react to different situations. saw and started training on his tors, senior students and training ety and Mark Santos of ARMAS. In 2000, Mark was pro- own. A natural-born athlete, Mark partners. He trained hard getting He also trained with Ed Cayetano moted from Pansamantalang Guro excelled in unarmed and armed ready to live up to his father’s and George Artencio (his father’s (Provisionary Teacher) to Guro fighting. Like his father (Punong aspirations and expectations. Tai Chi Chuan teachers) and Em- (Teacher), Uri ng Kagitingan Mataw-Guro Lowelle Lledo), he Mark was a very formi- manuel Querubin and Rodrigo (Classification of Steadfastness) made black belt when he turned 18 dable fighter whether in armed Espiritu of Sikaran Pilipinas. His Ika-4 na Antas, Sagisag na Itim years old. or unarmed combat. He had his trained in “real world” scenario, grandfather’s (Delfin Bernarte) may bandang kulay puti, ginto, at Carrying martial arts weap- share of medals and trophies in left for the Philippines, Louelle combining armed and unarmed tac- motto “strike fast, strike hard and langit (4th Degree Black, white on, such as a stick, is prohibited by tournaments, but in the end he lost promoted him to Punong-guro tics. strike deep” became Mark’s battle gold, and blue braided Sash) in law so Louelle made Mark train interest in rules-restrictive compe- (Head Teacher) with the rank of At first his training partners cry. Amara Arkanis. hard in unarmed combat. Louelle titions. Ika-5 Antas, Sagisag na Itim may were a little apprehensive for fear Mark developed his own In 2005 and 2008, Mark made speed, power and accuracy He engaged in free-style bandang kulay puti, ginto, langit that Mark or that they will get hurt version of “awareness training.” visited his father’s Amara Arkanis Mark’s hallmark of training. Mark sparring in the gym where there at dugo (5th Degree Black, white, in the uncontrolled manner of en- Using only his imagination, he School in New Jersey. Louelle’s excelled in Karate like his father. were no rules. In sabakan he gold, blue and red braided Sash). gagement. Mark insisted that it will performed his strategies and tactics students were fascinated with He won his share of medals and concentrated on power hitting. He Together they worked on this be better to get hurt and bruised in while blindfolded, combining Mark, whose expertise in the trophies in tournaments. But his outfought all his training part- Amara Arkanis Training Manual. training than to get hurt and die in maneuvers from both armed and martial arts was a spitting image concentration in training was in ners. But there was one very big While in the United States, Louelle the streets. unarmed techniques. of Louelle. Mark’s teaching and free-style sparring. Mark’s style drawback in his training. He had continued Mark’s preparation to Realizing the benefits of the Training with multiple op- playing style was an exact copy of of fighting was considered rough been fighting only one opponent one day be the successor to the training, his partners thereafter all ponents became Mark’s routine. his father. He assisted his father in and aggressive in the tournament at a time. With a single opponent, Amara Arkanis (Sistemang Praksi- seriously participated. It became He still engaged on a one-on-one giving clinics and seminars. When circuit. Oftentimes he was warned he was fighting like a horse with yon) hierarchy. a round-robin type of sparring. To sparring but the emphasis of his Louelle was not available to teach, by referees to have more control, blinders concentrating only with Unfortunately the dream give their training “street realism”, training was “defense against the Mark takes over, without “skip- to the point of being threatened the attack coming from the front. never saw fulfillment. Mark refused to use protective opponents that he cannot see”. with disqualification. He started to He did not need peripheral vision Mark Lledo went to bed gear. He insisted that protective Mark really developed into an all shy and eventually stay away from because he can see the opponent at and passed away peace- gear gives the trainees a false sense around fighter. His personal train- tournaments considering it too all times. fully in his sleep. of security because they cannot ing method was described by his Mark saw the Mark’s untimely feel the blow and they disregard father as exhaustive and extreme. weakness in this type passing away is a big defensive tactics. Eye , For the first time Mark of training. He devel- lost to Amara Arkanis, kicks to the groin and strikes to the understood the principle of one- oped his own type of his family and friends neck were “controlled”. Louelle strike-one-kill that his father sabakan. This train- in particular, and the also demanded they use padded insisted should be the driving ing program was kept Filipino Martial Arts in sticks, rubber , head gear, force in his training. To achieve a secret that only he, general. and groin protector. this ability, Mark concentrated in his father Louelle, and It was an unorthodox type “intuitive power strikes” to end closest martial arts of training that eventually became the fight in one, preferably the While in New Jersey, Punong Guro Mark Lledo friends were allowed assisted his father Mataw Guro Louelle Lledo part of the teaching curriculum of first strike, before the opponent to join and witness. He (back turned to camera) in seminars and workshop. Amara Arkanis in the Classifica- can attack. sparred with his three tion of Honor (Uri ng Karangalan) Of equal importance, closest training part- stage. Louelle Lledo gave it the Mark developed to be a good ners, only this time all Guro Mark Lledo, training with his father term “Salida” (rushing downhill teacher. Aware that teaching is also ping a beat”. Punong Mataw-Guro Louelle Lledo. at the same time. He or exiting using momentum and learning, after each training session In April 2008, before Mark Grandmaster Benjamin Luna-Lema in self-defense. Flow of Aikido Development in Legaspi City [1919 - 2003] The first public demonstra- (Bicol) Lightning Scientific Arnis tion was conducted in 1965 during the Foundation Day anniversary of Grandmaster Benjamin Luna-Lema founded Lightning Scientific Arnis In- the Divine Word College in Legaz- ternational in 1937 in Mambusao, , Philippines. He was born on March pi City. Here the Art was presented 19, 1919 in , and his father, Juan Lema, was his first arnis teacher. in its simplicity, as survival tech- He acquired additional training under several respected arnis elders in the niques where the attacker is never Visayas. He also studied Karate and Judo while in Japan, and was an avid aware of the applied techniques in boxing and bodybuilding practitioner in both the Philippines and Guam. In its formless form. 1941, he served as a Guerilla under General Macario Peralta in Panay to fight Rey A. Magdaraog was a off the Japanese advances. It was during a special mission to Agana, Guam, man of honor, a brilliant martial in 1947 that he met and married Maxima Perez. They had four children, Patty arts master and talented teacher Jean, Bejamin Jr., John Edward, and Paul Anthony-- all current practitioners who acquired his skills through of the art. In 1959 Grandmaster Lema returned to the Philippines to teach, devotion and sacrifice at a very and lived and taught there until his death on January 5th, 2003. He was a tender age. He was meticulous in great man and a good teacher, and the Lightning system has been both his legacy and his gift to his many stu- his teachings, precise in his move- dents. ment and generous of heart that his loss was truly felt to those who have been his students. Founder Reynaldo Ayo Magdaraog To him we dedicate the [1945 - 1998] undertakings of the Magdaraog Magdaraog Philippine Zen Aikido Jutsu Ryu Philippine Zen Aikido Jutsu Ryu.

A man named Reynaldo which he practiced to perfection. “Rey” A. Magdaraog was born in After years of hard training he was Legazpi City, Province on able to harness the power called February 6, 1945. From the time Ki. he has entered school at the age of From this discovery he six, he has shown keen interest in gathered some friends and started the Eastern Arts of fighting. At that to share his knowledge of the time Karate was beginning to take power of Aikido. By this time he hold in the imagination of young was not economically blessed to men. meet the demands of lesser-known schools and the popularity of Ka- Rey A. Magdaraog started Martial Arts. Following nature’s rate spread to the West and Judo in training in the discipline of Martial way he continued to defy the trials the other hand was a national sport Arts in the year 1954 or at the age and tribulations confronting each here in the Philippines. of 9 years. In his youth he studied moment. In 1964 the Way Ai- many different kinds of Martial Destiny has its own way kido Club was established by the Arts like Chinese Karate (), of getting things realized when Founder comprising of selected Judo, Boxing, Jujitsu and Kung- the Master was able to land a students. From the year the Way Fu, but the one that has fascinated teaching job at the Divine Word Aikido Club was established, there were various changes in the name him most was the Arts of Aikido. College of Legazpi City handling Magdaraog of the organization. Among them He learned the Arts of Practical Arts subjects. Even in his Philippine Zen Aikido Jutsu Ryu is the Bicol Aikido Club, then the Aikido through the guidance of professional life, the master has to 1998 - Present the book Zen Combat. As no other combine and introduce his knowl- Seika-no-itten Aikido Study Center Roy B. Magdaraog person could possibly teach him, edge in the Arts of Aikido to his and the Divine Word College Inheritor (at that time there was no known students. Aikido. But the teaching remains Divine Word College of Legaspi. Aikido dojo in the Philippines) In the late 1960’s other the same with the sole objective of Foundation Day 1st Aikido Demonstration. the Master relied mostly in books, Instructor’s develop their own making Aikido and effective tool Grandmaster Romeo Mamar, Sr. His father started to teach Jitsu or (Combat Judo) as it [1938 – 2005] him the family style when he was was called at that time. Dur- Tapado 10. As a kid, he remembers his fa- ing WW2 he fought against ther training with some neighbors the Japanese who occupied Romeo Mamar, Sr., Founder of Tapado and Grandmaster of Filipino mar- and friends of their village and his the Philippines and continued tial arts died of a stroke on February 7, 2005, while tending to his farmland. He grandfather teaching Patricio Mena to prefect his art of Arnis in was for buried on February 19, 2005, at Sum-ag, Bacolod City. His widow is Mrs. in the family backyard. Back then duels and guerilla fights. Wilceta Mamar. Her mailing address is: Km. 13.5, Taloc, Bago City, Negros Oc- Doblete Rapilon was just a self- He has fought against cidental, Philippines. defense and survival art. other Masters of Arnis Kali Nono Mamar learned Filipino martial arts as a boy in the mountains of Ne- In 1934, as he was only Eskrima, Penchak Silat and gros. He mastered various styles of stick fighting, such as: Ohido, Lagas, and Sinimak, which he used to invent seventeen, he is taken in hostage Japanese Kendoka to mea- and develop the Tapado Long Stick-fighting System. Fighting more than 100 duels, Mamar was undefeated us- by Muslim pirates from the Sulu sure his Arnis against other ing Tapado in contests to the knockout or death. Mamar’s nephew, Grandmaster and Chief Instructor Benefrido Sea in southern Philippines. At that systems. He engaged in many M. Lobrido, will inherit the Tapado System. May God bless Romeo C. Mamar, Sr., who was my adoptive father time, the authorities do not control Arnis full contact tourna- Grandmaster José Mena demonstrating in the Philippine Islands. with Master Dani Faynot the region at all: The Sulu islands ments and built a reputation are still under the control of several as a fierce fighter. This -im Martial Culture” by Mark Wiley Grandmaster Timoteo Timor Maranga warlords. He is then sold to a Sul- age of Grandmaster Mena is still and “Masters of Kali Arnis Es- [? – 1988] tan qui who quickly discovers his present in the memory of today’s krima” by Punong Guro E. Sulite. Combat Eskrima Maranga fighting abilities. Each new moon, Arnisadors. a gladiator tournament is organized Grandmaster José Mena Aside from being an excep- Grandmaster Timoteo Timor Maranga was one of the most battle tested Eskrima- and sultans send fighters to repre- received the title of Grandmaster tional expert and skillful fighter, dor of World War II. His hand-to-hand fracas with Japanese soldiers placed him in sent them in death matches. Com- in Arnis Kali Eskrima from the son Grandmaster Mena also posses, a the league of other decorated World War II veterans like Grandmaster Leo Giron and bats are hold in an arena and bets of President Marcos in the pres- good level in education and this Grandmaster Antonio Illustrisimo and was member of the legendary Bolo Battalion. are the rule. ’s blades are ence of four Pilipino Generals. allowed him to organize his sys- Grandmaster Maranga started practicing Eskrima at the age of seven. One of his first coated with cobra venom, to make Today, he is granted the ultimate tem, and to classify the techniques instructors was father Gregorio Godoy Maranga a practitioner of the Demarina one of the obscure Eskrima it more spectacular and exiting. title of Supreme Grandmaster. and elaborate a teaching progres- systems of the pre-war period. His other instructors were Emilio Tadio, Faustino Tanio, Rogelio Ortiz, Emo José Mena does not have Like most Arnis Masters, sion with 52 steps. His proficiency Sagarino and Dalmacio Salinguhay. These lessons were a mix nuts of styles such as Florete, Sumbra (shadow), any choice: To fight or be ex- Grandmaster Mena was a close- in English had a positive impact Batanguena Serrada and Batanguena Abierta. ecuted. During his entire captivity, combat instructor for the Police because he was able to share his Rodrigo Maranga the son of the late Grandmaster Timoteo Maranga founder of Tres Personas Eskrima he had to eliminate his adversaries and the Philippines Army Forces knowledge with many foreigners de Combate Super Kuwentada System heads Combat Eskrima Maranga or C.E.M. It was shortened to C.E.M. to save his life in death matches as well as the US Army based in and martial art experts who came or Combat Eskrima Maranga not only for convenience but to honor the patriarch of the Cuentada system. before being declared winner and the Philippines. to the Philippines to study under earn his share of gold and jewels. His expertise and knowl- his guidance. Grandmaster Jose G. Mena They treated him as a hero and edge in combat is universally It is regretted however that [1917 - 2005] he received the title of (war recognized by the community of Grandmaster Mena never put any Doblete Rapilon chief), but remained a slave under Masters of Pilipino Martial Arts formal organization together to de- velop his system to an international Grandmaster Mena was the very first Arnis teacher to open a school in strict surveillance until the next throughout the world and many scale. This task will be the respon- Manila (Tondo), in 1951. The Tondo Arnis Club was situated in the notorious tournament. After more than a year federations of Kali Arnis and Es- sibility of his students so that the and dangerous area of the Manila Docks. He taught his family style from Ilo-Ilo in captivity, he finally found a way krima. In 2001, he received a nom- art can be preserved and make the that was handed down in his family for over three generations. He made many to steal a boat and escape. ination in the Martial Arts Hall of best of his lifetime’s contribution additions to the style based on his own experience. He was a legendary fighter, During the years, José Fame in the USA. Grandmaster to the Pilipino Art of Arnis Kali and friend to many Arnis legends such as Antonio Illustrisimo, Floro Villabrille, Mena worked in Manila. Curious, Mena appears in numerous books Eskrima. and Felicisimo Dizon. he studied Boxing, Karate and Ju- and articles: “Arnis and Filipino Grandmaster José Mena is famous in the Philippines because like most Arnisador from his generation, he has accepted all the challenges and street fights since 1934. His experience is based on survival, duels and war. Grandmaster Mena went thru WW2, the Japanese occupation and rebellions in a century full of violence and fury. He descends from a lineage of Eskrima Masters from Ilo-Ilo in the Visayas and do owe his life to his knowledge in Arnis Kali Eskrima. Grand Master Mena likes to remind that he had only one teacher: His father, Professor Patricio Mena. Grandmaster Arnulfo L. Mongcal uncle and aunt would find out bring goods they bought, got irked master Bacon, when Mongcal went [1924 - 2005] about the incident. at Mongcal’s order as directed to home, his wife would find him New Concept of Philippine Arnis From that time on, Mongcal him from his boss. bleeding and with bruises on some has been an independent person Then at dawn the following parts of his body. His wife would Veeck. After Grandmaster Mong- fight with a classmate, where his seeking part-time jobs on different day, 18 persons from the group, cry seeing him like this so she tried cal had taught Toni Veeck every- mate was into karate, but the fight establishments for him to meet his headed by Dading Ebarita, tried to to talk with Grandmaster Bacon. thing about his style, he conferred resulted in a victory for Mongcal own basic needs. He even had a attack Mongcal. He was able to The grandmaster explained her that Toni Veeck the title “Grandmas- with a knockdown. From then on, janitorial work cleaning comfort escape from them unprepared of he had to make such hard strikes so ter” and handed down his style to Mongcal had interest in rooms. the attack by jumping to the sea. that Mongcal could learn the him. because of the experience that he After a while of landing to For three days, he had cross- effectiveness of the techniques Afterwards Grandmaster had just fought with his mate and different jobs, a relative helped him trained and then got back at them being taught. He also said that it’s Mongcal retired from teaching, wrestled with him even without the find a job. This was then the time by three. He fought them with just ok for him to be bleeding for knowing that Grandmaster Veeck use of his kicks. when Mongcal worked for Cebu bare hands, doing kicks and Mongcal to be stronger. Mongcal will continue his way of Arnis, in Though his father was Stevedoring, customs for foreign combat judo. Six of the 18 persons describes Grandmaster Bacon to the way Grandmaster Mongcal reluctant to teach Mongcal wres- vessels, which was situated at the were able to escape from such have had great dedication to the art wanted to see his method flower- tling and was worried that he might seaport. He was just a helper in the surprise. of Arnis. He was very fast and had ing further. Shortly after Grand- just use it to bully other kids, he company and of course earned not Mongcal continued to deadly strikes. Grandmaster Arnulfo L. master Mongcal had retired from finally submitted to the high that much. So he continued to do study Arnis on his own, until he During his studies under Mongcal is the Great Grandmaster teaching, he suffered a stroke from interest of his son for the sport. side line jobs by teaching Arnis to met the Canetes who are relatives Grandmaster Bacon, Mongcal also of the New Concept of Philippine which he never fully recovered. Mongcal came to Cebu at his acquaintances at the port for of his wife. He then trained with sparred with Timoteo Maranga, Arnis. He learned the Balintawak Due to the still lasting effects of the age of twelve after his mother extra money. At the same time, he the Canetes. Then he met Grand- Delfin Lopez and Villasin, who style from its genuine founder, the stroke, Grandmaster Mongcal had died. He sought shelter from continued his secondary studies. master “Anciong” Bacon at the were their neighbors in Cebu. Venancio Bacon and was one of could today not teach anymore, his uncle who was a younger He studied at a night school at the club at Balintawak. Mongcal’s first Mongcal also fought with the other his top-students. Grandmaster even if he wanted. But it is a hard brother of his mother. The family University of Visayas were he impression of Grandmaster Bacon good fighters in Cebu. Mongcal also learned from and fate for him that he can no longer of his uncle had a farm. His uncle, graduated. while at the club at Balintawak Eventually, Mongcal trained with the other top-students spar even with his close friends. Leonardo “Adot” Lanquin was a Mongcal stayed at the place was that Bacon was no good developed his own style. One of its of Venancio Bacon. This is short biography of professional in Arnis. Mongcal of Teodula Magbulugtong’s aunt. because he was short. Mongcal specific characteristics is launching Grandmaster Mongcal Grandmaster Arnulfo Mongcal, asked a favor from his uncle to Teodula also stayed at the same never expected Grandmaster a series of strikes (usually about refined further what he had learned based on interviews with him teach him Arnis and its techniques. place where she was trying to Bacon was good in such art until 3-4) after an opponent makes a in the past and continuously several years after he suffered a His uncle only granted him the finish her studies in college. This he saw him “at work”. He had single strike. Mongcal had studied developed his personal way of the stroke, from which he never fully favor under the condition that he was where the two met and built a underestimated the grand master and observed the different styles of art of Arnis, which he later called recovered. would work for them. Mongal beautiful friendship, which eventu- but it turned out that Grandmaster his opponents or the people he had the New Concept of Philippine Born in September 24, agreed and became a helper in the ally blossomed into a stronger Bacon then became his teacher. sparred with in order to be able to Arnis. This style can therefore be 1924 at , Bacolod, agricultural land of his uncle and relationship. With such relation- Grandmaster Bacon taught Mong- learn more and improve his own regarded Grandmaster Mongcal’s Arnulfo Mongcal was the second aunt and also did household work ship, Mongcal had volunteered to cal the “short cut” style and break skills and to develop a deep knowl- development of the Balintawak son of Hilario Mongcal and from then on. support the financial needs of of style. This style involves fatal edge on the art. style. Agripina Lanquin-Mongcal. He For almost four years, he Teodula, especially in her studies. blows on nerves and all methods It was now time to move on Among Grandmaster has six brothers and a sister. He is trained with his uncle and managed Everything went well for them; and techniques, which could use with life and so Mongcal and his Mongcal’s students are a variety of the only member of the family to continue his studies where his Teodula finished college and made everything from fingers, fist, and wife had to settle in Cagayan de well-known people in the Balint- who plays Arnis. only support were the allowances it as a professional educator. This palm to the head. The grand Oro. Around 1962, he found a job awak style, as well as many others. At a very young age, he he received from his uncle. His ended up with the two getting master also taught Mongcal “Punta at Phil. Packing Corp. (PPC) as a The German Uwe Schwarz trained was already a wrestler where his uncle taught him the style of married. y Daga” which involves fighting security guard. He voluntarily a few weeks with Grandmaster interests trace from his father who “Largo Mano”, which was an old While at Cebu stevedoring, with a knife and stick. Mongcal taught Arnis to twelve of his Mongcal. Remy Presas, the found- was a professional wrestler. style of the art, and the basics. Mongcal was given quite a tough carefully studied such kind of fight co-employees. He even taught the er of Modern Arnis, belongs to Mongcal had a reputation as a One day, Mongcal acciden- job as watchman. He was given an from what Grandmaster Bacon had top officials of the company. One Grandmaster Mongcal’s students. blustering kid in his childhood tally broke an antique aparador authority from his manager not to taught him. He then developed his late afternoon, about 28 co-em- During the last decades of Grand- days, which was why he often got from his uncle and aunt. His aunt allow certain goods to pass own style of knife fighting, for ployees of Mongcal from just master Mongcal’s time as an active a fight with his classmates and having had a very strict personality through. An incident like this which he got the basics from his nearby towns of Agusan, Baloy teacher, he passed on all his with his elder brother. In elemen- because of her Spanish roots, happened when a group of co-em- teacher. and Tablon attacked him. The knowledge to the German Toni tary school, Mongcal once had a Mongcal left their place before his ployees, who were not permitted to After sparring with Grand- disturbance was due to envy of his co-employees for Mongcal be- Diel on every occasion. When After just two moves, the boastful the time that ended the master RB: As an eskrimador, what can believe that Grandmaster Bacon’s cause he was given special treat- Gov. Diel’s term expired, he was eskrimador found him self dis- from playing Arnis because he you say about Arnis? styles were better and more effec- ment from his boss at the same then a mayor. Mongcal was then armed under a large dining table. was partly paralyzed. He can still GM: Well, Arnis is a martial art tive. There is actually no compari- time he taught the art to his bosses. transferred to Puerto Market and Hurt and ashamed, the eskrimador walk and can manage to converse. that has a weapon, which is the son to the two of them. My uncle Mongcal was also known in the became its chief security guard. and Mongcal’s neighbor left at an As Grandmaster Mongcal remem- stick, or the Olise; bunal is used as was older so he had learned the old said company because in times of B y 1979, Mongcal had instant. Mongcal can only shake bered his past experiences during an extension of one’s hand. This is style. Grandmaster Bacon’s styles trouble, his local and foreign joined and attended the national his head for such display of arro- the interview, he would shed tears a close range fight and almost all were improved from the classic employers would call him to Arnis competition in Manila. He gance. because he knows how much he of the parts of the body are used techniques. handle such situation. Mongcal had a match with a participant As far as Grandmaster would still like to play Arnis. which include the head, arms, legs, RB: Can you say that Grandmaster together with Teodulfo Dorado, a from Bacolod in which Mongcal Mongcal can remember, his teach- RB: Grandmaster, at what age did elbows and even the fingers. The Bacon’s and your styles are best? co-employee of PPC, would try to broke his opponent’s stick. There er Grand Master Bacon had told you start learning Arnis and how fingers are used as a blow. Arnis as GM: I don’t think there is such a calm any fight that arises from the were two draws and on the third him that he was a fast learner and about your training? a martial art is a way to discover thing as best but I do believe that employees of the company. match, Mongcal won. Finally, he considered him to have a “golden GM: I have started learning the art new possibilities to make one’s our techniques are effective. Style The attack at that one won second, next to the National hand” which is at par with karate’s at the age of 12. Prior to my Arnis, body accessible to experience can depend on the eskrimadors afternoon caught Mongcal empty- Champion Ciriaco “Cacoy” “golden legs”, which means the I was into wrestling. My father was body behaviour, instinct and feel- skills and knowledge on the art. handed at first till he was quick to Canete. Mongcal stayed in Manila player is adept to the footwork of a professional wrestler. At an early ing the right way to develop these One can develop his own style and remove his own belt and found for a week and Pres. Marcos gave karate. age, I learned to wrestle through according to a given situation. even name it. There is always a firewood, which he then used to all the participants P100.0 each Grandmaster Mongcal the teachings of my father. RB: Arnis as an art that which continuing development on the art. fight with the attackers. The fight day for pocket money. They were always made a point to tell his I had my first lessons of uses sticks. How long are the Unlike other martial arts had created such commotion that it also given a . As students that they may cherish his Arnis from my uncle, Leonardo sticks being used? where the moment you reach the had caught attention from the Mongcal returned home from the works. He encouraged them to a Lanquin, the younger brother of GM: It really depends, some uses highest level, you can now say that barangay official, Ramon Jabar, competition, he was welcome by continuing research and develop- my mother. I had lived with my shorter and other longer. My sticks you have learned the techniques, in who shouted “Tama na Opong!” Mayor Canoy with a band. ment of the art of Arnis. He had uncle in Cebu. He taught me the range from 26 to 28 inches. The Arnis there is no end to its im- (Stop Opong!) It was only then In 1982, a special award taught his students good and had basics and the “Largo Mano” style, stick is used as an extension to provement of new concepts. So, I that the fight reached an end. was given to Mongcal from Doce inculcated in their minds that the an old style of Arnis. I was with one’s hand. think Arnis is best. Mongcal’s wife saw the incident at Pares Philippines and the National art is used only to defend one’s my uncle’s supervision for four RB: In real fights, do you have to RB How known is Arnis in the a distance from their house but Arnis Association of the Philip- life. years as I stayed with them. was not worried, as she knew the pines (Naraphil). A “Master Award Although tear’s roll down use sticks? Philippines? Grandmaster Bacon was GM: No, as I have mentioned, the GM: I think 60 to 70% of the capabilities of her husband. of Appreciation” was sent to him, on Grandmaster Mongcal’s cheeks then my second teacher when I Among those who attacked which was signed by Eulogio when he remembers the past, he sticks are the extensions of one’s population does not know that such met him at the club of Balintawak. hand. In fact, without sticks, it is art exists. It is sad to note that a Mongcal were Yacapin, Riti and Canete, Pres. of Doce Pares, and knows he has done his best in Under his teachings, I have learned Abroguena. All were co-employ- Gen. Fabian Ver, Pres. of Naraphil. Arnis and has contributed to the deadlier because you can grab, Filipino Martial Art is not as much the short cut method and the push, punch or even kill a person. appreciated by the Filipinos com- ees of Mongcal at Phil. Packing. The award cited Mongcal’s untir- development of the art, for he “Punta y Daga”. Mongcal was laid off in 1968 ing and unselfish effort in the knows how much dedication and As an example, when an oppo- pared to Karate, Aikido, etc. This is because he was blamed to head an revival, promotion and further will he had for the art. This is how RB: Do you have any idea about nent makes a punch, a cross, it is because the art lacks support from employee union (ALU). But development of the Filipino Grand Master Mongcal would like the history of Arnis as one of the just like number one in the Arnis the government. The government Mongcal was not really a member martial arts of Arnis. For Mongcal, to be remembered by his students Filipino Martial Arts? basics. So it is easy to block and should consider this Filipino origin because he said the union was it was a great honor to receive the and the rest of the eskrimadors. GM: Arnis first started from Fili- counter and do the combat judo. art. composed of employees from award. pino fighters who fought for our With opponent’s front kick, it is RB: How do you compare Arnis to The following is an inter- country against the invaders. An just like the number five in the ba- Cebu. In 1987, Mongcal had a view with Grandmaster Arnulfo or Karate? After being jobless for a neighbor whose friend from example was our own Lapu-Lapu sics. Just do a back stance or side GM: In Arnis, having a lot of Mongcal (denoted as Grandmaster who fought the Spaniards and the step and simply then is what you few months, Mongcal continued to was an eskrimador in the interview) by Rino Balinado power is not so important be- teach Arnis and Puro Velez was whose knowledge in Arnis was the rest of the invaders who tried to have to do. All the bare hand fight cause when you fight with bigger (denoted by RB in the interview). conquer our land. I guess, because techniques came from Arnis. then his current student. Mr. Velez old style. The said eskrimador Grandmaster Mongcal is 75 years persons, one doesn’t have to be had introduced Mongcal to Gover- challenged Mongcal on a surprise of this, Filipino Martial Arts came RB: You have mentioned earlier equally strong. Just go with the old at the time of this interview. into existence. It was then further nor Concordio Diel. He became visit. The eskrimador was brag- His wife to make his answers that you had two teachers. Which force and let the power of your op- the bodyguard of Gov. Diel. ging that he has greater skills than developed. It was deadlier because of them do you think is better? ponent hurt him. clearer to the interviewer, because more techniques have sprung from Mongcal was sent to Manila to Mongcal. But Mongcal didn’t ask of his condition, accompanied GM: It is not that my uncle’s RB: Have you had experienced a study photography for him to be for a fight, instead he just defend- the Great Grandmasters passed teachings were the old style that him. In 1995, Grandmaster Mong- from generation to generation. fight with other styles like Karate? the official photographer of Gov. ed himself from the eskrimador. cal suffered a stroke. It was then I consider them obsolete but I do GM: Yes, I had one but I forgot my opponent’s name. It was a match ous of my special treatment from RB: Do you use disarming in fight- Master Joe Napial held in Cebu. My opponent at- my bosses. I had used my belt to ing? [1958 - 2004] tempted to kick me with a front block and then I got firewood, GM: No, because when use the Doce Pares and the BDP School kick but with my side step, I was which I used to hit them. Every techniques of Grandmaster Bacon, able to block his kick and caught strike, I made a counter strike with it is just like disarming. Once the It is with heart felt regret that we must announce the un-timely passing of his ankle. I made a twist on his leg my elbow. Then I remember they opponent can no longer move it one of BDP’s most loved and admired instructors. Master Joe Napial was an and which ended with my oppo- were “chickens”. The commotion is then considered like disarming. innovative and charismatic instructor of our school. nent landing on his back. Not that stopped as the barangay was pres- This is the short cut style of Grand- The Eskrima world knows of the impact he had made in his short lifetime. I underestimate Karate or other art ent. master Bacon. But I have empha- His love for the Filipino Martial Arts and his devotion to Doce Pares and the that involves high kicks but I do Finally, I had a fight with sized disarming to my student to BDP School has left a legacy that will be remembered by the lucky students believe that Arnis is better. I do be- the eskrimador from Bukidnon. have a great advantage in fighting. who had the opportunity to have trained under Master Joe. His spirit of Aloha lieve that if you can block a stick, We had a neighbor back of Bugo RB: What advice did you implant was always his trademark. Master Joe was only 46 years old. He was the how much more with the leg. and he brought a friend who was to your student’s mind? younger brother of Master Sonny Napial. an eskrimador. This eskrima- RB: Any other actual fights? GM: The only way to learn and to “I will miss my baby brother for the rest of my life!! “ GM: One was in Cebu. I was at- dor tried to brag about his skills be a good eskrimador is to love the WEKAF - USA is saddened to announce the passing of Master Joe Napial. On tacked with 18 persons who were and challenged me with a fight. art of Arnis. With such dedication, Monday, Joe suffered a massive heart attack while doing what he loved, Surf- co-employees of mine. I was able The eskrimador used two sticks, one can train hard physically and ing. to escape from such surprise as I first makes the Sinawali, then he mentally. Arnis can only be used to Joe was a Master Instructor of Bandalan Doce Pares in jumped to the sea. For two days I attacked. I disarmed one of his defend one’s self. California under Grandmaster Alfredo Bandalan, Sr. Most of us had vigorous training. On the third sticks. While I blocked the other One must not underesti- saw him recently in the WEKAF Nationals in Denver and/or at day, I went back to them 3 by 3 stick, I twisted his hand and he fell mate other martial arts because he the 8th WEKAF World Championships in Cebu. (He was at all on the 12 persons. The six went down then I did a combat judo. can learn from them rather then national and world events). away and escaped. With use of my Well, after that we just found him compete with the artist. Arnis is a Joe did a lot for many people, many times. He always bare hands, I made direct hit on the under our dining table. He then continuing development and one talked of and was proud of his family, as well as his students. He face, neck and used my elbows, left together with our neighbor. should have profound knowledge was an inspiration and a good friend to a lot of people. When he too. RB: Do you believe in amulets? in the art acquired through his wasn’t busy taking care of his own people, he would be helping Then, another was when GM: No, but I know they do exist. experiences. others. Everything I’ve known him to do was done with honesty I was with Phil. Packing Corp. I had only my faith in God and it and integrity. This was when 28 persons came is deep enough to make me strong. to me because they were envi- Joe is survived by his wife Marietta, sons Joseph Jr. (J.J.), Jeremy and Joshua. Master Chian Brozula Ong Jr. Baton Masters [1953 – 2008] Master Chian Brozula Ong Jr. passed away 12:24pm 10 July 2008, leaving behind his wife, 3 sons and 9 grand- children. Services were held at: Our Lady of Grace Chapel/Columbary 11th Ave. Caloocan City, Philippines Edwin Ong the eldest son not respond to any medications, away. of Master Chian Brozula Ong Jr. his antibiotics got stronger and Master Ong believed Master Chian Ong Jr. on the right explained that his dad suffered a stronger to the point that they to have the knowledge, but not Opponent strikes with a forehand strike to the temple. Master Ong counters with a strike to the hand [to disable]. Continu- fall last Wednesday (July 2, 2008); double the dosage due to his size, practicing one will not achieve the ing Master Ong parries with his empty hand and then strikes the opponent to the head or neck. he couldn’t stand up and urinate but still to no effect. Master Ong goal of harmony or a competent Opponent strikes with a backhand strike to the head, countering with a strike to the opponents striking arm or hand for by himself, so Edwin rushed him state of mind started to deteriorate executioner of the art. To excel one disabling. Using the empty hand parry and strike the opponents’ head. to the hospital (MCU). on day 3 at the hospital and it kept must practice daily to achieve the He went through a series getting worse since the infection flow and capabilities of an expert of tests and x-rays and the doc- spread throughout his blood- Arnisador. tors found out that his spine had stream. In Master Ong style Baton been compressed, which resulted Then on Monday (July 7, Masters there, are not flashy or on a slipped spinal disc... he could 2008) he started to have difficulty flowery moves. In the style it is not move all his extremities but he breathing so he was transferred to believed that one should hit stick to didn’t have the ability to stand up the intensive care unit. He was put stick, but to hit the opponents hand or even roll to his side. A fever on a respirator to help him breath, bringing about actual realism in developed and his blood tests from there on his condition took its techniques and adaptabilities to showed signs of infection, which turns for the worst as his blood encountered situations. The opponent attempts a strike to the knee, Master Ong strikes the opponents forearm. Parrying with his ‘live hand’ Mas- then the doctors prescribed antibi- pressure continued to plummet All actions start from the ter Ong continues by striking the opponents body [ribs, chest, or stomach]. otics to combat the infection. during the next 2 days, pneumonia ready position. The movements to Using a backhand strike the opponent attempts a strike to the leg. Master Ong stepping back to avoid getting hit, simul- Over the course of 7 days, set in coupled with internal bleed- attacking and countering include taneously hits the opponents’ arm and parrying it. Upon parrying the opponents’ arm, the opponent is turned away from the doctors had tried different ing, then on Wednesday, Master evasion and the progressive pen- Master Ong and he executes a thrusting strike to the opponents’ body. kinds of antibiotics, which he did Chian Brozula Ong Jr. passed etration of the attacker’s defense.

There are 5 basic defensive actions to attain control and succeed in dominating your opponent. 1. Posture of readiness - Do not slouch, hold the cane without tension. Stand straight with the body weight equally distributed. 2. Moving away from the line of attack - In Baton Masters one must discern from where the strike is coming from, the power and speed, when time and space is available, move away from the line of attack, moving to the right or left, forward, backward. One might drop down to a kneeling position to dodge the strike. 3. Hitting the opponents hand or arm - The first hit executed on the opponent must be with speed and is utmost important, if to slow one will not be able to follow up. The execution of the strike must be sharp and crisp with power. 4. Controlling the opponents’ hand - One must be accurate in executing the strikes. If for some reason one only hits the opponents stick, then with the empty hand must block or parry the opponents stick hand, so control is maintained so the opponent cannot follow up with counters. 5. Follow up - The first execution whether with the empty hand or the stick is aimed at the attackers’ hand. The next is aimed at the opponents’ body. After one or two strikes the technique has ended. For one reason is to al- low for creativity. You are free to make choices depending on your skills as a martial artist. Lolo Guro Isidro Pambuan the art. The Pedoy’s School of Chris Siangco and his sons. Ba- er of Tyrone Takahashi and Gail [1920 - 2008] Escrima was officially opened in tikan would then travel to estab- Siangco). Under Batikan Eduardo Pambuan Arnis 1961 and Batikan Eduardo was at lished branches in New Mexico Pedoy the Pedoy School of Escri- the forefront of structuring the cur- and solidify the name of Pedoy ma has expanded from the Hono- Isidro Pambuan was born in Santa Cruz, , Philippines on April riculum and training. Being a big through the instructors promoted lulu branch (The Master’s School) 4, 1920. He began his journey in the family art after hearing stories from man and power weight lifter in his by Great Grandmaster Pedoy. in Hawaii to certified branches his grandfather of how Arnis was used in the Filipino - Spanish revolution. youth, Batikan formulized a more In 1995, he headed the first operating in Southern California, He trained in several Filipino martial arts with members of his mother and powerful and direct style within Derobio Congregation in which New Mexico, , and Florida fathers side of the family. He also trained outside the family, with Alihandro Great Grandmaster’s passive base brought all heads of the school as well as several Chief and Mae- Javier of Batangas. of traditional Derobio that comple- together for the first time. In 2004, stro Instructors teaching Derobio Lolo Guro made two trips to the United States in mented his size and which trans- he was promoted to his calling as in various martial arts schools the 90’s and was very amazed at the popularity of the lated greatly to the next generation Batikan or “expert” when Grand- throughout the USA. Filipino martial arts here. In the Philippines, the fam- of students; The Kramer brothers, master Tyrone Takahashi resumed On December 21, 2007 ily arts are closed to outsiders and only a very few Knut Peacock, Peter Schmall, Dan control of the Main Branch of at 10:15am, Proclamation Sign- select persons are given the opportunity to learn Medina, to name a few. After the the Pedoy’s School of Escrima. ing by Mayor Mufi Hanemann, the Art of Arnis. passing of Great Grandmaster Through a long battle with diabe- acknowledging the International Ama Guro Raffy Pambuan inherited his Pedoy and his mother Bartolomia tes, Batikan Eduardo passed away Martial Arts Hall of Fame Induc- family’s system of Arnis from his father Lolo Guro Isidro Pambuan. He in the early 1990’s, Batikan Edu- on Oct. 22, 2008 and was survived tion of Batikan Eduardo Pedoy. brought the art with him from the Philippines in 1983 when he moved ardo moved to the mainland to lay by his step-brothers Ponciano, On December 30, 2007, Batikan to Orlando, Fl. In 1993, He was convinced to begin teaching his family the seeds for the formation of the Alberto and Marshall Adaro; step- Eduardo Pedoy was inducted into art of Pambuan Arnis. San Diego Branch of the Pedoy’s sisters, Martina Navares, Rosa the International Martial Arts Hall Ama Guro Pambuan continues to make trips to the Philippines School of Escrima, headed by Rapoza and Juliana Riddle (moth- of Fame. in order to discover more of the closed art, family systems of Arnis, and exchange knowledge with them. He then brings this knowledge back and shares it with his few, very select, students.

Great Grandmaster Braulio Tomada Pedoy Derobio Escrima Batikan Eduardo Pedoy [1900 - 1992] [1946 - 2008] A brief insight: Into the life of the Great Grandmaster of Derobio Escrima. Pedoy’s Style Derobio Escrima Only bloodline heir and son of Great Grandmaster Braulio Pedoy, Age 92, Braulio Tomada of Derobio Escrima. At the Batikan Eduardo James Pedoy was the catalyst to which prompted the Pedoy, of Honolulu, Hawaii, age seventeen, Pedoy was Great Grandmaster to begin teaching the art of Derobio Eskrima as it passed away July 29 1992 at St. tested by the General on was taught to him by Gen. Faustino Ablen. Batikan Eduardo’s first pas- Francis Hospital. Great Grandmas- what he has obtained in his sion of the martial arts was Kenpo, a widely popular art in the islands, ter Pedoy was born on October years with him; their choice and he unknowingly urged to test his skills against his father’s fighting 16, 1900 in Ormoc City, Leyte, of weapon was the bolo. As style when he earned his black belt. As a young man, Batikan knew Philippines. At the age of six, he it was told, the test lasted Great Grandmaster Pedoy trained with other manongs and friends in ran away from home and traveled almost two hours with Pedoy the banana patch in the old Filipino blade and stick fighting but never into the mountains of the Southern receiving a cut on the and knew the extent of Great Grandmaster’s prowess and skill. He was soon Visayas where he was taken in near the eye; the General none. humbled by his father and from that day on he put down his black belt and begged Great Grandmaster to teach by General Faustino Ablen. The Through his ability to survive him his art of Derobio. Batikan became the first student and Chief Instructor while training and teaching along- General was a leader of the Inde- the battle, the General awarded side Great Grandmaster’s step-grandchildren, his nephews and nieces (step family, Great Grandmaster Pedoy pendence movement against the Pedoy mastership of his art of married Bartolomia (Adaro) Pedoy) Tyrone Takahashi; now head and Grandmaster of the Pedoy’s School of occupying American forces on the Derobio and the task to expand Escrima Organization, Gail (Takahashi) Siangco; who’s family founded the -Derobio Eskrima Organi- island of Leyte. For eleven years, his knowledge of the martial arts zation. the Great Grandmaster lived and and travel the land learning other Other family members have trained throughout the years; however, these are the two main families of trained under the General in the art styles of Escrima. In 1924, his travels “An Interview with Master Braulio Pedoy” environment. Each of us has two eyes, two ears, two authorities put him in jail. That man had great pow- brought the Great Grandmaster Interview taken from the Fight- nostrils, and a mouth. Only the mouth can get us ers - no jail could hold him. The guards were there, to the island of Hawaii where he ing Arts of Hawaii Journal into serious trouble with our fellow man - thus, one yet no one saw him escape. worked on the Olaa Plantation. Volume 1 No.6, November 1977, should be very careful in what one says. Give good FAH: And he went to the mountains? During World War II he worked edited by Carlton Kramer, used advice, don’t lie, and never gossip, for it might not be PEDOY: Yes, he ran away to the forest. He was as a security guard for the Army. with the permission of Kent true. Then you can get your humbleness from that. a man of great powers, powers he received from Later in life he worked and retired Lighter FAH: When you came to Hawaii, were you a Master heaven through his prayers. Snakes wouldn’t go near from Gaspro Inc. In 1961, Great already? him animals wouldn’t eat the rice he planted. There Grandmaster Pedoy began the first (Two instructors of the Pedoy School of Escrima) PEDOY: Yes, I had developed already. I had been all were plenty of wild boars, deer, and birds. But noth- Escrima School in the islands. over the Philippine Islands. ing touched his rice. We wouldn’t chase them away The Pedoy’s School of Escrima FAH: Where in the Philippines either, just leave them alone. And when it was time was born. The Great Grandmaster did you come from? FAH: How did you meet your Master? PEDOY: My father was a very mean person. Ev- to harvest, we would thank the Lord for our food. would come to be known for his PEDOY: I came from Ormoc, See what power’s he had? prowess as a man of counters and Leyte. eryday he gave me lickings, at 6 years of age, I ran as a healer in the art of Hilot; Fili- away. I went along the main trail until I came to a FAH: So when you were 17, you left your Master? FAH: When did you come to fork in it; one way to the big city, the other to the PEDOY: Yes, but before I was to return to civiliza- pino healing and bone setting art. Hawaii? On April 9, 1976, he was mountains. If I was to go to town, my father might tion, I was told to study the movements of the trees PEDOY: I arrived in 1924. My still yet catch me, so I went the other way. I just and of the ocean, to observe carefully the motions awarded a Certificate of Recog- destination was Olaa Plantation on the Big Island. nition from the State of Hawaii, walked with no destination. I just walked, walked, of the branches in the wind. You must be able to get House of Representatives, awarded FAH: Why did you come to Hawaii? and walked. For 4 days, I roamed the forest. Then I away from the force of the blow and return to an the entitlement “Escrima Expert PEDOY: My friend told me, “We go Hawaii. Hawaii is good - easy to saw a small shack where someone had, at one time equal, balanced position. Thus, to be an Escrimador Extraordinaire”, House Resolution make money.” The temptation was in my mind, a conflict already with or another built a fire. So I sat down and waited, for I you have to carefully study the land and sea while No. 633. In 1991, he was inducted what my Master told me on how I should live my life. thought to myself, someone lives in this place, thank also searching for those unusual things in nature God into the International Martial Arts FAH: So you worked the plantations all your life? God. Later in the evening, that man came back, and has created. After 11 years, I went back to my fa- Hall of Fame for his outstand- PEDOY: No, I spent many years as a fisherman, and during the WWII, he was very surprised to see me. He asked how I ther’s place. ing contribution in promoting the I was a security guard for the Army. After that, I worked 11 years for had come to this place, and I pointed to the pass in FAH: Did your father recognize you after 11 years? Philippine martial art of Escrima. Gaspro. From that time until now, I haven’t worked. That is my his- the mountains I had come through. He said, “I know PEDOY: Yes, he tried to hit me with a stick. I just He also promoted his son Eduardo tory from the time I came to Hawaii. But if you go to my history in the other people come from the opposite way to this took it away. I didn’t hit him back. He asked me Pedoy to Master in 1991. Philippines, there is a whole different story to tell. I went from island to place, but no one can pass through your way - it’s too how I survived all these years. I told him I found a After his passing, the island, like my Master told me, to further my studies in Escrima. In every dangerous.” man and we lived together in the forest. I stayed two Pedoy’s School of Escrima now village, there are different movements and counters. Kali has very differ- FAH: What was so dangerous about the pass? or three weeks with my father, then I went away. I reveres him as the Great Grand- ent movements than Derobio. PEDOY: There were plenty of poisonous snakes that didn’t tell him that I was going from island to island master of our system and his son FAH: How long did you go from island to island? get bigger than men. But at the time, I didn’t see any to practice, I just left. He never learned anything of as Grandmaster. The lineage of PEDOY: Over three years. snakes during the day and at night I climbed high what I had learned. the Pedoy system lies with his son into the branches of the trees. My Master told me, FAH: How old were you when you did this? FAH: Didn’t you Eduardo Pedoy and his grandchil- “God guided you to me. He wanted you to learn how regret leaving your dren Tyrone Takahashi and the PEDOY: I was 17 years old. I was 20 when I decided to go to Hawaii. to defend yourself - so he brought you to me, for that Master after 11 family of Gail Siangco. is the talent I have to give to you.” FAH: How long had you been training with your Master? years? PEDOY: Since I was 6 years old until I was 17. And from there I went FAH: What was your Master doing in this out-of-the PEDOY: My Master island to island. First, however, my Master told me to study about the way place? told me that this was ocean, and of the philosophy of the sea. If you were to climb to the top of PEDOY: My Master was a wanted man with a large no place for me to a tree and look into the ocean, you would see different shades of blue. reward offered for him. That’s why he hid deep live all of my life. He The darker the blue, the deeper the water, in the lighter areas it is in the forest. He was a general during the revolu- said I would have to shallow, rough, and noisy. Many are at this level, close-minded people tion against the Spanish and again later during the leave after my ex- with conflicting goals in life who tend to use their mouths loosely. We Filipino-American War. When the United States won amination. must look towards the deeper water where it is calm and peaceful, where and the Filipinos were required by law to salute the FAH: What examina- your morals run deep and only pure thoughts come out of your mouth. American flag, he would not. To the Filipino flag, he tion? Thus, you can observe for yourself what is shallow and what is deep. In would salute, but to no other country’s flag he would PEDOY: My final every one of us the Lord provided seven gateways for us to observe the show respect. Too many of his men had died fighting test to become Mas- for independence in the battlefields. That’s why the ter of the Derobio system of Escrima. Each of us had two sharp bolo knives. We were to fight in actual combat. Great Grandmaster Ernesto Presas My Master told me, “If you can kill me, kill me. I in turn will try my best to kill you. If either of us gets wound- [1945 - 2010] ed badly, the other has to kill him because there is no doctor, we would only suffer, so better defend yourself Kombatan well or else.” Before the examination, I prayed for days, asking my Lord Jesus Christ, to protect me. The battle was Ernesto Amador Presas, Sr. it either. Because his knowledge long and tiring; each of us used our best fakes and counters. When it was over, he was unhurt, whereas I suf- was born in May of 1945 in the was not limited only to combat fered cuts on my hands and face. But only the tip of his bolos cut me, not deep enough that I let down my coastal fishing village of Hinigaran with weapons, Presas also bested defense. in . His father karate practitioners while fighting FAH: When was the first time anyone knew you were a Master in Escrima? José Bonco Presas, a renowned barehanded, including one oppo- PEDOY: Oh, I never showed anyone I knew Escrima. But when there was trouble, my neighbors found out Arnis fighter in the area, began nent who fell into the river the two I knew how to defend myself. Especially with newly-arrived Filipinos, when there was trouble, out came the teaching Ernesto the fundamen- were struggling near after Presas knife. When they would use it, I would take it away. That’s how they know I know Escrima. But I never taught tals of Arnis at the age of eight. A pounded him with hard punches anybody before, only Eddie (his son). capable learner, he mastered his and kicks. These battles, he would lessons well and soon expanded his later divulge, formed an important FAH: And that was the first time you taught? martial arts education to include facet in the development of his PEDOY: Yes, the first person I taught was my son, and only after he had taken the study of Judo, Jujitsu, Karate, comprehensive fighting system. Karate. One time, however, some officers of the Honolulu Police Department and eventually . In 1972, Presas secured asked to learn. I showed them how easy it was for me to hit them with my In the time-tested custom teaching positions as a physical sticks. Soon they stopped coming over. of Arnis practitioners of that era, education instructor at the Univer- foam sticks later developed in the Do you know why I started training Eddie? Because I thought to myself Presas trained intensely and fought sity of Santo Tomas, the Univer- U.S. for training and tournaments about the Chinese martial art of Kung Fu, about the Japanese with their Judo many challenge matches against sity of the Philippines, Far Eastern would never gain popularity in the and Karate, and about the Americans with their boxing. I know the Filipino other practitioners. One memorable University, the Lyceum of the Philippines). Instruction on anyo community in Hawaii has some good Escrimadors, but they never show or encounter in 1970 saw him facing Philippines, and Central Colleges (forms) and practice with bladed share their talent. That’s why I began teaching Eddie - so that we could pre- an Arnis fighter from the Manila of the Philippines. He also began weapons were largely conducted serve a valuable part of the Filipino culture and heritage, and to give an oppor- suburb of Paranaque, who wanted teaching Arnis at military and law on a one-on-one basis because of tunity to the younger Filipinos who don’t have Escrimadors in their families a to test the skills of the upstart who enforcement institutions includ- spaces limitations and for safety chance to learn Escrima, thereby increasing their pride in themselves and their had just moved to the city from ing the Philippine National Police reasons. heritage. a rural area. The two fought in Academy, the Far Eastern Military In addition to the Arnis I then told Eddie to find instructors and to teach them well. Teach them to the middle of a rice paddy, where Academy, the General Headquar- classes, students could learn; pray, because that is also an important part of being an Escrimador. And when lateral movement was severely ters Military Police Academy, JKA-line Shotokan Karate, Ju- you get your instructors ready, open a public Filipino Martial Arts School. That limited, and falling into thigh-deep and the Officer’s Schools for the jitsu throwing and locking skills, is how our school began over five years ago, when we first opened inWaipahu. mud was a distinct possibility. and Air Force. Okinawan weaponry (tonfa, bo, Today I have nine full instructors under my son, who of course is my chief instructor. They began with a trial to see who During those formative and sai), as well as A few decades have passed since this interview. The school has grown and branched out. Now revered as Great could disarm the other of his stick. days, the Arjuken Karate Associa- Kendo. (There exists today, par- Grandmaster; the late Braulio Tomada Pedoy’s legacy of Derobio lives strong in the hearts of his Ohana in San Using his complete knowledge tion held classes from Monday ticularly in Australia and Canada, Diego. Grandpa and Grandma Pedoy, We truly miss and will always love you both. of levers and disarming methods, through Saturday and also held a system known as Arjuken karate, Presas successfully took the other special events and demonstrations popularized by early Presas stu- fighter’s stick away in two suc- on Sundays. Arnis classes featured dents). Presas was a firm advocate cessive clashes. Not satisfied with basic training in groups, with stu- of cross-training, as he believed this turn of events, the other fighter dents executing blocking, striking, that this better prepared the student insisted on an all-out skirmish. Pre- and disarming techniques with sin- to deal with the greatest variety of sas went on to disarm his foe once gle or double sticks. Sparring was possible attacks and weapons. Ex- again and delivered a rain of blows practiced both with and without ponents of other martial arts could that knocked his opponent into the the use of protective equipment often be seen visiting, observ- mud. such as , body armor and ing and practicing alongside the Other fights would follow, gloves. Equipment allowed stu- school’s regular students. with the frequent condition that the dents to make hard contact, while Great Grandmaster Pre- other fighter was always the chal- sparring unprotected called for sas will greatly missed by all and lenger - Presas did not seek con- more controlled action as only rat- remembered for his contributions flict, but never backed down from tan sticks were available (the soft, to the Filipino martial arts. Grandmaster Remy Presas On March 19, 1974 the within the Bureau of Public and the force), figure eight (interlock- [1936 - 2001] City Council of Iloilo, Philippines, Private Schools, colleges, police ing circular strikes), banda banda Modern Arnis presented publicly agencies, and different military (Presas flow side to side slash- The Legacy of Remy A. Presas * Resolution Number 388* units throughout the Philippines. ing), abanico (to fan the stick) Proudly he shared his art with all Double action Abanico (fan with Born a Warrior, RESOLUTION 388 HEREBY To Fight and To Lead! who were interested and through reverse circle follow up), Redondo RECOGNIZES “REMY A. PRE- further professional perseverance (multiple circle hitting), crossada SAS” AS THE PERSON RE- founded the Modern Arnis Federa- (crossing and uncrossing maneu- Remy A. Presas eldest son old and traveled to Cebu seeking SPONSIBLE FOR REVIVING tion of the Philippines. It was at vers), sinawali (weaving patterns), of Jose B. Presas and Lucia Ama- a greater challenge in the art. THE ANCIENT FILIPINO MAR- this junction of his life he had the espada y daga (sword and dagger), dor was born December 19, 1936 It was in Cebu that a young TIAL ART OF “ARNIS.” opportunity to demonstrate and and of course his own close-quarter in Hiniganran, Negros Occidental, Remy learned the deadly art His impact on the mod- perform before the late Philippines interpretation of Balintawak, Pre- Philippines. Bred from the spirit of of Balintawak from the Cebuano ernization of Arnis as a national President Ferdinand E. Marcos in sas tapi tapi. By cross referencing his ancestors, the courage to stand experts of Eskrima, Grandmaster treasure and cultural sport was Antipolo Rizal. and connecting various concepts alone as a warrior was passed from Venancio Anciong Bacon, Timoteo acknowledged nation wide, which As popularity of modern Professor Presas created func- grandfather Leon Presas, to father Maranga, and Rodolfo Moncal. garnered Remy A. Presas with Arnis grew so did his status as a tional sub-systems intended for Jose Presas, to son, Remy Amador It is from the guidance of these countless awards of recognition great diplomat and representative natural adaptability and personal Presas. Remy felt this life force as Eskrimadors that Remy Presas from such prestigious groups of the cultural fighting art, in 1970 developmental study. Through his a child and began cultivating his grew to be known as a fearless as the and Remy A. Presas went to Japan to teachings each sub-system could own spirit at an early age. Many fighter and Remy won any and all dream and when this dream the National College of Physical teach and demonstrate the func- be instructed separately but con- times in our personal conversa- contests he entered. As he matured shall have flowered, the world will Education. Additionally Remy A. tional beauty and effectiveness of clusively progressed to become tions he would re-account the he grew conscious of his own have to thank not only Remy but Presas was twice chosen to receive Arnis. This was truly a highlight part of the whole system, strategy, stories of hiding behind the Nipa- reputation and sought to teach and also his wonderful wife, Rosemary, the coveted top Arnis award of in his life; even years later during and foundation of Modern Arnis. huts while he observed his father, share his knowledge with oth- whose inspiration, perseverance the Philippines, the Sigla-Lakas a radio interview conducted in the Presas felt by isolating sub-system U.S. Army Lieutenant Jose Presas ers. With the direct blessings of and priceless assistance made this Award. Sigla-Lakas represents two United States he mentioned with characteristics the concepts would train the Filipino Military troops in Grandmaster Anciong Bacon he book possible. Also their children Filipino words, in broader English great pride his Arnis demonstra- enhance each individuals physi- the battle field fighting maneuvers left Cebu to form his own method Mary Jane, Mary Ann, Remy Jr., words “Sigla” means skill; “Lakas” tion for Japanese masters at the cal attributes and they’re ability of the deadly ! of Arnis. Prior to being intro- Maria Presas, and Demitrio Jose, is strength and power. Sigla-Lakas legendary Kodokan, the Mecca to flow. Remy Presas put a great Forbidden, and unbe- duced in Manila, the true roots of whose innocent laughter’s have is skill, strength and power. and center for all Japanese martial deal of confidence in the principles knownst to his father, young Remy Modern Arnis became established lightened the mental load in the The Sigla-Lakas Award arts. This was an important mile- of flow and explained proper flow would wander off into his imag- during the year of 1957 in Bacolod awesome preparation of this book. is given annually to the sports stone in the acceptance of Arnis as being “the instinctual ability to ined battle ground and practice City Negros Occidental in the Modern Arnis will go a long way athletes who excel to the high- as a world recognized martial art adapt to a confrontational situa- the energetic strikes and slashing Visayas. It was also there that he and Modern Arnis is incomplete est level in their individual sport and was also personally important tion naturally, no matter the range patterns he had just witnessed. met and married Rosemary Pas- without bringing into the picture category each year. To this day, no to Remy due to the fact he was a or weapon.” Therefore a properly Mimicking the war cries of fight- cual a driving force behind Remy the athlete and the crusader, Remy such award has been presented to 6th degree black belt in Japanese trained technician of Modern Arnis ers and soldiers, the young warrior and the development of Modern A. Presas, The Father of Modern another Arnis practitioner in the Karate and a black belt in Judo, he potentially flows instinctively and sensed the fire in his own blood Arnis. Rosemary Presas came to Arnis” Philippines. felt it was a great honor to be the the system matures into an art of and deliberately sought a deeper be known as the Mother of Mod- Early recognition only Filipino in martial arts history improvisational adaptability guided understanding of the cultural fight- ern Arnis and assisted Remy in all Dreams and acknowledged ac- to be acknowledged at the Kodo- by muscle memory and motivated ing arts of his native country. His organizational matters as well as Historically throughout complishments the Philippines, Remy A. Presas kan! by fighting spirit or tactical intent. grandfather Leon Bonco proudly the publishing of his first books on Later around 1969 when he witnessed this transformation in Arnis. became well known as a dynamic Systemized methodology, the Have stick, will fight fighter, great martial arts practitio- brought his family to Manila Remy the young Filipino and offered to In an excerpt from the foundation Professor considered the ner, and the driving force behind A. Presas established the National train him secretly in the traditional book “Modern Arnis Philippine The 12 foundational strik- Balintawak style of Cebu to be the the revitalization of Arnis as a Amateur Karate Organization family arts of Arnis, known as Martial Art Stick Fighting” written ing and deflecting techniques of most aggressive and deadly arts cultural treasure. (NAKO), and the Modern Arnis Presas Style. by Col. Arsenio de Borja (Ret.) the Arnis that Remy Presas empha- he ever encountered. Realizing One example of his his- Federation of the Philippines. After exposure and tradi- following quote can be read about sized were also complemented the dynamic potential of Balint- torical impact is listed below as Further propagating the beauty and tional training from his Grandfa- Remy’s dream: “He believes that by traditional patterns of move- awak, Remy sought to develop an a public acknowledgment to his value of the cultural art of Arnis, ther Leon Bonco, Remy A. Presas a good art should be shared by the ment including rompida (diagonal art form with the same degree of dedication of propagating the art of Professor Presas implemented left home at the age of 14 years whole world. This is his ardent slashing), palis palis (go with effectiveness yet modernized to Arnis within the Philippines. many instructional programs adapt to an ever-changing society. ers being strung along within the of karate, judo, and jujitsu. In to bring life to static form or overly text.” respect and love for Remy A. Pre- Furthermore living the life of an Karate-do systems and learning truth the strategy of developing the ridged students. Additionally Pro- Brief Acknowledgements sas without hesitation. According Arnisador exposed him to the po- very little about form other than anyo was an ingenious revelation fessor Presas believed it was up to to a quote from George Dillman, tential threat of his skills or art to block, punch, kick, and jerky static to help draw interest into Modern the practitioner to seek the balance In the United States his “Remy established a market no one be challenged. This self-realization mobility. Arnis. The creation of anyo and in combat efficiency and advance dynamic efforts have impacted else was tapping into, the seminar coupled with personal pride drove Amorado, abcederio, and its relativity to karate kata formed himself in order to thoroughly the entire industry of martial arts. market. Worldwide, it was Pro- Remy to polish and maintain his anyo are in essence kata, and a transitional conduit for Fili- comprehend the dynamics of all In 1982 Remy Armador Presas fessor Remy Presas himself who fighting competency. To Remy A. are all part of a valuable training pino practitioners of karate, judo, movement. It is that distinction that was inducted into the prestigious literally created the seminar in- Presas knowledge was only valid matrix. For some practitioners and jujitsu. The anyo served as a separates a good player or teacher Black Belt magazine Hall of structional circuit single handedly.” if you possessed the ability to back pre-arranged forms have little or connecting link allowing them to from a great one, Professor Presas Fame. Throughout the years he has Additionally George shared, “What it up with fighting skill. As the no value. Of course this could be embrace the beauty and function of was a great overall practitioner and authored three instructional books; has been established as acceptable Grand Master of Modern Arnis his true, especially if the practitioner the Philippine cultural arts while teacher! “The Practical Art of Eskrima, and teaching through seminars should Modern Arnis Philippine Martial reputation as a dynamic Arnisador has only trained in two person still maintaining a structural and Anyo evolution or revolution be directly credited to Remy Presas was everything thus he developed drills and does not possess the systemized method of training. No Art of Stick Fighting, both pub- as a historical president, no one his Tapi Tapi method to neutral- ability to think outside the box and matter how simplified the anyo is Professor was a man of lished in the Philippines; as well as comes close to him in that arena.” ize any potential future threats or visualize physical engagements. formatted some practitioners will vision and felt deeply in his soul Modern Arnis, The Filipino Art of Together the Big Three challenges. As time progressed, This is a long drawn out argument never be able to free themselves that the Filipino martial arts could Stick Fighting, published by Ohara opened the doors to cross train- Remy’s skill and teaching ability but simply put, Professor Presas from the bonds of rigidity. stand on their own, the evolution Publications in the United States. ing and allowed practitioners from became extremely refined. Ad- devised the anyo of Modern Arnis Over the years Modern and acceptance of Modern Arnis Equally as important and a testa- all arts to experience a dynamic ditionally the fact that he was born to simplify technique categoriz- Arnis became exposed to a vast was a self-realized and proven fact ment to his indomitable spirit The blending of advanced theories and left handed yet instructed primar- ing. The forms serve as an active array of different styles and prac- in his lifetime. In the months prior Father of Modern Arnis produced concepts with not strings attached. ily with his right hand gave him and ever changing storage unit titioner’s world wide, for some to Professor passing away I dem- and starred in a over 20 best sell- Wally Jay was quoted as saying, a strategic advantage few others of essential patterns or combina- practitioners Professor relaxed onstrated the anyo of Modern Arnis ing instructional video projects “Remy was the fastest person I possessed. This factor allowed tions relevant to Modern Arnis. the required structural guidelines to him and Roland Dantes. During highlighting the dynamics of his have ever known at putting some- Remy to become more confident Within the context of each anyo and allowed personal expression this demonstration I emphasized beloved Modern Arnis system. one down with controls and locks.” knowing he basically had an ace in (form) techniques include strikes, to blossom within the anyo. Truly movements with the flavor of The Big Three That’s quite a comment since Wal- the hole. kicks, deflections, locks, throws, with the acceptance and success of or Silat and clarified why ly Jay has known so many dynamic the anyo possessed the true essence Remy was new to the Anyo, the same, yet different footwork, and evasive maneuvers Filipino martial arts it only seemed United States and personally felt martial artists. Keep in mind; the all set within a standardized pat- natural for the anyo/ forms to of Modern Arnis flow, additionally only other person Wally has spo- Another ace in the hole I utilized the extraction of anyo he had to prove his worth, there- tern. Without question they were evolve and express the essence of fore he sought out and embraced ken so highly of in this manner was that should be attributed to Remy initially established to reflect the Filipino cultural flavor compared sequences to implement functional “Bruce Lee!” A. Presas is his integration of maneuvers and demonstrate natural students that had already estab- dynamic stylized actions of karate to maintaining structured karate lished a position of authority in Open door policy Filipino kata or anyo into the postures yet through his innova- rigidity. Just as Filipino stick, attribute development. Professor mainstream cultural art of Modern was astonished; he directly blessed the diverse arts being taught in Professor Presas felt all arts tions the anyo contained much knife, or staff maneuvers capture America. Here in America he be- Arnis. To a large degree Filipino more flow and a diversity of ap- the essence of flow, so should the the progression as true Filipino art, had validity and within the Mod- martial arts owe its cultural revival authorizing me to continue the evo- came great friends with Wally Jay ern Arnis format it’s okay if the plications not universally found anyo evolve to express cultural and George Dillman and together to Japanese or Okinawan arts. within karate kata. relevance and independent value. lution and teachings of the Modern practitioner also trained in Karate These arts laid a foundation for Arnis anyos. Does this mean all they toured the world presenting or other arts. Remy did not try to Kumpadres, brothers of the art Technically if we were to their seminars as the “Big Three.” the systemization of the Arnis arts. analyze a boxer fluidly executing a practitioners will make changes in change those who didn’t have the Looking into the historical lineage The late Dr. Guillermo the manner of which they execute It is common knowledge the three vision to see the difference. He just , cross, hook, uppercut combi- exchanged ideas and concepts to of most Arnisadors’, evidence Lengson, the late Antonio Mendo- nation, we would perceive his ma- the anyo/forms? Hardly so, yet accepted you and offered people exists as to the participation of za, and the late Professor Remy A. over time the beauty and value of broaden the knowledge of all their his art. Additionally if you operated neuvers to be naturally performed. individual arts. So much more Arnis practitioners also training Presas were all “kumpadres” and Yet if he were not polished and the anyo enhanced with Filipino a structured school with a specific in karate, judo or jujitsu. This is much of the foundational insight attribute development will continue should be mentioned in regard to style he felt he was reaching more refined in the techniques we would the brotherhood these three mar- a commonality most westerners of the Modern Arnis anyo came immediately condemn his “form.” to flourish in a natural progressive people by embracing and instruct- have misconstrued; for the most from this interactive exchange of manner. The beauty of Modern tial arts leaders maintained; Remy ing the leader who would draw All movement is form based and considered them both two of the part many find the essence of kata knowledge. Each individual Anyo Professor Presas understood this, Arnis is expressed in its adaptabil- their students into Remy’s Modern or forms in Filipino martial arts isolates specific concepts, angles, ity to evolve and progress, thus it greatest teachers and innovators in Arnis format. but westerners are impatient and the world. Furthermore in personal non-essential. This prospective and techniques while drawing pragmatically he felt it was much remains an ever-evolving entity, By becoming the teacher no doubt comes from western- from Professor’s in-depth study “Modern not Traditional in con- discussions I experienced with of leaders he felt his Modern Arnis simpler to teach ballistic form than both men, they shared their mutual curriculum would have more God, I didn’t know I knew that, concepts extracted from countless was propagated as a self-defense assisted me in the development of ery part of the World. Many if not impact on the martial arts evolu- I am very good!” Additionally a martial art systems. In this re- art. Professor Presas felt the stick the Filipino Sibat system and in most of the senior Modern Arnis tion that swept thru America and common response was, “You are gard Modern Arnis has the future was easy to share without public 1988 promoted me to the title of teachers are also disciplined in around the world. Professor’s art teaching me,” and “Oh Wow, You capabilities to expand and thrive fear or criticism; contrarily in- Datu of Modern Arnis. This was a multiple systems which has added and personal influence has liter- got it Baby.” Of course, then he beyond any perceived structural dividuals with knowledge of the distinction and honor that created a great deal of diversity to Modern ally touched thousands of dynamic would lock you up and dump you guidelines. Modern Arnis under bladed arts could potentially instill a great deal of jealously which Arnis. In essence the interaction of practitioners worldwide. Traveling on the floor! Professor’s leadership was a pro- fear in the average citizen. Pos- increased within the ranks as few Modern Arnis with other arts has from city to city and state to state, Remy could switch from gressive art. Openly and willingly sibly, Professor Presas felt he was others were awarded the title again created a natural evolution, without Remy Presas was committed to left to right hand weapon control he felt all arts offered something of protecting his students from legal until years later. In the mid 1990’s exception Professor Presas encour- spreading the cultural art of Arnis without a break in the flow; few value and therefore incorporated liabilities or the impact of a nega- I was a writer and assistant edi- aged every student to broaden their to all who would listen and learn. were faster than Remy at that, whatever techniques he deemed tive social image that some knife tor for Full Contact and Fighting personal expression and knowledge Modern Arnis was his vehicle to none that I ever meant! I have functional. This approach of adapt- dominate systems project. He felt Knives Magazine and produced base to further deepen the roots of becoming a legend in martial arts, witnessed Remy tie up and con- ability further adheres the inter- by directly adhering to stick and “Four” Knife Fighting Instruc- Modern Arnis. It is hard to con- in reality the name Professor Remy trol up to four or five people all in active conceptual bond between empty hand aspects a more socially tional videos. It was this time in ceive the prospect that Modern Presas has attained almost mystical his grasp, controlled with finger Modern Arnis and Jeet Kune Do. acceptable art could be presented my career he named me the Blade Arnis is a pure art, to perceive or status because of his historically locks and being slammed into one Social consciousness and accep- while still maintaining the essence Master of Modern Arnis, a title he preserve it as that or label one as- acknowledged worldwide impact. another while hopping around in tance of the art. In that regard, few acknowledged to his final days. pect and not another as pure Mod- A teachers teacher immense pain. Professor Presas students received extensive train- With the release of several tactical ern Arnis would take away from possessed a highly refined sense of Professor’s compilation of ing in the bladed aspects of the art; knife designs and finally the knife the adaptability of the system. This Truly to be recognized sensitivity; he meticulously un- counter-to-counter training was instead Professor demonstrated I handmade personally for him, in turn would lead to the stagnation worldwide is a rarity in any man’s derstood and controlled a person’s constantly evolving even in the only basic patterns from rompida, The Presas Legacy he was quoted of Professor’s own research into lifetime. A leader of men, Remy A. pain threshold to the point of final stages of his life. Interestingly crossada, or palis palis during his as saying “the others are just chas- creating the “art within your art” Presas stepped into fame by perse- knockout. Without a doubt, Remy in his teaching style he became seminars. When Professor came ing my tail.” This statement was approach of diversity and func- vering his dream, creating a vision, Presas could see a technique once more jovial, fluid and relaxed. to the Natural Spirit Int’l Tacoma referencing the political struggle tional adaptability. The progressive and living the art of Arnis as a way and immediately integrate it into Witnessing in his close-quarter gym in 1984 he mentioned my that seemed to be prevalent in nature of Modern Arnis cannot of life. Professor Presas was a man his system, thus “the art within Tapi Tapi engagements it was easy proximity to the Northwest Army, his final days during hospitaliza- be stopped or contained, as some revered by leaders, a teacher of your art.” Modern Arnis was to see his skill was more refined Air Force, and Navy Military tion and the care facility where he practitioners believe it should be. teachers. With great pride he faced devised to be a complete system, and not nearly as intentionally vi- Bases and felt it was important for passed away. When I presented Without question the foundation adversity in his lifelong struggle integrating the cultural connection cious as years gone by. His power me to specialize in knife training him the Handmade Custom Da- elements of the art are ingrained for prominence yet moved stead of the Filipino arts while blend- still showed thru but Remy no and capitalize on the potential in- mascus Presas Legacy Knife he within the context of the art and forth to achieve his dreams driven ing to make a foundation art more longer made the effort to prove his terests of Military men in the area. would not release it, and embraced therefore even a gross deviation only by cultural strength and the functional for self-defense. skill, only present it and maintain He also felt that the average citizen it tightly for several hours. I told could not change the original heart of a warrior. a highly sophisticated flow, this Making the Connection was instinctively afraid of knife him “ Professor, steel will outlive premise or teaching of Professor’s The fact that Remy was he did very soundly. In 1998, I techniques yet for military men it us all, when we have both passed work, his essence and systemiza- immersed in teaching and refining His conceptual approach questioned him about the level of was a natural inclination to seek on our knives will be a part of our tion will always shine through. Ad- his art almost every day for the last of adapting the art to the student pain he inflected on me during the out knife training methodology. legacy to the arts!” This statement ditionally Professor’s efforts will 50 years has much to do with his would guide the practitioner to es- 1980’s, he explained he was cur- Consequently Professor shared his brought a tear to his eye and he continue to impact systems that personal development. Remy was tablish a strong comprehension of rently more interested in the world knife fighting knowledge specifi- blessed the knife as his official are not even related to the original known to travel worldwide and flow, natural movement, and style propagation of Modern Arnis as cally with me and very few others. Modern Arnis knife. To this day no art. This element of evolution was teach several seminars per week. relativity. Professor Presas liter- an art, with positive benefits other I was fortunate in that regard as we other knife has been officially ac- apparent even when he was living, In this regard Remy crossed sticks ally created the art within your art than fighting. Professor knew the bonded and became close friends; cepted by the Presas Family or has some traditional arts incorporated with a great number of skilled approach for simplicity and self- value of having students that loved this friendship was due primarily been authorized to use the Presas Modern Arnis stick patterns, lock practitioners and thousands of realization, truly an accomplish- him as an educator of the arts and to our radical upbringing as young name as a trademark or name, only flow, and self defense techniques to people called Remy Presas their ment equal to the contributions of unlike years ago did not want his men who sought out the excitement The Presas Legacy! add depth and a functional strength teacher. Interestingly were some the late Bruce Lee and his art of students to be in fear of his “iron of the fighting arts at an early age. Art within your art especially if they relied primarily of the things he would say during Jeet Kune Do. In prospective, the will” or the impact of his stick. It was this connection that on the simplicity of kick-punch an instructional engagement. For progressive art of Modern Arnis Who’s really on the edge? opened the door for Professor to Modern Arnis is consid- strategies. instance if someone shifted off is literally the “Jeet Kune Do” of ered the art within your art and to Furthermore Professor’s choose me as his primary knife ex- Memories of a small boy line and forced Remy to respond the Philippines, truthfully institut- ponent in Modern Arnis. I am also some degree the methodology of instinctively he might say, “My ing an in-depth amalgamation of main focus was on the moderniza- the art is uniquely different in ev- In June of 2001, Roland tion of Arnis, thus Modern Arnis sure this is the reason as to why he Dantes went to Victoria B.C. On July 29th 2001, when sonal conversations with Professor spiritual sensitivity. Demitrio’s Ann emulates a balanced blend of edged and recognized by the Phil- Canada and spent several weeks contacted by his children at the prior to his passing on August 28th ability to feel and respond to an her Mother Rosemary’s stability ippine Government as the rightful consulting with Professor Presas Care Facility in Victoria B.C. Can- 2001. individual energy is mystical, dur- and her Father Remy’s indomi- Family heirs to the system of Mod- about his future personal plans and ada where he was convalescing, Without exception, Profes- ing training I witnessed him escape table spirit. ern Arnis! I personally promised Modern Arnis affairs. Professor I was spending my 49th Birthday sor’s eldest son, Remy P. Presas Jr., and reverse every lock or control The children are all tal- Professor Remy A. Presas to assist Remy Presas did not expect to die with him. Upon answering the has stepped up and is as dedicated maneuver that was applied no him, ented traditional practitioners the Presas Family in their efforts to from his Brain Tumor surgery. In telephone and conversing a few to the propagation of Modern Arnis with his eyes closed! and instructors of their Father’s embrace the art of Modern Arnis. I an audio interview I conducted minutes, Remy became emotion- as his father before him was. It Mary Ann is the eldest of original teachings. Together the do this to honor the memory of my June 22, 2001, Remy spoke ally distraught and started cry- may seem to early in time to make all the Presas children, her per- Adult Presas children are proud teacher, to assist in the preservation positively of recovering from his ing uncontrollably. Shocked and this statement but I have witnessed sonal skill is deeply rooted in the and determined to make an impact of Modern Arnis as a Filipino cul- surgery and discussed the his- concerned I embraced Remy and a transformation in his spirit and very traditional foundation arts on Modern Arnis worldwide. They tural art, and to assure the Presas tory and the continued evolution tried to comfort him. Caught up technical skill few others have. His that formed Modern Arnis in the are a life force of skill and humil- family lineage is part of the legacy of his lifelong dream of Modern in his emotions I tried to console promise to his father is the driving beginning, as a female warrior she ity, growing stronger and more and heritage of Modern Arnis! Arnis. As we further broadened him and I told him “everything force that has drawn him closer to is strong, dynamic, and disciplined determined with each passing day! Achieve. the scope of our conversation would be alright”. Minutes passed his father than ever thought pos- in the cultural ways of old. Mary MARPPIO is acknowl- Remy began questioning us about as he kept saying, “I did not know sible after experiencing the years the impact he had on Roland and my family still loved me”… “My they were apart. Remy Jr. with the I personally, as well as the martial God, my children love me”…It guidance of his Mother Rosemary arts world. Almost as if he were a was a joyous moment in his life, Presas, Rodel Dagooc, Roland third party listening in, he asked, and he expressed it in the tranquil- Dantes, Dr. Wilfredo Matias, my- Grandmaster Rafael Reston “How does a person obtain leg- ity of his facial expressions as if self and so many others in the Phil- (1927 - 2006) endary eminence in their chosen a weight had been lifted from his ippines and here in the U.S. is blos- Combat Judo Karate field of endeavor?” We all kind soul. soming into a dynamic Arnisador. of chuckled and Roland stated, The following week, Make no mistake, the Presas blood Judo Karate Masters Association “it was his undying dedication to finally rejoined with their Father, is alive in his spirit and his desire (Member: Philippine Karate Federation) fulfill his life’s dream, and that the family was understandably to succeed in the art is the same Angeles City, Clark Air Base, Philippines he had accomplished just that!” shocked at his state of ill health. desire that motivated his father to Goju Temple, Okinawa. Manchurian Comjuka Kempo Again Professor asked, “How is it Troubled, confused, and angered excel farther in the art than anyone Combat Judo Karate just a small boy with a stick could at the situation at hand, Remy’s could possible foresee. The Family Sinko Tiros Arnis change the world around him and children recited prayer after prayer of Professor Remy A. Presas born Balintawak Arnis Kali Eskrima bring to life a dying art?” Literally as they rejoiced for their reunion in the Philippines and now residing these were honest questions that with the father who left their side in the United States consist of five master Rafael Reston was only Eskrima and one of the seven he wanted direct answers to, Ro- so many years ago. Extremely children who have formed MARP- seven years old. members of the legendary Pitong land and I could see the mystery weak and dehydrated, he spoke PIO (Modern Arnis Remy P. Presas During World War II Res- Lukban Estokada (seven Grapefruit and innocence of the question in about going to California to spend International Organization). Remy ton watched his family burned Estokada society of Batangas). his eyes. It was almost like he was his final days of hospice in their P. Presas Jr., has accepted leader- alive when the Japanese poured He trained with him until May of re-living the highlights of his life home with his beloved children. ship. From the very first seminar Grandmaster Reston - 1979 gasoline in the cells of Intra- 1946, when he enlisted in the Phil- in those brief moments of wonder- He shared his dream of their I joined the family in March of muros. He escaped by jumping ippine Scout (US Army). ment. He reflected on many issues involvement in the Presas fam- 2002, Remy Presas Jr. has blos- Grandmaster Rafael Res- into the Pasig river. Before the end After basic training he was concerning the continued propaga- ily legacy of Arnis, passed from somed faster than anyone I have ton was a retired member of the of 1942, Reston joined the guer- stationed in Japan and Okinawa tion of Modern Arnis. Together generation to generation evolv- met over the many many years I’ve U.S. Army and one of the pioneers rilla movement who was operating where he pursued his mastery of Remy A. Presas, Roland Dantes, ing into the Presas Style Modern been involved in Modern Arnis. of martial . at the east central Luzon area. Karate studying the martial arts and I swore a pact of brotherhood, Arnis. Remy Jr. swore an oath of Remy Jr. is truthfully a natural, His first instructions in the art of Reston survived the libera- of Goju Ryu Karate and Chaun-fa further Professor asked Roland dedication to his father that day, he he is polished and innovative and self defence were from his father tion of Manila by American troops (Kempo) which he was trained by and I to form an allegiance and would take up the stick, embrace beyond doubt moves much like his who was a practitioner of the in 1945. After Reston’s discharge an Manchurian born Okinawan continue his work in Modern his Philippine Culture and Mod- father, Professor Remy A. Presas! Balintawak system of Arnis Kali from the Philippine army in 1945, resident by the name Yamamoto. Arnis and the future propagation ern Arnis, continuing the Presas Demitrio Jose Presas is in Eskrima. His father was also in he continue his training in Es- Master Yamamoto taught Manchu- of all Filipino martial arts. Legacy into the future. These my opinion is a “Golden Child” the U.S. Army, as a member of the krima, with his father’s old friend, rian Kempo to occupation forces in 31st Infantry stationed in Manila, Maestro Andres Montero, who Okinawa just after WWII. Master Presas bloodline and legacy words are factual, shared directly possessing amazing skill, and a with Roland Dantes and I in per- unique balance of physical and Philippines in 1934 when Grand- was then a Master of Balintawak Yamamoto taught pressure-point fighting to some students includ- mission. Registration #48779. also been the recipient of the Black Belt magazine ing Rafael Reston. September Grandmaster Reston was Pioneer Award from the Ministry December 1979 1948, Reston was send back to promoted to 8th degree black belt of Youth and Sports Development, the Philippines and was appointed in 1975 and in the following year Philippines. chief instructor of both Karate and he was appointed by the President In June 1991 the volcano, Eskrima at the 515 and 738 Mili- of Philippine Karate Association, Mount Pinatubo, had a massive tary Police battalion (US Army). Dante Q. Nagtalon, to coach the eruption causing mass destruc- Following Reston’s dis- Central Luzon team which par- tion of Angeles City and Clark charge from the U.S. Army in ticipated in the 1976 Philippine Air Base. Due to the destruction 1949, he continued his training National Karate Championships. of the Air Base the United States while at the same time he taught The American Martial Air Force closed down the base Karate in some private schools. Arts magazine, BLACK BELT, and evacuated never to return. February 1949, Reston was ap- issue released in December 1979, Grandmaster Rafael Reston left the pointed official representative for featured an article titled “Karate Philippines and resided in Hawaii the Philippine Okinawa Ryukyu in the Philippines, A Joint Ef- from 1992 to 2000 where he taught command Semi Olympic tour- fort”. This article was based on Eskrima in Honolulu. In 2000 nament. At the Armed Forces the efforts of Grandmaster Rafael Grandmaster Rafael Reston re- western, Pacific Command (AF- Reston and Kuntaw Grandmaster turned to his beloved Angeles City, WESPAC) held on Guam Marian- Carlito Lanada and their efforts Philippines. Grandmaster Rafael as islands, Reston won the karate through Martial Arts to create a Reston had retired from teaching event in his division and was pro- friendly relationship between the Martial Arts due to serious illness moted to 4th degree Blackbelt. American Service Personnel based (emphysema) in 2003/04. Grand- In 1967, Reston Founded at Clark Air Base and the local Fil- master Rafael Reston passed away the Manchurian Judo Karate Club, ipino community. The article also in August 2006. also known as Manjuka, in An- mentioned their efforts through Unfortunately I never had geles City, Philippines. Most of the Philippine Karate Association the chance to meet and train with the students were U.S. Military to stamp out corruption in Martial the instructor of my Sensei, Robert stationed at Clark Air Base. Mean- Arts in the Clark Air Base region Fitton, who trained under Grand- while, he never stopped training as some instructors at the time master Rafael Reston through- and participating in various Karate were selling black belt ranks to out the 1970’s and up to the mid tournaments. He also changed Americans who had not put in the 1990’s when he visited the Philip- the name of Manjuka to the Judo effort and were not deserving of pines. Karate Masters Kempo Associa- the black belt rank. tion (Comjuka Kempo). Its perma- Grandmaster Reston has nent training centre is in Balibago, Angeles City, Philippines. In 1970 to 1974, Reston trained in Sinko Tiros Grandmaster Francisco Viray (Apong Viray) of . From 1975 to 1978, he trained under Grandmaster Pon- ciano Aimurong, who was then 83 years old, a Master of Sinko Tiro Sinawali of Bamban . On the 10th of September 1972, The Judo Karate Masters Kempo Association was recog- nised by the Government of the Republic of the Philippines with the Securities and Exchange Com- Master Christopher Ricketts regular job to make ends meet. (1955 - 2010) Master Ricketts was an excellent teacher, in that he Kali Ilustrisimo broke the movements down with explanation, giving in- “A Pioneer in Full-Contact Fighting in the Philippines” sight to each theory of movement. A pioneer in full-contact fighting in the Philippines, Master Christopher Ricketts was Sinawali, when Remy Presas was A pioneer in full-contact known for his high emphasis on intensive basic training and still in Manila. Christopher Rick- fighting in the Philippines, Master regular full-contact sparring. Training with Christopher, was etts was 13 years old at the time Christopher Ricketts is known for a demanding and challenging process. Seemingly tireless, and witnessed Dr. Lengson teach- his high emphasis on intensive ba- given a chance, he would teach and train for hours on end, ing Remy Presas, while also train- sic training and regular full-contact leaving his students exhausted, but definitely fulfilled and rar- ing at the school. Also Christopher sparring. Training with Topher, as ing to fight. One of the original five pillars of Kali Ilustrisimo, Ricketts trained under Jimmy he is better known, is a demanding Master Ricketts has produced numerous champions in the Galis, who was instructing a style and challenging process. Seeming- Filipino fighting arts, full-contact karate, and kickboxing. called ‘Spinx’ (Spanish/English) ly tireless, given a chance, he will Master Ricketts also offered training in boxing, experienced while in the Philippines. He trained Peter in name, but was a Filipino martial teach and train for hours on end, Sescon a flyweight and number one contender in the Philippines, and Junior Bantamweight, Dodong Santa Igle- leaving his students exhausted, art. Bakbakan Group. And so with sia and Salbador Darlo. but definitely fulfilled and raring Creation of Bakbakan Master Rey Galang as the Director Master Ricketts will be missed greatly; a true professional practitioner of the Filipino martial arts. to fight. One of the original five and Master Christopher Ricketts pillars of Kali Ilustrisimo, Master It was when Master Rey Galang as the Chief Instructor, Bakbakan Ricketts has produced numerous returned from Australia, in a dis- The following people are recognized by the Ricketts Family and are among the guardians of Master Topher’s International was formed. champions in the Filipino fighting cussion with Christopher Ricketts, legacy. They fully support Master Topher’s sons who are his rightful heirs in preserving and propagating the late Master Christopher Rick- arts, full-contact karate, and kick- that a name was needed for their Master’s interpretation of Kali Ilustrisimo. etts has been in San Diego Califor- boxing. brotherhood for he wished to go nia relocating from the Philippines. Mauro Marchiori (USA) In 1963 Ricketts started international in promoting the His main goal was to share and John Jacobo (USA) his training in the martial arts with Filipino martial arts. So it was a spread the art of Ilustrisimo Kali. Dino Flores (USA) karate, when he met Dr. Guel- friend of Christopher’s who sug- In the Philippines Master Rick- Rick Alexander (USA) lermo Lengson, then the Presi- gested since they liked sparring so etts made a living in teaching, but David Foggie (Australia) dent of the Karate Federation of much that they should call the Or- found that here in America that it Viko Perrine (Australia) the Philippines, who was also an ganization Bakbakan. At the same was a different situation and until Arnis practitioner and was the one time Master Rey Galang also had he could form a base of students that actually taught Remy Presas also been thinking of the name in San Diego he had to take on a

Last ‘Masters’ group picture with Edgar Sulite taken March 15, 1997 Topher Ricketts training with Tony Diego, Edgar Sulite, Topher Ricketts, Rey Galang and Alex Co Grandmaster Ilustrisimo Photo by Steve Tarani Grand Tuhon Baltazar “Bo” Sayoc Tatang Bo would often come in to tirely on the use of knives and [1934 - 2007] class from an overnight shift still their related uses. The Ker- Sayoc Kali wearing his uniform. Or get ready ambit may also be used. to work right after the night class- Sayoc Kali emphasizes With sadness we announce the passing of Tatang Baltazar “Bo” Sayoc. es. He would change into his work- the correct and He passed away on January 3, 2007 at his home in Cavite, Philippines. out attire and he was good to go. effective use of He would never miss a day, he was the blade, includ- who have known him will all state, eventually realize Tatang Bo’s always in his school teaching the ing single knife, Tatang Bo was always open to all school was not for them. handful of students. The schools he multiple knives, ideas and evolution of the arts. If Tatang Bo didn’t like had were always small in number, projectiles, and In time, these men would become what he saw the individual was it always felt like you were a fam- secondary sup- a veritable who’s who in the kindly turned away or directed ily just gathering around to train port to firearms. Martial Arts. His children exposed elsewhere. A student’s first day was and talk. He often spoke about his No doubt, to some of the very best weapon spent getting finger-printed, photo- family and their accomplishments such a focus has made this experts on the planet on a daily graphed for ID and evaluated. Then in Filipino martial arts. By the dynamic art one of the most thor- a constantly evolving system. The basis. “That’s was just the way it you were handed live time a student met Tatang’s sons ough and well-structured knife- Sayoc family was host to the larg- is” as Tatang Bo would often say. and sticks. The evaluation never it was if they’d known them all fighting systems in the world. est wave of Filipino Martial Arts ceased. Only those who could masters arriving at the east coast By the early 80’s Tatang along. As quiet as he was about his Sayoc Kali can also be taught as Bo quietly moved his family to peel away the layers from Tatang own skills, he was in contrast very of the United States during the Bo’s teachings were allowed to part of the general Sayoc Si- 1970’s. This gave them the brief Southwest Florida and worked eager to let everyone know about lak System (formerly the Sayoc Grand Tuhon Baltazar hang around. He was developing opportunity to be influenced by as a correctional officer until his his family’s accomplishments. He Fighting System. Sayoc Silak “Bo” Sayoc, was one of the pio- Feeder- based students without styles such as Doce Pares, Pekiti retirement in the early nineties. was always placing the spotlight on is described as “the luster of neers of Filipino martial arts in the ever stating so. In time, he knew Tirsia, and Dan Inosanto amongst He worked quietly; the inmates those he felt were worthy of it. the Blade”. Silak translates as a US, and lived in semi-retirement that his sons would eventually take numerous others. However, Sayoc never knew he taught martial arts By the early nineties, Ta- “beam, luster or ray” in several in Cavite, Philippines. The Sayoc over the family art and would often Kali’s evolution did not halt in until they had seen a local TV tang Bo had established his school Filipino dialects. Silak are the system is a blade-oriented system, say so. In the meantime, he would the 1970’s. The rich history of the crew cover his school years later. and retired to Imus, Cavite in the components that add polish to and is characterized by the deploy- always take students to see the now Sayoc family, and their involve- He would often tell his students of Philippines. He visited the states a Sayoc blade work. Sayoc Silak ment of multiple knives in an en- established FMA luminaries if they ment in the security, law enforce- which techniques he found useful couple of more times, once more includes the empty hand methods, counter, and the use of “templates” were anywhere in the state of Flor- ment and military fields for the past and what he felt was unusable in to record his Finger Touch curricu- the non-blade aspects, primitive in their training system. The art of . He wanted the Florida students thirty years has greatly altered their that environment. Everything he lum. Several years later, in frailer (headaxe) and exotic weapons Sayoc Kali hails from Imus, Cavite to experience a small slice of what perspective and revolutionary ap- taught was based on whether or health due to several strokes Tatang (whip) which further develop the and spans five generations. it was like during the old days. A proach to the blade. Dan Inosanto not it could be of applicable value. attended the annual Sayoc Sama skill sets of the Sayoc Kali stu- After his time in the Mer- sense of the history of the Filipino described Sayoc Kali as, “A highly He did all this with very little need Sama and witnessed how much dent. chant Marines, Tatang Bo immi- arts. Tatang Bo was always greeted evolved Filipino Martial Art”. for personal acclaim or self - pro- his family art’s had grown. He was Sayoc Kali prides itself as grated to the United States in 1962 motion. Although he never stated by them as a brother. still in good humor, and perhaps Sayoc Kali is headed by and introduced his children to the it out loud, one could tell that he “Where had he been?” it was because he was able to see Chris Sayoc, Sr. Master Level Say- Martial Arts at a very young age. valued the Filipino martial arts so “What have the Sayoc’s been up that all the effort had been worth oc instructors, all with over twenty By the time his eldest children much that instead of keeping it a to?” it. It was left unsaid but many years experience respectively are were in their early teens they were Felix Cortes, Raymond Dionaldo, family art he would open his doors Tatang Bo was doing what knew it was probably the final time already assisting in running his Rafael Kayanan, Ricardo Kayanan once again in such a small South- he had always done, stayed in they would be in his presence. As school in Queens, New York. This and Thomas Kier. ern community. One that collec- the sidelines and allows others to always, Tatang Bo was more inter- was the time of the largest migra- Sayoc Kali is the knife- tively barely even knew where the shine. Promote everyone’s events ested in what you had done than tion of Filipino Martial Artists on based curriculum of Sayoc Kali - Philippine islands were, let alone as much as he can. Hone his skills. what he was going through. the East Coast. They were all wel- Silak. It is a family system, headed the words Kali, Arnis or Eskrima. Evolve his art. Get his students out “That’s was just the way it is.” comed and hosted by Tatang Bo by Christopher Sayoc, Sr. The The Florida schools were there in the public doing demos, al- Sayoc and the Sayoc family. The While the system used to motto of the style is, “All Blade, literally small humble warehouses most every weekend - up and down then relatively unknown weapon maintain twelve weapon catego- All the Time”. of concrete and sweat, and many the Florida coastline, often in open masters would dine, train and ex- ries, today, however, under the students who came looking for a tournaments when they wouldn’t change ideas about the direction of direction of Christopher C. Sayoc, commercialized school or a tradi- be allowed to participate unless their equally obscure art. As those the system’s focus is almost en- tional “eastern” martial art would they had on a traditional white gi. Punong Guro Edgar Sulite Draeger, “The Weapons and better prepare for them. On top [1957 - 1997] Fighting Arts of .” I of that, knowing how to duck Lameco Eskrima noticed a rather large man an attack is useful any time. peering intently at my book. Many people sought him In 1981Edgar created the Lameco System of Eskrima. The name Lameco When he saw me looking at out. Few were accepted. Fewer is actually three words joined together. him, he said to me in perfect still stayed on. Many of his La = Largo (long) English, “Excuse me, may I former students left for differ- me = Medio (Middle) look at that book?” At the ent reasons. Some had gotten co = Corto (close) time, I found it simply married and left for their All the ranges you will fall into in combat. Lameco uses primarily dou- amazing that I would meet provinces. The demands of ble and single Stick, double and single Dagger, Stick and Dagger, Sword, Staff, somebody like him on the family life proved too much Handkerchief, and Empty Hands. Lameco Eskrima is a synthesis of five major and 6 minor systems of Eskrima. bus. I had become fascinated for others. But for some, Guru Edgar created training drills that he called Labon Laro (Play Fighting). Labon Laro would allow the with the art of silat from put a ceiling on their training practitioner to come as close to real combat as possible with out injury, it was also designed to make you get an reading about it in books and Guru H. Yasser Tanadjalan and finally, not having gotten uncountable number of repetitions in, in a short period of time. Following the theory “repetition is the key to magazines. I was looking and and Felipe Jocano what they wanted, they left. success”. Edgar was always looking for unique training methods to improve Lameco. He devised training armor hoping to find a teacher - and Why did this happen? After for the hand and forearms that let the practitioners train more realistically. now I was talking to no less than the various styles he had learned they had begun, it became clear to Through his wife Felisa and their five children, and his students, LEI lives on. the Head Coach of the National from his father. Guru (and to me later when he Team! Although we did learn pointed it out) that either they did We maintained contact and competition juru, the emphasis in not understand what it meant to be our class was different. Guru Guru H. Yasser Tanadjalan eventually my training with him a student of silat, or else they were Yasser taught us how to apply the [1950 - 2007] began. I told some of my friends not willing to abide by the dictates movements in the various juru for Silat Sawdara about him and soon a small class of their role. started. At first, we were exposed self-defense. He showed us how to To learn silat requires that 1990, he returned to the Philip- the National Team brought him to the basic movements – punch- evade and follow up with a swift the prospective student be willing pines and thereafter worked in into contact with Guro O’ong ing, striking, blocking, kicking, counterattack. He showed us some to empty himself/herself of self- various positions, as chief of Sumaryono, then the foreign sweeping, locking and throwing of the meanings of the different pride in order to be able to accept in the Muslim Affairs coach, who shared with him the - but all of them having a distinc- postures and how their use affect- what the guru has to offer. A Office, Hall, as a jurus and techniques of the Kelu- tive flavor that none of us had seen ed one’s strategy. He also taught student of silat has to be willing to foreman in the Hopewell Geother- arga Pencak Silat (KPS) Nusantara, before. Then we began training in us some of the methods used in sacrifice in order to support the mal Plant in Quezon and finally, in a synthesis system from Indonesia. the jurusan or forms. The first sets Silat Olahraga in order to help guru. On these two counts alone, 1995, as the Head Coach for the In addition, as Head Coach he we learned were called the jurus round out our training. Guru also many fail. One consequence of Philippine National Pencak Silat knew the methods and rules of silat nasional, short sets of 10 - 12 believed in the value of cross- self-pride is that sometimes stu- Team. olahraga or the competition version movements each. We only got up training and he always encouraged dents with previous training cannot Guru Yasser was born in of silat. His primary specialization to the fifth juru when Guru Yasser us to go and explore other styles set aside their prejudices long Boheh Bessey, Tuburan, in the competition version was silat apart from his own. Many of us On December 25, 2007, decided to start teaching us jurus- enough to absorb what is being Province. As a young boy, he seni or the forms competition, who came to him had backgrounds one of the Philippines’ best martial wajib or the required competition taught to them. This becomes a learned his family’s martial arts although he was also very tough in in other martial arts styles, and he arts teachers passed away due to juru. I remember having difficulty hindrance to learning and so they style, Silat Sawdara, from his silat wiralaga or sparring. Not only encouraged us to keep on practic- massive organ failure as a result of with this juru as it was long, being leave, thinking that the system is father. He was also exposed to was Guru Yasser knowledgeable in ing these as well, as he believed pneumonia. Guru H(adji) Yasser composed of twelve sections with worthless when in fact it is their other silat styles under his father’s various styles of silat, he also held that the more we knew the better Tanadjalan was then in his fifties. 10-12 movements per section. I attitude that prevented them from guidance, such as Lantung, Taw- a 2nd dan in Okinawan Shorin-Ryu for us. As an example of practicing During his lifetime, he had a long later found out that many of the progressing any further. Another ing, Bangkoy, and two versions of Karate from Sensei Roberto Gon- what he preached, at one point, he and colorful career. He had trav- components of the jurus nasional consequence of self-pride is that Supring. In addition, he also zales and was a proficient Arnisa- showed us boxing techniques and elled around , were part of the juruswajib. We students who have learned a little learned Kuntaw. Later on, while dor as well. drilled us in them. Then the came working in various places such as were also exposed to juru from bit think that they have learned a travelling around and I first met Guru Yasser back the icing on the cake - he showed west Malaysia and Indonesia and different styles such as Naga, lot and begin teaching and showing Indonesia, he was exposed to other in 1997, on a bus going along silat responses to boxing attacks. went on to work as far as Saudi Binasaluyo, Sendeng, Cingkrik, others. This is more unfortunate systems such as Cimande, Binasa- Quezon Avenue back to Quezon The implication was clear – we Arabia, as a heavy equipment Cimande and the KPS Nusantara. since normally it is the guru who luyo, Sendeng, Cingkrik and City. I was sitting quietly in the had to know and update ourselves operator, and later on as an assis- Only a few of us were allowed to can and should tell the student Naga. His stint as Head Coach for bus, reading a book by Donn on what other styles had so as to tant manager in a company. In learn some of the techniques from when to teach. If self-pride is a hindrance him on the back as hard as I could. Grandmaster Bernandino Gallamo Tanique to learning, the unwillingness to The moment my palm made [1933 - 2005] support the guru is worse. It is a contact with his back, I became Tanique Arnis common observation among local aware of a wave of excruciating Arnis Grandmaster Tanique dies at 72 Grandmaster Bernandino Gallamo Tanique of Tanique Arnis and martial artists that you can’t get pain reverberating through my Combat Club (TACC) passed away last August 14, 2005 in Granada, Bacolod City due to a long-standing ill- rich (with a few notable excep- hand, up my arm, into my body ness. tions) in this country teaching and down at my knees. Instantly, He was 72. Born in 1933, Tanique began training in arnis (espada y daga format) under his uncle, Mar- martial arts. Most teachers get by they buckled and it was all I could cos Garcia when he was 14 and started teaching seven years later. He had studied arnis under four professors, all with the support of their students. do to attempt to remain standing. of whom specialized in espada y daga. But getting by is possible only Many people may doubt my story Tanique had taught arnis in Granada and Bantayan, Kabankalan City among other places and together with the willingness of the stu- and attribute it to credulity - but with other Bacolod arnis grandmasters, taught five foreigners, including Krishna Godhania of the UK, at the in- dents to help their teacher out. they can say all they want for after vitation of Grandmaster Abner Pasa of Cebu City (Balintok Escrima) in 2002 in Badyan, Matutina, just outside Unfortunately, many students all their knees didn’t give way the of Cebu. expect to be taught for free (and to way mine did. Grandmaster Tanique is a nephew of yaming Grandmaster Fortunato “Atong” Garcia and the godfather gain access to the style’s secrets). Another time, we had just and teacher of Trese Grabes Piga-Piga system Grandmaster Felix A. Guinabo. They miss out on the fact that the finished training and we were pered by the need to raise the funds Grandmaster Tanique has nine children, all of whom learned arnis from him. The most active are Grand- teacher more often than not has a preparing to leave. A half-grown for the required fees. We began master Gilber and Arman Tanique. Meanwhile, Grandmaster Tanique’s elder brother, Grandmaster Timoteo family to feed. They forget that dog came near us and started discussing the writing of a book Tanique also passed away last Aug. 15, 2005. Their remains were laid to rest at the Granada Cemetery. teachers are human too, with needs barking. Guru raised his hand and that would promote Silat. All these that have to be met and responsi- gestured in the dog’s direction. plans were cut short when he passed away. bilities to face. A student should be Instantly, the dog stopped barking Grandmaster Floro Villabrille Guru taught many things willing to assume the burden of and ran off whining in fear. Guru [1912 - 1992] and I cannot say that I learned sharing in the support of the guru, just smiled at me and we went on. Villabrille-Largusa Kali System for this demonstrates his/her The dog’s owner came out and them all well. But for me, the most humility and willingness to make asked us if we had hit the dog. I profound of his teachings had to do sacrifices in order to learn. spoke for Guru and said no, the with how to live one’s life as a Grandmaster Floro Vil- In his hunger for more Josephina Guro Yasser had remark- dog was still far from us when it martial artist. He taught me that the labrille is the undefeated champion knowledge, he traveled the entire developed able abilities, both physical and ran. There were no other witnesses way we disciplined ourselves both of countless Kali and Eskrima stick Philippines studying the many an extraor- otherwise. For someone of his age, except for Guru and myself. I in and out of martial arts training fighting death-matches in the Phil- forms of Filipino martial arts from dinary sixth he constantly demonstrated an asked Guru later how he did it and reflected how we lived our faiths. ippines, Australia and Hawaii. In various masters. His three most in- sense that Villabrille said allowed outstanding flexibility that made us he simply smiled again. I never For him, faith and life were insepa- the 1930’s, Kali and Eskrima stick fluential instructors were his uncle, her to feel what direction and angle students (many of whom were did find out how. rable, and that included the martial fighting matches were full-contact Leoncio Villagano, Master Pio the strikes were coming from. Vil- twenty to thirty years younger) Guru Yasser had many arts. He was a true example of a bouts where the combatants were from Isles, and Princess labrille was amazed by her prowess envious. He could bounce an plans for the future. At first he had martial artist - forever patient, not aided by the use of body armor, Josephina from Gandara, . and lived on the island for 2 years attacker’s energy back where it wanted to put up an association for gentle with his words, yet having pads or headgear. Combatants His favorite instructor was learning under her direct tutelage. came from, causing the attacker to the promotion of the Silat styles the strength and ferocity of a . used the stick in the right hand Princess Josephina, who was the By the age of 17, he was hurt himself instead. To demon- found in Mindanao. In the begin- Guru Yasser is survived by and punched with the left hand. In blind daughter of a village chief- fighting in death-matches. July 4, strate this ability, he had me slap ning it was to cover all the three his wife and several children, one close quarters, grappling, sweeps tain of Gandara on the island of 1933 was Villabrille’s last fight in major parts of the country, of whom has begun training with and throws were used. It was simi- Samar. When Villabrille first ar- the Philippines. His opponent was Luzon, Visayas and Mind- the Philippine Pencak Silat Nation- lar to the no holds barred fights of rived on the island, he wasn’t im- Elario Eran, a Moro Datu (Prince) anao. Later on, we began al Team. It is our hope that his today except that victory was only mediately taught Kali. Only after from the island of Mindanao. discussing the creation of a styles would continue to live on in declared when one of the combat- passing a series of initiations that Elario was an expert in Silat-Kun- center that would promote his family. ants was either slain or demobi- displayed his loyalty and sincerity tao another form of Indonesian/ local music and martial arts. lized. to learning the art, Villabrille was Filipino martial art. People warned Finally it was to be an Floro Villabrille was born assigned to the chieftain’s daugh- Villabrille that the Moro Prince association that would February 18, 1912 in Cebu, Philip- ter. At first thought, Villabrille was was quick and better than him and promote original Mindanao pines. He began his martial arts insulted that the chieftain assigned suggested that he cancel out of the martial arts. We began training at age 14, studying Es- his blind daughter to teach him, fight, but he ignored the pleas and preparing the incorporation krima from his uncles and kung fu but his resentment quickly turned refused to bow out. At stake was papers but we were ham- from his grandfather. to respect. Blind since birth, the National Grand Championship of the Philippines. According to eral more matches in Hawaii. In In some parts of the Phil- Villabrille, the Moro Prince was 1948, he fought his last match and ippines, Grandmaster Villabrille With student Johny Chiuten highly skilled and they traded shortly after, the death-matches is considered a national hero. At blow for blow until the 3rd round were banned. Villabrille pooled his the municipal museum on Mactan when Villabrille felt a hit bounce knowledge of the various styles in Island, Cebu, Philippines, Vil- off his skull. At the same time, the Philippines and along with his labrille’s original certificate from Villabrille’s bahi stick struck Eran combat experience in the ring de- Governor-General Frank Murphy on the neck causing instant death. veloped his own system of combat hangs next to a statue of Lapu At the end of the bout, then U.S known and the Villabrille System Lapu, the man who is credited for Governor-General Frank Murphy of Kali. His foremost student killing Magellan and stopping the of the Philippines presented Vil- and personally chosen successor, Spanish invasion. With student Sam Buot labrille with a certificate making Grandmaster Ben Largusa system- In 1992, Grandmaster him Philippines’ Grandmaster of ized and broke down Villabrille’s Villabrille passed away at the age Martial Arts. That same year, he System and put into place the of 79. His wife Trining, and their With student Roland Dantes stowed away on a ship to Oahu, theories philosophies that comple- three sons, Kenneth, Floro Jr. and Hawaii, later settling in Kauai, ment the art. Today, the art is Ralph survive him. Hawaii. known as the Villabrille-Largusa Villabrille fought sev- Kali System.

Great Grandmaster Atty. Jose Villasin [1923 – 1988] With student Bobby Taboada Balintawak The late Atty. Jose Villasin was born October 2, 1923. He was an excellent father, who taught all his children the art of Balintawak Arnis. Two of the children, Ver: aka “Boy Villasin” and John studied Balintawak Arnis seriously, continuing Professor Florendo Visitacion until they became instructors themselves. Atty. Jose Villasin represented one of the [1910 - 1999] biggest Labor Group in Cebu City the Allied Labor Union also known as ALU. He Vee Arnis Jitsu was the first President of Balintawak International Self-Defense Club then a mis- nomer at that time when the Club was hardly even recognized outside Cebu City. At the age of sixteen, tial arts was very appealing to him. But now, with the increasing popularity of Eskrima abroad, the name Balintawak he left his home and family and This soon led the young has become a buzz word in the international Filipino Martial Arts community. journeyed to the Hawaiian Islands. Visitacion on a personal journey Atty. Villasin was one of the few articulate students of the legendary Bal- In 1928, he moved to Stockton, where he was to devote many years intawak inventor Grandmaster Venancio Anciong Bacon. He documented the sa- California where he continued to the study of different fighting lient moves of the diminutive Grandmaster and organized it into groupings. It was studying Filipino martial arts from styles. Along the way, he real- an attempt for the first time to systematize the genius and Art of Venancio Bacon as available sources. ized that mastery of a particular a tool to teach the Art efficiently and with a progression that is designed not only to After traveling around system was not always necessary. produce proficient fighters but instructors as well. California for a number of years, What was essential, however, was Among the illustrious students of Atty. Jose Villasin were Grandmaster Johnny Chiuten, Sam Buot, Nilo Florendo Visitacion entered the the ability to understand its useful Servila, Isidro Bardilas, Dom Lopez and Eddie de la Cruz. Atty. Jose Villasin died on November 5, 1988 at the U.S. Army during World War II. principles and how to apply them age of 65. With the humility of his late Dad rubbing off on him, John Villasin insists that the ailing Nilo Servila This marked a turning point in his effectively in a given situation. It is still the incumbent President following the line of succession laid down by his father. With the squabbling and life in that he began to view mar- was important for a student of the bickering over succession prevalent in many Eskrima organizations nowadays the example set by John Villasin tial arts in a new light. He read and fighting arts to absorb only what Professor Florendo M. Visita- is indeed rare and worthy of emulation. became intrigued with an officer’s was applicable and to tailor the art cion or as he is commonly called, hand-to-hand combat manual, to his or her needs. That was why Professor Vee, was born in Ilocos which claimed to present a com- he also advocated the researching Norte, Philip pines in 1910. He bination of styles from different of other systems. It was by do- began informal training in Arnis at countries. The idea of integrating ing so, he felt, an individual could the age of ten. techniques from a variety of mar- learn and choose from a variety of techniques thereby improving America Organization headed by Master Sonny Umpad one’s fighting skills. Grandmaster Gaje gave him the (1948 - 2006) In 1950, he moved to New Datu award in recognition for his Visayan Corto Kadena York. A year later, Visitacion work in promoting Filipino martial trained under ex-marine Charles arts. Five years later, he also re- split from my mother. Nelson, also a World War II ceived the prestigious instructor’s When we were living veteran and an expert in the art of rank from Master Mariñas and the apart from dad I remem- . Nelson was World Arnis Federation. ber he would pick us particularly adept in joint locking Professor Vee began his up and take us to Mc- techniques. Professor Vee later career as a martial arts instruc- Donald’s. Oh boy, I was augmented his training by learn- tor during the mid-1950s and for the happiest kid around. I ing modern Jiu jitsu under Kiyose over three decades, he actively would be so thankful for the meal have kept up with his training Nakae, author of the book “Jiu taught his art at different locations 1971, after Professor Vee presented that I would actually save the food and spent more time with him over jitsu Complete”. He also took up throughout the New York City them with another update of his wrappers. It sounds silly now, but the last 20 years. I do know with Judo and the of Varman- metropolitan area. Over the years, system, now called Vee Jitsu Ryu as a kid it meant a whole lot to eat all of my fathers’ friends and stu- nie. In 1958, he studied under R. his system would produce a num- Jiujitsu. In 1983, he discarded out. dents that there is enough training I H. Sigward, the author of Modern ber of notable martial artists, some the Kenpo in favor of Arnis We were a poor family can have for a lifetime. Self-Defense. On September 5, who founded their own fighting and later adopted the name, Vee based on what society says, but My father’s art will live 1955, he introduced Vee Jitsu, an styles. These include Professor Arnis Jitsu. Later, he approved as a kid you never really thought long and continue to grow with early forerunner of his art, Vee Moses Powell, father of Sanuces the addition of Muay Thai boxing My Father Sonny Umpad the unique group of people he has Brian Umpad about it. As I did get older and Arnis Jitsu. Ryu Jiujitsu, and Master Lil’ John techniques, making the art more started making money I made it a passed his teachings on to. In 1960, Visitacion joined Davis of Kumite Ryu Jiujitsu. powerful and effective. How will I remember my father? point to make enough money to I as I’m sure others miss In 1993, in recognition for my father… Which is normal when the American Judo and Jujitsu Professor Vee continued I’ll remember my father make sure I didn’t have to go back his contributions, Professor Flo- someone you love and care about Federation. He was appointed the cross-training and researching oth- most for his discipline, the way he to where I came from. I didn’t rendo Visitacion was elected to leaves you, but it hurts more know- director of its Northeast Division. er fighting systems. He embarked lived his life (his way), his sense of want to have my child go through the Martial Arts Hall of Fame and ing he’s not coming back. I am During one trip to an AJJF con- on a study of several different humor and most of all his love for what I did. given a “Life-time Achievement” comforted in knowing that I will ference in California, he met and styles of Chinese Kung Fu. They his family and his art. Now I think about it, grow- award. be with him again one day when began a life-long friendship with included Southern Praying Mantis, I’ll also remember eggs and ing up wasn’t that bad. It made Since his passing on Janu- it’s my time to go. But until then Professor Wally Jay, the renowned Yang style Tai Chi Chuan, Baqua rice. You see living in low income me a hard worker and appreciate ary 4, 1999, his martial art contin- I could only live my life my way, grandmaster of Small Circle Ju- Chang, and Wing Chun. He also housing as a kid any food is good things more. This was the path that ues to flourish thanks largely to the with a discipline, a little bit of hu- jitsu. He also befriended the late studied basic Karate techniques food, especially if it’s hot and was set forth for me and I made effort of David James, the present mor and a whole lot of love as he Raymond Tabosa, a noted master from Lou Angel. freshly cooked. My dad cooked the it out okay. Without knowing my chief instructor of the Vee Arnis did and make him a proud father. of the Filipino martial art, Kali. He continued to refine and best eggs and rice and a variety of dad taught me a very important Jitsu School of New York. He is As my sister Nancy told Thanks to a renewed inter- make changes to his system. As it other can foods or whatever was lesson in life, material items are a worthy successor to Professor me, “It’s easy to get caught up in est in Filipino martial arts, Profes- evolved, so did its name. At one available. exactly what they are, you can live Vee in that he continues to make the rat race, slow down, take risks sor Vee began a ten-year study of point, after adding Kenpo Karate But I say eggs and rice life just fine with what we have improvements by updating certain and enjoy life when you’re in Arnis Lanada under Master Aman- forms, he renamed it Vee Jitsu Te. because it was treat. My father available and a whole lot of love concepts, adding new techniques, good health. We have one life and te Mariñas. He also learned addi- In 1965, Professor Vee introduced (Sonny) was never concerned which is a given. If I had a choice or by just modifying and making dad’s life confirmed how important tional techniques from Grandmas- Vee Jitsu ‘65, an improved version about material items, though he of changing the way I was raised I minor changes. Professor James friends, family, and loved ones are. ter Remy Presas of the school of of his art. The following year, the did appreciate them. Nor was he would do it exactly the same way. is firmly committed to bringing It’s important you reach for your Modern Arnis. In addition, he also AJJF conferred upon him the title concerned about making a lot of Since my father’s first his students the best self-defense dreams and passions”. received training from Leo Gaje, of Professor and awarded him a money. He did make enough to get surgery in February 06’ I started system available today. a noted expert in Pekiti Tirsia, a 10th Dan ranking in his own art. by and also feed his children. Dad to spend more time with him and How Will I Remember My Fa- Kali system. In 1978, the Arnis The AJJF repeated the process in did different jobs from painting, started to meet all of his friends ther, Sonny Umpad? apartment maintenance and becom- and students. I came to realize he Jackie Quilalang (Umpad) ing a landlord before he started has had such a positive influence Well, he was a quiet man teaching martial arts fulltime. on so many lives and now I could who passionately loved the art of My sister and I would go only wish I can touch half as many martial arts. back and forth between my mom’s, people as my father did. I only I remember my father lola’s and dads place during his wish as I was younger I would spending much time working out see a . able to make peace with him dur- Style Corto Kadena & Larga Mano us knew that the other engaged with students and creating his own Some days, after a long ing his last 6 months of life. Eskrima. His work ethic was tire- in some form of martial practice, weapons. Back then; he focused day at work, my dad would bring I will always remember less, his commitment unrivaled, his however, at that time, this subject more on creating sticks. I home a small paper bag that was my father as a man who loved his passion timeless. He was content to was never a focus of our inter- watched him as he patiently carved perfectly folded at the top filled children and raised us as best as he respect the Old Ways, keeping his action on the nightclub circuit. each stick and made distinct burn with “goodies”. I would ask him could with little he had. After he Art private and personal…ever the As one man observing another, marks. Occasionally, my dad with much excitement “daddy, did left us in August 2006, I realized Journeyman destined to become to say that Sonny was an excel- would make me work out with you bring home a surprise for us”. that I did learn much from him. the Master. lent dancer in this form of dance him. I remember the training to He would smile and say “yes”. Not just bringing home a “sur- By way of his relentless would be tantamount to a grievous be very tiring. He would make me Today, I ask my boyfriend the prise” to my loved ones (or vice devotion and dedication to his Art understatement. He was the master practice the same moves over and same question anxiously when he versa) or the intense training he put he made a significant contribution of suave`. His fluidity and grace over until it was flawless. Because comes home from work “did you me through as a little girl but he to the rich and colorful history of was clearly evident, his footwork I was a typical girl that was more bring me a surprise”. What can I taught me to appreciate everything Filipino Martial Culture. This was and spins a thing of beauty. Many into Barbie dolls, I lost interest say? It’s a habit that was devel- I have in life. To not get caught up his Tribute to those that had gone lovely women would wait pa- and stopped training. I regret that oped when I was young. You can with society and know it’s OK to before him and will be the Legacy tiently to dance a song or two with since 1973. Sonny would not teach I stopped training with my dad. thank my dad for that one. Now live a simple life and still be happy. of Us to Follow and Uphold. The Sonny…they remarked about his just anyone, you had to be referred After meeting many of my dad’s that I have 2 puppies, I have to I love you dad. Thank you Art remains Alive. gentle lead and ability to make or were “hand-picked” for admis- students, I admired them and ev- bring home a surprise or two for for giving me life! If by chance you were able them float. sion. Everyone I met in our early erything they learned from my dad them. I just enjoy watching their Maestro Sonny Umpad to witness the fluid Grace of his With the passage of time, days of training was “seasoned” or and wished I continued my train- excitement when I give them their George M. Yore Expression of the Art, you would Sonny and I lost touch until the already an instructor in some other ing. But sometimes while “rough surprise. I guess that’s why my be rewarded with the Pure and late 80’s or early 90’s. I thought Art prior to training with Maestro housing” with a friend, I catch dad would bring home a surprise True beauty of Eskrima. In his that he might have moved back to Sonny. Sonny taught out of his myself using the same moves my for us. He enjoyed watching our Kadena, his Caranza, my Brother the Philippines. A good friend and home, his Art was private and per- dad taught me when I was young. excitement when he came home could walk on Water. That rough stable mate of mine was beginning sonal and followed the Old Ways. There was a time when my with a surprise. Stone that began its journey in to study Cabales’ Serrada Escrima One must be tamed before one can dad was practicing using a “butter- So I guess you can say, Bogo Town some 50 years ago and heard about a local seminar learn. We were taught like family fly knife”. I was probably 7 years some of the things my dad brought became the Diamond that obtained taught by an Escrimador that was and expected to honor and respect old when I was standing in front into my life as I was growing up is International Recognition. known for being very esoteric in that bond. of my dad talking to him while he still with me and will always be a His Charm and Humble his particular style of Eskrima. He was playing with the knife. The part of me as my dad will always nature was ever present…this gift and I decided to attend the semi- The First Lesson knife had accidentally slipped be a part of me. he left to us all to Cherish and nar, and low and behold, Winston I went to Sonny’s modest through his fingers (that’s right I was devastated when my Nurture. His Place with the Old 100 in hand, Sonny the gentleman home about 3weeks after attend- folks, the knife slipped through the brother informed me of our dad’s Masters is Secure. with whom I had lost touch, was ing the seminar. The walls were fingers of Maestro Sonny Umpad) health conditions. I admit, I was Recollections on Training preparing to instruct us in some adorned with numerous types of and landed on my foot. I remem- in denial and convinced myself with Sonny of his methods. The seminar was Filipino weaponry, more gear than ber being in shock when I saw that he would beat the cancer and an “eye-opener” for me. I talked I had seen in most commercial the knife in my foot in an upright it was not a dire urgency to come Sonny and I met around with Sonny both before and after martial arts studios. Many weap- position. After I realized what had home from San Diego to visit Sonny Umpad. The name, 30 years ago; we used to frequent the seminar…it was really great to ons were elaborately carved, later happened, I screamed with such him. But when I found out that if you have heard of the man and the same nightclubs in and around see him and I wanted to study his I would learn that Sonny was the fright as my dad rushed me up the the cancer came back shortly after his reputation invokes visions of San Francisco and the greater Bay Style. I wrote to Sonny, requesting sole author for the pieces: sticks, stairs to the bathroom to bandage surgery, I was slapped with real- a deep reverence for the Martial Area. What was called “Hustle” consideration as a student. Another knives, swords, , etc. We the wound. My dad and I shared ity and realized my dad will be Heritage of the Philippines. His dancing, men and women dancing gentleman, Mr. Chris Suboreau, went out onto the back patio and he this story just shortly before he leaving us soon. After rubbing my speed, precision and ghostlike together as a couple, a` la ballroom one of Sonny’s first students and brought out two bolos, one for each passed. He admitted he was actu- cheek softly from being slapped evasive qualities are the stuff of a style, was the rage at many clubs. his first Guro vouched for my of us. The bolos were both sharp ally scared. I laughed about it and with reality, I made arrangements modern Legend. One of the gifted The dance form had elements of character; this step was necessary enough and dull enough to keep I showed him the scar on my foot I so I can be back in Alameda at Forefathers of the cherished art. cha-cha, mambo, paso doble, disco, prior to Sonny accepting me as a one’s attention. He demonstrated a have been carrying all my life. Not least every other weekend to visit Through Sonny’s insight jazz and acrobatic movements student. Chris and I had, at one pattern that he wanted me to rep- only will the scar remind me of the my dad. I regret for not visiting and perseverance he took a bold (adagio) that were executed in vari- time, trained together at the same licate and then placed me in front accident but will always remember my dad as often as I should in the step in founding his own system ous degrees by different dancers. school in different martial disci- of a homemade wooden dummy the pain on my foot every time I past, but am grateful that I was of Filipino Martial Arts: Visayan We struck up a friendship; each of plines; we had known each other target where I could practice the movement and he could observe Sonny exposed us to countless The Legacy of the Art Maestro Elmer Ybanez and critique from the comfort of types of traditional weaponry but Maestro Sonny had an en- [1953 - 2004] his kitchen. There was no elabo- never let us forget that our Art during philosophy: Students must Lema Scientific Kali Arnis rate explanation regarding mean- is based on the Blade. The blade learn to add up, think for them- [LESKAS] ing…just do the work. work is the root foundation of all selves and cultivate the spirit to After about 3 hours, train- development; the , a short work Intuitively. This self-expres- Maestro Ybanez was born Kali Federation Championship ing both arms, he informed me that sword of the Visayan region, is a sion is essential to the survival of on August 13, 1953 in Masbate, (Super Lightweight Division) in I had learned both the number “1” cornerstone of our Style. the Art. No one individual knows Philippines as one of seven sib- 1992 and was national champion and “2” strikes. Most critical was Sonny was truly a Teach- everything; this is the quest that lings. He has 2 brothers (Judge in both the Philippine’s National that by utilizing correct footwork er’s Sage in every respect. One drives the Art. This is why Sonny’s Elihu Ybanez, Edwin Ybanez) and Kali-Eskrima Tournament and the during the pattern, I learned to may have had a discussion regard- thirst for knowledge and innova- 4 sisters (Dorcas Ybanez-Rocabo, Philippine Union of Martial Arts avoid cutting my own leg. The ing a variety of topics during a Deborah Ybanez-Quinto, Arnis Tournament in 1991 and tion was unquenchable. This qual- organization are the children of other 15 things that one learned break in training, however, it was Ropeccah Ybanez-Villabue- 1990 respectively. ity is to be embraced and nourished Grandmaster Lema. from this particular amarra (strik- not acceptable to vary for sub- na, Rebecca Ybanez-Liwanang) He Maestro Ybanez finished to ensure seeds and fruit for the In 1998 Maestro moved to ing pattern) were for me to discov- stantial lengths of time from the met his future wife Maribel Padua his degree in Business Administra- generations that will propagate the Seattle. His students in the Philip- er and inquire about over the next goals of cultural, physical, mental at the Miracle Revival Church as tion, majoring in Accounting, at Art in the future. The options and pines have LSAI/LESKAS clubs in several months. After a short time, or spiritual development related teenagers. They were married on the Philippine Christian Univer- opportunities are there, but must UP Diliman and in Davao, Mindi- I began to train in Sonny’s Visayan to the Art. There were times that August 31, 1997. Maestro Ybanez sity, and earned his Diploma in be chosen wisely…be careful, your nao. Style Eskrima to the exclusion of Maestro Sonny wanted to exam- passed away March 31, 2004 due Physical Education at the Univer- mind is not always your friend. The LESKAS/Lightning my other Arts. Something that was ine the workings of a particular to complications following his sity of the Philippines where he It is important to understand that Scientific system is characterized missing had been found. In full weapon. If you were present on leukemia treatment. founded and started teaching LES- knowing the Path and walking the by it’s speed, power, and tacti- support of my other teachers and that day you might learn it. Our Maestro Elmer Ybanez KAS style of Eskrima to a handful Path are not the same thing; the cal setup of an opponent, be they their contribution to my growth it crew has camaraderie, many of was the highest-ranking and most of dedicated students who now voyage will be rough and bumpy, armed, or unarmed. The fighter is was not a result of their instruc- us train together, sometimes we trusted student of Grandmaster have their own organizations in the you must put in your time and pol- always coiled and ready to explode tion, they are individuals of the would exchange “lesson notes” Benjamin ‘Mang Ben’ Luna Lema different parts of the Philippines. ish the Path. To know the Art is to with tremendous force. It is a sys- highest caliber and their guidance and one of us may have learned who was the founder of Light- Since then, the University as part claim it as your own, as a continual tem designed to maximize power was instrumental in my journey. a particular weapon and/or tactic ning Scientific Arnis International of the regular physical education work in progress fraught with its and efficiency in a strike, yet never The Eskrima gave me a flow, a while the other knew none of this (LSAI) and whom he trained under curriculum has adopted LESKAS. trials and tribulations…the journey to the detriment of defensive tac- freedom deep in my soul… information. This did not create for nearly 20 years. LSAI/LESKAS practitioners are one must take to mastery of One- tics. derision; it fostered an environ- The LSAI martial art found not only in the Philippines The Ensuing Years self. It is essential to acknowledge Although a LESKAS fight- ment to maintain dialog among system became widely known and and the U.S., but also in England, the existence of the Dark side of er may work at varying ranges, be Lessons or training ses- the generations. We accepted, first, in the Philippines, Hong Kong and Singapore through the Art; it is a powerful force and it long, medium, or close, the style sions conducted by Maestro Sonny knew from whence we came and and now, in the U. S., mainly the enthusiastic propagation of should never be taken with casual is generally recognized for its ag- could go on for hours, sometimes a what we must do. On August 13, because of Maestro Ybanez’s ef- Master Ybanez and his students. Indifference. The consequences of gressive jamming and hard-hitting slot that was scheduled for you for 2006 instructors representing 5 forts and hard work to promote Maestro Elmer Ybanez such Disrespect could put an end to medium/close range strikes, which say an hour could last for 6 hours. “generations” within our Art threw the art. Both he and Grandmaster founded his own organization in your earthly existence, as you now tend to smother an opponent, You would work with whoever a benefit seminar for Maestro Lema were delegates to the Martial 1996 in honor of the Grandmas- know it. leaving them little opportunity for came that day and the material was Sonny. Some had only met for the Arts Federation for World Peace ter (who passed away in January One must give back to the counters. tailored to each individual. You first time. However, the seminar, in Washington D.C. in 1997 rep- 2003) which is what is now known Art and respect the Old Ways; The head of the LESKAS might train a particular theme that by all accounts, was seamless and resenting the Philippines. Maestro as the Lema Scientific Kali Arnis this is the tradition that espouses Organization is the Ybanez family. afternoon, but the feel evolved participants left with tools they Ybanez was also the first runner- System (LESKAS). Currently the via cooperative interaction; the Humility and Honor. To assure our could hone. Maestro Sonny had Future, we must have reverence up in the Second World Eskrima head of Grandmaster Lema’s LSAI cross-referencing of movements charted the course for this work was endless. Throughout the years for our Past. The Art was born to… long ago. preserve Heritage and Life. Conscious of the need of developing enthusiasm, interest and dedi- cation in the field of Filipino Martial Arts Education, and in order to act as guardians of the noble and beneficial aims of Arnis de Mano and compelled by our desire to establish an Association which shall be the rallying point of all teachers of Arnis de Mano as a Filipino Martial Arts Education, the Mataw-Guro’s hereby mutually agree to unite and associate ourselves for such a purpose.

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