Billboard 1976-09-11
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CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Physical Fitness Challenge
National Aeronautics and Space Administration www.nasa.gov Educational Product Educators Grades 3–5 EG-2005-10-09-LARC The Case of the Physical Fitness Challenge An Educator Guide with Activities in Mathematics, Science, and Technology The Case of the Physical Fitness Challenge educator guide is available in electronic format. A PDF version of the educator guide for NASA SCI Files™ can be found at the NASA SCI Files™ web site: http://scifiles.larc.nasa.gov NASA SCI Files™ is produced by NASA’s Center for Distance Learning, a component of the Office of Communication and Education at the NASA Langley Research Center, Hampton, VA, and is a collaborative endeavor of NASA with the organizations below. NASA’s Center for Distance Learning is operated under cooperative agreement. Use of trade names does not imply endorsement by NASA. www.swe.org www.buschgardens.com www.nsbri.org Apple Learning Interchange http://knowitall.org http://ali.apple.com http://www.ibiblio.org www.sbo.hampton.k12.va.us The NASA SCI Files™ The Case of the Physical Fitness Challenge An Educator Guide with Activities in Mathematics, Science, and Technology Program Overview ...........................................................5 Segment 4 National Science Standards ..........................................6 Overview ...........................................................................79 National Mathematics Standards ...............................8 Objectives .........................................................................80 National Educational Technology -
2016 November Newsletter
VOLUME 4, NUMBER 11: MEMPHIS RADIO HISTORY YOUR HOLIDAY RADIO STORIES... November, 2016 ENTER THE TENNESSEE RADIO HALL OF FAME WEBSITE OFF MIC by TRHOF President Doug Combs Radio Hall of Fame — through their membership, by Now that all the votes have been cast, it volunteering and by making contributions of any kind. won’t be long before Working together, we can preserve Tennessee’s unique there will be an and rich radio history — possibly one of the richest state announcement on the broadcast histories in America. Thank you for being part of latest TRHOF career those efforts, and Happy Thanksgiving. inductees. As always, it will be exciting to learn Doug the names of the rest of the class of 2017 for the Tennessee Radio Hall of Fame. In many ways, the release of the names of the new inductees is when the real work begins. Just ask Chip Chapman. Over the next few months, Chip will be tracking down audio clips, photos, video clips and interviews from friends, co-workers and even competitors of members of the Class of 2017. Chip leaves no stone unturned when it comes to finding resources to create a compelling presentation profiling each of our new inductees. Your contributions are welcome. Once all the names are announced, ask yourself if you have any audio, photos, video or a great story (grand success or amusing failure). It Tommy Bolden Gator Harrison takes great contributions to create the memorable Donna Brake Dennis Haskins presentations that will be become welcome additions Ed Brantley Herbert Howard to the Hall’s collection. -
Barry White, Love Unlimited, the Love Unlimited
Barry White The Best Of Our Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Best Of Our Love Country: US Released: 1980 Style: Soul, Funk MP3 version RAR size: 1893 mb FLAC version RAR size: 1581 mb WMA version RAR size: 1266 mb Rating: 4.2 Votes: 177 Other Formats: FLAC MP2 AC3 DXD MMF ADX MP3 Tracklist Hide Credits I Love To Sing The Songs I Sing A1 –Barry White 2:47 Written-By – B. White*, F. Wilson*, P. Politi*, V. Wilson* Let Me Live My Life Lovin' You Babe A2 –Barry White 7:27 Written-By – B. White* It's Ecstasy When You Lay Down Next To Me A3 –Barry White 5:12 Written-By – E. Paris*, N. Pigford* I'm Gonna Love You Just A Little More, Baby A4 –Barry White 3:57 Written-By – B. White* Can't Get Enough Of Your Love, Babe A5 –Barry White 4:05 Written-By – B. White* You're The First, The Last, My Everything B1 –Barry White 3:26 Written-By – B. White*, P.S. Radcliffe*, T. Sepe* You See The Trouble With Me B2 –Barry White 3:29 Written-By – B. White*, R. Parker Jr.* Playing Your Game, Baby B3 –Barry White 5:40 Written-By – A. Johnson*, S. Hudman* September When I First Met You B4 –Barry White 4:43 Written-By – B. White*, E. Brown*, F. Wilson*, P. Politi* Just The Way You Are B5 –Barry White 6:16 Written-By – B. Joel* Oh, Love, Well We Finally Made It C1 –Love Unlimited 3:50 Written-By – B. -
Witty Songs ©Ted Schaar 2011
Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent. -
The Age of Bowie 1St Edition Pdf, Epub, Ebook
THE AGE OF BOWIE 1ST EDITION PDF, EPUB, EBOOK Paul Morley | 9781501151170 | | | | | The Age of Bowie 1st edition PDF Book His new manager, Ralph Horton, later instrumental in his transition to solo artist soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, " Do Anything You Say ". Now, Morley has published his personal account of the life, musical influence and cultural impact of his teenage hero, exploring Bowie's constant reinvention of himself and his music over a period of five extraordinarily innovative decades. I think Britain could benefit from a fascist leader. After completing Low and "Heroes" , Bowie spent much of on the Isolar II world tour , bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. Matthew McConaughey immediately knew wife Camila was 'something special'. Did I learn anything new? Reuse this content. Studying avant- garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's theatrical production Pierrot in Turquoise later made into the television film The Looking Glass Murders. Hachette UK. Time Warner. Retrieved 4 October About The Book. The line-up was completed by Tony and Hunt Sales , whom Bowie had known since the late s for their contribution, on bass and drums respectively, to Iggy Pop's album Lust for Life. The Sydney Morning Herald. Morely overwrites, taking a significant chunk of the book's opening to beat Bowie's death to death, the takes the next three-quarters of the book to get us through the mid-Sixties to the end of the Seventies, then a ridiculously few yet somehow still overwritten pages to blast through the Eighties, Nineties, and right up to Blackstar and around to his death again. -
159 Minutes Directed & Produced by Robert Altman Written by Joan
APRIL 17, 2007 (XIV:13) (1975) 159 minutes Directed & produced by Robert Altman Written by Joan Tewkesbury Original music by Arlene Barnett, Jonnie Barnett, Karen Black, Ronee Blakley, Gary Busey, Keith Carradine, Juan Grizzle, Allan F.Nicholls, Dave Peel, Joe Raposo Cinematography by Paul Lohmann Film Editiors Dennis M. Hill and Sidney Levin Sound recorded by Chris McLaughlin Sound editor William A. Sawyer Original lyrics Robert Altman, Henry Gibson, Ben Raleigh, Richard Reicheg, Lily Tomlin Political campaign designer....Thomas HalPhillips David Arkin...Norman Barbara Baxley...Lady Pearl Ned Beatty...Delbert Reese Karen Black...Connie White Ronee Blakley...Barbara Jean Timothy Brown ...Tommy Brown Patti Bryant...Smokey Mountain Laurel Keith Carradine...Tom Frank Richard Baskin...Frog Geraldine Chaplin...Opal Jonnie Barnett...Himself Robert DoQui...Wade Cooley Vassar Clements...Himself Shelley Duvall...L. A. Joan Sue Barton...Herself Allen Garfield...Barnett Elliott Gould...Himself Henry Gibson...Haven Hamilton Julie Christie...Herself Scott Glenn...Private First Class Glenn Kelly Robert L. DeWeese Jr....Mr. Green Jeff Goldblum...Tricycle Man Gailard Sartain...Man at Lunch Counter Barbara Harris...Albuquerque Howard K. Smith...Himself David Hayward ...Kenny Fraiser Academy Award for Best Song: Keith Carradine, “I’m Easy” Michael Murphy...John Triplette Selected for the National Film Registry by the National Film Allan F. Nicholls...Bill Preservation Board Dave Peel...Bud Hamilton Cristina Raines...Mary ROBERT ALTMAN (20 February 1925, Kansas City, Bert Remsen...Star Missouri—20 November 2006, Los Angeles), has developed Lily Tomlin...Linnea Reese the form of interlocked narrative to a level that is frequently Gwen Welles ... Sueleen Gay copied (e.g. -
Ilistung Spec:131
-FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod. -
In the UNITED STATES COURT of APPEALS for the NINTH CIRCUIT
CA Nos. 15-56880, 16-55089, 16-55626 DC No. CV13-06004-JAK (AGRx) In the UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT Pharrell Williams et al. Plaintiffs, Appellants, and Cross-Appellees v. Frankie Christian Gaye et al., Defendants, Appellees, Cross-Appellants On Appeal From The United States District Court For The Central District of California, Hon. John A. Kronstadt, District Judge, No. 13-cv-06004 JAK (AGRx) BRIEF AMICUS CURIAE OF THE INSTITUTE FOR INTELLECTUAL PROPERTY AND SOCIAL JUSTICE MUSICIAN AND COMPOSERS AND LAW, MUSIC, AND BUSINESS PROFESSORS IN SUPPORT OF APPELLEES SEAN M. O’CONNOR LATEEF MTIMA STEVEN D. JAMAR INSTITUTE FOR INTELLECTUAL PROPERTY AND SOCIAL JUSTICE, INC. 707 MAPLE AVENUE ROCKVILLE MD 20850 Telephone: 202-806-8012 IDENTITIES OF MUSICIAN-COMPOSER AMICI Affiliations and credits represent only a portion of those for each amicus and are given for identification purposes only Brian Holland: Inducted into the Songwriter Hall of Fame, Rock & Roll Hall of Fame, Soul Music Hall of Fame, and member of the legendary songwriting trio of Holland-Dozier-Holland. Mr. Holland has written or co- written 145 hits in the US, and 78 in the UK. Eddie Holland: Inducted into the Songwriter Hall of Fame, Rock & Roll Hall of Fame, Soul Music Hall of Fame, and member of the legendary songwriting trio of Holland-Dozier-Holland. Mr. Holland has written or co- written 80 hits in the UK, and 143 in the US charts. McKinley Jackson: Mr. Jackson is known as one of Soul music’s greatest arrangers and producers. Mr. Jackson arranged nearly every song recorded for the Invictus/HotWax/Music Merchant labels. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.