Charles Lyell and the Geological Society
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Read Ebook {PDF EPUB} on Art and Life by John Ruskin History of the Victorian Art Critic and Writer John Ruskin
Read Ebook {PDF EPUB} On Art and Life by John Ruskin History of the Victorian Art Critic and Writer John Ruskin. Ruskin200.com is no longer available here. Please visit ruskinprize.co.uk/manchester instead. Who Was John Ruskin? John Ruskin was undoubtedly a fascinating character, one of the most famous art critics of the Victorian era. His many talents included philosophy, philanthropy, and writing. His books spanned many genres, including geology, myths, and literature. Ruskin's Personal Life. Ruskin had a complex personality and today would be described as bipolar, as he often suffered bouts of depression. For long periods, the state of his mental health rendered him powerless to do anything. His first relationship was a failure. He was said to be disgusted by his wife's body, leading to a divorce on the grounds of consummation not having happened. A second love affair was marred by tragedy as the object of his affections died of anorexia at the age of 27. Ruskin's Books. A prolific writer, Ruskin, published several important works on a great many subjects. His first volume of Modern Painters was a very influential piece, written when he was only 24. His alternative views on popular artists brought him to the attention of the art establishment. The Stones of Venice was published in 1851 and discussed Ruskin's love of Venice and its architecture. His beliefs that the classical style represented a need to control civilisation are still studied today. There is much to learn about John Ruskin, and there is a museum dedicated to him, located in the Lake District. -
Press Release
Press Release Issued: Wednesday 12th August 2020 Darwin mentor and geology pioneer Charles Lyell’s archives reunited Fascinating writings of an influential scientist who shaped Charles Darwin’s thinking have become part of the University of Edinburgh’s collections. A rich assortment of letters, books, manuscripts, maps and sketches by Scottish geologist Sir Charles Lyell, have been reassembled at the University Library’s Centre for Research Collections, with the goal of making the collection more accessible to the public. Some 294 notebooks, purchased from the Lyell family following a £1 million fundraising campaign in 2019, form a key part of the collection. Although written in the Victorian era, the works shed light on current concerns, including climate change and threats to biodiversity. Now a second tranche of Lyell material has been allocated to the University by HM Government under the Acceptance in Lieu of Inheritance Tax scheme. These new acquisitions, from the estate of the 3rd Baron Lyell, will join other items that have been part of the University’s collections since 1927. The new archive includes more than 900 letters, with correspondence between Lyell and Darwin, the botanist Joseph Dalton Hooker, the publisher John Murray and Lyell’s wife, Mary Horner Lyell, and many others. It also includes a draft manuscript and heavily annotated editions of Lyell’s landmark book The Principles of Geology and several manuscripts from his lectures. Lyell, who died in 1875, aged 77, mentored Sir Charles Darwin after the latter’s return from his five-year voyage on the Beagle in 1836. The Scot is also credited with providing the framework that helped Darwin develop his evolutionary theories. -
Bertrand Russell on Aesthetics 51
Bertrand Russell on Aesthetics CARL SPADONI Introduction "What is your attitude toward art today?" "I have no view about art today." 1 That is Bertrand Russell's reply when he was asked in 1929 to comment on modern art. Itis a confession ofignorance and not false modesty. In contrast to his profound contributions to other areas of philosophy, he made no major attempt to answer the fundamental questions of aesthetics questions such as: What is a work ofart? Whatis the nature ofbeauty? What constitutes an aesthetic experience? What are the nature, function and justification ofartistic criticism? When we examine Russell's correspondence of the 1950S and 1960s on this subject, we encounter statements such as the following: I doubt whether I shall have an opinion of any value as regards your essay on beauty, for beauty is a subject about which I have never had any views whatever. 2 I am not sufficiently competent to make judgments on painting.... I feel I cannot sponsor or publicly promote paintings because I do not have a professional knowledge ofthe field. 3 I have no views whatsoever in connection with the graphic arts.... The philosophy ofart is a subject which I have not studied, so that any views expressed by me would be oflittle value. 4 49 50 Carl Spadoni Bertrand Russell on Aesthetics 51 You ask why I have not written on the subject of painting. The chief "good" is to be interpreted subjectively as an attempt to universalize our reason is that I suffer from an inadequate appreciation of pictures. I get desires. -
Urban Pastorals
Urban Pastorals By Clive Wilmer Worple Press When I heard Clive Wilmer read his Urban Pastorals last Monday evening in the Cambridge University Library I was moved. There was a quiet solemnity about the delivery but it was tinged with wistfulness and a gentle wry humour that had echoes of Alan Bennett talking of his Yorkshire childhood. Peter Carpenter’s Worple Press has published these short pieces of nostalgic insight into a childhood spent in the South London of Tooting Bec and I recommend everyone to get a copy. The Press is based at Achill Sound, 2b Dry Hill Road, Tonbridge, Kent TN9 1LX and is well-known for excellent productions (including volumes by Iain Sinclair). When D.W. Harding wrote his seminal essay on nostalgia for the first issue of F.R. Leavis’s Quarterly Review, Scrutiny, in 1932 he referred to ‘simple homesickness’ being ‘an aspect of social life’ where the home that one yearns for ‘comprises the whole familiar framework—objects and institutions as well as people—within which one lives and in dealing with which one possesses established habits and sentiments.’ It is an established truth that no man is the author of himself and in moments of clarity, and humility, we can recognise how much we are the result of everything that has happened to us. This awareness is, of course, a far cry from some regressive tendencies that can be bound up within the world of nostalgia: ‘regressive because the ideal period seems to have been free from difficulties that have to be met in the present, and nostalgic because the difficulties of the present are seldom unrelated to the difficulty of living with an uncongenial group.’ (Harding) Clive Wilmer’s beautifully poised writing never runs the danger of forfeiting its tone of recognition: the past’s importance is registered precisely because it is the past. -
Archibald Geikie (1835–1924): a Pioneer Scottish Geologist, Teacher, and Writer
ROCK STARS Archibald Geikie (1835–1924): A Pioneer Scottish Geologist, Teacher, and Writer Rasoul Sorkhabi, University of Utah, Salt Lake City, Utah 84108, USA; [email protected] years later, but there he learned how to write reports. Meanwhile, he read every geology book he could find, including John Playfair’s Illustrations of the Huttonian Theory, Henry de la Beche’s Geological Manual, Charles Lyell’s Principles of Geology, and Hugh Miller’s The Old Red Sandstone. BECOMING A GEOLOGIST In the summer of 1851, while the Great Exhibition in London was attracting so many people, Geikie decided instead to visit the Island of Arran in the Clyde estuary and study its geology, aided by a brief report by Andrew Ramsay of the British Geological Survey. Geikie came back with a report titled “Three weeks in Arran by a young geologist,” published that year in the Edinburgh News. This report impressed Hugh Miller so much that the renowned geologist invited its young author to discuss geology over a cup of tea. Miller became Geikie’s first mentor. In this period, Geikie became acquainted with local scientists and pri- vately studied chemistry, mineralogy, and geology under Scottish naturalists, such as George Wilson, Robert Chambers, John Fleming, James Forbes, and Andrew Ramsay—to whom he con- fessed his desire to join the Geological Survey. In 1853, Geikie visited the islands of Skye and Pabba off the coast Figure 1. Archibald Geikie as a young geolo- of Scotland and reported his observations of rich geology, including gist in Edinburgh. (Photo courtesy of the British Geological Survey, probably taken in finds of Liassic fossils. -
The Labour Party and the Idea of Citizenship, C. 193 1-1951
The Labour Party and the Idea of Citizenship, c. 193 1-1951 ABIGAIL LOUISA BEACH University College London Thesis presented for the degree of PhD University of London June 1996 I. ABSTRACT This thesis examines the development and articulation of ideas of citizenship by the Labour Party and its sympathizers in academia and the professions. Setting this analysis within the context of key policy debates the study explores how ideas of citizenship shaped critiques of the relationships between central government and local government, voluntary groups and the individual. Present historiographical orthodoxy has skewed our understanding of Labour's attitude to society and the state, overemphasising the collectivist nature and centralising intentions of the Labour party, while underplaying other important ideological trends within the party. In particular, historical analyses which stress the party's commitment from the 1930s to achieving the transition to socialism through a strategy of planning, (of industrial development, production, investment, and so on), have generally concluded that the party based its programme on a centralised, expert-driven state, with control removed from the grasp of the ordinary people. The re-evaluation developed here questions this analysis and, fundamentally, seeks to loosen the almost overwhelming concentration on the mechanisms chosen by the Labour for the implementation of policy. It focuses instead on the discussion of ideas that lay behind these policies and points to the variety of opinions on the meaning and implications of social and economic planning that surfaced in the mid-twentieth century Labour party. In particular, it reveals considerable interest in the development of an active and participatory citizenship among socialist thinkers and politicians, themes which have hitherto largely been seen as missing elements in the ideas of the interwar and immediate postwar Labour party. -
Article BRTLT
A SPECTRAL TURN AROUND VENICE By Luke Jones I spent several days, during a recent trip to Venice, in conversation with a ghost. The writer and critic John Ruskin became my spectral guide, and his commentary on the buildings that we visited transformed my experience of those spaces. What follows is an account of my time with him. This ‘conversation’, if it were a conceit on my part, had the aim of finding a productive way of addressing his difficult, extraordinary, vast Stones of Venice in light of the deeply, but incompletely, felt affection which many have for it. The book is a history of Venice as a sort of epic tragedy narrated by its buildings, and it is simultaneously a polemic against the previous three hundred years of European architecture, directed particularly against London, and proposing a revolution in architectural style. It is commonly viewed as a heroic, rousing failure. Kenneth Clark said of it that ‘even now […], when the cause it advocates is dead, we cannot read it without a thrill, without a sudden resolution to reform the world’ (Clark 1964, 181), and Colin Amery reveals a typical ambivalence when he writes that ‘the trouble is that Ruskin was wrong […] [yet] we need a voice like his again’ (Amery 2001, viii-ix). The effect of invoking Ruskin in the manner of a haunting is not simply to convey a measure of sympathy for him, as a figure, or his work. Rather, I am trying to approach, however obliquely, the subtle and intriguing way in which Ruskin’s rhetoric, which is concerned with portraying contemporary Venice as a ruin, also starts to reveal within itself the ruin of Ruskin’s ideals. -
The Roots of Ruskin, Florida
Tampa Bay History Volume 4 Issue 1 Article 3 6-1-1982 Socialism in the Sunshine: The Roots of Ruskin, Florida Lori Robinson Bill De Young Follow this and additional works at: https://scholarcommons.usf.edu/tampabayhistory Recommended Citation Robinson, Lori and De Young, Bill (1982) "Socialism in the Sunshine: The Roots of Ruskin, Florida," Tampa Bay History: Vol. 4 : Iss. 1 , Article 3. Available at: https://scholarcommons.usf.edu/tampabayhistory/vol4/iss1/3 This Article is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Tampa Bay History by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Robinson and De Young: Socialism in the Sunshine: The Roots of Ruskin, Florida John Ruskin, 1876. Photograph from The Works of John Ruskin. SOCIALISM IN THE SUNSHINE: THE ROOTS OF RUSKIN, FLORIDA by Lori Robinson and Bill De Young Today, Ruskin is a quiet Florida town, known primarily for the sweet, red tomatoes and other farm produce grown in its clay soil. Only a few street names and the name of the town itself remain as vestiges of a dream that brought a small band of settlers to the Florida pinewoods on the sparsely settled eastern shore of Tampa Bay. They were utopians from the North, intellectuals and farmers in search of a new life and a new community. As they cut down the pines from the surrounding turpentine groves and set about building their community, they named its shady but rocky streets after some of the men whose principles they held dear – Carlyle, Bellamy, and Morris. -
Report Case Study 25
EXECUTIVE SUMMARY 1. Brief Description of item(s) 294 manuscript notebooks of the geologist Sir Charles Lyell (1797-1875). In two series: 263 numbered notebooks, 1825-1874, on geology, natural history, social and political subjects; 31 additional notebooks, 1818-1871, with indices. Mostly octavo format. For details see Appendix 1. In good condition. 2. Context The nineteenth century saw public debate about how to conduct science reach new heights. Charles Lyell was a pivotal figure in the establishment of geology as a scientific discipline; he also transformed ideas about the relationship between human history and the history of the earth. Above all, he revealed the significance of ‘deep time’. At a time when the Anglican church dominated intellectual culture, geology was a controversial subject. Lyell played a significant part in separating the practice of science from that of religion. Through his major work, The Principles of Geology, he developed the method later adopted by Darwin for his studies into evolution. Lyell observed natural phenomena at first hand to infer their underlying causes, which he used to interpret the phenomena of the past. The method stressed not only a vast geological timescale, but also the ability of small changes to produce, eventually, large ones. The Principles combined natural history, theology, political economy, anthropology, travel, and geography. It was an immediate success, in Britain, Europe, North America and Australia. Scientists, theologians, leading authors, explorers, artists, and an increasingly educated public read and discussed it. Lyell’s inductive method strongly influenced the generation of naturalists after Darwin. Over the rest of his life, Lyell revised the Principles in the light of new research and his own changing ideas. -
Vernacular Revival and Ideology – What’S Left? by Peter Guillery
Vernacular Revival and Ideology – What’s Left? by Peter Guillery This essay derives from a lecture first given at a Vernacular Architecture Group conference on vernacular revivals in 2015, reprised to generally younger audiences at the Bartlett School of Architecture and the University of Westminster. Its retrospection about vernacular architecture, anonymity, revival and left-wing ideologies was prompted primarily by a bemused awareness of recent advances in self-building. It seemed timely to try to get at how and why certain ideas retain traction. Then, coincidentally, young and old were recombining behind Jeremy Corbyn to reinvigorate Labour, and the self-styled design ‘collective’ Assemble won the Turner Prize. John Ruskin, William Morris, the Arts and Crafts Movement and Romanticism will arise (how could they not?), but only in passing, for a revisionist view of what has come since. It is taken as read that a strong commitment to architectural design as being rooted in labour and everyday or subaltern agency tallied with the emergence of socialism and was an important part of architectural thinking and history in late-19th-century England. This is an attempt to relate that history to the present in a new overview for a new framework. It adopts an unconventional or purist definition of what vernacular means that will clash with many preconceptions. Peter Guillery is an architectural historian and editor for the Survey of London, in the Bartlett School of Architecture, University College London. He is the author of The Small House in Eighteenth-Century London (2004), and the editor of Built from Below: British Architecture and the Vernacular (2011), and (with David Kroll) Mobilising Housing Histories: Learning from London’s Past (2016). -
Thomas Henry Huxley
A Most Eminent Victorian: Thomas Henry Huxley journals.openedition.org/cve/526 Résumé Huxley coined the word agnostic to describe his own philosophical framework in part to distinguish himself from materialists, atheists, and positivists. In this paper I will elaborate on exactly what Huxley meant by agnosticism by discussing his views on the distinctions he drew between philosophy and science, science and theology, and between theology and religion. His claim that theology belonged to the realm of the intellect while religion belonged to the realm of feeling served as an important strategy in his defense of evolution. Approaching Darwin’s theory in the spirit of Goethe’s Thatige Skepsis or active skepticism, he showed that most of the “scientific” objections to evolution were at their root religiously based. Huxley maintained that the question of “man’s place in nature” should be approached independently of the question of origins, yet at the same time argued passionately and eloquently that even if humans shared a common a origin with the apes, this did not make humans any less special. Because evolution was so intertwined with the questions of belief, of morals and of ethics, and Huxley was the foremost defender of Darwin’s ideas in the English- speaking world, he was at the center of the discussions as Victorians struggled with trying to reconcile the growing gulf between science and faith. Haut de page Entrées d’index Mots-clés : croyance, époque victorienne, Bible, agnosticisme, Metaphysical Society, conversion, catholicisme, Dracula, Martineau (Harriet), Huxley (Thomas Henry) Keywords: belief, Victorian times, Bible, agnosticism, Metaphysical Society, conversion, Catholicism, Dracula, Martineau (Harriet), Huxley (Thomas Henry) Haut de page 1/19 Texte intégral PDF Signaler ce document The line between biology, morals, and magic is still not generally known and admitted. -
James Hutton's Reputation Among Geologists in the Late Eighteenth and Nineteenth Centuries
The Geological Society of America Memoir 216 Revising the Revisions: James Hutton’s Reputation among Geologists in the Late Eighteenth and Nineteenth Centuries A. M. Celâl Şengör* İTÜ Avrasya Yerbilimleri Enstitüsü ve Maden Fakültesi, Jeoloji Bölümü, Ayazağa 34469 İstanbul, Turkey ABSTRACT A recent fad in the historiography of geology is to consider the Scottish polymath James Hutton’s Theory of the Earth the last of the “theories of the earth” genre of publications that had begun developing in the seventeenth century and to regard it as something behind the times already in the late eighteenth century and which was subsequently remembered only because some later geologists, particularly Hutton’s countryman Sir Archibald Geikie, found it convenient to represent it as a precursor of the prevailing opinions of the day. By contrast, the available documentation, pub- lished and unpublished, shows that Hutton’s theory was considered as something completely new by his contemporaries, very different from anything that preceded it, whether they agreed with him or not, and that it was widely discussed both in his own country and abroad—from St. Petersburg through Europe to New York. By the end of the third decade in the nineteenth century, many very respectable geologists began seeing in him “the father of modern geology” even before Sir Archibald was born (in 1835). Before long, even popular books on geology and general encyclopedias began spreading the same conviction. A review of the geological literature of the late eighteenth and the nineteenth centuries shows that Hutton was not only remembered, but his ideas were in fact considered part of the current science and discussed accord- ingly.