The Future of Television? Advertising, Technology and the Pursuit of Audiences

Total Page:16

File Type:pdf, Size:1020Kb

The Future of Television? Advertising, Technology and the Pursuit of Audiences The Future of Television? Advertising, technology and the pursuit of audiences Marissa Gluck Radar Research Founder & Managing Partner Meritxell Roca Sales University of Southern California Visiting Professor, Annenberg School for Communication Annenberg School for Communication University of Southern California Norman Lear Center September 2008 1 The Norman Lear Center The Future of TV ADVERTISING, TECHNOLOGY & THE FUTURE OF MEDIA Advertising, Technology & the Future of Media (ATFM) is a joint project of the Internet Interdisciplinary Institute of the Open University of Catalonia, the Barcelona Media Center at the University Pompeu Fabra, and the USC Annenberg Norman Lear Center. Annenberg Professors Manuel Castells and Martin Kaplan are leading the project, which analyzes how new technologies are transforming the advertising industry and the global media business. The Norman Lear Center Marissa Gluck The Norman Lear Center is a nonpartisan research As managing partner of consulting and public policy center that studies the social, firm Radar Research, Marissa Gluck political, economic and cultural impact of is a writer, speaker and consultant entertainment on the world. The Lear Center covering the marketing and media translates its findings into action through testimony, industries. Considered to be an journalism, strategic research and innovative public expert on digital marketing and tech- outreach campaigns. On campus, from its base in nology, Gluck has often been quoted the USC Annenberg School for Communication, in media outlets such as The New the Lear Center builds bridges between schools York Times, The Wall Street Journal, and disciplines whose faculty study aspects of Advertising Age and Business Week. Additionally, she has entertainment, media and culture. Beyond campus, appeared on CNBC, CBS Marketwatch, CNNfn, and NPR. it bridges the gap between the entertainment Gluck earned a B.S. from Binghamton University and two industry and academia, and between them and the Masters Degrees in Global Media and Communication public. Through scholarship and research; through from the London School of Economics and the University its conferences, public events and publications; and of Southern California. She also serves as adjunct faculty in its attempts to illuminate and repair the world, at the University of Southern California, teaching a course the Lear Center works to be at the forefront of on virtual communities. discussion and practice in the field. For more information, please visit www.learcenter.org. Meritxell Roca Sales Meritxell Roca Sales came to the University of Southern California Annenberg School for Communication in 2008 as a visiting associate professor. She was born in Barcelona (Spain) where she currently works as a researcher at Open University of Catalonia (UOC), performing research on free software, media stereotypes and mass media in a digital environment. She also teaches journalism at Blanquerna School of Communication (Ramon Llull University). She received a B.A. in Journalism and a Ph.D. in Communication and Humanities from the Ramon Llull University. 2 The Norman Lear Center The Future of TV TABLE OF CONTENTS Executive Summary ..............................................................................................3 Introduction ......................................................................................................... 5 The crisis in the television and advertising industries ................................5 Responses to the crisis ..................................................................................9 The future of television? ............................................................................12 Historical overview .............................................................................................14 Television history: the boob tube? .............................................................14 Technological challenges ............................................................................20 Advertising history: urbanization and the origins of the ad industry .....23 Advertising's creative revolution ..............................................................25 Today's advertising industry .......................................................................27 Reasons for the crisis .........................................................................................30 More options for audiences .......................................................................32 Audience empowerment ...........................................................................40 Audience empowerment: online content ........................................41 Audience empowerment: time-shifting experiences ......................46 Audience empowerment: piracy and unlicensed content ..............50 Changing metrics and creative formats ...................................................57 Accountability creates expectations .................................................57 Measurement overview .....................................................................60 Measurement monopolies .................................................................61 Changing creative formats ................................................................69 Response of the advertising industry ................................................................74 Agency transformation ..............................................................................74 Economic changes .......................................................................................74 Budget cannibalization .....................................................................74 Compensation models .......................................................................77 Capital structures ...............................................................................82 Organizational disruptions ........................................................................83 Response of the television industry ...................................................................87 Brand integration .......................................................................................87 Online content ............................................................................................92 Online (and offline) retail sales ................................................................103 Acquisitions of digital content sites .........................................................109 Experiments with ad formats ...................................................................111 Programming adjustments .......................................................................112 Conclusion .........................................................................................................115 Bibliography ......................................................................................................132 Figures List ........................................................................................................140 Appendix A .......................................................................................................142 Appendix B .......................................................................................................159 3 The Norman Lear Center The Future of TV Executive Summary A global crisis in the advertising industry, largely linked to the impact of the Internet, is transforming the business model of media industries, the content they create and distribute, and the audiences who consume that content. New technology has transformed the global media environment from one organized around passive media consumption to a far more complex environment – mo- bile, multitasking, on-demand – where consumers have more control over where, when and how they interact with media. As audiences shift from TV and print to the Internet, advertising revenues splinter across different segments of a media industry that is increasingly diversified in its platforms for content distri- The restructuring of the advertising bution. Since advertising is the predominant financial basis of the entire media industry will have industry, the restructuring of the advertising industry will have an extraordinary an extraordinary impact on the media impact on the media landscape. landscape. This impact will vary with context, in terms of cultural differences and distinct regulatory environments. Thus, an understanding of such a major global trend will require a comparative perspective in the analysis. In order to understand the potentially profound impact that these changes will have on the global media environment, the USC Annenberg Norman Lear Center, the Open University of Catalonia, and the Barcelona Media Center of the Univer- sity Pompeu Fabra have launched a research project devoted to the study of Advertising, Technology & the Future of Media. The Future of Television? – co- authored by communication scholar Meritxell Roca Sales and media analyst Marissa Gluck – is the first research report to be issued by this project. It offers a systematic analysis of the crisis in the advertising industry in the United States 4 The Norman Lear Center The Future of TV and its effects on the broadcast television business. This report includes informa- tion gleaned from in-depth interviews with executives in the media and advertis- ing industries located in Los Angeles, and from the systematic collection of data on the crisis in the advertising industry, particularly
Recommended publications
  • Are You What You Watch?
    Are You What You Watch? Tracking the Political Divide Through TV Preferences By Johanna Blakley, PhD; Erica Watson-Currie, PhD; Hee-Sung Shin, PhD; Laurie Trotta Valenti, PhD; Camille Saucier, MA; and Heidi Boisvert, PhD About The Norman Lear Center is a nonpartisan research and public policy center that studies the social, political, economic and cultural impact of entertainment on the world. The Lear Center translates its findings into action through testimony, journalism, strategic research and innovative public outreach campaigns. Through scholarship and research; through its conferences, public events and publications; and in its attempts to illuminate and repair the world, the Lear Center works to be at the forefront of discussion and practice in the field. futurePerfect Lab is a creative services agency and think tank exclusively for non-profits, cultural and educational institutions. We harness the power of pop culture for social good. We work in creative partnership with non-profits to engineer their social messages for mass appeal. Using integrated media strategies informed by neuroscience, we design playful experiences and participatory tools that provoke audiences and amplify our clients’ vision for a better future. At the Lear Center’s Media Impact Project, we study the impact of news and entertainment on viewers. Our goal is to prove that media matters, and to improve the quality of media to serve the public good. We partner with media makers and funders to create and conduct program evaluation, develop and test research hypotheses, and publish and promote thought leadership on the role of media in social change. Are You What You Watch? is made possible in part by support from the Pop Culture Collaborative, a philanthropic resource that uses grantmaking, convening, narrative strategy, and research to transform the narrative landscape around people of color, immigrants, refugees, Muslims and Native people – especially those who are women, queer, transgender and/or disabled.
    [Show full text]
  • Law and Order Seer
    Law And Order Seer Gravelly Apostolos wiretaps or provide some trammel damagingly, however stalwart Ian treats actionably or interpenetrates. Uncontrovertible and staged Billie irradiating some metallographers so goddamn! Leonhard underscores unkindly as quadrivalent Curtis communalised her archdukes muzzles wolfishly. CEE Directory of ARI Verified Equipment to determine which equipment qualifies for ENERGY STAR. By the time I was a teenager I could play many of the hymns, but surprisingly I could also sing the words of those hymns by heart because I had heard my grandfather sing them so many times. Good question, Kevin, thanks. The second statement concerns the relation of the Supreme Court and legislatures. But opting out of some of these cookies may have an effect on your browsing experience. We are thinking of you. However, NBC did experience success with its summer schedule, despite its declining ratings during the main broadcast season. You entered the wrong number in captcha. Therefore, tax surcharges, penalties and the respective procedures vary widely between different states. Reseting all the values for next iteration window. Warranty registration is strongly urged and required for the validity of the Standard Warranty. Roman Empire would split into three empires. How do we calculate watts, volts, and amperage for an electrical device like an air conditioner? They showed up early! One big positive to single stage systems is that they tend to be the hardiest of all the options. PROVIDED BY CROSSCIRCLES INC. Turn from your evil ways and keep My commands and statutes according to all the law I commanded your ancestors and sent to you through My servants the prophets.
    [Show full text]
  • Execs Place Bets on Tech's Future | Tech News on Zdnet
    Execs place bets on tech's future | Tech News on ZDNet http://news.zdnet.com/2100-9584_22-121714.html On CNET: Would you pay $1/mo. for Facebook? BNET Business Network: BNET TechRepublic ZDNet ZDNet Search all ZDNet Go! Members login Newsletters Site Assistance RSS Feeds Home News & Blogs Videos White Papers Downloads Reviews Popular home/ ZDNet News & Blogs/ Hardware Execs place bets on tech's future Tags: Stefanie Olsen, Hardware By Stefanie Olsen Posted on ZDNet News: Mar 27, 2002 1:30:00 PM SCOTTSDALE, Ariz.--In 28 years, commercial airline passengers will routinely fly in pilotless airplanes. Sound ludicrous? Not to Microsoft Chief Technology Officer Craig Mundie, who recently bet Google Chief Executive Eric Schmidt $2,000 that the prediction would come true. The wager will be made public Tuesday evening at PCForum, where a group of Silicon Valley futurists plan to take the wraps off of their latest quirky enterprise aimed at twisting humanity's gaze from the rearview mirror to the road ahead. 1 of 5 4/18/09 5:22 PM Execs place bets on tech's future | Tech News on ZDNet http://news.zdnet.com/2100-9584_22-121714.html Called the Long Bets Foundation, the nonprofit plans to collect highbrow predictions about what the world will be like years, decades and even centuries hence. In the spirit of sportsmanship, prognosticators must put their money where their mouths are--all for the sake of charity, of course, in observance of U.S. antigambling laws. The group has already lined up a who's who of the technology world to donate their thoughts--and a small chunk of money--to posterity.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • NCA All-Star National Championship Wall of Fame
    WALL OF FAME DIVISION YEAR TEAM CITY, STATE L1 Tiny 2019 Cheer Force Arkansas Tiny Talons Conway, AR 2018 Cheer Athletics Itty Bitty Kitties Plano, TX 2017 Cheer Athletics Itty Bitty Kitties Plano, TX 2016 The Stingray All Stars Grape Marietta, GA 2015 Cheer Athletics Itty Bitty Kitties Plano, TX 2014 Cheer Athletics Itty Bitty Kitties Plano, TX 2013 The Stingray All Stars Marietta, GA 2012 Texas Lonestar Cheer Company Houston, TX 2011 The Stingray All Stars Marietta, GA 2010 Texas Lonestar Cheer Company Houston, TX 2009 Cheer Athletics Itty Bitty Kitties Dallas, TX 2008 Woodlands Elite The Woodlands, TX 2007 The Pride Addison, TX __________________________________________________________________________________________________ L1.1 Tiny Prep D2 2019 East Texas Twisters Ice Ice Baby Canton, TX __________________________________________________________________________________________________ L1.1 Tiny Prep 2019 All-Star Revolution Bullets Webster, TX __________________________________________________________________________________________________ L1 Tiny Prep 2018 Liberty Cheer Starlettes Midlothian, TX 2017 Louisiana Rebel All Stars Faith (A) Shreveport, LA Cheer It Up All-Stars Pearls (B) Tahlequah, OK 2016 Texas Legacy Cheer Laredo, TX 2015 Texas Legacy Cheer Laredo, TX 2014 Raider Xtreme Raider Tots Lubbock, TX __________________________________________________________________________________________________ L1 Mini 2008 The Stingray All Stars Marietta, GA 2007 Odyssey Cheer and Athletics Arlington, TX 2006 Infinity Sports Kemah,
    [Show full text]
  • PRESS RELEASE for IMMEDIATE RELEASE JUNE 6, 2016 Contact: Shafer Busch, America Abroad Media [email protected] 202-2
    View this email in your browser PRESS RELEASE FOR IMMEDIATE RELEASE JUNE 6, 2016 Contact: Shafer Busch, America Abroad Media [email protected] 202-249-7380 From Left: Paul Baker, Maryam Almheiri, Aaron Lobel, H.E. Noura Al Kaabi, Ben Silverman, Greg Daniels, and Howard Owens. America Abroad Media Brings Top Hollywood Writer and Producers to Abu Dhabi Last week America Abroad Media (AAM) helped organize a delegation of leading Hollywood producers and writers who traveled to Abu Dhabi for a groundbreaking series of workshops and events aimed at supporting young creative talent in the UAE and the broader Arab World. The delegation included AAM Founder and President Aaron Lobel; Ben Silverman, the Emmy, Golden Globe, and Peabody Award-winning executive producer of The Office, Ugly Betty, The Tudors, Jane the Virgin, and Marco Polo; Greg Daniels, a leading comedy writer, producer, and director on shows such as Saturday Night Live and The Simpsons and co-creator of The Office, King of the Hill, and Parks and Recreation; and Howard Owens, Founder and co-CEO of Propagate Content and former CEO of National Geographic Channels. “Our partners in the Middle East have the ambition and the talent to bring about a new golden age in Arab drama and entertainment," said Lobel, "and they feel that the experience of Hollywood professionals can benefit their efforts. We look forward to forging long term partnerships for Arabic drama and entertainment programming that will reach audiences across the Middle East and far beyond." During their visit, Ben Silverman and Howard Owens shared their experiences in Hollywood with over 100 Arab counterparts and explored how the UAE can become a regional and global center for storytelling, while Greg Daniels hosted two invitation- only screenwriting workshops with writers from around the region.
    [Show full text]
  • DISH Network Offers Two Customer Appreciation Promotions -- ESPN Classic Experience Sweepstakes to Disney World and FREE HBO Preview
    DISH Network Marketing Update: DISH Network Offers Two Customer Appreciation Promotions -- ESPN Classic Experience Sweepstakes to Disney World and FREE HBO Preview LITTLETON, Colo.--(ENTERTAINMENT WIRE)--Aug. 6, 1999--EchoStar Communications Corp. (NASDAQ: DISH, DISHP) is proud to announce today that DISH Network™ is offering two new customer promotions: 1) ESPN Classic is offering DISH Network customers the chance to win a grand prize trip to the ESPN Club at Disney World in Orlando, Fla., and 2) HBO is offering DISH Network customers an eight-day preview of all six HBO channels in August! ESPN Classic Sports Experience Sweepstakes: DISH Network customers who currently receive America's Top 100 CD programming package and customers who upgrade their current programming to America's Top 100 CD by Aug. 31, 1999, will be automatically entered into the ESPN Classic Experience Sweepstakes to win a trip for two to the ESPN Club at Disney World courtesy of ESPN Classic! Prizes include round-trip airfare, hotel accommodations and passes to Disney World. No purchase is necessary and DISH Network customers may enter by mail. Available on DISH Network's America's Top 100 CD package, ESPN Classic televises the greatest sporting events and most memorable stories and heroes of all time. ESPN Classic is the only network that features past Super Bowls, World Series, NBA Championships, Stanley Cups, heavyweight championship fights, NCAA Final Fours, Olympics, NASCAR, Grand Slam tennis events, The Masters and much more. The greatest moments in sports, larger-than-life personalities, history-making games and epic events are available to relive.
    [Show full text]
  • ADMS Intermedia Delivery System™
    ADMS Intermedia Delivery System™ > A new evolution in home entertainment > Simplifies the way digital media content is acquired and managed > Designed by Crestron® to be secure, reliable, and fun to use! > Provides seamless access to feature films, music, TV episodes, streaming videos, home movies & photos, and the Internet > WorldSearch® quickly finds any kind of content from your local media library and the Internet > Stylish and intuitive onscreen menus with high-res cover art and metadata display ADMS-BR model shown > Embedded Netflix®, Hulu®, YouTube® and more![1,2] > Onboard optical drive can play BD and DVD media and import CDs (ADMS-BR only) Giving you the power to acquire and manage virtually any content you desire is what Intermedia Delivery is all about. The ADMS provides a ® ® > Built-in secure Web browser with Flash and Silverlight plug-ins streamlined solution for storing and playing all your digital videos, music, > High-definition HDMI® theater output photos and home movies. It also delivers a seamless online experience, > 7.1 surround sound audio output letting you rent major motion pictures from Netflix®, stream videos from ® ® > Two independent digital or analog stereo music zone outputs YouTube and Vimeo , and watch your favorite news, sports, and TV shows through Hulu® and Hulu Plus[1], Metacafe®, Comedy Central®, ESPN®, > Audiophile sound quality with support for FLAC, WAV, WMA Loss- ® less, iTunes Plus® & MP3 CNN , and numerous other top providers. Built-in Web browsing completes > 100% HDCP compliant the experience, giving you full access to all that the Internet has to offer without leaving the comfort of your home theater or living room sofa.
    [Show full text]
  • Introducing Windows Azure for IT Professionals
    Introducing Windows ServerIntroducing Release 2012 R2 Preview Introducing Windows Azure For IT Professionals Mitch Tulloch with the Windows Azure Team PUBLISHED BY Microsoft Press A Division of Microsoft Corporation One Microsoft Way Redmond, Washington 98052-6399 Copyright © 2013 Microsoft Corporation All rights reserved. No part of the contents of this book may be reproduced or transmitted in any form or by any means without the written permission of the publisher. Library of Congress Control Number: 2013949894 ISBN: 978-0-7356-8288-7 Microsoft Press books are available through booksellers and distributors worldwide. If you need support related to this book, email Microsoft Press Book Support at [email protected]. Please tell us what you think of this book at http://www.microsoft.com/learning/booksurvey. Microsoft and the trademarks listed at http://www.microsoft.com/about/legal/en/us/IntellectualProperty/ Trademarks/EN-US.aspx are trademarks of the Microsoft group of companies. All other marks are property of their respective owners. The example companies, organizations, products, domain names, email addresses, logos, people, places, and events depicted herein are fictitious. No association with any real company, organization, product, domain name, email address, logo, person, place, or event is intended or should be inferred. This book expresses the author’s views and opinions. The information contained in this book is provided without any express, statutory, or implied warranties. Neither the authors, Microsoft Corporation, nor
    [Show full text]
  • General Reflection Manual
    Reflection Manual Quotes, prayers, Group reflections for service trips, immersion groups and volunteers Format for Spring Break Reflections Opening Prayer: Spontaneous, or from manual Experience Questions for discussion: • Check-in: how was your day? • What was challenging for you? What was comforting? • Was there a special grace you encountered today? Suggestions for further reflection on experience: ¾ Drawing: your experience, feelings or thoughts you had today ¾ Using clay, poetry, music to express your impressions of the day Social Analysis Questions for discussion: • What justice issue did you encounter today? • What structures are affecting those you met? Suggestions for further reflection with social analysis: ¾ Include information from social analysis section about structural injustice ¾ Name as many larger issues as possible that are at work: welfare, minimum wage, the health care system, public services (trash pick-up, etc) public education, United States government policy, media reporting (or unreporting,) military spending ¾ ASK: how do these issues affect those you’ve met today? Who benefits? Who pays? Theological Reflection Questions for discussion: • In what way did you encounter God today? • What experiences of connection did you have? Suggestions for further theological reflection: ¾ Draw different experiences of God ¾ Include a reading from theological reflection section of manual ¾ Use silence! 3-5 minutes reflecting silently on experience of God with optional sharing Action Questions for discussion: • Wrap-up: How will you remember this day? • What will tomorrow be like? Closing Prayer: Spontaneous or from manual Opening/Closing Prayers We choose struggle Rather than indifference We choose to share the suffering Rather than ignore the pain We choose to make peace Rather than wait for war We choose to proclaim the Good News Rather than sit in silence.
    [Show full text]
  • Hubspot 2010
    DATA Brought to you by: www.marketingcharts.com About Charts Quarterly MarketingCharts.com presents hard data and research to marketers by supplying charts and Excel documents. Our data is collected from major data partners. More than 50 datasets are followed at www.marketingcharts.com. A fresh board of charts are published every day on our website. Charts Quarterly captures essential marketing data over the short term for a fast, easy glance at trends. The charts in this collection are ready to use, download, format, and otherwise support your marketing goals. Feel free to share the whole presentation or any slide, with your colleagues and business partners, but please preserve credits to our sponsor, Hubspot, our research partners who provide the source data, and our links to MarketingCharts. 2 At HubSpot, we help small and medium sized businesses get found on the Internet, by offering professional marketers and small business owners a software platform that fully supports their inbound marketing strategies. But strategies need to be developed within the context of current data. That’s why we are sponsoring Charts Quarterly, so that you can have access to the latest Internet trends. We think you’ll be surprised with what some of the charts reveal. For example, who would have thought that in August 2010, Yahoo Sites would rank as the top web property, ahead of Google Sites. Also, companies need to know that nearly six in ten marketers plan on including social media spending in 2011. There are 55 data slides in this issue of Charts Quarterly, and they cover a range of topics, from broadcast media sites to social media sites to financial and health sites to top advertisers in consumer goods.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]