DENNIS E. RHODES and LOTTE HELLINGA Cornelius De Zyrickzee

Total Page:16

File Type:pdf, Size:1020Kb

DENNIS E. RHODES and LOTTE HELLINGA Cornelius De Zyrickzee DENNIS E. RHODES AND LOTTE HELLINGA Cornelius de Zyrickzee and his practice of reissuing incunables from other presses Since 1976 work has been in progress on the preparation of a census of incunabula in the British Isles on the lines of Mr. F. R. Goff's census for the U. S. A. As a first step the many small collections of incunabula in London (some fifty libraries in all) are being systematically examined. The rule that every copy seen of a fifteenth-century book (or, for that matter, a book of any period) ma y throw light on the history of printing proves itself once again. In this case one of the more mysterious presses in the Low Countries, the Printer of the Mensa Philosophica, is the one to benefit from such an examination. Bibliographically speaking, we have here an itinerant printer, for whom it is impossible to indicate with certainty the town, or even the country, where he worked. The one type used in his editions is an entirely inter- national rotunda in the Venetian style which is found throughout the field of fifteenth-century book-production. The identification of the place of printing can therefore only be sought in the paper used, which has not yet been investigated, in some possible connection with another press, or in the provenance of copies and their history. Proctor linked the press with the equally anonymous 'Printer of the Oraison du Saint Espierit' which he ranged among the unlocated presses of France, no doubt because of the language of one of its products. When the French volume of BMC was prepared, it was decided to transfer the two presses to the Low Countries.' In BMC ix the argument was put forward that the choice of texts seemed to point to a relation of some sort with the press of Johannes de Westfalia at Louvain.2 The history of copies was taken into consideration in HPT,3 where it was argued that various copies are found together with Antwerp editions of approximately the same date; the possible dating for this press was here for the first time put at circa 1487, based on an owner's inscription. In the cautious bal- ancing of possibilities and probabilities the book in the Middle Temple, London, which is the subject of the present contribution adds some weight to the arguments for Louvain. 1 BMC viii, p. lxxxvii. 2 BMC ix, p. 210. 3 W. & L. Hellinga, The fifteenth-century printing types of the Low Countries (Amster- dam 1966), vol. i, P. 74. 144 I. Title-page of GW 5792, Middle Temple copy, printed in the types of Cornelius de Zyrickzee .
Recommended publications
  • The Incunabula Short Title Catalogue (ISTC) Past, Present and Future John Goldfinch the British Library, UK
    Printing R-Evolution and Society 1450-1500 Fifty Years that Changed Europe edited by Cristina Dondi chapter 33 The Incunabula Short Title Catalogue (ISTC) Past, Present and Future John Goldfinch The British Library, UK Karen Limper-Herz The British Library, UK Abstract From its foundation in 1980, the ISTC has been one of the most important international reference sources for incunabula studies. Based on a merger of F.R. Goff’s Incunabula in North American Libraries: A Third Census and the Indice Generale degli Incu- naboli delle Biblioteche d’Italia, it aimed to be a comprehensive list both of 15th-century editions and of surviving copies of incunabula. While maintaining its original purpose, it has striven to take advantage of new partnerships and technical innovations to ensure its continued utility as a cornerstone of incunabula research. Managed by the British Library in London and hosted by CERL, the ISTC continues to rely on cooperation and partnership from holding institutions and researchers worldwide. Free since 2003, the ISTC can be used as a simple guide to editions and copies, but also as a dataset enabling researchers to look at 15th-century printing in new ways. After briefly looking at the ISTC’s history, this essay focuses on new developments made to the database, highlighting its continued relevance and potential to support traditional incunabula research as well as new projects, and its managers’ intention and flexibility to improve the file in response to its users’ feedback. Keywords Incunabula. ISTC. Digital humanities. British Library. CERL. Summary 1 The Past. – 2 The Present. – 3 Future.
    [Show full text]
  • Introduction the 15Cbooktrade Project and the Study of Incunabula As Historical Sources Cristina Dondi 15Cbooktrade, University of Oxford, UK
    Printing R-Evolution and Society 1450-1500 Fifty Years that Changed Europe edited by Cristina Dondi chapter 3 Introduction The 15cBOOKTRADE Project and the Study of Incunabula as Historical Sources Cristina Dondi 15cBOOKTRADE, University of Oxford, UK A Note of Thanks to All Involved I am delighted to share and celebrate the results of many years of re- search in this volume, which brings together the contributions to a conference held on 19-21 September 2018, in the very special prem- ises of the Musei Civici Veneziani, where almost 20 years ago I start- ed my investigations on early Venetian printing. In those years I was working on the catalogue of incunabula at the Bodleian Library. It was there, opening up and examining thousands of 15th-century books, that I realised how the books themselves bear witness to their movement in their manuscript annotations, decora- tion and binding styles, and that capturing that movement within spatial and temporal coordinates could unveil to us the central fac- tor that was crucial to the success of the new technology and busi- ness, and yet so elusive to document: distribution. We were sitting on the largest amount of historical evidence for understanding the impact of the new technology and trade on Eu- ropean society at large, yet we did not have the tools to capture it. This is why Material Evidence in Incunabula was conceived in 2009, and I am very grateful to the vision of the British Academy and of CERL for supporting the idea and the innovative tool we created to turn it into a reality.
    [Show full text]
  • Münster Monographs on English Literature
    Book Value Categories and the Acceptance of Technological Changes in English Book Production Münsteraner Monographien zur englischen Literatur Münster Monographs on English Literature Herausgegeben von / Edited by Bernfried Nugel und / and Hermann Josef Real Bd./Vol. 42 Münsteraner Monographien Simon Rosenberg zur englischen Literatur Münster Monographs on English Literature Herausgegeben von / Edited by Bernfried Nugel und / and Hermann Josef Real Book Value Categories and the Acceptance of Technological Changes Bd./Vol. 42 in English Book Production Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress Zugl.: Münster (Westfalen), Univ., Diss., 2013 Cover illustration: Münsteraner Schloss. By courtesy of the Westfälische Wilhelms-Universität, Münster. Supported by the Open Access Publication Fund of the University of Münster. Printed by CPI books GmbH, Leck. D 6 ISSN 0934-0300 ISBN 978-3-631-80426-1 (Print) E-ISBN 978-3-631-82738-3 (E-PDF) E-ISBN 978-3-631-82739-0 (EPUB) E-ISBN 978-3-631-82740-6 (MOBI) DOI 10.3726/b17293 . This work is licensed under a Creative Commons Attribution CC-BY 4.0 license. To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ © Simon Rosenberg, 2020 Peter Lang – Berlin • Bern • Bruxelles • New York • Oxford • Warszawa • Wien. This publication has been peer reviewed. www.peterlang.com Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Acknowledgement internet at http://dnb.d-nb.de.
    [Show full text]
  • Hellinga Part 1
    the cambridge History of the Book in Britain * VOLUME III 1400Ð1557 * Edited by LOTTE HELLINGA and J. B. TRAPP published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, UK www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011Ð4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 1999 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1999 Printed in the United Kingdom at the University Press, Cambridge Typeface teffRenard 9.5/13 pt. System QuarkXPress¨ [se] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge history of the book in Britain. p. cm. Includes bibliographical references and Index. Contents: Ð vol. iii. 1400Ð1557 / edited by Lotte Hellinga and J. B. Trapp isbn 0 521 57346 7 (vol. iii) 1. Books Ð Great Britain Ð History. i. Hellinga, Lotte. ii. Trapp, J. B. (Joseph Burney) z8.g7c36 1999 002Ј.0941Ðdc21 98Ð4398 cip isbn 0 521 57346 7 hardback Contents List of contributors x List of illustrations xii Preface xvii Introduction 1 lotte hellinga and j. b. trapp 1 . Literacy, books and readers 31 j. b. trapp TECHNIQUE AND TRADE 2 . Foreign illuminators and illuminated manuscripts 47 j. j. g. alexander 3 . Printing 65 lotte hellinga 4 .
    [Show full text]
  • Translation, Early Printing, and Gender in England, 1484-1535
    05fl_23.1_hosington.qxd 2008/11/19 16:00 PM Page 41 Translation, Early Printing, and Gender in England, 1484-1535 Brenda M. Hosington Translation cannot be divorced from the context in which it flourishes, that is, from the linguistic, literary, social, and cultural developments taking place at a given time and in a given setting. Nor can it be fully comprehended without a consideration of certain ideological impulses. One of the socio-cultural developments affecting translation in the years 1484-1535 is the introduction of printing to England. One of the ideological con- cerns in the period also affecting translation is that of gender. Both intersect in the pro- duction of translations concerning women and women’s issues, of which there is a sig- nificant number. These, I think, should be considered against the backdrop of early printing in England, for printers and patrons often had specific agendas in mind, moti- vated by ideological concerns — be they religious, moral, or commercial — which dic- tated not only the choice of texts to be published but also the editorial changes to be made within those texts. As Lotte Hellinga has pointed out, the history of printing reflects two dynamics that are in varying balance — the obvious one that is commercial and borne of the printer’s need to cover expenses and make a profit, and the more complex one that is non-commercial and relates to the power of the printed text to disseminate knowledge, implant new ideas, and so on.1 The first, the commercial aspect, has been an ongoing consideration in the history of print.
    [Show full text]
  • Alaris Capture Pro Software
    Richard IH’s Books: XI Ramon Lull’s Order ofChivalry translated by William Caxton ANNE F. SUTTON AND LIVIA VISSER-FUCHS IN 1484 WILLIAM CAXTON printed his translation of Ramon Lull’s Order of Chivalry and in an epilogue full of enthusiasm for the ideals and practice of knighthood he dedicated it to Richard III. Whether a copy was ever presented to the King is not known: no copy marked with Richard’s signature or even an ex libris survives.‘ It is reasonable to assume that Richard received a copy, however, because Caxton’s Godeffroy of Bouloyne which he had earlier translated, printed and dedicated to Edward IV, was apparently presented, and a surviving copy bears a note of Edward’s ownership.2 ' . Before discussing the actual book Caxton chose to dedicate to Richard III and the words of his dedication, it is necessary to outline Caxton’s career and put his relations with the Yorkist royal court into a correct perspective. These have too often been over-dramatised in order to place the punter, about whose personality and family life so little is known, in a narrative of stirring political events. Caxton has been made the close associate of a series of so-called courtly ‘patrons’, been seen as taking political sides, and even the output of his press has been linked to the change of kings. An examination of why and to whom he chose to dedicate some of his books and the real relationship he had with his ‘patrons’ will allow the dedication of the Order of Chivalry to Richard III to be placed in context.
    [Show full text]
  • Download Download
    212 Papers of the Bibliographical Society of Canada 48/1 Enfin, le chapitre 4 aborde brièvement, en une dizaine de pages, l’impression lithographique et l’invention de l’offset, la photocomposition et la révolution numérique qui ont des conséquences considérables, « plus encore peut-être que n’en eut l’invention des caractères mobiles par Gutenberg » selon l’auteur (p. 107). Les ouvrages en français permettant de retracer l’histoire des techniques d’impression sont rares. En ce sens, nous sommes redevables à Michael Twyman de nous offrir ici un ouvrage de grande qualité. En prime, la qualité des illustrations en fait un bel objet à conserver et à chérir. ÉRIC LEROUX Université de Montréal Robin Myers, Michael Harris, and Giles Mandelbrote, eds. Books for Sale: The Advertising and Promotion of Print since the Fifteenth Century. New Castle: Oak Knoll Press; London: The British Library, 2009. 256 pp.; US $49.95 ISBN 9781584562658 For the book lover, looking for a book that inspires and entertains is a passion that never dies. How we discover book treasures is a combination of serendipity and the cunning promotional efforts of the publisher and bookseller. It will come as no surprise then that the history of advertising and promotion in the book trade is rich with remarkable stories. Books for Sale is a collection of papers delivered at the thirteenth annual Book Trade History conference held at the Foundling Museum in London, England, in November 2008. As the subtitle suggests, the topics covered span from incunabula to the Internet and give us a broad picture of the experiments and innovations in book promotion that have driven sales for the past five hundred years.
    [Show full text]
  • Early English Printing and the Hands of Compositorsl
    Inlernu~ionulJournul of English S11rdit.s Early English Printing and the Hands of Compositorsl SATOKOTOKUNAGA' Keio University ABSTRACT This paper examines soine distinctive uses of typefaces by Caxton's compositors iii his early products at Westininster aiid illustrates how useful such exainples are in revealing the chroiiology of actual book production, as well as iii ideiitifying the compositors at work o11 individual volumes. An exliaustive aiialysis of early priiited books can provide us with inforination about coinpositors at work in England's earliest priiitiiig house. Tliis paper therefore argues tliat it is inost defiiiitely wortli considering such 'inechaiiical' aspects of book design as typography wlien editing aiiy printed text, and introduces rnost recent researcli results contributed by a project at Keio University, wliicli airns to establish a semi- autornatic systein tliat can traiiscribe every feature of the printed text iiicluding eveii miiiute differences in types. KEYWORDS bibliography, Caxton, the C'unterbury Tules, coinpositors, incunubulu 1. INTRODUCTION In the field of medieval studies, great advancements have been made in the disciplines of codicology and palaeography over the course of the last century, advancements that have had a considerable influence on our editorial approach to medieval literary texts. In particular, after Angus McIntosh had coined his famous terminology describing the linguisticprofile (LP) and graphetic profile (GP) of scribes, scholars now regard the mentality of scribes as a significant factor in interpreting the methods of book production in the Middle Ages.' This approach should now also be extended to cornpositors, who were responsible for producing the text at the dawn * Addressforcorrespondence Satoko Tokunaga, 3050-72 Kawashirna-cho, Asahi-ku, 241-001 1 Yokohama (Japan).
    [Show full text]
  • Caxton's Editing of the Canterbury Tales
    Caxton’s Editing of the “Canterbury Tales” 41 Caxton’s Editing of the Canterbury Tales Barbara Bordalejo n the preface to his second edition of the Canterbury Tales, William ICaxton made what has become a well-known statement.1 He declared that a gentleman had told him that his first edition of the Tales was inaccu- rate and that he could provide a better manuscript, one truer to Chaucer’s text. Caxton claimed that he corrected the book based on the manuscript with which he had been provided and printed a second edition: 1. Caxton’s first edition of the Canterbury Tales (STC 5082, referred to in this article as Cx1) has been dated to either 1476 or 1477. Lotte Hellinga thinks the likely date is the earlier one (Caxton in Focus: The Beginning of Printing in England [London: British Library, 1982], 67–8, 80–1), but Paul Needham dates it 1477 (The Printer & the Pardoner [Washington, DC: Library of the Congress, 1986], 84), following Nor- man Francis Blake (Caxton: England’s First Publisher [London: Deutsch, 1976], 127–8), who later changed his opinion and stated that the date for Cx1 was “almost certainly” 1476 (The Textual Tradition of the Canterbury Tales [London and Baltimore: Edward Arnold, 1985], 1). The second edition (STC 5088, referred to in this article as Cx2), has been dated to either 1482 or 1483. However the dating of Cx2 depends on that of Cx1, since the book’s second edition was, Caxton declares, printed six years after Cx1. Thus Needham dates Cx2 as 1483 (The Printer, 87), while Hellinga’s dating of Cx1 as 1476 would bring the date of Cx2 to 1482, a date also accepted by Blake (England’s, 5).
    [Show full text]
  • Printers and Typography As Agents of Cultural Exchange in Fifteenth- Century Europe
    Movable Type, Movable Printers: Printers and Typography as Agents of Cultural Exchange in Fifteenth- Century Europe Jacob A. Gibbons S1433725 Book and Digital Media Studies MA Thesis Supervisor: Dr. Erik Kwakkel Second Reader: Prof. Paul Hoftijzer Date of completion: 28 July, 2014 Word Count: 19.896 1 Table of Contents Chapter 1: Introduction 3 Chapter 2: Typographic Exchange within Cities 15 Chapter 3: Intra-regional Typographic Exchange 25 Chapter 4: Trans-European Typographic Exchange 36 Chapter 5: Conclusions and Looking Forward 46 Works Cited 52 2 Chapter 1: Introduction From its birth in Mainz in the 1450s, printing and the printers who implemented it spread rapidly through Europe, reaching Italy by 1465, Paris in 1470, the Low Countries by the early 1470s1, Poland by 1473, and by way of Flanders England in 14762. Printing was immediately a highly desirable technology, able to meet the fifteenth century’s growing demand for books of all kinds3 by mass-producing the codex form and all that could be included between its two covers. There already existed international markets in Europe for other goods that were traded abroad by merchants, but print functioned differently as a commodity. Whereas wool could be brought to the nearest port for export overseas and simply sold there, handed off to the merchant who would then travel to the next port and sell the product there, a printing press or a fount of type were not simply exchanged for a sum of a money in fifteenth-century Europe4. Printing entailed a crucial difference: its novelty required a very specific and very rare expertise, which meant that those who exported print from its home in Germany very often went with it to its new home in a new culture.
    [Show full text]
  • What, How and Why: Accessing Incunabula at Senate House Library, University of London K.E
    CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE What, How and Why: Accessing Incunabula at Senate House Library, University of London K.E. ATTAR Karen Attar is the and the six-volume Catalogue of books printed in Rare Books Librarian the fifteenth century now in the Bodleian Library at Senate House (Coates, 2005, building on work begun by L.A. Library, University Shepard in 1954), testify to long-standing British of London. In 2008 interest in incunabula. So does the conception she catalogued, ex- and development at the British Library of the hibited and lectured newer of the two major international censuses of about its incunabula. incunabula, the Incunabula Short Title Catalogue She is Secretary of (ISTC; available at http://www.bl.uk). the UK Bibliographic Both the Bodley catalogue and the eleventh Standards Committee volume of BMC, on English incunabula, are of the CILIP Rare scholarly milestones, and honoured as such Books and Special Collections Group, and has in bibliographical journals (Edwards, 2007; published articles in bibliographical and pro- Linenthal, 2006; Needham, 2007; Sharpe, fessional journals about collectors and collections 2008; Wagner, 2008). Yet online cataloguing and about cataloguing. in Great Britain does not reflect this interest. Of the most important repositories of incunabula INTRODUCTION in the United Kingdom, in late 2007 only the British Library and the John Rylands University It is a truth universally acknowledged – at least Library of Manchester provided online access to in the bibliographical world – that incunabula their incunabula, via their own respective online have long held a status not enjoyed by post-1500 public access catalogues (http://130.8.109.188/ publications.
    [Show full text]
  • Paper and Watermarks As Bibliographical Evidence
    NEIL HARRIS Paper and Watermarks as Bibliographical Evidence Lyon 2017 Princess Fiona: You didn’t slay the dragon? Shrek: It’s on my “To do” list. Shrek (2001) The present second edition of Paper and Watermarks as Bibliographical Evidence, issued as a pdf. monograph for the benefit of readers who prefer books in a more traditional form, is identical, except for some distinctions in layout, to that published on line on the website of the Institut d’histoire du livre in Lyon in February 2017. Webmaster: dr. Sheza Moledina, Bibliothèque municipale de Lyon. ISBN 9782956042716 © Neil Harris 2010 and 2017. Proem This text is a bibliographical guide to texts and images relating to the history of paper and papermaking, mainly comprising the hand-papermaking period. Mechanical papermaking, beginning with the invention of the Foudrinier machine at the beginning of the Nineteenth century is briefly, but not exhaustively, treated. Its original purpose was to be included in the workbook of the eponymous course delivered at the École of the Institut d’histoire du livre in Lyon in 2009, and again in 2010, after which a “first edition” was published on the site of the IHL in the latter year. In its conception and execution, it was intended as a sister, or possibly daughter, text to the older, and much more respectable: Analytical Bibliography. An Alternative Prospectus, written to accompany the IHL course on material bibliography and first published on their site in 2002, with revised versions in 2004 and 2006. For all practical purposes, it shares the purpose of the earlier work in being intended for a readership of bibliographers, and possibly even book historians, or anyone seeking ways of obtaining evidence from paper.
    [Show full text]