The Ukrainian Weekly 1993
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ukrainian Weekly 1988, No.13
www.ukrweekly.com ІізЬесІ by the Ukrainian National Association Inc., a fraternal поП"profіГа550СІа1іоп| ШrainianWeekl Y Vol. LVI No. 13 THE UKRAINIAN WEEKLY SUNDAY, MARCH 27, 1988 25 cents Australian Parliament passes motion Legislators mark Millennium supporting Ukrainian Helsinki Group Pysanka hits Washington by Malta Kolomayets Ukraine and discouraging the official MELBOURNE, Australia - In whom she has been associated in WASHINGTON - Citing the participation of the United States in any October 1986, the Australian Fede monitoring the Helsinki Accords. recently passed Senate Resolution 235 official Millennium ceremonies in the ration of Ukrainian Organizations sent The motion, which was passed una denouncing the Soviet government's Soviet Union, Sen. Dennis DeConcini a draft motion expressing support for nimously, deplored the deaths of Ukrai suppression of religious freedom in (Continued on page 16) the Ukrainian Helsinki Group (UHG) nian Helsinki monitors at the infamous on the 10th anniversary of its founding, Perm Camp 36-1 and called on the to several Australian politicians in each Soviet government to release the still major party. That initiative has only imprisoned or exiled monitors and now come to fruition. Happily, it "allow them to return to their home coincided with the visit to Australia of lands, or if they wish, emigrate to the Oksana Meshko, a founding member of countries of their choice." the UHG. In 1983 an Australian Senate motion On Thursday, March 17, Oksana in defense of the group was proposed Meshko, 83, watched from the by Sen. Brian Harradine (Tas.) and also Visitors' Gallery as Member of passed unanimously. Parliament Philip Ruddock (Liberal, In his introductory speech, Mr. -
Resilient Ukraine Resilient
Resilient Ukraine: Safeguarding Society from Russian Aggression Russian from Society Ukraine: Safeguarding Resilient Research Paper Mathieu Boulègue and Orysia Lutsevych Ukraine Forum | June 2020 Resilient Ukraine Safeguarding Society from Russian Aggression Mathieu Boulègue and OrysiaLutsevych Chatham House Contents Summary 2 1 Introduction 3 2 The Impact of the Armed Conflict 13 3 Creating Resilience Dividends: Case Studies 27 4 Recommendations 33 5 Conclusion 37 About the Authors 38 Acknowledgments 39 1 | Chatham House Resilient Ukraine: Safeguarding Society from Russian Aggression Summary • Despite military conflict and an increasingly adversarial relationship with Russia, Ukraine has largely maintained its democratic reforms thanks to its resilience and determination to decide its own future. The country is gradually developing the capacity of its state institutions and civil society to address the political and social consequences of Russian aggression. • Russia’s three main levers of influence in Ukraine include the ongoing armed conflict, corruption, and the poor quality of the political sphere. The Kremlin seeks to exploit these vulnerabilities to promote polarization and encourage a clash between Ukraine’s citizens and its governing elite by taking military action, manipulating the corruption narrative, supporting pro-Russia parties, and fuelling religious tensions through the Russian Orthodox Church (ROC). • The ramifications of the military operation in Donbas reverberate strongly across the country and domestic politics. The most prominent spillover effects include the circulation of firearms and the weakened capacity of authorities to reintegrate internally displaced people (IDPs) and war veterans. • With no clear way to end the armed conflict, there is a growing risk of societal polarization. This could have negative consequences for any prospective peace agreement. -
Men's Singles Semi-Finals
2019 US OPEN New York, NY, USA | 26 August-8 September 2019 S-128, D-64 | $57,238,700 | Hard www.usopen.org DAY 12 MEDIA NOTES | Friday, 6 September 2019 MEN’S SINGLES SEMI-FINALS ARTHUR ASHE STADIUM [5] Daniil Medvedev (RUS) vs. Grigor Dimitrov (BUL) Series Tied 1-1 [24] Matteo Berrettini (ITA) vs [2] Rafael Nadal (ESP) First Meeting DAY 12 FAST FACTS No. 2 and three-time US Open champion Rafael Nadal is joined by three first-time semi-finalists in Flushing Meadows: No. 5 Daniil Medvedev, No. 24 seed Matteo Berrettini and unseeded Grigor Dimitrov. Nadal is in his seventh consecutive Grand Slam semi-final, eighth overall at the US Open and 33rd in his career, while Dimitrov is playing in his third Grand Slam semi-final. Medvedev and Berrettini are making their Grand Slam semi-final debuts. Medvedev and Berrettini are both 23 years old. This is the first Grand Slam tournament semi-final with two players 23 (or younger) since last year’s Australian Open with Hyeon Chung (21) and Kyle Edmund (23). The last US Open SFs with two players 23 (or younger) was Juan Martin del Potro (20) and Novak Djokovic (22) in 2009. This is also the first Grand Slam semi-final with three players born in the 1990s: Medvedev (1996), Berrettini (1996) and Dimitrov (1991). One of the three is looking to become the first Grand Slam champion born in the 1990s. There have been two finalists: Dominic Thiem at Roland Garros in 2018-19 and Milos Raonic at Wimbledon in 2016. -
THE ROGER FEDERER STORY Quest for Perfection
THE ROGER FEDERER STORY Quest For Perfection RENÉ STAUFFER THE ROGER FEDERER STORY Quest For Perfection RENÉ STAUFFER New Chapter Press Cover and interior design: Emily Brackett, Visible Logic Originally published in Germany under the title “Das Tennis-Genie” by Pendo Verlag. © Pendo Verlag GmbH & Co. KG, Munich and Zurich, 2006 Published across the world in English by New Chapter Press, www.newchapterpressonline.com ISBN 094-2257-391 978-094-2257-397 Printed in the United States of America Contents From The Author . v Prologue: Encounter with a 15-year-old...................ix Introduction: No One Expected Him....................xiv PART I From Kempton Park to Basel . .3 A Boy Discovers Tennis . .8 Homesickness in Ecublens ............................14 The Best of All Juniors . .21 A Newcomer Climbs to the Top ........................30 New Coach, New Ways . 35 Olympic Experiences . 40 No Pain, No Gain . 44 Uproar at the Davis Cup . .49 The Man Who Beat Sampras . 53 The Taxi Driver of Biel . 57 Visit to the Top Ten . .60 Drama in South Africa...............................65 Red Dawn in China .................................70 The Grand Slam Block ...............................74 A Magic Sunday ....................................79 A Cow for the Victor . 86 Reaching for the Stars . .91 Duels in Texas . .95 An Abrupt End ....................................100 The Glittering Crowning . 104 No. 1 . .109 Samson’s Return . 116 New York, New York . .122 Setting Records Around the World.....................125 The Other Australian ...............................130 A True Champion..................................137 Fresh Tracks on Clay . .142 Three Men at the Champions Dinner . 146 An Evening in Flushing Meadows . .150 The Savior of Shanghai..............................155 Chasing Ghosts . .160 A Rivalry Is Born . -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
Contrasts International Contemporary Music Festival Lviv / 01-11.10.2015
musical art of the XXI century CONTRASTS INTERNATIONAL CONTEMPORARY MUSIC FESTIVAL LVIV / 01-11.10.2015 01.10.2015 / Thursday 19:00 / S. Lyudkevych Concert Hall / MUSICAL PREMIERES OF 21ST CENTURY Academia Lviv Chamber Orchestra/UA Arthur Mykytka/UA, artistic manager & concert master / Myroslav Skoryk/UA, artistic director Gryphon Trio/CA: Annalee Patipatanakoon, violin Roman Borys, cello James Parker, piano Zhanna Masliak/UA, flute Zoia Khodan/UA, flute Ricardo Calderoni/BR, conductor Ihor Pylatiuk/UA, conductor Heitor Villa-Lobos/BR/1887-1959/ Aria from Bachianas Brasileiras No. 5 (1938/45)▲ Transcription for string orchestra by Myroslav Skoryk (1984) Edmundo Villani-Côrtes/BR/*1930/ Catedral da Sé for string orchestra (1955)▲ Ricardo Calderoni/BR Double Concerto for two flutes and orchestra (1980)▲ Claudio Santoro/BR/1919-1989/ Ponteio for string orchestra (1953)▲ Vladimir Genin/RU-DE/*1958/ Threnody for the Victims in Ukraine for strings (2014)** Vitaly Vyshynsky/UA/*1983/ Dodes’ka-den for string orchestra and percussion (2011)▲ Bohdana Frolyak/UA/*1968/ Music of Dreams for violin, cello, piano and string orchestra (2015)* * - world premiere ** - Ukrainian premiere ▲ - for the first time on Contrasts Performance of Gryphon Trio was made possible with support from the Ukrainian Canadian Foundation of Taras Shevchenko 02.10.2015 / Friday 11:00 / Art-café Kvartyra 35 Coffee with a composer: Alexander Shchetynsky/UA conversation on the theme: What is opera? moderator – Vitaly Vyshynskyi/UA 16:00 / Foyer of Lviv Philharmonic / Opening -
Elena Zinkevych the Ukrainian Symphony - Phantom Or Reality?
Elena Zinkevych The Ukrainian Symphony - Phantom or Reality? During the 20th century the phenomenon of an autonomous Ukrai- nian symphony was not recognized widely. Paradoxically it was also not taken into consideration by the researchers of the symphonic process in the USSR. Thus in Mark Aranovskyi's book "The Sym- phonic Searches"1 not one name of a Ukrainian symphonist is mentioned and the reader is led to the conclusion that it lacks sym- phonists in the Ukraine. Completely neglected were the Ukrainian symphony's historic, social and immanently musical contexts. Possible explanations for such a situation could be: 1. The late birth of the genre: The first valuable Ukrainian sympho- nies were written by Levko Revutsky (1916-1918) and Boris Lyatoshinsky (1918-1920). 2. Its existence within a system called "the Soviet music". Firstly the system was closed and eliminated any interchange with the outer musical world, secondly it was fettered by the dogmas of socialist realism. Both of these interconnected factors (the artificial hermetization and the implantation of "the regime creativity") slowed down the forma- tion of an Ukrainian symphony. In principle all national schools of the former USSR were subdued to the influence of the mentioned factors, but in each different case the general directions were cor- rected by the local conditions. Especially in the Ukraine all the de- crees issued from the Centre were particularly exaggerated. The fo1- lowing proverb expresses this tendency: When in Moscow one cuts off nails, in Kiev one chops off fingers. All actions inspired by the Centre were accomplished by the Ukrainian communist party management with a particular zeal to demonstrate its loyalty. -
The Ukrainian Weekly 1995
INSIDE: • Saskatchewan premier leads trade delegation to Ukraine — page 2. • RFE/RL and VOA honored by The Washington Group'— page 4. • Photos from Ukraine part of international women's rights exhibit — page 10. THE UKRAINIAN WEEKLY Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXIII No. 43 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 22, 1995 $1.25/$2 in Ukraine Bomb in Donetske Ukrainian Canadians ponder challenges of the future by Andrij Wynnyckyj that the slogan was a "portent of doom." kills 6 in stadium He told The Weekly it was a call to "get WINNIPEG - For four days in up, get thinking and get doing." Marta Kolomayets October, an oversize Ukrainian flag hung In his opening address on October 6, Mr. Kyiv Press Bureau from the facade.of Winnipeg's Westin Romaniw signaled he was well aware of Hotel, a stone's throw from one of KYIV - Six people were killed and what had to be done to avoid the "organiza Canada's most famous intersections — tional holocaust" UCC Alberta Provincial two were badly injured when a bomb the windy Portage and Main. The occa Council President Dmytro Jacuta warned exploded in the stands of the Donetske sion was the 18th Triennial Convention was in the offing prior to the convention. soccer stadium on Sunday afternoon, of the Ukrainian Canadian Congress, "We need to give a signal to younger October 15, reported Interfax-Ukraine. whose delegates met on October 6-9 to Ukrainian Canadians, to newly arrived Among those killed was Oleksander determine whether the umbrella organi Ukrainian^, and those currently outside Brahin, the president of the Donetske soc zation's fate was, according to the slo the Ukrainian community that there is a cer club, Shakhtar (Coal Miner), who was a gan, "Evolution or Extinction." home for them within the UCC," Mr. -
Vinnytsia Region
2 VINNYTSIA REGION KEY FACTS Vinnytsia 2 km Kyiv 212 km VINNYTSIA Warsaw 616 km Beijing Istanbul 6 663 km 883 km Chisinau Frankfurt am Main Paris Amsterdam 332 km 1430 km 1 887 km 1 702 km Przemysl Berlin 638 km Vienn Prague 1 330 km 1 055 km 1 142 km Lviv 363 km Odesa Rotterdam 430 km 1 950 km Warsaw Hamburg 806 km Varna Gdansk 1 580 km 952 km 1 083 km 26.513 thousand km2 1.546 million 4.39% of the territory of Ukraine people 52.1 thousand students of higher educational institutions 6 rayons 63 territorial communities 11.4 thousand vocational students ineВ (high) investment efficiency rating in 2019 706.0 thousand working age people 3 Transport and Logistics Ranked #1 Criss-crossing trade in Ukraine by routes – well-developed the Transitivity Ratio transportation network Kyiv Zhytomyr E95 Lviv E40 Ternopil E50 Khmelnytsky Vinnytsia Dnipro E583 E50 Mariupol Uzhhorod Mykolaiv E40 Odesa Railway connection Existing motorways E40 Dunkirk – Brussels – Dresden – Krakow – Kyiv – Volgograd E95 St. Petersburg – Gomel – Kyiv – Samsun European road routes: The biggest freight E50 Brest – Prague – Kosice – Vinnytsia – Makhachkala railway stations: Vinnytsia, Zhmerynka, E583 Roman – Balti – Vinnytsia – Zhytomyr Koziatyn, Vapniarka 4 Road density – 339 km per 1,000 km2 – is one of the highest in Ukraine The railway network of the region includes an operating route length of 1,124 km, connecting all the main industrial centers of the region with cities in Ukraine, Asia, and Europe Vinnytsia International Airport is located just 2 km from the city with a passenger turnover of 400 people per hour and existing regular international flights Vinnytsia Region has a favorable transport location, In the mid-term, it is planned to construct Gdansk- which provides additional opportunities for Odessa highway connecting two countries strengthening international connections. -
Textbook on HUUC 2018.Pdf
MINISTRY OF HEALTH CARE OF UKRAINE Kharkiv National Medical University HISTORY OF UKRAINE AND UKRAINIAN CULTURE the textbook for international students by V. Alkov Kharkiv KhNMU 2018 UDC [94:008](477)=111(075.8) A56 Approved by the Academic Council of KhNMU Protocol № 5 of 17.05.2018 Reviewers: T. V. Arzumanova, PhD, associate professor of Kharkiv National University of Construction and Architecture P. V. Yeremieiev, PhD, associate professor of V. N. Karazin Kharkiv National University Alkov V. A56 History of Ukraine and Ukrainian Culture : the textbook for international students. – Kharkiv : KhNMU, 2018. – 146 p. The textbook is intended for the first-year English Medium students of higher educational institutions and a wide range of readers to get substantively acquainted with the complex and centuries-old history and culture of Ukraine. The main attention is drawn to the formation of students’ understanding of historical and cultural processes and regularities inherent for Ukraine in different historical periods. For a better understanding of that, the textbook contains maps and illustrations, as well as original creative questions and tasks aimed at thinking development. UDC [94:008](477)=111(075.8) © Kharkiv National Medical University, 2018 © Alkov V. A., 2018 Contents I Exordium. Ukrainian Lands in Ancient Times 1. General issues 5 2. Primitive society in the lands of modern Ukraine. Greek colonies 7 3. East Slavic Tribes 15 II Princely Era (9th century – 1340-s of 14th century) 1. Kievan Rus as an early feudal state 19 2. Disintegration of Kievan Rus and Galicia-Volhynia Principality 23 3. Development of culture during the Princely Era 26 III Ukrainian Lands under the Power of Poland and Lithuania 1. -
Visual Text and Musical Subtext: the Cossacks (George Hill, 1928): a 21St-Century Composer’S Journey in Silent Film Scoring
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel Electronic version URL: http://journals.openedition.org/miranda/38488 DOI: 10.4000/miranda.38488 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Robert Israel, “Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring”, Miranda [Online], 22 | 2021, Online since 23 March 2021, connection on 26 April 2021. URL: http://journals.openedition.org/miranda/38488 ; DOI: https:// doi.org/10.4000/miranda.38488 This text was automatically generated on 26 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Cen... 1 Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel 1 This piece aims to contextualize my contribution as ethnomusicologist, composer, orchestrator, arranger, conductor, choral director, producer, music contractor, and music editor for Turner Classic Movie’s presentation of MGM’s 1928 production of The Cossacks, directed by George Hill, with additional sequences directed by Clarence Brown. Working within a limited budget; doing research into the film’s historical era and the musical practices of the culture in which it takes place; finding source material, ethnic instruments, and musicians specializing in specific ethnic styles of music performance; and, other formidable challenges which I will outline here. -
Best of N Contests: Implications of Simpson's Paradox in Tennis Benjamin Wright
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 Best of N Contests: Implications of Simpson's Paradox in Tennis Benjamin Wright Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF EDUCATION BEST OF N CONTESTS: IMPLICATIONS OF SIMPSON’S PARADOX IN TENNIS By BENJAMIN WRIGHT A thesis submitted to the Department of Sport Management in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester, 2012 Benjamin Wright defended this thesis on June 28, 2012. The members of the supervisory committee were: Ryan Rodenberg Professor Directing Thesis Yu Kyoum Kim Committee Member Michael Mondello Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I would like to thank my parents, Bill and Donna Wright, for their support throughout my life. I also greatly appreciate their unquestioned support in my choice to further my education in obtaining a graduate degree. Both have assisted in making this thesis the best paper it can be throughout the editing process and I am indebted to them for this. Next, I would like to thank my major professor, Dr. Ryan Rodenberg, for his great contributions to not only this thesis but also my time in the Florida State University Sport Management Masters program. Working closely with Dr. Rodenberg on this thesis and other projects has been an excellent experience.