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What's the Download® Music Survival Guide
WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing. -
My Friend P2p
MY FRIEND P2P Music and Internet for the Modern Entrepreneur Lucas Pedersen Bachelor’s Thesis December 2010 Degree Program in Media Digital Sound and Commercial Music Tampereen ammattikorkeakoulu Tampere University of Applied Sciences 2 ABSTRACT Tampere University of Applied Sciences Degree Program in Media Digital Sound and Commercial Music PEDERSEN, LUCAS: My Friend p2p – Music and Internet for the Modern Entrepreneur Bachelor’s thesis 81 pages December 2010 _______________________________________________________________ The music industry is undergoing an extensive transformation due to the digital revolution. New technologies such as the PC, the internet, and the iPod are empowering the consumer and the musician while disrupting the recording industry models. The aim of my thesis was to acknowledge how spectacular these new technologies are, and what kind of business structure shifts we can expect to see in the near future. I start by presenting the underlying causes for the changes and go on to studying the main effects they have developed into. I then analyze the results of these changes from the perspective of a particular entrepreneur and offer a business idea in tune with the adjustments in supply and demand. Overwhelmed with accessibility caused by democratized tools of production and distribution, music consumers are reevaluating recorded music in relation to other music products. The recording industry is shrinking but the overall music industry is growing. The results strongly suggest that value does not disappear, it simply relocates. It is important that both musicians and industry professionals understand what their customers value and how to provide them with precisely that. _______________________________________________________________ Key Words: Music business, digital revolution, internet, piracy, marketing. -
E-Books: Understanding the Basics June 2009 by Jane Lee, California Digital Library
E-books: Understanding the Basics June 2009 by Jane Lee, California Digital Library What exactly is an e-book anyway? Before we can talk about ebooks and the issues surrounding them, we must define what an e- book is. This is not as easy as one may think. Although e-books appear in headlines with regular frequency these days, there is still confusion about what exactly an e-book is that makes it difficult to focus on the real issues. For many people, especially in the last few years, an e-book is a handheld device whose main purpose is to look and act like a book. For others, an e-book is a book that one can read on one’s computer. And for a growing number of people, an e-book is something that you can read on your PDA, smartphone, iPod, etc. E-books made their first big splash on the market a decade ago, but they didn’t quite catch on with the general public. PDAs were taking a foothold, and companies began developing software that allowed people to read books on them. Subscription services for e-books – NetLibrary, for example – have been available to library patrons who have access to the required platform. The first dedicated, handheld electronic reading device, the Rocket ebook, made its appearance in 19981, but it wasn’t until the release of the Sony Reader and Amazon’s Kindle that e-book readers seemed commercially viable2. The arguments and questions about e-books – about their past, present, and future – that people formulate are shaped by how they define e-books for themselves. -
Authorizing Your NW-HD1 Network Walkman™ Player on Multiple Pcs
Authorizing your NW-HD1 Network Walkman™ Player on Multiple PCs Tracks managed by SonicStage® software (tracks recorded from your CDs, imported from your PC’s hard drive, and/or tracks purchased and downloaded from the Internet1) can be transferred to your NW-HD1 Network Walkman player. By authorizing your device, you will be able to share your music collection on up to three PCs2. The authorization process is powered by Sony’s Connect music service. An Internet connection is required. “Authorize” Your Device Automatically: The first time you launch SonicStage software and connect your Network Walkman device, a dialog box will appear, asking if you want to “Authorize” your device. 1. Click “Yes” to authorize your device to share content on additional PC(s). The Connect music store screen will appear. Note: If you choose “No” your device will be registered locally. You will only be able to transfer your content to/from the locally- registered PC. To authorize your device later, see “Authorize Your Device Manually” instructions below. 2. Follow the on-screen steps. Note: You are not obligated to purchase music from the Connect music store, and you do not need to provide your credit card information in order to complete the device authorization process. 3. Your device is now ready to share content on up to three PCs. Note: SonicStage 2.1 or higher must be installed on the additional PCs. 4. When you connect your device to the 2nd or 3rd PC and launch SonicStage software, a prompt will appear. Follow the on-screen instructions to authorize your device on the additional PC(s). -
PDF Guide of How to Convert DRM Protected M4P To
How to convert DRM protected M4P to MP3 Website: http://www.tuneclone.com Apple reserves the right to change at any time what you can do with the music you purchase at the iTunes Music Store. As the table below shows, there are many other ways that Apple's DRM limits what you can do with a song you "own". iTunes Music Store Restrictions • Restricts back-up copies: Song can only be copied to 5 computers • Allowed only 7 times to burn the same playlist • Limits portable player compatibility: iPod and other Apple devices only • No remixing: Cannot edit, excerpt, or otherwise sample songs Create unprotected copies of copy-protected audio files Tired of DRM-protected file formats like WMA, M4P, AA, M4B, MP4 getting in your way? TuneClone comes to the rescue! Just import protected WMA, M4P or any protected music files or protected M4B audio book files into TuneClone. TuneClone automatically converts the music you have purchased online as you are burning it to a virtual CD-RW drive as unprotected audio (MP3,WAV and WMA) you can use anywhere. You can easily get unprotected MP3, WMA or WAV files ready for use on the virtual CD. How to create unprotected copies from copy-protected audio files? This guide lets you convert iTunes .M4P to MP3 with TuneClone. • Step1. Download TuneClone from http://www.tuneclone.com and install it. It works under Windows XP with SP2. A virtual CD Burner will be installed. This virtual CD-RW will be used to convert music files. • step2. Set the default CD Burner to "TuneClon CD-RW" at iTunes. -
Copyright Compliance and Electronic File Sharing of Media
Copyright Compliance and Electronic File Sharing of Media Kean University Policy on Electronic File Sharing of Media University computing resources are the property of Kean University, and are provided to current students, faculty, staff members, visitors, and agencies as a privilege rather than a right. Users must comply with all local, state and federal laws, including, but not limited to, laws regarding libel, harassment, privacy, copyright infringement, theft, and threats. All of Kean University’s policies extend to computer use. All persons who use University computer resources have the responsibility to respect and follow the policies set below and to honor the ethical norms associated with the highest standards of professional conduct. Downloading, copying and sharing material, such as music, movies, games, and applications, for which the copyright holder has not given permission is a violation of Federal copyright law (www.copyright.gov), the Digital Millennium Copyright Act (a federal law which protects the interests of copyright holders in regard to digital media) as well as, the Kean University Acceptable Use Policy (http://www.kean.edu/~ocisweb/PDFfiles/Computer%20Related%20Acceptable%20Use%20Poli cy.pdf). More recently the Federal government amended the Higher Education Opportunity Act of 2008 to explicitly outline the process colleges and universities must employ to combat the unauthorized use of copyrighted materials. Higher Education Opportunity Act 2008 Effective July 1, 2010 all colleges and universities that receive Federal funding for Title IV Programs must be in full compliance with the Higher Education Opportunity Act of 2008 (HEOA), Public Law 110-315, also referred to as H.R. -
Tools and Methodologies for Developing Interactive Electronic Books
Tools and Methodologies for Developing Interactive Electronic Books Case Study: A Physics Textbook for High School Students MARTINA BRAJKOVIĆ FACULTAD DE INFORMÁTICA UNIVERSIDAD COMPLUTENSE DE MADRID Proyecto de Sistemas Informáticos Ingeniería Informática ERASMUS program June 2014 Advisor: Prof. Federico Peinado Co-advisor: doc.dr.sc. Lidija Mandić I would like to thank my advisor Federico Peinado and co-advisor Lidija Mandić for their help and support throughout this work. Martina Brajkovć autoriza a la Universidad Complutense a difundir y utilizar con fines académicos, no comerciales mencionando expresamente a su autor, tanto la propia memoria, como él código, los contenidos audiovisuales incluso si incluyen imágenes de los autores, la documentación y/o el prototipo desarrollado. Martina Brajković ABSTRACT Electronic books are electronic copy of a book or a book-length digital publication. In the past decade they have become very popular and widely used. Each day more and more publishers digitalize their textbooks and more and more devices are suitable for reading of the electronic books. Huge changes in human communication happened in the late 20th and early 21st century. Due to invention of Internet, information became widely available which changed every segment of human life, especially education. One of the most important applications of electronic books is electronic learning. Electronic learning includes various types of media, such as video, audio, text, images and animations. Interactivity of an electronic book can increase the attention in the classroom and result with better educational performance In this work the process of creation of an interactive electronic book is researched and analyzed. The process includes use of popular Adobe software: InDesign, Photoshop, Illustrator, Captivate and Edge Animate. -
Dogfight Download Mac
Dogfight download mac click here to download Dogfight for Mac is free to download from our software library. The bundle id for this application is www.doorway.ru This Mac app is a. Take to the skies in a range of classic Airfix model planes. You can fly everything from vintage WW1 fighters to modern superjets as you buzz. Update Submitted (v): Fixes Level 4 door bug. Fixes Level 3 Infinite film bug. Stops IPhone 3G / Ipod touch 2nd Gen Uses downloading App. What is Dogfight City? Please contribute to MR: Fill in Dogfight City description now! Download Dogfight City for Mac. www.doorway.ru ( KB) System -. Welcome to Dogfight Elite, the multiplayer airplane combat simulator. You can download it from the Apple store or from Google Play, Amazon, Windows Here's a roundup of the top ones you can download today, with They're not only great games, they're some of the best Mac games you can find. is in multiplayer dogfighting combat, which has been the series' strength. Piloting a wide range of aircraft, players engage in aerial dogfights and dangerous fighter missions across the major theaters of war during WWII. Dogfight Elite for MAC free Download Direct Link noDVD by GOG Dogfight Elite is a World War I and World War II massive combat airplane. Dogfights Enhanced Graphics gives players fast-flying combat aerial , Download the MacGameStore App to compare your Mac's. By GamesNostalgia: Dogfight Simulator is a freeware version of the classic dogfight abandonware, freeware and classic games download for PC and Mac. Dogfight Elite is a World War I and World War II massive combat airplane simulator. -
Rewind: 2012 in Review
the REPORT Issue 308 | 19 December 2012 Contents: PAGE 2: Artists versus digital services » PAGE 3: Fans as the fulcrum » PAGE 4: Labels in 2012 » PAGE 5: Tech giants » PAGE 6: New services » PAGES 7 – 9: Rewind: 2012 In Review Startups » PAGE 10: Digital marketing » PAGE 11: Social music » PAGE 12: Measurements » PAGE 13: Piracy battles » PAGES 14 & 15: Country profiles » REWIND: 2012 IN REVIEW the REPORT | 19 December 2012 | Page 2 Artists versus digital services It’s become a cliché in recent be portrayed as a greedy Goliath itself by digital ecosystem. prominent songwriters. High-profile albums years to suggest that the were withheld from There were many negative aspects to these streaming services, connection between artists debates in 2012, with name-calling, willful often to the barely- and fans is the fulcrum of misunderstanding and a concerning lack concealed frustration of transparency making for an unhealthy the music industry, with of their labels. mixture. everyone else a middleman Yet artists were Yet a more positive take on 2012 would be to pushing the who needs to justify their mark the importance of having artists and boundaries too, position in the value chain. songwriters take a more prominent role in the seeking new models. debates around new digital music business Usually it’s labels fielding the most criticism Whether it’s Cazzette models. under that line of argument, but in 2012 the launching their career spotlight turned to the current generation of As FAC co-CEO Crispin Hunt noted in Music on Spotify, DJ Shadow streaming music services, with Spotify and Ally’s end-of-year debate: “As the digital releasing a BitTorrent Pandora taking the brunt of the attacks. -
Trouble for Itunes in France? 15 March 2006
Trouble for iTunes in France? 15 March 2006 promote legal downloading, observers say it may signal weaker penalties in the fight against persistent piracy problems. The law follows suit, after a year's of strong feelings from French consumer groups claimed companies including Apply and Sony forced consumers to purchase products tied together and lacked interoperable DRM. Copyright 2006 by United Press International France hopes consumers will use legal software to covert digital content into other formats by forcing companies including Apple to comply via revised digital copyright law. Currently, only iTunes music is able to play on iPods, and if pushed to open its online music store, could mean that the mega giant may close its store in France. The legislation, to be voted on Thursday, marks a pivotal time when digital rights management, piracy, and consumer rights continue to be debated. This could also affects other online music store companies including VirginMega.fr, OD2 France, e- compil.fr, fnac.com, and Sony Connect but spells trouble for artists and recording houses. However, the law will also provides penalties for those breaking the law, fining people who make files available illegal for download 150 euros and those illegally downloading music 38 euros. While, those found creating or distributing software illegal software face 300,000 euros and up to three years in prison. While proponents of the draft law say that it will 1 / 2 APA citation: Trouble for iTunes in France? (2006, March 15) retrieved 30 September 2021 from https://phys.org/news/2006-03-itunes-france.html This document is subject to copyright. -
Portable Audio & Video Players
PORTABLE AUDIO & VIDEO PLAYERS 44 ARCHOS GMINI XS 100 Mini Music Player The smallest and the lightest of the Archos range, the Gmini XS100 is an affordable hard-drive based music player with great storage capacity. Available in 4 trendy colors (volcanic black, techno blue, funky pink and ice grey), it features14-hour battery life (rechargeable internal lithi- um-ion battery via USB port or optional AC adapter/charger) and 3 GB hard-drive allowing you to load up to1,500 songs, including PlaysForSure compatible files. It has a 1.7” gray-scale LCD screen, measures 1.7 x 3.6 x 0.5” (WxHxD) and weighs only 2.8 ounces. It includes stereo earbud headphones and USB 2.0 cable. Gmini XS 100 (ARGMXS1003B): Volcanic Black color ................................149.95 Gmini XS 100 (ARGMXS1003BL): Techno Blue color ..................................149.95 Gmini XS 100 (ARGMXS1003P): Funky Pink color.......................................149.95 Gmini XS 100 (ARGMXS1003S): Ice Grey color.............................................149.95 Gmini XS 100 & Gmini XS 202 Both Feature Synchronize with a PC Browse and Organize Files Autosync with Windows Media Player 9 or 10 to easily transfer songs ◆ For convenience, the players are bundled with an easy-to-use music and playlists from your PC. Download and play all your music files file management system to organize your files. Using the ARCHOS (including protected WMA PlaysforSure downloaded files) to the Gmini Double Browser, you can quickly create playlists on the go, no XS 100 using the USB 2.0 high-speed interface (USB 1.1 compatible). computer needed. Delete, rename, copy, move files and even create Play Music Files folders directly on the Gmini XS 100. -
Drms: a New Strategic Stake for Contents Industries: the Case of the Online Music Market
Review of Economic Research on Copyright Issues, 2005, vol. 2(2), pp. 53-67 DRMS: A NEW STRATEGIC STAKE FOR CONTENTS INDUSTRIES: THE CASE OF THE ONLINE MUSIC MARKET JOËLLE FARCHY AND HERITIANA RANAIVOSON Abstract. DRMS are often described as essential in the development of the legal online supply of content, notably of music (In this paper, we do not study the cases of sites that sell pre-recorded music, such as Amazon). That is why they are becoming a crucial stake for the whole recovering music industry. In the first section, we will precise the strategic role of DRMS. The market for DRMS in the online music supply is a very recent one, but it is expected to grow rather fast. Moreover, DRMS are becoming the heart of the online music value chain. The aim of this paper is to study the technological competition between the firms that try to impose their standard on the growing market of DRMS. Because this competition relies on the lack of interoperability and on a possible monopolization, we find that the results of this competition may not benefit the content industries. 1. A growing market and a crucial stake for the music industry The recording industry has always been very dependent on existing technologies. The compact disc and the Internet have been the latest examples, two ambiguous examples that have certainly led to the development of Digital Rights Management systems (DRMS). The compact disc has been a kind of gold mine for the recording industry, at least for the major companies. However, the appearance of blank CDs allowed music to be copied in a much better way than on blank tapes.