Lewis Nash Resume
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
• the VILLANOVAN • October 31, 1973
,r"-^'^.Tr'l'7'^.*^ 'yr^P^'. 1/ iwi P»g« 16 • THE VILLANOVAN • October 31, 1973 ''.''' - NovmbT 7, 1973 • THE VILLANOVAN • Pag# 3 Page 2 • THE VILLANOVAN • November 7, 1973 Claude Lewis NEWS ANALYSIS Ih-y, INTERFUTURE Villanova Joins 'Continued from page 3) Slated To McCdrthy Clarifies dings with his campus and com- Interfuture Group munity through such means as a Teach Course Sherman Situation, senior thesis, talks to community assisting a or • 535 groups, creating A new program in higher Headquartered at ' Fifth By T. DIMAIO local project, or leading an ac- education was announced today at Avenue, Suite 3103, New York " EKiring the spring semester of credited seminar for other un- news conferences at eleven college City 10017, the organization is 1974, the Sociology Department Retrenchment Plans dergraduates. and university campuses across guided by a board of trustees com- will be offering the "Black Urban - the country. posed of businessmen, scholars, By JOE TYRRELL Experience", a course taught by Seminars have been given by In- Called InterFuture, for "in- educators, and InterFuture In a recent interview, Fr. McCarthy clarified the situation of the Claude Lewis. Photo by Kevin Sear Board of Trustees. Fr. James Sherman, chairman of the trustees, terFuture Scholars on such issues tercultural studies of the future," alumni. resigned from the Board some weeks ago, but the move was not publicly as urban-rural population Claude Lewis, a columnist for Uri Gcller talks to VILLANOVAN reporter Pat McNamara after his the program enables select un- Over thirty students have par- announced. balance, environmental action the Evening and Sunday Bulletin, October 31 appearance at the Field House. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Cyrus Chestnut
Cyrus Chestnut Born on January 17, 1963, in Baltimore, MD; son of McDonald (a retired post office employee and church organist) and Flossie (a city social services worker and church choir director) Soulful jazz pianist Cyrus Chestnut might just be proof positive of the impact that music has on babies in the womb. Either that, or a life in music was simply in his blood. Chestnut's father, a postal employee and the son of a church minister, was the official organist for the local church in Baltimore, Maryland, where Chestnut grew up. Young Cyrus's home was filled with the sounds of the gospel music that his church-going parents played in their home, along with jazz records by artists such as Thelonius Monk and Jimmy Smith. Chestnut has said that the roots of his love of music began there, and to this day, Chestnut's ties to the gospel church remain constant. "Growing up, gospel music was what I heard in the house," Chestnut told Down Beat magazine. As a boy Chestnut reached for the piano keys before he could walk, so his father began teaching the earnest three-year-old to play the piano. One of the first songs young Cyrus learned was "Jesus Loves Me." Before long, seven-year-old Cyrus was playing piano in the family church, and by age nine he was promoted to church pianist at Mt. Calvary Star Baptist Church in Baltimore, Maryland. Chestnut, who became known for his improvisational skills and unique jazz-gospel and bop style, has credited his abilities to those formative years when he played at church. -
October 8, 2018 Jazz Album Chart
Jazz Album Chart October 8, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Yellowjackets 1 1 4 1 Raising Our Voice Mack Avenue 272 272 0 4 46 2 2 weeks at No. 1 2 2 16 2 Count Basie Orchestra All About That Basie Concord Jazz 266 242 24 3 48 5 3 4 9 3 Bob James Espresso Evolution Music 252 240 12 4 45 4 4 5 2 2 Karrin Allyson Some of That Sunshine kasrecords 250 239 11 8 52 1 5 3 1 1 Steve Turre The Very Thought of You Smoke Sessions 239 241 -2 6 50 1 6 7 41 6 Cécile McLorin Salvant The Window Mack Avenue 233 222 11 3 47 3 7 7 20 7 Christian Sands Facing Dragons Mack Avenue 231 222 9 3 51 6 Stefon Harris & Blackout 8 10 51 8 Sonic Creed Motema 218 209 9 2 53 8 Most Reports 8 9 7 1 Verve Jazz Ensemble Connect The Dots Lightgroove Media 218 217 1 10 38 2 10 6 3 1 John Coltrane Both Directions at Once - The Lost Album Impulse / Verve 199 237 -38 13 35 0 11 13 5 2 Antonio Adolfo Encontros - Orquestra Atlantica AAM Music 184 197 -13 12 39 1 12 11 7 7 Houston Person & Ron Carter Remember Love HighNote 181 204 -23 7 43 1 12 11 12 1 Bobby Sanabria West Side Story Re-Imagined Jazzheads 181 204 -23 11 32 0 14 18 27 14 Helen Sung Sung with Words (A Collaboration with Dana Stricker Street 179 168 11 4 41 0 Gioia) 15 14 6 6 Charlie Sepulveda & The Turnaround Songs For Nat HighNote 174 184 -10 7 40 2 16 14 14 11 Ben Paterson Live at Van Gelder’s Cellar Live 173 184 -11 8 37 0 17 21 14 4 Kamasi Washington Heaven and Earth Young Turks 153 151 2 13 29 0 18 16 10 2 Cory Weeds Little Big Band Explosion Cellar Live 151 181 -30 12 33 0 19 17 11 10 Marcus Miller Laid Black Blue Note 145 172 -27 14 25 0 20 20 17 2 Black Art Jazz Collective Armor Of Pride HighNote 143 165 -22 13 35 0 21 19 18 13 Mark Winkler & Cheryl Bentyne Eastern Standard Time Café Pacific 141 167 -26 6 37 0 22 22 25 22 James Austin, Jr. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Montclair State University Jazz Ensemble with Mike Lee, Guest Soloist
Montclair State University Jazz Ensemble With Mike Lee, Guest Soloist Oscar Perez, Director Cali Music Live Sunday, May 23rd, 2021 3:00 pm Exactly Like You Jimmy McHugh arr. by Dennis Mackrel Black Narcissus Joe Henderson arr. by Bob Belden Guest Soloist, Mike Lee Alter Ego James Williams arr. by Eddie Allen Finya Wulo Michael Phillip Mossman Dolphin Dance Herbie Hancock arr. by Bob Mintzer PERSONNEL Oscar Perez, Director Mike Lee, Guest Soloist Nicolas Martin, Alto 1 Stephan Schwarz, Alto 2 Allan Romero Tenor Sax 1 Bella Rochford, Tenor Sax 2 Sabrina Isaac, Baritone Sax Shanyse Strickland, Flute/French Horn Deshaun Hinson, Trumpet 1 Gavin Ard, Trumpet 2 Justina Carandola, Trumpet 3 David Long, Trumpet 4 Vito Cakaroglu, Trombone 1 Martin Pyda, Trombone 2 Dan Harkins, Trombone 3 Matthew Veal, Bass Trombone Derick Campos, Guitar Pierce Sparncroft, Vibraphone Tia Mae Frostrom, Piano Senny Raines, Bass Zack Perez, Drums MSU Jazz Ensemble Bio The MONTCLAIR STATE UNIVERSITY JAZZ ENSEMBLE is in its first year under the direction of new Jazz Studies coordinator Oscar Perez and is honored to present a varied program of music from James Williams, Herbie Hancock, Michael Phillip Mossman, and Joe Henderson. We are also proud to present saxophone faculty and guest soloist Mike Lee. The group was founded and directed for twenty-two years by Dr. Jeffrey Kunkel, who retired from full-time teaching in August. The MSUJE, which is comprised of majors in Jazz Studies as well as other music majors (and even the occasional non-music major!), is dedicated to the performance of music representative of contemporary literature composed for the large jazz ensemble, as well as music of historical importance to the genre, with each semester focusing on the music of one composer or arranger. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Interviewee: Jimmy Scott (July 17, 1925
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JIMMY SCOTT NEA Jazz Master (2007) Interviewee: Jimmy Scott (July 17, 1925 - ) Interviewer: David Ritz with recording engineer Ken Kimery Date: September 23-24, 2008 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 66 pp. Ritz: My name is David Ritz. It’s September 23rd, 2008. We’re in Las Vegas, Nevada, in the beautiful home of Jeannie and Jimmy Scott. Jimmy, do want to say your name? Is that what you want? Kimery: Name, birth date, . Ritz: Please give your name and your birth date. Scott: Fortunately or unfortunately . Ritz: As the case may be. Scott: . I was born July 17, 1925, which makes me 83 years old this present day, but I’m grateful, because so many that I know have gone and passed on. I’m fortunate to be here. Ritz: Jimmy, let me start by asking you – I know this is a hard question to answer – but what was the first time you remember hearing music? What was the first piece of music, the first little inklings of music you heard when you were a little kid? For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Scott: There I said it again. I guess I must have been about 10 years old, and I got attached to that song. There I said it again. I’m trying to remember who the featured singer was. -
The History and Development of Jazz Piano : a New Perspective for Educators
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.