DOCSLIB.ORG

Motion Picture and Television Script Collection Title

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Motion Picture and Television Script Collection Title Cal State LA Special Collections & Archives Motion Picture and Television Script Collection Title: Motion Picture and Television Script Collection Collection Number: 1970.001 Creator: California State University, Los Angeles Drama Department Dates: 1926- 1985 Extent: 37.5 linear ft. Repository: California State University, Los Angeles, John F. Kennedy Memorial Library, Special Collections & Archives Location: Special Collections & Archives, Palmer, 4th floor Room 4048 - A Provenance: California State University, Los Angeles Theater Arts Department Processing Information: Processed Michelle Dragoo 2014 Arrangement: The collection is organized into one series: I. Scripts, which is arranged in alphabetical order by script name. Copyright: The Motion Picture and Television Script Collection is the physical property of California State University, Los Angeles, John F. Kennedy Memorial Library, Special Collections and Archives. Preferred Citation: Folder title, Series, Box number, Collection title, followed by Special Collections and Archives, John F. Kennedy Memorial Library, California State University, Los Angeles Historical/Biographical Note This collection was donated by the Theater Arts Department of the California State University, Los Angeles in the late 1970s. Titles include; "Ace Eli and Rodger of the Skies," a 1971 screenplay by Claudia Salter from an original screen story by Steven Spielberg, and "Terror town," an Alfred Hitchcock Hour teleplay. Series Description Series I: Scripts Inclusive Dates: 1926-1985 Arrangement: Alphabetical This large series contains of over 300 motion picture and television scripts. The bulk of the material was donated by the Theater Arts Department of the California State University, Los Angeles in the late 1970s. Container List Box 1 Series 1: Motion Picture and Television Script, 1926-1985 1.1 “Ace Eli and Rodger of the Skies”, Screenplay by Claudia Salter. Original Screen Story by Steven Spielberg, 1971 1.2 The Alfred Hitchcock Hour: “Terror Town”, 1963 1.3 “Andersonville” by Abby Mann, 1955 1.4 “And the Soul Shall Dance” by Wakako Yamauchi,1977 1.5 “Annie Get Your Gun: The Story of Annie Oakley and the Buffalo Bill Wild West Show”, by Herbert and Dorothy Field, 1946 1.6 “April Evil” by Rod Amateau, from the novel by John D. MacDonald, n.d. 1.7 “The Bank Shot” by Wendell Mayes, from the novel by Donald E. Westlake, 1972 1.8 “Barnaby Jones: A Gold Record for Murder” by Larry Brody, 1973 Box 2 2.1 “Bat Masterson 22-B: A Personal Matter” by Fran van Hartesveldt, 1958 2.2 “Bat Masterson 22-B: A Personal Matter” Fran van Hartesveldt, 1958 2.3 “Bat Masterson 45-B: The Barbary Castle” by Don Brinkley, 1959 2.4 “Bat Masterson 55-B: Bat Plays a Dead Man’s Hand” by Harry Essex, 1959 2.5 “Bat Masterson 24-B: Battle of the Press” by Don Brinkley,1958 2.6 “Bat Masterson 27-B: Blondes Can Be Tamed” by John Elliotte, 1958 2.7 “Bat Masterson 24-B: Breakdown (Working Title ‘Incident at Leadville’)” by Harry Essex, 1958 2.8 “Bat Masterson: Breakdown 31-B”, author unknown,1958 2.9: “Bat Masterson 40-B: The Canvas and the Cane” by Maurice Tombragel, 1959 Box 3 3.1 “Bat Masterson 16-B: Cheyenne Club” by D. D. Beauchamp, 1958 3.2 “Bat Masterson 46-B: Come Out Fighting” by Paul Franklin, 1959 3.3 “Bat Masterson 36-B: The Conspiracy” by Don Brinkley, 1959 3.4 “Bat Masterson 49-B: Dead Men Don’t Pay Debts” by Dan Ullman, 1959 3.5 “Bat Masterson 28-B: Deadline!” author unknown, 1959 “Bat Masterson 43-B: Death and Taxes” by Paul Franklin, 1959 3.6 “Bat Masterson 29-B: The Death of Bat Masterson” by Don Brinkley, 1959 3.7 “Bat Masterson 17-B: Double Trouble in Trinidad”, teleplay by Mikail Rykoff, story by Richard O’Conner, 1958 2 3.8: “Bat Masterson 14-B: Election Day” by Turnley Walker, 1958 Box 4 4.1 “Bat Masterson 54-B: The Elusive Baguette” by George F. Slavin, 1959 4.2 “Bat Masterson 15-B: First Train to Printed Rock” by Warren Douglas, 1958 4.3 “Bat Masterson 48-B: Garrison Finish” by Maurice Tombragel, 1959 4.4 “Bat Masterson 50-B: Gold is Where You Steal it” by Pittman and White (Producers), 1959 4.5 “Bat Masterson 25-B: Incident at Leadville” by Harry Essex, 1959 4.6 “Bat Masterson 47-B: The Inner Circle” by Andy White, 1959 4.7 “Bat Masterson 20-B: License to Cheat” by George F. Slavin, 1958 4.8 “Bat Masterson 42-B: Lady Luck” by Pittman and White (Producers), 1959 4.9 “Bat Masterson 31-B: Lottery or Death” by Don Ingalls, 1959 Box 5 5.1 “Bat Masterson 4-B: Man of Action” by Gene Levitt, 1959 5.2 “Bat Masterson 30-B: A Matter of Honor” by Wells Root, 1959 5.3 “Bat Masterson 23-B: Marked Death” by Mikhail Rykoff, 1958 5.4 “Bat Masterson 44-B: No Funeral for Thorn” by John McGreevey, 1959 5.5 “Bat Masterson 19-B: One Bullet from Broken Bow” by Andy White, 1958 5.6 “Bat Masterson 20-B: Pecos Shootdown” by Gene Roddenberry, 1958 5.7 “Bat Masterson 52-B: Pied Piper of Dodge City” by Barney Slater, 1958 5.8 “Bat Masterson 57-B: A Picture of Death” by Samuel A. Peeples, 1959 5.9 “Bat Masterson 34-B: Promised Land” by D. D. Beauchamp, 1959 5.10 “Bat Masterson 21-B: River Boat” by Gene Levitt, 1958 Box 6 6.1 “Bat Masterson 35-B: The Secret is Death” by Mikhail Rykoff, 1959 6.2 “Bat Masterson 39-B: Shakedown at St. Joe” by Maurice Tombragel, 1959 6.3 “Bat Masterson 33-B: The Romany Knives” by Barney Slater, 1959 6.4 “Bat Masterson: The Royal Flush”. Author unknown, n.d. 6.5 “Bat Masterson 15-B: Sharpshooter” by Maurice Tombragel, 1958 3 6.6 “Bat Masterson 18-B: The Treasure of Worry Hill” by Gene Levitt, 1958 6.7 “Bat Masterson 51-B: Who’ll Buy My Violence?” by Don Brinkley, 1959 Box 7 7.1 “Theseus: A Tragicomedy” by Emilio Carballido, n.d. 7.2 “Benito Cereno” by Serge Roullet (Adapted from Herman Melville’s novella), 1964 7.3 “The Big Combo” by Phillip Yordan, 1954 7.4 “The Big Rich: A Musical in Two Acts”. Author unknown, n.d. 7.5 “Big Shamus, Little Shamus: The Rubens” by Meyer Dolinsky., 1979 7.6 “Black Shadow, Black Fringe”. Author unknown, n.d. 7.7 “Blue Chip”. Story by Paul Leslie Peil, Screenplay by Robert Joseph and Paul Leslie Peil, n.d. 7.8 “Broken Arrow: Bear Trap” by Robert Bellem and De Vallon Scott, 1957 Box 8 8.1 “A Brush with Magic (Scipt #5)” by Olafs Stumbrs and Saira Stumbrs, 1980 8.2 “The Buckskin (Range Rider Series)” by Arthur Rowe, 1953 8.3 “Cabaret”. Book by Joe Masteroff, Based on the Play by John Van Druten and Stories by Christopher Isherwood, 1966 8.4 “A Play in Three Acts” by Magaret Waldis, n.d. 8.5 “Cannon: Bad Cats and Sudden Death” by Robert Lewin, 1972 8.6 “Cannon: Blood Money” by Stephen Kandel, 1973 8.7 “Cannon: Bobby Loved Me” by Joel Murcott, 1974 8.8 “Cannon: Come Out Fighting” by Meyer Dolinsky and Collier Young, 1973 8.9 “Cannon: Dead Lady’s Tears” by Steve Fisher, 1973 8.10 “Cannon: A Death in Safari Land” by Meyer Dolinsky, 1974 8.11 “Cannon: Duel in the Desert” by Robert C. Dennis, 1973 Box 9 9.1 “Cannon: Endangered Species” by Del Reisman, 1972 9.2 “Cannon: The Exchange” by Kackson Gillis, 1974 4 9.3 “Cannon: Five Witnesses” by Herb Meadow, 1973 9.4 “Cannon: Fight into Limbo (Formerly: The Phantom Station)” by Carey Wilber, 1973 9.5 “Cannon: Hear No Evil” by Robert W. Lenski, 1972 9.6 “Cannon: The Hit Man” by Robert Heverly, 1974 9.7 “Cannon: Kelley’s Song” by S. S. Schweitzer, 1974 9.8 “Cannon: Killer on the Hill” by Carey Wilber, 1974 9.9 “Cannon: A Killing in the Family” by Larry Alexander, 1974 9.10 “Cannon: The Killing Ground” by Robert Sherman, 1974 9.11 “Cannon: The Man Who Couldn’t Forget”. Author unknown, 1974 9.12 “Cannon: The Limping Man” by Shirl Hendryx, 1973 Box 10 10.1 “Cannon: Lady in Red” by Max Hodge, 1974 10.2 “Cannon: Lady on the Run” by Gerald Sanford, 1974 10.3 “Cannon: Missing at FL390” by Carey Wilber, 1974 10.4 “Cannon: The New Gospel is Murder”. Author unknown, 1974 10.5 “Cannon: The Obedient Killers” by Jack Turley, 1973 10.6 “Cannon: The One that Got Away” by Robert Hamner, 1974 10.7 “Cannon: Perfect Alibi” by Jack Guss and Ray Brenner, 1973 10.8 “Cannon: Photo Finish” by John Hawkins, 1973 10.9 “Cannon: The Red Predators” by Arthur Heinemann, 1972 10.10 “Cannon: A Requiem for Emmy” by William L. Stuart, 1973 10.11 “Cannon: The Set Up” by Robert Sherman, 1974 10.12 “Cannon: The Shadow Man” by Robert Lewin, 1972 Box 11 11.1 “Cannon: Sky Above – Death Below” by Hal Sitowitz, 1972 11.2 “Cannon: The Sounds of Silence” Story by Anthony Spinner, Teleplay by Anthony Spinner and Kandel, 1974 11.3 “Cannon: The Stalker” by Richard Newhafer, 1974 11.4 “Cannon: Target in the Mirror” by Robert Blees, 1973 5 11.5 “Cannon: Tomorrow Ends at Noon” by Robert C. Dennis, 1974 11.6. “Cannon: Where’s Jennifer?” by Phyllis and Robert White, 1973 11.7 “Captain Blood”. Screenplay by Casey Robinson, Novel by Rafael Sabatini, 1934 11.8 “Cast Me a Shadow” Teleplay by Carol Sobieski and Carol McKeand, Story by Carol Sobieski, 1973 11.9 “Champions” by John Ballard and Dennis Waltington, 1977 11.10 “The Children’s Hour” by Lillian Hellman, 1934 Box 12 12.1 “Cyrano’s Gazette” by Vince Harding, 1960 12.2 “The Crying Princess and the Golden Goose: A Grimm Comedy” by Josef Schmidt, 1955 12.3 “Crisis in the Deep South” by Crane Wilbur, 1956 12.4 “Consenting Adults”.
Load more

Recommended publications
  • Stirling Silliphant Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/tf2f59n87r No online items Finding Aid for the Stirling Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Finding aid prepared by Processed by UCLA Library Special Collections staff; machine-readable finding aid created by D.MacGill UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 14 August 2017 Finding Aid for the Stirling PASC.0134 1 Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Title: Stirling Silliphant papers Identifier/Call Number: PASC.0134 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 27.0 linear feet65 boxes. Date (inclusive): ca. 1950-ca. 1985 Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Stirling Silliphant Papers (Collection Number PASC 134).
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Famous People from Michigan
    APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Andrew Sarris and Pauline Kael: the Duel for the Soul of American Film Criticism
    1 Andrew Sarris and Pauline Kael: The Duel For the Soul of American Film Criticism By Inge Fossen Høgskolen i Lillehammer / Lillehammer University College Avdeling for TV-utdanning og Filmvitenskap / Department of Television and Film Studies (TVF) Spring 2009 1 2 For My Parents 2 3 ”When we think about art and how it is thought about […] we refer both to the practice of art and the deliberations of criticism.” ―Charles Harrison & Paul Wood “[H]abits of liking and disliking are lodged in the mind.” ―Bernard Berenson “The motion picture is unique […] it is the one medium of expression where America has influenced the rest of the world” ―Iris Barry “[I]f you want to practice something that isn’t a mass art, heaven knows there are plenty of other ways of expressing yourself.” ―Jean Renoir “If it's all in the script, why shoot the film?” ―Nicholas Ray “Author + Subject = Work” ―Andrè Bazin 3 4 Table of Contents Preface and Acknowledgements p. 6. Introduction p. 8. Defining Art in Relation to Criticism p. 14. The Popular As a Common Ground– And an Outline of Study p. 19. Career Overview – Andrew Sarris p. 29. Career Overview – Pauline Kael p. 32. American Film Criticism From its Beginnings to the 1950s – And a Note on Present Challenges p. 35. Notes on Axiological Criticism, With Sarris and Kael as Examples p. 41. Movies: The Desperate Art p. 72. Auteurism – French and American p. 82. Notes on the Auteur Theory 1962 p. 87. "Circles and Squares: Joys and Sarris" – Kael's Rebuttal p. 93.
    [Show full text]
  • Philosophy in the Twilight Zone
    9781405149044_1_pre.qxd 10/2/09 10:49 AM Page iii Philosophy in The Twilight Zone edited by Noël Carroll and Lester H. Hunt A John Wiley & Sons, Ltd., Publication 9781405149044_1_pre.qxd 10/2/09 10:49 AM Page iv 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page i Philosophy in The Twilight Zone 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page ii 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page iii Philosophy in The Twilight Zone edited by Noël Carroll and Lester H. Hunt A John Wiley & Sons, Ltd., Publication 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page iv This edition first published 2009 © 2009 Blackwell Publishing Ltd Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Noël Carroll and Lester Hunt to be identified as the authors of the editorial material in this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Neuerwerbungsliste Mai 2020 Film
    NEUERWERBUNGSLISTE MAI 2020 FILM (Foto: Moritz Haase / Olaf Janson) Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Unser Filmbestand 3 Unsere Streaming - Empfehlung 5 Film 5 Stummfilme 7 Film 7 Fernsehserien 4 Film 10 Tonspielfilme 11 Film 19 Kurzspielfilme 48 Film 20 Animationsfilme 49 Film 27 Animation/Anime Serien 50 Film 30 Experimentalfilme 52 Film 40 Dokumentarfilme 53 Musi Musikdarbietungen/ Musikvideos 55 K 400 Kinderfilme 58 Ju 400 Jugendfilme 61 Sachfilme nach Fachgebiet 63 Allgemeine Hinweise 67 Seite 2 von 75 Stand vom: 02.06.2020 Neuerwerbungen im Fachbereich Film Unser Filmbestand Die Cinemathek der ZLB bietet den größten, allgemein zugänglichen Filmbestand in einer öffentlichen Bibliothek Deutschlands. Der internationale und vielsprachige Filmbestand umfasst alle Genres: Spielfilme, auch Stummfilme, Fernsehserien, Kinder- und Jugendfilme, Musikfilme und Bühnenaufzeichnungen, Animations- und Experimentalfilme, sowie Dokumentarfilme zu allen Fächern der Bibliothek. Mehr als 65.000 Filme auf über 50.000 DVDs und über 6.000 Blu-ray Discs sind frei zugänglich aufgestellt und ausleihbar. Aus dem Außenmagazin können 20.000 Videokassetten mit zum Teil seltenen Filmen bestellt werden. Seite 3 von 75 Stand vom: 02.06.2020 Neuerwerbungen im Fachbereich Film Sie haben einen Film nicht im Regal gefunden? Unsere Filme sind nach den Anfangsbuchstaben der Regie und die Serien nach dem Originaltitel sortiert. Sachfilme befinden sich häufig am Ende des Regals des passenden Fachbereichs. Es lohnt sich immer auch eine Suche über unseren Bibliothekskatalog. Denn ein Teil unseres Angebotes steht für Sie in unseren Magazinen bereit. Sie können diese Medien über Ihr Bibliothekskonto bestellen und in der Amerika-Gedenkbibliothek oft bereits nach 30-45 Minuten abholen.
    [Show full text]
  • How Stirling Silliphant, One of the 20Th Century's Greatest Writers
    How Stirling Silliphant, One Of The 20th Century’s Greatest Writers, Became My Mentor By John Corcoran ©2016 John Corcoran. All rights reserved by the Author. Except for brief passages embodied in published reviews, no part of this book may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author and appropriate credit to the author and publisher. May be referenced in scholarly papers not meant for public consumption as long as full citation is given. Permission has been granted by the Author to Fariborz Azhakh for exclusive publication on his martial arts website, martialinfo.com. This work also appears in the Stirling Silliphant Collection in the archives of the Academy of Motion Picture Arts and Sciences, the organization behind the Oscars®. John Corcoran is a veteran black belt in karate who started his training in 1967. He launched his literary career in 1973 and has written millions of words about the martial arts in an acclaimed body of work encompassing 12 books, one screenplay and the editorship of 24 magazines. In 2004, he was inducted into the Martial Arts History Museum Hall of Fame, receiving its elite Funakoshi Award, named after the iconic “Father of Modern Karate.” His other main mentors are renowned Hollywood columnist and best-selling mainstream author Joe Hyams, who was also a substitute father figure, and World Heavyweight Karate and Kickboxing Champion Joe Lewis.
    [Show full text]
  • Dlkj;Fdslk ;Lkfdj
    MoMA CELEBRATES THE 75th ANNIVERSARY OF THE NEW YORK FILM CRITICS CIRCLE BY INVITING MEMBERS TO SELECT FILM FOR 12-WEEK EXHIBIITON Critical Favorites: The New York Film Critics Circle at 75 July 3—September 25, 2009 The Roy and Niuta Titus Theaters & The Celeste Bartos Theater NEW YORK, June 19, 2009 —The Museum of Modern Art celebrates The New York Film Critics Circle’s (NYFCC) 75th anniversary with a 12-week series of award-winning films, from July 3 to September 25, 2009, in The Roy and Niuta Titus Theaters. As the nation‘s oldest and most prestigious association of film critics, the NYFCC honors excellence in cinema worldwide, giving annual awards to the ―best‖ films in various categories that have all opened in New York. To mark the group‘s milestone anniversary, each member of the organization was asked to choose one notable film from MoMA‘s collection that was a recipient of a NYFCC award to be part of the exhibition. Some screenings will be introduced by the contributing film critics. Critical Favorites: The New York Film Critics Circle at 75 is organized by Laurence Kardish, Senior Curator, Department of Film, in collaboration with The New York Film Critics Circle and 2009 Chairman Armond White. High-resolution images are available at www.moma.org/press. No. 58 Press Contacts: Emily Lowe, Rubenstein, (212) 843-8011, [email protected] Tessa Kelley, Rubenstein, (212) 843-9355, [email protected] Margaret Doyle, MoMA, (212) 408-6400, [email protected] Film Admission: $10 adults; $8 seniors, 65 years and over with I.D.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • “And Now, Rod Serling, Creator of the Twilight Zone”
    9781405149044_4_001.qxd 12/22/08 2:27 PM Page 5 1 “And Now, Rod Serling, Creator of The Twilight Zone” The Author as Auteur lester h. hunt It has been said that the so-called “auteur theory,” the idea that the dir- ector is the true “author” of a film is “probably the most widely shared assumption in film studies today.”1 Those who are tempted to find in this idea an immutable truth might do well to remember that, for a while during the sixties, there were several American television series in which the “author” in this sense, that is, the artistic personality who dominated the show and gave it its peculiar aesthetic, was a literal author: that is, a person who writes.2 Examples included Stirling Silliphant’s Route 66 (1960–4) and Reginald Rose’s The Defenders (1961–5). The last of them was The Waltons (1972–81), by Twilight Zone alumnus Earl Hamner, Jr. Probably the finest and surely the best-remembered of this distingu- ished company was Rod Serling’s The Twilight Zone. It was very much a writer’s show. In his on-screen introduction to each episode, Serling always named the author of the episode, if it was someone other than himself, and always named the author of the original story if it was an adaptation. This must have represented an all-time high in respect shown for writers on prime-time, network television. Indeed, Serling’s on-screen appearances soon made him the best known, most widely 5 9781405149044_4_001.qxd 12/22/08 2:27 PM Page 6 lester h.
    [Show full text]