La Comedia Clásica Americana

Total Page:16

File Type:pdf, Size:1020Kb

La Comedia Clásica Americana LA COMEDIA CLÁSICA AMERICANA. AÑOS DORADOS ÍNDICE AÑOS 30 AÑOS 40 AÑOS 50/60 Los comentarios de las películas proceden del libro “Diccionario de la comedia”. Juan Tejero (ed). T&B ed., Madrid, 2006 COMEDIA CLÁSICA AMERICANA. AÑOS 30 AL servicio de las damas / dirección, Gregory La Cava ; guión, Morrie Ryskind, Eric Hatch y Gregory La Cava; ( 94 min.). Int.: William Powell, Carole Lombard, Alice Brady. Año 1936. Citada a menudo como la definitiva screwball comedy, y la primera en ser bautizada de este modo por un crítico, Al servicio de las damas es una película con conciencia social, aunque la sutileza del mensaje se oculta bajo toneladas del humor más disparatado. Dirigida con ojo clínico por La Cava, este hilarante puñetazo a las 3856 manías de los ricos ociosos obtuvo un éxito apoteósico de público Rojo y crítica. J.T. Tráiler Caballero sin espada / dirección, Frank Capra ; guión, Sidney Buchman ; (125 min.) Int.: Jean Arthur, James Stewart, Claude Rains. Año 1939. Frank Capra creía que la bondad y la virtud, incluso en las personas más humildes, podía triunfar al final sobre obstáculos insuperables, y sus películas más famosas son celebraciones del hombre común por excelencia. Capra mezcla drama y comedia utilizando héroes entrañables en su ingenuidad con villanos corruptos y ansiosos de poder. J.T. 6824 Tráiler Rojo Una chica angelical / dirigida por William Wyler ; guión Preston Sturges. ( 97 min.) Int.: Margaret Sullavan, Herbert Marshall, Frank Morgan, Reginald Owen, Eric Blore, Beulah Bondi, Alan Hale, Cesar Romero. Año1935. Cinco años antes de su debut como director, el entonces prestigioso guionista Preston Sturges adaptó una comedia de Molnár. La función estaba al servicio de Margaret Sullivan. Su papel es el de una actriz que debe decidirse entre tres pretendientes. LL.B.M. 9215 Rojo Tráiler Damas del teatro / dirigida por Gregory La Cava; guión de Morrie Ryskind (92 min.) Int.: Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Andrea Leeds, Gail Patrick, Lucille Ball, Eve Arden, Constance Collier. Año 1937. La mejor película de La Cava. La historia de aspirantes a actrices viviendo en una pensión de West 40th Street es agridulce y contiene elementos dramáticos. El reparto es de auténtico lujo, encabezado por Katharine Hepburn en su mejor momento y con un oscar en su haber. 8602 Aparece brevemente Ginger Rogers y actrices emergentes como Rojo L.Ball y Ann Miller. M.Q. Tráiler Un dia en las carreras / dirigida por Sam Wood ; guión, Robert Pirosh, George Seaton y George Oppenheimer; (99 min.) : Int.: Groucho Marx, Chico Marx, Harpo Marx, Alan Jones, Maureen O'Sullivan. Año 1937. Segunda película de los geniales hermanos Marx en su etapa en la MGM. Por mucho que avance la psiquiatría, Un día en las carreras seguirá siendo por mucho tiempo una de las mejores terapias contra la depresión. 4717 La receta es un delicioso cóctel de entretenimiento, situaciones Rojo desternillantes y asombrosos diálogos. J.T. Tráiler La fiera de mi niña /dirigida por Howard Hawks ; guión Dudley Nichols y Hagar Wilde; (102 min.). Int.: Katharine Hepburn, Cary Grant, Charlie Ruggles, May Robson, Walter Catlett, Barry Fitzgerald, Fritz Feld. Año 1938. A Howard Hawks se le considera con toda la razón del mundo como uno de los “monstruos sagrados” del cine, un genio sin igual que engrandeció cuantos géneros tocó. Son películas admirablemente escritas, interpretadas y dirigidas, historias alocadas e inverosímiles construidas sobre la base de un 4731 rigor interno implacable. J.T. Rojo Tráiler Un ladrón en la alcoba / dirigida por Ernst Lubitsch ; guión, Samson Raphaelson, Grover Jones; (83 min.). Int.: Herbert Marshall, Miriam Hopkins, Kay Francis, Edward Everett Horton, Charles Ruggles, C. Aubrey Smith, Robert Greig. Año 1932. Un ladrón en la alcoba es para muchos entusiastas del autor la mejor de sus obras.Es una de esas películas a las que nada sobra y nada falta. No tiene, o no parece tener, pretensiones, no posee ánimos de constituirse, pese a que se constituya, en la perfección del 11202 género, esa cadencia necesaria en toda comedia que se precie y Rojo que controla los extraordinarios diálogos y de la duración de las escenas. J.B.C. Tráiler Luna nueva / director, Howars Hawks ; guión, Charles Lederer; (92 min.) Int.: Cary Grant, Rosalind Russell, Ralph Bellamy. Año 1940. Esta comedia genial, la política, el periodismo sensacionalista y la batalla de los sexos son los blancos propicios con los que se disparan unos dardos mordaces que no dejan títere con cabeza. Perfectos secundarios, un Cary Grant como nunca y una Rosalind Rusell en el cénit de su talento, redoblan la perfección. J.B.C. Tráiler 3496 Rojo Medianoche / dirigida por Mitchell Leisen ; guión, Charles Brackett & B.Wilder; (91 min.). Int.: Claudette Colbert, Don Ameche, John Barrymore, Mary Astor, Año 1939. Todo, absolutamente todo, es perfecto en esta película deliciosa,el malicioso guión de Brackett y Wilder, la dirección de Leissen, los lujosos decorados y el magistral trabajo de los actores. Sofisticada,hilarante y extremadamente ingeniosa, Medianoche merece sin reservas el calificativo de sublime. J.T. 8336 Tráiler Rojo La muchacha de la Quinta Avenida / dirigida por Gregory La Cava, guión AllanScott; (85min.). Int.: Ginger Rogers, James Ellison, Walter Connolly, Tim Holt, Verree Teasdale, Kathryn Adams, Franklin Pangborn. Año1939. Una derivación ingeniosa de La Cenicienta, con el príncipe convertido en un viejo millonario que se siente abandonado por su familia y acosado por los problemas empresariales. Es una de las muestras de las comedias hollywoodienses de los años treinta. 8586 En esta ocasión aprovechando el innegable encanto de Ginger Rojo Rogers, que deseaba emanciparse de los musicales que hacía junto a Fred Astaire. M.Q. Ninotchka / director Ernst Lubitsch ; guión Charles Brackett, Billy Wilder y Walter Reisch ; (110 min.). Int.: Greta Garbo, Melvyn Douglas, Bela Lugosi, Ina Claire. Año 1939. Lubitsch, como siempre, sólo proclama la joie de vivre, y lo hace con el gran arte de su cine, el mejor aprovechamiento del mito de Garbo. Ni que decir tiene que Ninotcka ofrece una catarata ininterrumpida de diálogos brillantísimos bajo la que se esconde una despiadada critica al género humano. J.B.C. 6942 Tráiler Rojo Una noche en la ópera / dirigida por Sam Wood, guión Georges S. Kaufman y Morrie Ryskind ; (93 min.). Int.: Groucho Marx, Harpo Marx, Chico Marx, Margaret Dumont, Kitty Carlisle, Allan Jones. Año 1935. Los Marx escalaron en su primer film para la Metro las más altas citas de su talento. El popular trío siguió haciendo películas, pero ya no recuperaría esa vitalidad, esa chispa incandescente que alumbra la eterna juventud de esta joya de la comedia. Se trata de una película que 4316 quedará como una experiencia feliz y característica de unos Rojo artistas irrepetibles, como una maravillosa muestra del humor agresivo e irreverente de los cómicos más geniales de la historia del cine. J.T. Tráiler Ocho mujeres y un crimen / director, Leigh Jason ; guión, Philip G. Epstein; ( 80 min.). Int.: Barbara Stanwyck, Henry Fonda, Sam Levene, Francés Mercer, Stanley Ridges, Whitney Bourne, Leona Maricle, James Burke, Penny Singleton. Año 1938. En una industria que no destaca por las opiniones amables, Stanwyck parece haber sido la compañera favorita de todo el mundo. El final incluso supone una subversión de las actitudes correctas, 3982 cuando Fonda sugiere una prolongada luna de miel, ya que Rojo Stanwyck puede permitírselo. J.D.D. La pícara puritana / director Leo McCarey, guión Viña Delmar ( 87 min.) Int.: Cary Grant, Irene Dunne, Ralph Bellamy, Alexander D'Arcy, Cecil Cunningham. Año 1937. La película se rodó en seis semanas, y fue un éxito tan grande que sus protagonistas volvieron a unirse en otra espléndida comedia, Mi mujer favorita, y en Serenata nostálgica. La pareja funciona de manera antológica, está perfecta en sus diálogos, dentro de una elegante y difícil sencillez, que no deja 8596 resquicio para adivinar siquiera el artificio. J.T. Rojo Tráiler Sopa de ganso / dirigida por Leo McCarey, guión Bert Kalmar; (65min.). Int.: Groucho, Harpo, Chico y Zeppo Marx, Margaret Dumont, Louis Calhern, Edgar Kennedy, Raquel Torres. Año 1933. La película alberga alguno de los momentos más divertidos de este género, como la magistral escena del espejo, mil veces imitada y nunca superada, o la batalla final en la que cada bala de cañón que pasa supone un cambio de vestuario. Veloz, irreverente, casi anárquica en su estilo, Sopa de ganso es 6804 una obra maestra que nunca envejece.Podemos encontrar Rojo comedias tan buenas como ésta, pero no mejores. J.T. Tráiler Sucedió una noche/ director Frank Capra, guión Robert Riskin; (101 min.). Int.: Clark Gable, Claudette Colbert. Año 1938. Gran comedia de la depresión, emblemática fabula optimista de Capra a la que el paso del tiempo no ha provocado ningun rasguño, permanece eternamente joven. J.B.C. Tráiler 2552 Rojo Sueños de juventud /dirigida por George Stevens ; guión Dorothy Yost, Mortimer Offner ( 106 min.). Int.: Katharine Hepburn, Fred MacMurray, Fred Stone, Evelyn Venable, Frank Albertson, Ann Shoemaker, Hedda Hopper. Año 1935. En una familia de clase humilde, el padre y el hijo están satisfechos y se conforman con trabajar en una tienda; en cambio, la madre y la hija no dejan de urdir toda clase de estratagemas para intentar subir socialmente. Cuando la hija conoce al hombre de sus sueños, la madre arrastra al padre hacia un peligroso negocio, y planea impresionar al chico con una cena. J.C.B. 8609 Rojo Tiempos modernos / director y guión Charles Chaplin. (83 min.) Int.: Charles Chaplin, Paulette Goddard. Año 1936. Película que tal vez se adelantó a su tiempo,está sátira de un mundo automatizado, ha mantenido toda su vigencia desde entonces. Por otro lado no debemos olvidar que Tiempos modernos es el canto del cisne de Charlot como personaje, ya que uno de los protagonistas de su siguiente obra, El gran dictador, el de judío, aunque se le parezca mucho, ya no es él.
Recommended publications
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • January 20, 2009 (XVIII:2) Preston Sturges SULLIVAN’S TRAVELS (1941, 90 Min)
    January 20, 2009 (XVIII:2) Preston Sturges SULLIVAN’S TRAVELS (1941, 90 min) Written and Directed by Preston Sturges Produced by Paul Jones Cinematography by John F. Seitz Film Editing by Stuart Gilmore Art Direction Hans Dreier Costume Design by Edith Head Makeup Wally Westmore Selected for the National Film Registry 1990 Joel McCrea...John L. Sullivan Veronica Lake…The Girl Robert Warwick …Mr. Lebrand William Demarest…Mr. Jones Franklin Pangborn…Mr. Casalsis Porter Hall…Mr. Hadrian Byron Foulger…Mr. Valdelle Margaret Hayes…Secretary Robert Greig…Sullivan's Butler Eric Blore…Sullivan's Valet Bend 1949, Unfaithfully Yours 1948, The Sin of Harold Torben Meyer…The Doctor Diddlebock 1947, The Great Moment 1944, The Palm Beach Victor Potel…Cameraman Story 1942, The Lady Eve 1941, Christmas in July 1940, and The Richard Webb…Radio Man Great McGinty 1940. The five films in bold and Sullivan’s Charles R. Moore…Chef Almira Sessions… Travels are considered his masterpieces. In 1919 Sturges invented Ursula Esther Howard…Miz Zeffie kissproof lipstick. Frank Moran …Tough Chauffeur Georges Renavent…Old Tramp JOEL MCCREA (5 November 1905, South Pasadena, California— Harry Rosenthal… Trombenick 20 October 1990, Woodland Hills, California, pulmonary Al Bridge…The Mister complications) appeared in nearly 100 films between The Fair Jimmy Conlin…Trusty Co-ed 1927 and Mustang Country 1976. After his appearance in Jan Buckingham…Mrs. Sullivan Buffalo Bill 1944, he did mostly westerns. Some of his other films Elsa Lanchester…Bit Part are Ride the High Country 1962, The Oklahoman 1957, The Preston Sturges…Studio Director Outriders 1950, Four Faces West 1948, The Virginian 1946, The Palm Beach Story 1942, Foreign Correspondent 1940, Espionage PRESTON STURGES (29 August 1898, Chicago—6 August 1959, Agent 1939, Union Pacific 1939, Three Blind Mice 1938, Wells New York, heart attack) has 45 writing and 15 directing credits.
    [Show full text]
  • Picture Show Annual (1942)
    PS HIM fkf *1(5 /«rA W/’hen we think of the heroism of the Fighting Services, the Mercantile Marine, the Fire fighters, the A.R.P., the many Corps of Women’s Auxiliary Services, Doctors, Nurses and staffs of Hospitals, and, above all, the heroism and spirit of self-sacrifice shown by the women and children of cities, towns and hamlets which have been bombed incessantly by the Nazi murderers, it may sound Raymond Massey (right) and not only presumptuous but downright swank to ” suggest that films Eric Postman in 49th the have played any really important part in the War. Parallel.” Eric Portman is a World But I have hesitation in saying that the screen U-boat officer who attempts no has played a very important part. I think to escape from Canada to the we may divide, roughly, the part the films have played into United States but is out- manoeuvred by Raymond showing us, firstly, what Nazism really means and Massey. what we are fighting against, and, secondly, how we are fighting the greatest menace to Civilisation since Democracy was established as the keystone of the arch of Civilisation. Democracy is easily explained. The great Lincoln. President of the first really United States of America, described it as Govern- ment of the People, by the People, for the People. The emblem of Republican France was Liberty, Equality and Fraternity. In England, and later in the British Empire, the meaning was Freedom of speech and action, Una Merkel and W. C. Fields in so long as it did not interfere with the " The Bank Detective.” Freedom of others.
    [Show full text]
  • Newsletter 03/12 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 03/12 DIGITAL EDITION Nr. 307 - Februar 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 03/12 (Nr. 307) Februar 2012 editorial Hallo Laserdisc- und DVD-Fans, gerüchteweise bereits Angelina Jolies liebe Filmfreunde! Regiedebüt IN THE LAND OF BLOOD Wer die Disney-Filme und ganz beson- AND HONEY, das die hübsche Dame ders deren Prinzessinnen mag, der soll- gerade auf der Berlinale vorgestellt hat, te sich die Kolumne unserer Schreibe- auf silbernen und blauen Scheiben ge- rin Anna ab Seite 3 aufmerksam durch- ben. lesen. Ihr tiefgründiges Hinterfragen der Frauenfiguren in Disneys weich- Trotz der riesigen Schwemme von Neu- gespülten Animationsklassikern ist erscheinungen haben wir natürlich un- durchaus berechtigt. Für Risiken und seren eigenen Film nicht vergessen. Nebenwirkungen, die der Aufsatz bei THE GIRL WITH THE THORN TAT- Ihrem nächsten Konsum von DIE TOO (Ähnlichkeiten mit anderen Fil- SCHÖNE UND DAS BIEST und Kon- men ist natürlich rein zufällig...) befin- sorten hinterlässt, übernehmen wir na- det sich in der heissen Endphase der türlich keine Haftung! Postproduktion. Inzwischen haben wir die ersten Ergebnisse nicht nur in un- Und damit erst einmal ganz herzlich serem Heimkino evaluiert, sondern willkommen zur neuen Ausgabe unse- auch auf der großen Leinwand in ver- res Newsletters. Sozusagen in letzter schiedenen Kinos getestet. Schließlich Minute erreichten uns noch zwei aktu- soll unser Film nicht nur im kleinen elle Ankündigungen für Deutschland.
    [Show full text]
  • Online Versions of the Goldenrod Handouts Have Color Images
    Online versions of the Goldenrod Handouts have color images August 30, 2016 (XXXIII:1) http://csac.buffalo.edu/goldenrodhandouts.html Ernst Lubitsch, TROUBLE IN PARADISE (1932, 83 min) Trouble in Paradise (1932), 83 minutes Directed by Ernst Lubitsch Writing Credits Samson Raphaelson (screenplay), Grover Jones, (adaptation), Aladar Laszlo (play as Laszlo Aladar) Produced Ernst Lubitsch Music W. Franke Harling Cinematography Victor Milner Art Direction Hans Dreier Costume Design Travis Banton…(gowns) Costume and Wardrobe Department Eugene Joseff…costume jeweler (uncredited) Cast Miriam Hopkins…Lily Kay Francis…Madame Mariette Colet Herbert Marshall…Gaston Monescu Charles Ruggles…The Major historical drama. His success in Europe brought him to the shores Edward Everett Horton…François Filiba of America to promote The Loves of Pharaoh (1922) and he C. Aubrey Smith…Adolph J. Giron become acquainted with the thriving US film industry. He soon Robert Greig…Jacques, Mariette's Butler returned to Europe, but came back to the US for good to direct new friend and influential star Mary Pickford in his first Ernst Lubitsch (b. January 29, 1892 in Berlin, Germany—d. American hit, Rosita (1923). The Marriage Circle (1924) began November 30, 1947, age 55, in Hollywood, California) who Lubitsch's unprecedented run of sophisticated films that mirrored Entertainment Weekly voted the 16th Greatest Director of all the American scene (though always relocated to foreign or time, decided at age 16 to leave school and pursue a career on imaginary lands) and all its skewed panorama of the human the stage. He had to compromise with his father and keep the condition.
    [Show full text]
  • The Most Vociferous Screwball Comedies: the Miracle of Morgan’S Creek and Hail the Conquering Hero Yukiko Arimori
    The Most Vociferous Screwball Comedies: The Miracle of Morgan’s Creek and Hail the Conquering Hero Yukiko Arimori Preface The Miracle of Morgan’s Creek (1944) and Hail the Conquering Hero (1944), written and directed by Preston Sturges, have received critical acclaim as masterpieces of screwball comedy. They have a lot in common: both feature a plot set in the rural community in America under the Word War II, and both of the male protagonists are 4F (unfit for military service) played by Eddie Bracken. Most of all, both films are outstanding among Sturges films in terms of their vociferous comic universe. Sturges has been admired for being “masterful with noisy crowds” (Farber 99). There is also such a testimony as “The noisier and more confused the environment, the better he seemed to like it” while at work on the studio (Curtis 146). It seems to mean that the unique quality of his films, most remarkably represented by vociferous comedy sequence, culminates with The Miracle of Morgan’s Creek and Hail the Conquering Hero. Focusing on these two films, this essay aims to explore how Sturges successfully created the noisiest screwball comedies. It is significant in this context to call attention to the relationship between Bracken’s hero and other supporting role characters surrounding him. As previous studies have pointed out, unique supporting role characters played by character actors and actresses, known as the Sturges Stock Company, are essential to Sturges’ noisy comic universe.1 Brian Henderson evaluates that “Sturges’s visual style in Hail the Conquering Hero marks a new turn in his cinema”: In scene after scene, physical reality is all but eclipsed by wall-to-wall characters; faces and bodies literally fill the screen… virtually eclipsing their setting and making the characters and only them the film’s mise-en-scéne.
    [Show full text]
  • Preston Sturges & the Marx Bros
    Preston Sturges & The Marx Bros. by Richard von Busack “Somebody said that all I needed for success in American life was a bass voice and a muscular handshake, so I seized producers with a powerful grip, looked piercingly into their eyes and asked them in my deepest tones if they doubted for a second if I could direct. “When they said, ‘no’, and I said, “Then when do I start,’ they said, “As soon as you’ve directed for anybody else.” Such was Preston Sturges’ dilemma in the late 1930s. He was one of the best-paid writers in Hollywood, where, as the saying went, you never saw so many unhappy people earning $100,000 a year. He had worked for Goldwyn, MGM and Universal, had writ- ten dialogue for kings and drum majorettes alike, and he was burning to direct. It was during this time that a script of Sturges’ titled “The Vagrant” was being pre- pared for filming. Sturges offered his services as director for the sum of $1. Paramount producer William LeBaron accepted the deal for $10 to make it more official. The script was retitled “The Great McGinty.” In parting, LeBaron warned the novice direc- tor that he’d be happier as a writer: “Shoemaker, stick to your last!” “You show me a man who sticks to his last, and I’ll show you a shoemaker,” Sturges thought to himself, on the staircase out of the office. So began the directing career of Preston Sturges. In a startlingly short rush of creative fervor, which chronologically paralleled the US’s most desperate years during World War II, Sturges directed seven peerless comedies.
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit „Fingiertes Glück, umstrittene Zählung. Demokratie und Kulturindustrie in Filmen von Preston Sturges“ Verfasser Joachim Schätz angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.Prof. Dr. Elisabeth Büttner M.A. 2 Inhaltsverzeichnis Einleitung ................................................................................................. 5 1. Rechenfehler – Plots (Christmas in July) ....................................... 15 1.1. Verzählen ...................................................................................................... 15 1.2. Verwechseln ................................................................................................. 18 1.3. Verdoppeln ................................................................................................... 23 1.4. Vervielfachen ................................................................................................ 26 2. Streitbühnen – Topographie ............................................................ 32 2.1. Topographie der Körper (Hail the Conquering Hero) ................................ 32 2.1.1. Zusammenkommen ................................................................................. 32 2.1.2. Durcheinanderbringen ............................................................................. 35 2.1.3. Ineinanderschieben ................................................................................
    [Show full text]
  • Robert Greig Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Robert Greig 电影 串行 (大全) No Time for Comedy https://zh.listvote.com/lists/film/movies/no-time-for-comedy-3878228/actors Stowaway https://zh.listvote.com/lists/film/movies/stowaway-2620671/actors I Married an Angel https://zh.listvote.com/lists/film/movies/i-married-an-angel-1425575/actors Tonight or Never https://zh.listvote.com/lists/film/movies/tonight-or-never-7821475/actors Horse Feathers https://zh.listvote.com/lists/film/movies/horse-feathers-887192/actors I Live for Love https://zh.listvote.com/lists/film/movies/i-live-for-love-20814568/actors Trouble for Two https://zh.listvote.com/lists/film/movies/trouble-for-two-3540883/actors Midnight Mary https://zh.listvote.com/lists/film/movies/midnight-mary-1932023/actors Nob Hill https://zh.listvote.com/lists/film/movies/nob-hill-3209480/actors Female https://zh.listvote.com/lists/film/movies/female-639354/actors No Limit https://zh.listvote.com/lists/film/movies/no-limit-1968803/actors Stingaree https://zh.listvote.com/lists/film/movies/stingaree-941768/actors Small Town Girl https://zh.listvote.com/lists/film/movies/small-town-girl-1057374/actors Son of Fury: The Story https://zh.listvote.com/lists/film/movies/son-of-fury%3A-the-story-of-benjamin-blake-319184/actors of Benjamin Blake Rose Marie https://zh.listvote.com/lists/film/movies/rose-marie-3522827/actors Easy Living https://zh.listvote.com/lists/film/movies/easy-living-1163555/actors It's Great to Be Alive https://zh.listvote.com/lists/film/movies/it%27s-great-to-be-alive-3155787/actors Clive of India https://zh.listvote.com/lists/film/movies/clive-of-india-3221724/actors
    [Show full text]
  • Ernst Lubitsch TROUBLE in PARADISE 1932, 83 Min
    September 2, 2008 (XVII:2) Ernst Lubitsch TROUBLE IN PARADISE 1932, 83 min. Miriam Hopkins…Lily, alias Mlle. Vautier Kay Francis…Madame Mariette Colet Herbert Marshall…Gaston Monescu, alias La Valle Charlie Ruggles…The Major Edward Everett Horton…François Filiba C. Aubrey Smith…Adolph J. Giron Robert Greig…Jacques, Mariette's Butler MIRIAM HOPKINS (18 October 1902, Bainbridge, Georgia— 9 Produced and Directed by Ernst Lubitsch October 1972; heart attack) appeared in 35 films, the first of Script by Grover Jones and Samson Raphaelson which was Fast and Loose 1930. Her last film was Savage based on Aladar Laszlo’s play The Honest Finder Intruder 1968. Some of the others were Fanny Hill 1964, The Original music by W. Franke Harling Children's Hour 1961, Virginia City 1940, Becky Sharp 1935, The Cinematography byVictor Milner Story of Temple Drake 1933 (an adaptation of Faulkner’s Sanctuary, which caused such a stir it led, according to many film Selected for the historians, to the repressive 1934 Code), and Dr. Jekyll and Mr. National Film Registry Hyde 1931. She started doing dramatic television work early, with an episode of “Studio One” in 1948. She also appeared in ‘Lux ERNST LUBITSCH Video Theatre,” “General Electric Theater,” “Pulitzer Prize (28 January Playhouse,” and “The Outer Limits.” Her last role was in 1892,Berlin—30 “Beretrille and the Silent Flicks,” an episode of “The Flying Nun” November 1947, filmed in 1967 but not aired until November 26, 1969. Hollywood; heart attack, the morning KAY FRANCIS (Katherine Edwina Gibbs, 13
    [Show full text]
  • An Agile Mind—The Many Stands of Preston Sturges
    iNTrOduCTiON: aN agilE miNd Introduction: An Agile Mind—The Many Stands of Preston Sturges Jeff Jaeckle reston Sturges has long been a study in contrast, inspiring highly diver- Pgent characterizations such as genius and fluke, artist and entertainer, auteur and sellout. These extremes seem warranted when considering his startlingly eclectic life. A groundbreaking writer-director, Sturges was also a songwriter, inventor, restaurateur, and engineer. He created some of the most witty, acerbic, and hilarious comedies of the 1940s, yet his forays into dramatic genres resulted in several dull and saccharine on-screen moments. He was con- sidered the most “American” of Hollywood filmmakers, yet he lived in Europe between the ages of eight and fifteen, and spent the final years of his life in France. He was devoted to his globetrotting socialite mother, Mary Desti, yet he had an abiding love and respect for his pragmatic, stockbroker stepfather, Solomon Sturges. He was one of the highest-paid people in the USA in the mid-1940s, yet he was consumed by debt and failure upon his death in 1959. Antinomies like “auteur” and “sellout” are therefore useful for making sense of Sturges; however, they also cast him as an ambivalent character in his own story. This in turn has a narrowing effect, as all of the events and details of his life are reduced to two extremes. Perhaps most famous are James Agee’s movie reviews for The Nation, in which he plays up Sturges’s ambivalent personality and finds, not surprisingly, that he suffers from a neurosis. Agee contrasts Sturges’s “retching, permanently incurable loathing for everything that stank of ‘culture,’ of ‘art’” with his “desperate respect and hunger for success”; he argues that these twin drives resulted in films that are “para- doxical marvels of self-perpetuation and self-destruction.”1 Although these characterizations smack of pseudo-psychoanalysis, Agee was not alone in spin- ning such narratives.
    [Show full text]
  • SULLIVAN's TRAVELS (1942) Paramount, 90 Minutes Joel Mccrea...John L
    October 3, 2001 (IV:5) SULLIVAN'S TRAVELS (1942) Paramount, 90 minutes Joel McCrea...John L. Sullivan Jan Buckingham…Mrs. Sullivan Veronica Lake…The Girl Robert Winkler…Bud Robert Warwick …Mr. Lebrand Chick Collins…Capital William Demarest…Mr. Jones Jimmie Dundee…Labor Franklin Pangborn…Mr. Casalsis Roscoe Ates…Counterman Porter Hall…Mr. Hadrian Jess Lee Brooks…Preacher Byron Foulger…Mr. Valdelle Edgar Dearing…Motorcycle cop Margaret Hayes…Secretary Elsa Lanchester…Bit Part Robert Greig…Sullivan's Butler Perc Launders…Yard Bull Eric Blore…Sullivan's Valet Preston Sturges…Studio Director Torben Meyer…The Doctor Victor Potel…Cameraman Written and Directed by Preston Richard Webb…Radio Man Sturges Charles R. Moore…Chef Almira Sessions…Ursula Produced by Paul Jones Esther Howard…Miz Zeffie Cinematography by John F. Seitz PRESTON STURGES (29 August 1898, Chicago—6 August Frank Moran …Tough Chauffeur Film Editing by Stuart Gilmore 1959, New York, heart attack) is the first Hollywood Georges Renavent…Old Tramp Art Direction Hans Dreier director to get the double credit, “written and directed Harry Rosenthal… Trombenick Costume Design by Edith Head by.” His only Oscar, in fact, was for the screenplay of The Al Bridge…The Mister Makeup Wally Westmore Great McGinty 1941. (He received best screenplay Jimmy Conlin…Trusty National Film Registry 1990 nominations for Hail the Conquering Hero and The Miracle of Morgan’s Creek, both in 1944. He split the vote with himself and the award went to Lamar Trotti for Wilson, a film no one has heard of since. Some of his other films were The French they Are a Funny Race 1955, The Beautiful Blonde from Bashful Bend 1949, Unfaithfully Yours 1948, The Sin of Harold Diddlebock 1947, The Great Moment 1944, The Palm Beach Story 1942, The Lady Eve 1941, Christmas in July 1940, and The Great McGinty 1940.
    [Show full text]