A Human Touch
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The Dakini Project
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2014 The Dakini Project Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Comparative Literature Commons Repository Citation Idol, Kimberley Harris, "The Dakini Project" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2094. http://dx.doi.org/10.34917/5836113 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE DAKINI PROJECT: TRACKING THE “BUTTERFLY EFFECT” IN DETECTIVE FICTION By Kimberley Harris Idol Bachelor of Arts in Literature Mount Saint Mary’s College 1989 Master of Science in Education Mount Saint Mary’s College 1994 Master of Arts in Literature California State University, Northridge 2005 Master of Fine Arts University -
2017 the Human the JOURNAL of POETRY, Touch PROSE and VISUAL ART
VOLUME 10 2017 The Human THE JOURNAL OF POETRY, Touch PROSE AND VISUAL ART UNIVERSITY OF COLORADO ANSCHUTZ MEDICAL CAMPUS THE HUMAN TOUCH Volume 10 2017 GRAPHIC DESIGN EDITORS IN CHIEF Scott Allison Laura Kahn [email protected] Michael Berger ScottAllison.org James Yarovoy PRINTING EDITORIAL BOARD Bill Daley Amanda Glickman Citizen Printing, Fort Collins Carolyn Ho 970.545.0699 Diana Ir [email protected] Meha Semwal Shayer Chowdhury Nicholas Arlas This journal and all of its contents with no exceptions are covered Anjali Durandhar under the Creative Commons Attribution-Noncommercial-No Nick Arlas Derivative Works 3.0 License. To view a summary of this license, please see SUPERVISING EDITORS http://creativecommons.org/licenses/by-nc-nd/3.0/us/. Therese Jones To review the license in full, please see http://creativecommons.org/licenses/by-nc-nd/3.0/us/legalcode. Fair use and other rights are not affected by this license. To learn more about this and other Creative Commons licenses, please see http://creativecommons.org/about/licenses/meet-the-licenses. To honor the creative expression of the journal’s contributors, the unique and deliberate formats of their work have been preserved. © All Authors/Artists Hold Their Own Copyright CONTENTS CONTENTS PREFACE Regarding Henry Tess Jones .......................................................10 Relative Inadequacy Bonnie Stanard .........................................................61 Lines in Elegy (For Henry Claman) Bruce Ducker ...........................................12 -
When December Burns Cold Like a Stone Rise to the Unknown I Now
When December Burns Cold like a stone rise to the unknown I now drown in despair when December burns Locked in one’s mind my state of being, denial Drag me away with your toxin this bliss lasts just for one moment What’s left of this world? Where’s your true purpose? These flames seem to wait atop a hill Breath to the wind I’m built up with sin What can you find beneath my ashes? See hope in others’ eyes this earth leaves nothing to thrive living beside the dead upon stacks of burial mounds My skin starts to boil The stench is too grim to bear But now there's no turning back I will not perish in dissent Cold like a stone Rise to the unknown I now drown in despair When December burns Where's your god? Where's your faith when we all die the same? The smoke now rises, the sky turns pale This is my end, my farewell Your life leaves nothing for me Burn me again and again I stand alone on this hill Flames succumb all around Black like coal In the unknown I now burn In December Jeremy Farfan - Guitar, Vocals Efrain Farfan - Guitar, Vocals Manolo Estrada - Drums Martin Tune - Bass Recorded at Atomic Sound, Red Hook Brooklyn April 20 and May 28, 2019 Recorded by Dakota Bowman Mixed by Neil Kernon Mastered by Alan Douches at West West Side Music Starved For Energy I'm Crawling through earth and through stone I gasp for one last breath of your innocent silence Covered in dirt I know you bare this hurt alone Contemplating suicide A look inside this tangled mind A noose that hangs six feet high Can you see it sway? The clouds now merge With obscure shades of grey The fields then burn With the smell of decay What more can be said For a wind thats passed This unspoken whisper Lingers in smoke as dead eyes stare down! I drown my tears over flames That vanish snow And I can't fight the dark that's consumed me My sanity has left me here. -
As Substitute, for Walden Pond
as substitute, for Walden Pond When Henry David Thoreau built his cabin and secreted him afford the $10 f ee much less the self from the world on Walden $50 they say they want now." Pond, he did without coffee and He coughs lightly after every tea. sentence. "One reason I'm here. "I have everything Thoreau You can't hold a job with bron had and still have coffee and tea," chitis. I was a coat-and-collar said i.agh Mes»er. who has done man until a little more than a much the same- thing for the past year ago. When I first came here, year on a remote beach on the I was taking four sets of pills and north shore of Copan o Bay. couldn't walk more than 30 feet at Messer could hardly be called a a time without losing my breath. hermit. "I'm not trying to escape Now I can take in my lines, from anything," he said. "As a handle my boat and do what I matter of fact, I should get myself to me. Why not? I feed them. And have to do. I take patent medicin some cleric garb and a collar, so the animals. Raccoons tore up my es. That's all I can afford." many people come back in here to tent. And there's a lynx and her He was somewhat vague about tell me their troubles. It's not any kit that live Up on the point. She'll his background except to say he one group. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
An Inspirational Novel
Uncharted An Inspirational Novel GR AEME CONNELL Chapter One A hand brushes aside his scarf, and Brewster McWhirtle feels the softness of two warm fingers nudging their way toward his windpipe for the rhythmic beat of life. He stirs and slowly liberates the young lodgepole pine that has anchored him through the night. His arm is locked, maybe frozen; it hurts to uncurl his hand. His free arm, folded above his head, is stiff, the muscles beyond feeling. His cramped fingers rest on the smooth, flat rock he’d poked a few hours earlier under the low branches between the trunk and earth. Melanie, the laser etching says on the underside, Blue Aster. A slight nudge to his left foot. What’s that? A nosy coyote? Brewster lies still, half-frozen, half-asleep, facedown in dirty, slushy snow. How do I get out of this life? Again, a tentative tap-tap. Let me die. His leg twitches from the stiffness of the hours he’s been lying there. Cold, so cold. He turns his head a degree or two, licks and spits the muck from his lips. I should be unconscious by now. With no more pain. With no more daylight. Let there be peace. “Hey, fella, you okay?” Not a coyote, just the toe of someone’s boot. “Hello-o. Can you hear me?” Brewster inches out from the tree. His groan from the pain in his arms is nothing compared to the howling he did during the snowstorm 1 Graeme Connell in the early morning hours. The blood starts to run as he stirs—a severe case of pins and needles. -
Mass Lyric SAMPLER
SAMPLER Dawn Songs Also by Peter Riley (* Shearsman titles) Poetry Love-Strife Machine The Canterbury Experimental Weekend The Linear Journal The Musicians, The Instruments Preparations Lines on the Liver Tracks and Mineshafts Ospita Noon Province Sea Watches Reader Lecture Sea Watch Elegies Royal Signals Distant Points Alstonefield * Between Harbours Noon Province et autres poèmes Snow Has Settled … Bury Me Here * Author Passing Measures: A Collection of Poems The Sea’s Continual Code Aria with Small Lights Alstonefield (extended edition) Excavations A Map of Faring SAMPLER The Llŷn Writings * The Day’s Final Balance: Uncollected Writings 1965–2006 * Best at Night Alone Western States Twelve Moons Greek Passages * The Derbyshire Poems * The Glacial Stairway Due North * Pennine Tales Prose Two Essays Company Week The Dance at Mociu * Peter Riley Dawn Songs preceded by Mass Lyric SAMPLER and followed by On First Hearing Derek Bailey Shearsman Books First published in the United Kingdom in 2017 by Shearsman Books 50 Westons Hill Drive Emersons Green BRISTOL BS16 7DF www.shearsman.com ISBN 978-1-84861-545-8 Copyright © Peter Riley, 2017 The right of Peter Riley to be identified as the author of this work has been asserted by him in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements Dawn Songs was first published in a shortened version on the author’s website. Mass Lyric was first published in Additional Apparitions edited by David Kennedy and Keith Tuma, The Cherry on the Top Press, 2002, since which it has been revised and extended. On First Hearing Derek Bailey was first published in Great Works no. -
Easy Guitar Songbook
EASY GUITAR SONGBOOK Produced by Alfred Music Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9399-1 ISBN-13: 978-0-7390-9399-3 Photos: Danny Clinch CONTENTS Title Release Page 4th of July, Asbury Park (Sandy) . The Wild, the Innocent & the E Street Shuffle . .8 Atlantic City . Nebraska . .12 Badlands . Darkness on the Edge of Town . .3 Better Days . Lucky Town . .16 Blinded by the Light . Greetings from Asbury Park, N .J . .19 Born in the U .S .A . Born in the U .S .A . .24 Born to Run . Born to Run . .26 Brilliant Disguise . Tunnel of Love . .32 Dancing in the Dark . Born in the U .S .A . .35 Glory Days . Born in the U .S .A . .64 Human Touch . Human Touch . .38 Hungry Heart . The River . .44 Lucky Town . Lucky Town . .46 My City of Ruins . The Rising . .50 My Hometown . Born in the U .S .A . .53 Pink Cadillac . B-side of “Dancing in the Dark” single . .56 Prove It All Night . Darkness on the Edge of Town . .60 The Rising . The Rising . .75 The River . The River . .78 Secret Garden . Greatest Hits . .67 Streets of Philadelphia . Philadelphia soundtrack . .70 Tenth Avenue Freeze-Out . -
Benjamin Britten(1913–76)
Benjamin Britten (1913–76) Curlew River: A Parable for Church Performance (1964) A virtuous wife raped by the vicious son of a an artist who, for all his deep curiosity about Roman tyrant; a Japanese mother, maddened other cultures, was grounded in the tradition by grief perhaps, in search of her abducted set in train by the Enlightenment, that West was son. How much can The Rape of Lucretia and probably best. However, neither The Rape of Curlew River have in common? For a start Lucretia nor Curlew River attempts to synthesise there’s a span of 18 years between the first the European past and present or East and performances of each work, during which time West; both are simultaneously and separately Benjamin Britten’s interests moved in different present in each work and are somehow brought directions. Then The Rape of Lucretia is described together within the performance itself. Indeed as an opera, while Curlew River was subtitled ‘performance’ may be said to act as a bridge ‘A Parable for Church Performance’. It’s true that between these two worlds. So the principal both works tell their tales within a specifically action of the church parable has the Madwoman Christian framework, with the man and woman and the Traveller being ferried across the Curlew of the chorus in Lucretia struggling to relate River, while in the chamber opera Tarquinius her rape and eventual suicide to Christian must ride from his army camp outside Rome ideas about suffering and redemption, and into the heart of the city to ravish Lucretia. -
Four Roads to Emancipation: Lincoln, the Law, and the Proclamation Dr
Copyright © 2013 by the National Trust for Historic Preservation i Table of Contents Letter from Erin Carlson Mast, Executive Director, President Lincoln’s Cottage Letter from Martin R. Castro, Chairman of The United States Commission on Civil Rights About President Lincoln’s Cottage, The National Trust for Historic Preservation, and The United States Commission on Civil Rights Author Biographies Acknowledgements 1. A Good Sleep or a Bad Nightmare: Tossing and Turning Over the Memory of Emancipation Dr. David Blight……….…………………………………………………………….….1 2. Abraham Lincoln: Reluctant Emancipator? Dr. Michael Burlingame……………………………………………………………….…9 3. The Lessons of Emancipation in the Fight Against Modern Slavery Ambassador Luis CdeBaca………………………………….…………………………...15 4. Views of Emancipation through the Eyes of the Enslaved Dr. Spencer Crew…………………………………………….………………………..19 5. Lincoln’s “Paramount Object” Dr. Joseph R. Fornieri……………………….…………………..……………………..25 6. Four Roads to Emancipation: Lincoln, the Law, and the Proclamation Dr. Allen Carl Guelzo……………..……………………………….…………………..31 7. Emancipation and its Complex Legacy as the Work of Many Hands Dr. Chandra Manning…………………………………………………..……………...41 8. The Emancipation Proclamation at 150 Dr. Edna Greene Medford………………………………….……….…….……………48 9. Lincoln, Emancipation, and the New Birth of Freedom: On Remaining a Constitutional People Dr. Lucas E. Morel…………………………….…………………….……….………..53 10. Emancipation Moments Dr. Matthew Pinsker………………….……………………………….………….……59 11. “Knock[ing] the Bottom Out of Slavery” and Desegregation: -
Queering William Finn's a New Brain
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2019 Trouble in His Brain: Queering William FNicihnolnas 'Ksri satof eNr Reichward sBonrain Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF FINE ARTS “TROUBLE IN HIS BRAIN”: QUEERING WILLIAM FINN’S A NEW BRAIN By NICHOLAS KRISTOFER RICHARDSON A Thesis submitted to the School of Theatre in partial fulfillment of the requirements for the degree of Master of Arts 2019 © 2019 Nicholas Kristofer Richardson Nicholas Kristofer Richardson defended this thesis on April 16, 2019. The members of the supervisory committee were: Aaron C. Thomas Professor Directing Thesis Mary Karen Dahl Committee Member Chari Arespacochaga Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I have so much for which to be thankful and I am indebted to a great number of people. I will try my best to limit this section to those who helped me specifically with this thesis and these past two years of graduate school. First, I offer heartfelt thanks to my most admirable chair, Dr. Aaron C. Thomas. Thank you for guiding me through this thesis regardless of my many insecurities. Thank you for demanding rigor from me and my work. Thank you for your patience. Thank you for your faith in me. It’s been a pleasure to learn from you and work with you. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 104 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 104 CONGRESS, SECOND SESSION Vol. 142 WASHINGTON, MONDAY, JANUARY 22, 1996 No. 7 House of Representatives The House met at 2 p.m. and was come forward and lead the House in the JOINT SESSION OF CONGRESSÐ called to order by the Speaker pro tem- Pledge of Allegiance. STATE OF THE UNION ADDRESS pore [Mr. EVERETT]. Mr. SMITH of Texas led the Pledge of The SPEAKER pro tempore laid be- f Allegiance as follows: fore the House a Senate concurrent res- DESIGNATION OF THE SPEAKER I pledge allegiance to the Flag of the olution (S. Con. Res. 39), which was United States of America, and to the Repub- read by the Clerk, as follows: PRO TEMPORE lic for which it stands, one nation under God, S. CON. RES. 39 The SPEAKER pro tempore laid be- indivisible, with liberty and justice for all. fore the House the following commu- Resolved by the Senate (the House of Rep- f resentatives concurring), That the two Houses nication from the Speaker: MESSAGE FROM THE PRESIDENT of Congress assemble in the Hall of the WASHINGTON, DC, House of Representatives on Tuesday, Janu- January 22, 1996. A message in writing from the Presi- ary 23, 1996, at 9 p.m., for the purpose of re- I hereby designate the Honorable Terry Ev- dent of the United States was commu- ceiving such communication as the Presi- erett to act as Speaker pro tempore on this nicated to the House by Mr.