James Baldwin Residence Multiple Property Listing: No Other Names/Site Number 2
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Submission No 33 INQUIRY INTO GAY and TRANSGENDER HATE
Submission No 33 INQUIRY INTO GAY AND TRANSGENDER HATE CRIMES BETWEEN 1970 AND 2010 Organisation: NSW Beat Project Date Received: 23 November 2018 Inquiry into Gay and Transgender hate crimes between 1970 and 2010 ____________________________________________________________ Thank you for the opportunity to make this submission to the Inquiry into Gay and Transgender hate crimes between 1970 and 2010. We would appreciate the opportunity to give evidence to the Inquiry. The NSW Beat Project is a peer-based community network that was initiated in 2008 in response to an alarming increase in police activity and harassment at beats across NSW, and the failure by NSW Police and ACON Anti-Violence Project – as members of the NSW Government Interagency “Beats Working Group”, to address homophobic violence and ensure the safety of the beat community. Based on numerous reports of police harassment and our work with the beat community, this submission will aim to raise several issues regarding “current policy and practice” and continuing “impediments within the criminal justice system that impacted the protection of LGBTIQ people in NSW, and the delivery of justice to victims of LGBTIQ hate crimes”. The attached ‘case study’ of homophobic violence at ‘Croudace Bay Park’ between 2011 to 2014 highlights the underlying impediment faced by the beat community – the negative attitude of police officers and deeply entrenched homophobia within NSW Police, and demonstrates the total disregard for the safety and well being of beat users which has resulted in deep mistrust in NSW Police, reluctance to report homophobic violence, and fear of retribution from police and bashers. Unfortunately, it is not difficult to draw comparisons between these experiences and those faced by men who were bashed and murdered between 1970 and 2010. -
James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction. -
Dystopian America in Revolutionary Road and 'Sonny's Blues'
Dystopian America in Revolutionary Road and ‘Sonny’s Blues’ Kate Garrow America as a nation is often associated with values of freedom, nationalism, and the optimistic pursuit of dreams. However, in Revolutionary Road1 by Richard Yates and ‘Sonny’s Blues’2 by James Baldwin, the authors display a pessimistic view of America as a land characterised by suffering and entrapment, supporting the view of literary critic Leslie Fiedler that American literature is one ‘of darkness and the grotesque’.3 Through the contrasting communities of white middle-class suburbia and Harlem, the authors depict a dystopian America, where characters are stripped of their agency and forced to rely on illusions, false appearances, or escape in order to survive. Both ‘Sonny’s Blues’ and Revolutionary Road confirm that despite America’s appearance as ‘a land of light and affirmation’,4 it hides a much darker reality. Both Yates and Baldwin use characteristics of dystopian literature to create their respective American societies. Revolutionary Road is set in a white middle-class suburban society fuelled by materialism and false appearances. In particular, the community demands conformity. Men must succumb to a bland office job that ‘would swallow them up’5 and 1 R. Yates, Revolutionary Road, London, Random House, 2007. 2 A. Baldwin, ‘Sonny’s Blues’, in Going to Meet the Man, Knopf Doubleday Publishing Group, 2013. 3 L. Fiedler, Love and Death in the American Novel, Stein and Day, 1960, p. 29. 4 Fiedler, p. 29. 5 Yates, Revolutionary Road, p. 119. Burgmann Journal VI (2017) women must accept the feminine role as submissive housewife. -
I Am Not Your Negro
Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. -
Perched in Potential: Mobility, Liminality, and Blues Aesthetics
PERCHED IN POTENTIAL: MOBILITY, LIMINALITY, AND BLUES AESTHETICS IN THE WRITINGS OF JAMES BALDWIN by TAREVA LESELLE JOHNSON (Under the Direction of Valerie Babb) ABSTRACT James Baldwin’s mobility and appreciation for African American musical traditions play an integral part in the writer’s crossing of genre and subgenre, his unique style, and his preoccupation with repeated themes. The interplay of music and shifting space in Baldwin’s life and texts create liminal spaces for Baldwin and readers to enter. In these spaces, clearer understandings of the importance of exteriority and interiority, simultaneously, are achieved. This in-betweenness is a place of potential and power. Baldwin’s writing uses this power to chronicle his own growing consciousness and to create, with his collective works, and through them, Baldwininan literary theory that applies to his own works’ use of liminality, the blues and travel. One is able to overhear Baldwin speaking to himself via his texts at multiple points in his nearly forty-year career. INDEX WORDS: James Baldwin, Transatlantic, Liminal, Mobility, Blues, African American, Go Tell It on the Mountain, The Amen Corner, Sonny’s Blues, The Uses of the Blues, Paris, Turkey, Exile PERCHED IN POTENTIAL: MOBILITY, LIMINALITY, AND BLUES AESTHETICS IN THE WRITINGS OF JAMES BALDWIN by TAREVA LESELLE JOHNSON B.A., COLUMBIA UNIVERSITY, 2008 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2012 © 2012 Tareva Leselle Johnson All Rights Reserved PERCHED IN POTENTIAL: MOBILITY, LIMINALITY, AND BLUES AESTHETICS IN THE WRITINGS OF JAMES BALDWIN by TAREVA LESELLE JOHNSON Major Professor: Valerie Babb Committee: Cody Marrs Barbara McCaskill Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2012 iv DEDICATION I dedicate this project to my brother, Jerome, and everyone else who makes their way back time and time again. -
The Cambridge Companion to James Baldwin Edited by Michele Elam Frontmatter More Information
Cambridge University Press 978-1-107-04303-9 - The Cambridge Companion to James Baldwin Edited by Michele Elam Frontmatter More information The Cambridge Companion to James Baldwin This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a “spokesman for the race,” although he, at times controversially, eschewed titles and classifi cations of all kinds. Thirteen original essays examine his classic novels and nonfi ction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children’s literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and infl uence of his work during the civil rights era as well as his relevance in the “post-race” transnational twenty-fi rst century, when his prescient questioning of the boundaries of race, sex, love, leadership, and country assumes new urgency. Michele Elam is Professor of English, Olivier Nomellini Family University Bass Fellow in Undergraduate Education, and former Director of African and American Studies at Stanford University. She is the author of Race, Work, and Desire in American Literature, 1860–1930 (2003) and The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium (2011). A complete list of books in the series is at the back of this book. © in this web service Cambridge University Press www.cambridge.org -
James Baldwin's Radicalism and the Evolution of His Thought on Israel
ESSAY “The Shape of the Wrath to Come”: James Baldwin’s Radicalism and the Evolution of His Thought on Israel Nadia Alahmed Dickinson College Abstract This article traces the evolution of James Baldwin’s discourse on the Arab–Israeli conflict as connected to his own evolution as a Black thinker, activist, and author. It creates a nuanced trajectory of the transformation of Baldwin’s thought on the Arab–Israeli conflict and Black and Jewish relations in the U.S. This trajectory is created through the lens of Baldwin’s relationship with some of the major radical Black movements and organizations of the twentieth century: Malcolm X, Elijah Muhammad and the Nation of Islam, and, finally, the Black Power movement, espe- cially the Black Panther Party. Using Baldwin as an example, the article displays the Arab–Israeli conflict as a terrain Black radicals used to articulate their visions of the nature of Black oppression in the U.S., strategies of resistance, the meaning of Black liberation, and articulations of Black identity. It argues that the study of Baldwin’s transformation from a supporter of the Zionist project of nation-building to an advocate of Palestinian rights and national aspirations reveals much about the ideological transformations of the larger Black liberation movement. Keywords: James Baldwin, Palestine, Israel, Black radicalism, Malcolm X, Elijah Muhammad, Nation of Islam, Black Power I think black people have always felt this about America, and Americans, and have always seen, spinning above the thoughtless American head, the shape of the wrath to come. James Baldwin, No Name in the Street1 As the state of Israel was established in 1948, James Baldwin felt the urge to flee America. -
2018 Fall and Winter CONTENTS
2018 Fall and Winter CONTENTS GENERAL INTEREST AMERICAN STUDIES GAY/LESBIAN/QUEER/BI/ See It Feelingly Savarese 1 Violence Work Seigel 29 TRANS STUDIES Little Man, Little Man Mobile Subjects Aizura 42 Baldwin and Cazac 2 INDIGENOUS AND NATIVE STUDIES Going Stealth Beauchamp 42 Essential Essays Hall 4 Paradoxes of Hawaiian Sovereignty Trans Exploits Chen 43 The Blue Clerk Brand 5 Kauanui 29 Trans*historicities DeVun and Tortorici 43 Comfort Measures Only Campo 6 Unsustainable Empire Saranillio 30 The Queer Commons Gunslinger Dorn 7 Butt and Millner-Larsen 44 Written in Stone Levinson 7 AFRICAN STUDIES Queer about Comics Scott and Fawaz 44 My Butch Career Newton 8 The Fetish Revisited Matory 30 Female Masculinity Halberstam 9 Fugitive Modernities Krug 31 FILM/TV Exile within Exiles Green 9 Making Sex Public, and Other RELIGION The Brazil Reader Green, Langland, Cinematic Fantasies Young 45 An Intimate Rebuke Grillo 31 and Moritz Schwarcz 10 The Apartment Complex Wojcik 45 Passages and Afterworlds Plan Colombia Lindsay-Poland 11 Forde and Hume 32 Is It Still Good to Ya? Christgau 12 LATIN AMERICAN STUDIES Laughing at the Devil Hall 13 Channeling the State Schiller 46 SOUTH ASIAN STUDIES Vexy Thing Perry 14 1968 Mexico Draper 46 Indian Migration and Empire Mongia 32 Jezebel Unhinged Lomax 15 Seeking Rights from the Left Friedman 47 Latinx Lives in Hemsipheric Context Empowered Banet-Weiser 15 ANTHROPOLOGY Windell and Alemán 47 Straight A’s Yano and Akatsuka 16 A World of Many Worlds Racial Melancholia, Racial Dissociation de la Cadena and -
Going to Meet the Man”: Scripting White Supremacist Eros
Benlloch ENG 390: Final “Going to Meet the Man”: Scripting White Supremacist Eros In order to be utilized, our erotic feelings must be recognized. The need for sharing deep feeling is a human need. But within the european-american tradition, this need is satisfied by certain proscribed erotic comings-together. These occasions are almost always characterized by a simultaneous looking away, a pretense of calling them something else, whether a religion, a fit, mob violence, or even playing doctor. –Audre Lorde, “Uses of the Erotic: The Erotic as Power” (emphasis mine) If we think of “flesh” as a primary narrative, then we mean its seared, divided, ripped-apartness, riveted to the ship’s hole, fallen, or escaped overboard. —Hortense Spillers, “Mama’s Baby, Papa’s Maybe” All attempts to explain the malicious standard operating procedure of the US white supremacy find themselves hamstrung by conceptual inadequacy; it remains describable, but not comprehensible. —Steve Martinot and Jared Sexton, “The Avant-Garde of White Supremacy” Introduction In 1931, Raymond Gunn was burned to death, his still living body dragged to the top of a Maryville, Missouri schoolhouse, bound to the ridgepole by a horde of unmasked local men, and doused in gasoline (Kremer 359). Before the schoolhouse collapsed in a billowing inferno, leaving Raymond’s body to disintegrate in a manner of minutes, spectators confirmed the presence of the mob leader, an outsider in a red coat who led the lynch mob and who was ultimately responsible for throwing a flaming piece of paper into the gasoline-soaked building (Kremer 360). Despite the outsider’s eponymous red coat, the identity of the mob leader remains anonymous to history, yet I argue that “the man in the red coat,” far from being ‘unknown,’ is an all too overt and present amalgam for the civil roots of the eroticization of the color line in the United States. -
Punishing Queer Sexuality in the Age of LGBT Rights by Scott De Orio A
Punishing Queer Sexuality in the Age of LGBT Rights by Scott De Orio A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History and Women’s Studies) in The University of Michigan 2017 Doctoral Committee: Professor Matthew D. Lassiter, Chair Professor David M. Halperin Professor William J. Novak Associate Professor Gayle S. Rubin Scott De Orio [email protected] ORCID iD: 0000-0002-4631-6241 © Scott De Orio 2017 To my parents ii Acknowledgments Support from several institutions and fellowships made it possible for me to complete this project. At the University of Michigan, the Department of History, the Department of Women’s Studies, the Rackham Graduate School, and the Eisenberg Institute for Historical Studies funded the research and writing of my dissertation and provided me with the ideal intellectual culture in which to do that work. Elizabeth Wingrove got me thinking about gender as a category of analysis in the Community of Scholars seminar that she directed at the Institute for Research on Women and Gender. Fellowships from Cornell University’s Human Sexuality Collection, Princeton University’s Seeley G. Mudd Manuscript Library, the William Nelson Cromwell Foundation, and the U-M Department of History funded archival research for the project. While I was in the revision stage, Mitra Shirafi and the Hurst Summer Institute in Legal History exploded my thinking about the law and politics in ways that I’m just beginning to process. When I was in high school, my favorite English teacher Deanna Johnson introduced me to the art of analyzing pop culture, and I’ve been hooked ever since. -
Fighting Injustice
Fighting Injustice by Michael E. Tigar Copyright © 2001 by Michael E. Tigar All rights reserved CONTENTS Introduction 000 Prologue It Doesn’t Get Any Better Than This 000 Chapter 1 The Sense of Injustice 000 Chapter 2 What Law School Was About 000 Chapter 3 Washington – Unemployment Compensation 000 Chapter 4 Civil Wrongs 000 Chapter 5 Divisive War -- Prelude 000 Chapter 6 Divisive War – Draft Board Days and Nights 000 Chapter 7 Military Justice Is to Justice . 000 Chapter 8 Chicago Blues 000 Chapter 9 Like A Bird On A Wire 000 Chapter 10 By Any Means Necessary 000 Chapter 11 Speech Plus 000 Chapter 12 Death – And That’s Final 000 Chapter 13 Politics – Not As Usual 000 Chapter 14 Looking Forward -- Changing Direction 000 Appendix Chronology 000 Afterword 000 SENSING INJUSTICE, DRAFT OF 7/11/13, PAGE 2 Introduction This is a memoir of sorts. So I had best make one thing clear. I am going to recount events differently than you may remember them. I will reach into the stream of memory and pull out this or that pebble that has been cast there by my fate. The pebbles when cast may have had jagged edges, now worn away by the stream. So I tell it as memory permits, and maybe not entirely as it was. This could be called lying, but more charitably it is simply what life gives to each of us as our memories of events are shaped in ways that give us smiles and help us to go on. I do not have transcripts of all the cases in the book, so I recall them as well as I can. -
“He Gave Me the Words”: an Interview with Raoul Peck
INTERVIEW “He Gave Me the Words”: An Interview with Raoul Peck Leah Mirakhor Yale University Abstract I Am Not Your Negro (2016) takes its direction from the notes for a book enti- tled “Remember this House” that James Baldwin left unfinished, a book about his three friends—Medgar Evers, Malcolm X, and Martin Luther King Jr.— their murders, and their intertwining legacies. The film examines the prophetic shadow Baldwin’s work casts on twentieth- and twenty-first-century American politics and culture. Peck compiles archival material from Baldwin’s interviews on The Dick Cavett Show, his 1965 Cambridge lecture, and a series of banal images indexing the American dream. Juxtaposed against this mythology is footage of Dorothy Counts walking to school, the assassination of black leaders and activists, KKK rallies, and the different formations of the contemporary carceral state. Our conversation examines Peck’s role as a filmmaker and his relationship with the Baldwin estate. Additionally, we discussed a series of aesthetic choices he fought to include in the film’s final cut, directing Samuel L. Jackson as the voice for the film, the similarities and shifts he wanted to document in American culture since the 1960s, and some of the criticism he has received for not emphasizing more Baldwin’s sexuality. Keywords: James Baldwin, Gloria Baldwin Karefa-Smart, race, film, America, The Devil Finds Work, “Remember this House,” violence, sexuality, Patrice Lumumba, film I Am Not Your Negro (2016) is a work that has been a lifetime in the making for Raoul Peck. Before he met James Baldwin’s younger sister, Gloria Baldwin Karefa-Smart, a decade ago at her home in Washington D.C.