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Sponsored by Prudential Investment Management

Wednesday Evening, February 25, 2015, at 8:30 m a r

g Joey Arias: o

r A Centennial Tribute to

P Billie Holiday

e Matt Ray , Musical Director and Piano h Dana Lyn , Violin T Yair Evnine , Cello and Guitar Antoine Drye , Trumpet Danton Boller , Bass Will Terrill , Drums

This evening’s program is approximately 75 minutes long and will be performed without intermission.

Please make certain all your electronic devices are switched off.

Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center.

Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 2

American Songbook

Additional support for Lincoln Center’s American Songbook is provided by The Brown Foundation, Inc., of Houston, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Endowment support is provided by Bank of America. Public support is provided by the New York State Council on the Arts. Artist catering is provided by Zabar’s and zabars.com. MetLife is the National Sponsor of Lincoln Center. Movado is an Official Sponsor of Lincoln Center. United Airlines is the Official Airline of Lincoln Center. WABC-TV is the Official Broadcast Partner of Lincoln Center. William Hill Estate Winery is the Official Wine of Lincoln Center.

UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM:

Thursday Evening, February 26, at 8:30 Shovels & Rope

Friday Evening, February 27, at 8:30 People Get Ready’s Steven Reker

Saturday Evening, February 28, at 8:30 Barbara Cook

IN THE STANLEY H. KAPLAN PENTHOUSE:

Wednesday Evening, March 11, at 8:00 In Need of Music: The Songs of Ben Toth

Thursday Evening, March 12, at 8:00 Jose Llana

Friday Evening, March 13, at 8:00 The Villalobos Brothers

The Appel Room is located in Jazz at Lincoln Center’s Frederick P. Rose Hall. The Stanley H. Kaplan Penthouse is located at 165 West 65th Street, 10th floor.

For tickets, call (212) 721-6500 or visit AmericanSongbook.org. Call the Lincoln Center Info Request Line at (212) 875-5766 or visit AmericanSongbook.org for complete program information.

Join the conversation: #LCSongbook

We would like to remind you that the sound of coughing and rustling paper might distract the performers and your fellow audience members. In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces . The taking of photographs and the use of recording equipment are not allowed in the building. 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 3

American Songbook I Meet the Artists s t s i t r A

e E P I L h E F

t O G

A I T t N A S e

e Joey Arias

M Joey Arias has been revered since the 1980s as a central figure in New York City’s fertile downtown performance scene. Born in North Carolina, Mr. Arias moved with his family to Los Angeles at the age of six. Gary Austin, founder the famed Groundlings improv troupe, invited him to become an original Groundling at the age of 16, making him the youngest member in the history of the group. Soon thereafter he was signed to Capitol Records as the lead singer for the band Purlie. Mr. Arias later became a close friend and collaborator of German countertenor Klaus Nomi, and the pair was scouted by David Bowie, who invited them to per - form with him as part his infamous appearance on Saturday Night Live .

A fan of Billie Holiday since childhood, Mr. Arias first displayed his affinity for Lady Day on his 1987 release Arias on Holiday . The album featured “Good Morning Heartache,” original songs, and more contemporary tracks, including The Beatles’ “A Hard Day’s Night” and a cheeky inter - pretation of Madonna’s “Holiday”—all sung in a jazzy style evocative of Holiday. Soon thereafter, Mr. Arias starred in Strange Fruit , an homage to Holiday that ran for over a year downtown and appeared in an expanded version at the Antony Hegarty–curated Meltdown festival at the Southbank Centre in London.

In the ’90s Mr. Arias established himself with twice-weekly shows at Bar d’O. He became close to fashion designer Thierry Mugler, frequently appearing in Mugler’s fashion shows. Mr. Arias continues to play muse to Mugler and recently starred in the Mugler-directed short film Z Chromosome . Mr. Arias capped his decade-long run at Bar d’O with a move to Las Vegas, where he originated the role of Mistress of Seduction in Cirque du Soleil’s Zumanity and co-wrote three songs for the show. After six years in that role, he returned to New York, where he became star and co-creator of Arias with a Twist with master puppeteer Basil Twist. 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 4

American Songbook I Meet the Artists

In recent years Mr. Arias has headlined Town Hall and Central Park’s SummerStage, and enjoyed several sold-out residencies at Joe’s Pub at the Public Theater. With MAC Cosmetics, he developed and starred in Joey Arias: A to Z , a large-scale “retro-futurespective” of his life and career in New York, London, and Paris. On film, Mr. Arias has appeared in Mondo New York , Big Top Pee-wee , Elvira : Mistress of the Dark , Wigstock: the Movie , Flawless , and To Wong Foo, Thanks for Everything! Julie Newmar .

Matt Ray

Matt Ray (musical director and piano) can be seen in some of New York’s best venues, where he performs nightly either fronting his own band or accompa - nying some of the city’s most dynamic performers. Recent work includes per - forming at Carnegie Hall with Kat Edmonson, touring with reggae legend Burning Spear, music-directing The Billie Holiday Project at the Apollo Theater in Harlem, writing string and piano arrangements for the fifth season finale of Showtime’s Nurse Jackie, performing at Joe’s Pub with Joey Arias and in Paris with Mx Justin Vivian Bond, and in monthly gigs at Joe’s Pub with Bridget Everett & The Tender Moments. Other highlights include performing at the Edinburgh Festival Fringe with Lady Rizo and music-directing Taylor Mac’s show A 24-Decade History of Popular Music . In addition, Mr. Ray music-directed and played piano in Taylor Mac’s Obie Award –winning play The Lily’s Revenge at the HERE arts center in New York. He has released two jazz albums as a leader, We Got It! (2001) and Lost in New York (2006), and one album of original pop/folk material called Songs for the Anonymous (2013).

Dana Lyn

Dana Lyn (violin) is a multi-instrumentalist and composer. She is at home in multiple musical worlds as a keyboard player and violinist, ranging from clas sical and contemporary classical to folk, electronica, and improvisatory music. Selected theater credits as an onstage musician include Hamlet (2008, the Public Theater), A Winter’s Tale and The Cherry Orchard (2009, BAM, directed by Sam Mendes), and Clive (2013, the New Group, directed by Ethan Hawke). Most recently Ms. Lyn music-directed Family Album (2014, Oregon Shakespeare Festival) , a new musical by Tony Award –winning collaborators Stew and Heidi Rodewald. In 2013 Ms. Lyn released Aqualude , an album of original compositions for mixed quintet, and next month will release her col - laboration with actor Vincent D’Onofrio, Slim Bone Head Volt .

Yair Evnine

Yair Evnine (cello and guitar) is a classically trained cellist and guitarist who has performed, recorded, produced, and written with many theatrical and recording artists, including Duncan Sheik, Meow Meow, Alan Cumming, Lady Rizo, Taylor 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 5

American Songbook I Meet the Artists

Mac, Mx Justin Vivian Bond, and Spencer Day. Mr. Evnine has performed as a musician in the La Jolla Playhouse production of The Nightingale , written by Duncan Sheik and Steven Sater ( Spring Awakening ), and is involved in another Sheik/Sater musical currently in development. Recently he was commissioned to co-compose the music for I Kiss Your Heart , a musical based on newly dis - covered love letters of Dylan Thomas, which was produced at the Soho Theatre in London and directed by Steve Marmion.

Antoine Drye

Antoine Drye (trumpet) is a New York City–based musician who freelances on trumpet and runs the Samurai Hotel recording studio with his partners. He has worked with a wide range of artists, including Tim Warfield, Jason Marsalis, Wilson Pickett, the Brand New Heavies, Paul Simon, Brian Blade, and Daniel Lanois.

Danton Boller

Danton Boller (bass) has been on the New York music scene since 1997. He has recorded and performed on stages around the world with artists such as Roy Hargrove, Jon Fishman, Robert Glasper, Elysian Fields, Joey Arias, Mx Justin Vivian Bond, Norah Jones, Matt Ray, Q Tip, Taylor Mac, and Patti LaBelle. Mr. Boller leads the New York City band The Sides, an instrumental sound - scape that illuminates avant-jazz, dub, Afrobeat, and rock. In addition, Mr. Boller records and produces in his New York studio. He co-produced the critically acclaimed Kat Edmonson release Way Down Low on Sony.

Will Terrill

Will Terrill (drums) attended North Carolina Central University to pursue a degree in jazz studies. While playing in a jam session at the International Association of Jazz Educators conference, Mr. Terrill was noticed by Betty Carter, who felt he would be a strong candidate for her mentoring program, Jazz Ahead. Mr. Terrill toured with Carter from 1993 to 1995 and has also performed with Benny Golson, Ron Carter, Jimmy Heath, the Count Basie Orchestra, Wynton Marsalis, Cyrus Chestnut, Nnenna Freelon, and Abdullah Ibrahim. Mr. Terrill graduated with honors from the City College of New York and earned a graduate degree in jazz and contemporary music from New York University. 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 6

American Songbook

American Songbook

In 1998, Lincoln Center launched American Songbook, dedicated to the cele - bration of popular American song. Designed to highlight and affirm the cre - ative mastery of America’s songwriters from their emergence at the turn of the 19th century up through the present, American Songbook spans all styles and genres, from the form’s early roots in Tin Pan Alley and Broadway to the eclecticism of today’s singer-songwriters. American Songbook also show - cases the outstanding interpreters of popular song, including established and emerging concert, cabaret, theater, and songwriter performers.

Lincoln Center for the Performing Arts, Inc.

Lincoln Center for the Performing Arts (LCPA) serves three primary roles: pre - senter of artistic programming, national leader in arts and education and com - munity relations, and manager of the Lincoln Center campus. A presenter of more than 3,000 free and ticketed events, performances, tours, and edu - cational activities annually, LCPA offers 15 programs, series, and festivals including American Songbook, Great Performers, Lincoln Center Festival, Lincoln Center Out of Doors, Midsummer Night Swing, the Mostly Mozart Festival, and the White Light Festival, as well as the Emmy Award–winning Live From Lincoln Center , which airs nationally on PBS. As manager of the Lincoln Center campus, LCPA provides support and services for the Lincoln Center complex and the 11 resident organizations. In addition, LCPA led a $1.2 billion campus renovation, completed in October 2012.

Lincoln Center Programming Department Jane Moss, Ehrenkranz Artistic Director Hanako Yamaguchi, Director, Music Programming Jon Nakagawa, Director, Contemporary Programming Jill Sternheimer, Acting Director, Public Programming Lisa Takemoto, Production Manager Charles Cermele, Producer, Contemporary Programming Kate Monaghan, Associate Director, Programming Claudia Norman, Producer, Public Programming Mauricio Lomelin, Associate Producer, Contemporary Programming Julia Lin, Associate Producer Nicole Cotton, Production Coordinator Regina Grande, Assistant to the Artistic Director Luna Shyr, Programming Publications Editor Olivia Fortunato, House Seat Coordinator

For American Songbook Matt Berman, Lighting Design Scott Stauffer, Sound Design Angela Fludd, Wardrobe Assistant Sara Sessions, Production Assistant 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 7

American Songbook

Matt Berman

Matt Berman is the resident lighting designer for Lincoln Center’s American Songbook. He continues his design work for Kristin Chenoweth, Liza Minnelli, Kaye Ballard, Brian Stokes Mitchell, Lea Salonga, and Elaine Paige on the road. Through his work with the American Society of Composers, Authors and Publishers (ASCAP) and several U.S.-based charities, Mr. Berman has designed for a starry roster that includes Bernadette Peters, Barbra Streisand, Reba McEntire, Melissa Errico, Deborah Voigt, Michael Urie, Stevie Wonder, India Arie, Garth Brooks, Billy Joel, and Sting. His international touring sched - ule has allowed him to design for iconic venues such as Royal Albert Hall, the Paris Opera, the Olympia Theater in Paris, Royal Carré Theater in Amsterdam, the Sporting Club in Monte Carlo, the Acropolis, the Taormina Amphitheater in Sicily, Luna Park in Buenos Aires, the Sydney Opera House, and, closer to home, the Hollywood Bowl, Alice Tully Hall, and Carnegie Hall. Mr. Berman’s television work includes Chenoweth’s recently released special Coming Home , as well as seven Live From Lincoln Center broadcasts and the Tony Award –winning Liza’s at the Palace , which he also designed for Broadway. Other Broadway credits include Bea Arthur on Broadway , Nancy LaMott’s Just in Time for Christmas , and Kathy Griffin Wants a Tony at the Belasco Theater.

Scott Stauffer

Scott Stauffer has been the sound designer for Lincoln Center’s American Songbook (1999–2015); the Actors Fund concerts of Frank Loesser , Broadway 101 , Hair, and On the Twentieth Century ; and Brian Stokes Mitchell at Carnegie Hall. His Broadway credits include A Free Man of Color , The Rivals , Contact (also in London and Tokyo), Marie Christine , Twelfth Night , and Jekyll & Hyde . Off-Broadway Mr. Stauffer has worked on Hereafter , A Minister’s Wife , Bernarda Alba , Third , Belle Epoque , Big Bill , Elegies , Hello Again , The Spitfire Grill , Pageant , and Hedwig and the Angry Inch . His regional credits include pro - ductions at the Hanger Theatre, Berkshire Theatre Festival, Chicago Shakespeare Theater, and Alley Theatre. As a sound engineer, Mr. Stauffer has worked on The Lion King , Juan Darién , Chronicle of a Death Foretold , Carousel , Once on This Island , and Little Shop of Horrors (Off-Broadway). 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 8

UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall March 2015 April 2015

THE APPEL ROOM THE APPEL ROOM Salute to Betty Carter Billie Holiday Festival March 6–7 at 7pm & 9:30pm Cécile McLorin Salvant Sing Billie Holiday Betty Carter blazed her own trail as one of the most April 10–11 at 7pm & 9:30pm original jazz vocalists of our time. Drummer and Cécile McLorin Salvant has exploded on the jazz music director Alvester Garnett and rising star vocal- scene as a masterful interpreter of song, with a ist Charenee Wade celebrate the legacy of Carter, canny ability to select unique and rarely performed who would have turned 85 this year. Garnett, joined repertoire. Salvant’s odes to her predecessors by other past members of Betty Carter’s band includ- encompass organic assimilation and brave creativity. ing saxophonist Craig Handy, pianists Jacky Such a skill set is necessary when taking on the Terrasson and Stephen Scott, bassists Michael music of Billie Holiday. Admittedly taken aback by Bowie and Curtis Lundy, and drummer Winard Holiday during her initial introductions, the idiosyn- Harper will share memories of his first touring expe- cratic giant of jazz later became one of Salvant’s pri- rience with Carter, performing some of her trade- mary inspirations. As part of our Billie Holiday cen- mark tunes including “What A Little Moonlight Can tennial celebration, Salvant delves further into her Do” and “Baby, It’s Cold Outside.” Rounding out the vast catalogue, with a performance that will surely performance will be tap dancer Michela Marino ignite a renewed appreciation for “Lady Day.” Lerman, who recently paid tribute to Betty Carter in Free pre-concert discussion nightly, 6pm & 8:30pm. a performance at Dizzy’s Club Coca-Cola. Free pre-concert discussion nightly, 6pm & 8:30pm. ROSE THEATER Billie Holiday Festival ROSE THEATER Celebrating Lady Day Paquito D’Rivera: Around the Americas April 10–11 at 8pm March 27–28 at 8pm At the centennial of Billie Holiday’s birth, we celebrate Like his mentor Dizzy Gillespie, virtuoso clarinetist the unapologetically organic artist and jazz singer of and saxophonist Paquito D’Rivera possesses a deep monumental innovation. Vocalists Andy Bey, Molly commitment to the cultural exchange between jazz Johnson, and Sarah Elizabeth Charles will perform and Latin music. Through composers like Ernesto repertoire such as ‘Don’t Explain,’ ‘You Go To My Lecuona, Antonio Carlos Jobim, Rafael Hernandez, Head,’ and ‘Strange Fruit.’ Bey is a Grammy Award- and Chucho Valdés (with whom D’Rivera worked nominated vocalist with a truly resonant sound and a with as a member of his ensemble Irakere in the pianist of ultra sensitivity, who has been recording as 1970s), D’Rivera will delve into South American a leader for over 60 years. Molly Johnson is one of musical styles as sources for the enrichment of con- Canada’s greatest musical voices, noted for her infec- temporary jazz music. A founding member of tious on-stage energy. Sarah Elizabeth Charles is a ris- Gillespie’s United Nations Orchestra, D’Rivera is also ing star vocalist-composer quickly gaining acclaim, an 11-time Grammy Award winner, NEA Jazz Master, who in 2009 participated in the Betty Carter Jazz and Carnegie Hall Lifetime Achievement Award Ahead Composers Residency. Representing three recipient. D’Rivera will be joined by pianist Alex generations from varied regions, each of these artists Brown, bassist Oscar Stagnaro, drummer Mark is uniquely stimulated by the brilliance of Holiday. Walker, trombonist and trumpeter Diego Urcola, and Joining Bey, Johnson, and Charles are music director percussionist Pernell Saturnino, as well as string and pianist Peter Martin, drummer Ulysses Owens, ensemble Quinteto Cimarron direct from Spain. bassist Robert Hurst, and saxophonist Melissa Aldana. Free pre-concert discussion nightly, 7pm.

Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor Tickets starting at $10 To purchase tickets call CenterCharge: 212-721-6500 or visit: jazz.org. The Jazz at Lincoln Center Box Office is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm. For groups of 15 or more: 212-258-9875 or jazz.org/groups. For more information about our education programs, visit academy.jazz.org. For Swing University and WeBop enrollment: 212-258-9922. Find us on Facebook, Twitter, YouTube, and Instagram. 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 9

UPCOMING EVENTS

Jazz at Lincoln Center’s Frederick P. Rose Hall

The Artistry of Jazzmeia Horn February 2015 with Lesedi Ntsame, Victor Gould, Eric Wheeler, Kush Abadey, Alexandrea Johnson, and The Music of Dexter Gordon: A Celebration Phantom Knoet The Dexter Gordon Legacy Ensemble March 11 with George Cables, Gerald Cannon, Lewis Nash, 7:30pm & 9:30pm Joe Locke, Abraham Burton, and Craig Handy February 26–March 1 Gregory Generet 7:30pm & 9:30pm The Storytellers: Hartman, Coltrane & Williams with Orrin Evans, Willie Jones III, and Gerald Cannon March 2015 March 12 7:30pm & 9:30pm Eastman Jazz Ensemble with Dave Glasser Tribute to Billy Strayhorn Jacky Terrasson Quintet March 2 Take This Album Release Party 7:30pm & 9:30pm March 13–15 7:30pm and 9:30pm Cyrus Chestnut Trio March 3–5 For Strayhorn: New York Youth Symphony Jazz 7:30pm & 9:30pm featuring Luis Bonilla March 16 The Incredible Jazz Guitar of Wes Montgomery 7:30pm & 9:30pm Featuring Calvin Keys & Yotam Silberstein with Andrew Renfroe, Adam Moezina, Brian Renee Rosnes Quartet with Steve Nelson, Peter Charette, and Jordan Young Washington & Lewis Nash March 6–8 March 17–19 7:30pm & 9:30pm 7:30pm & 9:30pm

Chihiro Yamanaka Trio Brussels Jazz Orchestra with Yasushi Nakamura and Kush Abadey Graphicology: graphic novel meets live jazz March 9 March 20–22 7:30pm & 9:30pm 7:30pm & 9:30pm

Anton Schwartz Quintet Manhattan School of Music Jazz Orchestra March 10 featuring Dave Liebman with Scott Wendholt, Danny Grissett, Ugonna A Tribute to Wayne Shorter Okegwo, and Lorca Hart March 23 7:30pm & 9:30pm 7:30pm & 9:30pm In deference to the artists, patrons of Dizzy’s Club Coca-Cola are encouraged to keep conversations to a whisper during the performance. Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York. Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservations Nightly Artist sets at 7:30pm & 9:30pm. Late Night Session sets Tuesday through Saturday. Doors open at 11:15pm Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set. Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays. Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater and The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours. Dizzy’s Club Coca-Cola gift cards now available. Find us on Facebook, Twitter, YouTube, and Instagram. 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 10

jazz at lincoln center february family concert: who is billie holiday? ••  With A ron Diehl nd Ch renee W de dianne reeves –• Voc list Di nne Reeves returns for V lentine’s D y. Join us for speci l pre-concert V lentine’s D y dinner (2/14 only). sherman irby’s journey through swing •| • Sherm n Irby nd friends explore the music of Ch rlie P rker, Freddie Hubb rd, nd more elio villafranca’s music of the caribbean •| • With Elio Vill fr nc , Jon F ddis, Leyl McC ll , nd the J ss Syncop tors new orleans songbook –• Cyrille Aimée, Milton Suggs, A ron Diehl, nd The New Orle ns J zz Orchestr with Irvin M yfield jazz across the americas –• J zz t Lincoln Center Orchestr with Wynton M rs lis

Frederick P. Rose Hall Broadway at 60th Street Box O ce: Ground Floor CenterCharge: 212-721-6500 jazz.org

Lead Corporate Supporter of Jazz Across the Americas

The J zz for Young People F mily Concert is funded through the generosity of Mic nd Ahmet Ertegun. 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 11

jazz at lincoln center march salute to betty carter •  •  Drummer nd music director Alvester G rnett, voc list Ch renee W de, s xophonist Cr ig H ndy, pi nists J cky Terr sson nd Stephen Scott, b ssists Mich el Bowie nd Curtis Lundy, drummer Win rd H rper, nd t p d ncer Michel M rino Lerm n webop family jazz party: webop goes marching in •   •       Come m rching into spring with the WeBop F mily B nd s they m rch nd p r de long to the funky be t of New Orle ns in this inter ctive perform nce for f milies paquito d’rivera: around the americas –• •  Cl rinetist nd s xophonist P quito D’River tours the music of South Americ with pi nist Alex Brown, b ssist Osc r Stegn ro, drummer M rk W lker, trombonist nd trumpeter Diego Urcol , percussionist Pernell S turnino, nd string ensemble Quinteto Cim rron

Frederick P. Rose Hall Broadway at 60th Street Box O ce: Ground Floor CenterCharge: 212-721-6500 jazz.org

Le d Corpor te Supporter of Salute to Betty Carter 02-25 SB Arias_GP2 copy 2/13/15 2:22 PM Page 12 li j i h l

7:30pm & 9:30pm sets late night session 11:30pm, tuesday–saturday 212-258-9595 jazz.org/dizzys jazz at lincoln center broadway at 60th street, 5th floor

Photo by Marylene Mey and Whit Lane