Convene (Mar. 2018)
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The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Questacon Annual Review 2018
CREATIVITY IMAGINATION ENTERPRISE at and beyond the frontiers Year in Review 2018 YEARS AS AUSTRALIA’S NATIONAL SCIENCE AND TECHNOLOGY CENTRE OUR VISION A joint Australia-Japan bicentennial project established in 1988 A better future for all Australians through engagement with science, technology and innovation. 1 CONTENTS Questacon Overview 2 National Programs 36 Minister’s Introduction 4 Teacher Support Activities 44 Australia’s Chief Scientist Foreword 6 Inspiring Australia 46 Chairman’s Message 8 Digital Engagement 48 Director’s Report 10 International Engagement 50 Questacon Advisory Council 14 Science Circus Tour Japan 2018 54 Questacon – The National Science and Technology Centre Key Events 56 30 Years of Australian Science Inspiration 16 Tourism Awards 61 Questacon’s Centre Activities 28 Questacon People 62 Powered by Partnerships 32 QUESTACON 2018 YEAR IN REVIEW 2 Questacon Overview Questacon – The National Science and Technology Centre is an asset to ensure the inspiration from our touring program transforms into an of the Australian Government, helping to build a foundation of science enduring legacy lasting well beyond our visit. engagement. Operating as a division of the Department of Industry, Innovation and Science, Questacon’s vision is for a better future for Questacon is responsible for delivering the Inspiring Australia network, all Australians through engagement with science, technology and in collaboration with all Australian state and territories and governments. innovation. We work with partners and supporters to deliver inspirational Working in collaboration with multiple divisions across the Department learning experiences to young Australians, their teachers, families and of Industry, Innovation and Science, this National Framework for Local communities, and across the globe. -
JRC News Newsletter of the Japan Research Centre
JRC news Newsletter of the Japan Research Centre 日本研究センター January 2008 No 57 JRC Centre Members Staff Mrs Miwako Kashiwagi Professor Peter Sells Professor Timon Screech Lector in Japanese Professor of Linguistics Chair, Japan Research Centre Department of the Languages and Cultures Department of Linguistics Professor of the History of Art of Japan and Korea Department of Art and Archaeology [email protected] Dr Isolde Standish [email protected] Senior Lecturer in Film and Media Studies Dr Griseldis Kirsch Centre for Media and Film Studies Professor Timothy Barrett Lecturer in Contemporary Japanese Culture [email protected] Professor of East Asian History Department of the Languages and Cultures Department of the Study of Religions of Japan and Korea Mrs Kazumi Tanaka [email protected] Senior Lector in Japanese Dr Mika Kizu Department of the Languages and Cultures Professor Brian Bocking Lecturer in Japanese of Japan and Korea Professor of the Study of Religions Department of the Languages and Cultures [email protected] Department of the Study of Religions of Japan and Korea [email protected] [email protected] Ms Yoshiko Yasumura Assistant Librarian Art and Music Dr John Breen Ms Fujiko Kobayashi Library and Information Services Senior Lecturer in Japanese Assistant Librarian Japan and Korea [email protected] Department of the Languages and Cultures Library and Information Services of Japan and Korea [email protected] Research Associates [email protected] Dr Penelope Francks Dr Costas Lapavitsas Leeds University Dr John Carpenter Reader in Economics Reader in the -
English/Japanese
111 1111111 1111111111111111111 Re9u CL.T Clfi ITH l 01 05900019 Le L2_5-~A RS~~Oi5 I Certificate of Consent OZf"' The National Association for the Preservation of Float Festivals gives its free, prior and informed consent to the nomination of "Yama/Hoko/Yatai: the Float Festivals of Japan" for an inscription on the UNESCO Representative List of the Intangible Cultural Heritage. Throughout Japan, a variety of festivals which reflect the characteristics of the region they are found in, have been safeguarded and transmitted by local residents. These festivals are deeply connected to the lives of the residents. They form the core part of the spirit of the people as something essential to life in each region. The festivals also play important roles as the driving force behind the revitalization of local areas. Some of these festivals feature floats called Yama, Hoko or Yatai. The local safeguarding associations who bear such float festivals, which have been designated by the Government of Japan as Important Intangible Folk Cultural Properties, formed the National Association for the Preservation of Float Festivals. In order to promote the safeguarding of float festivals and to contribute to improving regional cultures, the National Association implements various projects such as maintenance of flo ats, study and research on the festivals. The inscription of the float festivals which show the diversity found in Japan onto the Representative List of Intangible Cultural Heritage will give residents in each region a chance to take a fresh look at how much meaning intangible cultural heritage has for local communities. We believe it will also lead to a surge in efforts to safeguard intangible cultural heritage. -
Robots in Service and Nursing Care Markus Kolstad
Robots in Service and Nursing Care An Investigation into Japan’s Robot Use and Development Markus Kolstad Supervisors Professor Ankica Babic Associate Professor Yoko Nishihara University of Bergen, Department of Information Science and Media Studies December 1, 2019 i ii Acknowledgments I am extremely thankful for the participation, engagement, support and motivation from everyone that has helped me in my work. I want to thank my main supervisor Ankica Babic for the optimism, encouragement, knowledge and hours spent supervising my research. I want to give another special thanks to Ritsumeikan University and my Japanese supervisor Yoko Nishihara for taking me into your laboratory, spending a lot of time helping, assisting, teaching and encouraging me for the six months I got to do my research in Japan. I was lucky to get you as my second supervisor and thanks to you and your assistant Sato for helping me fund, get in touch and schedule my interviews with professors, robot developers and nursing facilities. Another special thanks to my fiancé Natsu Yamaguchi for assisting me with interviews, transcription and translations. This research would never have been possible without the help and hard work from any of you. Thank you to – - All participants of my experiment and case study groups. - Nursing facility managers and workers for inviting me to your nursing facilities for tours, interviews and great insights. - Professors for inviting me to your offices for interviews and sharing your great knowledge and valuable insights. - Robot developers and company spokesmen from FUJI SOFT INCORPORATED, Robo Garage Co. Ltd. and TOGO SEISAKUSYO CORPORATION for sharing your unique perspectives on robot development. -
Visions of the Future at the Japanese Museum of Emerging Science and Innovation
Visions of the Future at the Japanese Museum of Emerging Science and Innovation Submitted for the degree of Doctor of Philosophy in Material Culture Michael Shea, BA (Hons) 1st September 2015 Department of Anthropology University College London Gower Street, London WC1E 6BT 91, 437 Words I, Michael Shea, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: Date: _______________ 01/09/2015 MICHAEL SHEA 2 Abstract The purpose of this research is to critically assess how the future is conceived and presented in a contemporary Japanese science museum, based on ethnography conducted at the Miraikan National Institute of Emerging Science and Innovation in Odaiba, Tokyo. As a museum of the future the devices that Miraikan houses are often framed in terms of their potential uses. This means that the display strategies employed depend on utilizing conceptions of the future. By critically engaging with the visions of the future that are presented in the museum this research elucidates some of these underlying influences traceable to social and environmental concerns, and considers which among these are particular to the Japanese context, drawing on participant observation with volunteers and staff as well as academic literature concerning museum curatorship in Japan and elsewhere. The primary concern of this resesarch is the shifting relationship between technology and human labour, in which there is growing tendency to anthropomorphize machines set against the increasing mechanization of human behavior various contexts. This research seeks to demonstrate how the visions of the future on display at Miraikan can be seen as attempts to replace missing kinship relationships, or to reclaim ‘lost bodies’ in various ways. -