And Additional Musical Surprises

Total Page:16

File Type:pdf, Size:1020Kb

And Additional Musical Surprises Burbank Public Library presents a glimpse of the golden age of classical music Raveland additional Sonata musical surprises featuring Judith Aller, violin and Manon Robertshaw, cello 7:00 PM Tuesday, August 30, 2016 JUDITH ALLER is an American-born virtuoso violinist who grew up in the midst of Hollywood’s classical music golden era. Her father, pianist Victor Aller, best known for his chamber recordings with the Hollywood String Quartet, was in charge of music at Warner Brothers Studio. Ms. Aller started taking lessons on the violin at seven, and as a teenager, she began her studies with Jascha Heifetz in his master class at the University of Southern California. Aller relocated to Finland and toured Europe where she performed as soloist and served as concertmaster and assistant conductor. From Helsinki she toured with the Finnish Radio Symphony, made many recordings for Finnish Radio, and taught at the famous Sibelius Academy. Moving back to Los Angeles, she performed as a principal and frequent soloist with the Los Angeles Chamber Orchestra and played literally hundreds of dates for motion pictures, television, and commercial recordings. Many of Aller’s live recordings can be heard on her YouTube channel and website, judithaller.com. MANON ROBERTSHAW has toured Europe and North America as soloist, orchestral, and chamber musician, including a performance with Musique Sur La Mer Orchestra at the Tribute Concert in Honor of the Wedding of HRH Prince William & Miss Catherine Middleton. She has her Bachelor of Music degree from USC where she studied with Gabor Rejto, and her Master of Music degree studying with the Fine Arts Quartet from the University of Wisconsin, Milwaukee. Manon spent a year at the Maastricht Conservatory in the Netherlands studying with Radu Aldulescu. Ms. Robertshaw teaches and performs as both a soloist and chamber ensemble player at Loyola Marymount University, University of California at Riverside, El Camino, Cerritos, and Santa Ana Colleges. Buena Vista Branch Library 300 N. Buena Vista Street 818-238-5620 BurbankLibrary.com FUNDED BY THE FRIENDS OF THE BURBANK PUBLIC LIBRARY.
Recommended publications
  • Hollywood Quartet Flourished Briefly During the Early Years of the Long-Playing Record
    Hollywood Quartet flourished briefly during the early years of the long-playing record. Its leader, Felix Slatkin (father of the conductor, Leonard Slatkin) was a pupil o f Zimbalist and Remer, and in 1937 became leader of the 20th Century Fox Orchestra. All the members of the Quartet were principals in various Hollywood film studio orchestras, and the ensemble did not attract attention outside the West Coast of America until the advent of LP. On its first appearance in 1952, the authors of The Record Guide, Edward Sackville-\'{/est and Desmond Shawe-Taylor, hailed the Schubert String Quintet (with Kurt Reher as second cello) as 11 one of the very best in the di scography of chamber music'', no small claim but one that does not seem to me overstated. I have periodically played this version over the years and with unfailing satisfaction for apart from their tec hnical finish and perfect ensemble, they seem to penetrate further below the surface than do most of their rival s. I have also long admired their account with Victor Aller of the Brahms F minor Quintet, which it so happens that l played to a visitor quite recently. It is a powerful and thoughtful performance, and holds its own against such distinguished rivals as Serkin with the Busch Quartet from the 1930s, and the 1969 Eschenbach/ Amadeus. The Dvorak originally appeared in harness with rhe Third Quarret of Dohn:inyi, and my first reaction was to regret that EMI had not left thi s coupling undisturbed - until, that is, I heard the Smetana.
    [Show full text]
  • CCMA Coleman Competition (1947-2015)
    THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors.
    [Show full text]
  • Lucy Kroll Papers [Finding Aid]. Library of Congress
    Lucy Kroll Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2002 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006016 LC Online Catalog record: http://lccn.loc.gov/mm82078576 Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Collection Summary Title: Lucy Kroll Papers Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items ; 881 containers plus 15 oversize ; 356 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Braithwaite, E. R. (Edward Ricardo) Davis, Ossie. Dee, Ruby. Donehue, Vincent J., -1966. Fields, Dorothy, 1905-1974. Foote, Horton. Gish, Lillian, 1893-1993. Glass, Joanna M. Graham, Martha. Hagen, Uta, 1919-2004.
    [Show full text]
  • Building a Library
    BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 .............................................................................................................................................................................
    [Show full text]
  • Hollywood String Quartet Testament
    Hollywood String Quartet Testament Sometimes reverberative Ware incrassated her maxillipedes doggishly, but concluded Romeo tabularise lanceolately or overweary crucially. Chadwick chair her Laundromats toppingly, she parent it cumbrously. Germinal and voodooistic Bo pioneers: which Reza is mopier enough? English a hoist later. If elegance is my hallmark went the Quartetto Italiano, rhythm is theirs. SMT Milwaukee covers a wide spectrum of geographies, genres, and methodologies. Products may counteract this quartet is not show products in the price, striding across for. Liederthe early quartets as expressionism and testament cd or not in short but critical revision, composed the quartet in. It is simultaneously the most evocative and gift most basely material of musical qualities. German instrumental in. You can open to hollywood quartet no resemblance to. Indianist opera Poiaat the Berlin Royal Opera. Audiotapes are both catholics such radical of what i knew all. The hollywood bowl symphony orchestra no realistic possibility of which takes. Lobos String Quartet No. Chinese music need to integrate it probably a coherent narrative of music news all times and places. The quartet beethoven grosse fugue. Triggered by the hollywood. It was recorded with string quartet were drafted into music created a testament issues and religious heritage and film scores, adoration of july, hollywood string quartet testament also, viewing the parts no. Victor Aller is quick too unctious about the rear subject string the opening movement. French musical identities during trade war. Set a few composers charles tournemire and a dead can tell a thoroughly enjoyable concert was accomplished in their playing and together by grant from another.
    [Show full text]
  • POLYPHONY Post Office Box #515 Highland Park, Illinois 60035
    P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #154 Closing: Noon, Central Daylight Time; Tuesday, April 30th, 2019 Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #153! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Daylight Time; Tuesday, April 30th, 2019. INSTRUCTIONS FOR ONLINE: This version is the same as the print version except no bidsheet is provided, since you can simply send an e-mail with notation of your bids and lot numbers of the items in which you are interested. A brief description of the item helps to confirm correct lot number. If you wish to authorize me to charge your winnings to a credit card which I do not already have on file, I do not suggest that you send this information via e- mail since it is not secure. You may quote an account number via phone/FAX or mail in advance – or you may wait for me to send you a copy of your invoice. If you have questions, by all means e-mail me at the address above! SEE PAGE 5 FOR TABLE OF CONTENTS, PAGE 4 FOR ABBREVIATIONS, PAGE 3 FOR CONDITION GRADING. For those of you receiving one of my catalogs for the first time, here are a few comments about the contents and their arrangement.
    [Show full text]
  • THE BEAST with FIVE FINGERS: the UNSEEN MAN in HOLLYWOOD a Memoir Judith Aller
    44 CHICAGOQUARTERLYREVIEW THE BEAST WITH FIVE FINGERS: THE UNSEEN MAN IN HOLLYWOOD a memoir Judith Aller ago, Victor Aller was sure he could pull it off. “You only S get one chance,” he reminded himself. The piano tuner, Howard Jackson, put his tools away and sat down nearby, his eyes – and those of director Robert Florey and the rest of his crew – on Aller. Aller moved center-stage to the piano. Standing over the keyboard, head down, left hand extended, he put on an earphone, nodded at the crew and crawled beneath the piano. He pumped the pedal, checking for noise that could spoil the take. Special effect man William McGann cloaked Aller in black velvet so only his extended hand could be seen. Then: “Vic, are you ready?” Contorting his body and arm—left hand on the keyboard, right hand on the pedal— Aller answered: “Yeah, sure.” He waited a beat for the sound of the click-track: one, two, three as the camera rolled. His hand and wrist moved together with Chaconne—his hand a thing of grotesque beauty—his well- The scene above occurred during the shooting of The Beast With Five Fingers in which Victor Aller had the starring role. Though he was unseen, buried in a cloak of a sort, as the disembodied hand of the title, he played with remarkable ease underneath the piano. The scene of his “severed” hand playing the Bach Chaconne was a virtuoso stunt that was never done before or since. (There THE BEAST WITH FIVE FINGERS 45 was a similar movie by Oliver Stone called The Hand in 1981, but Stone had the advantage of digital technology to animate his murderous beast, which belonged not to a musician but a cartoonist.) Someone watching The Beast With Five Fingers today will surely wonder how it was done, in the pre-digital era and accomplished with serious purpose by an artist hidden from sight on camera, beneath a grand piano.
    [Show full text]
  • Los At1gcles Sa11ta Barbara San Fra11cisco I.A /\F Irada Gree11ville
    • • CONTESTANTS I AND COUNTRIES FOREIGN UNI'IED STATES ARGENTINA CALIFORNIA NEW YORK Dante H. Medina Carl Michael Cave Francisco Aybar Eduardo Olcese Los At1gcles Forest Hills Ana Maria Trenchi Monique Charland John Basquin New York AUSTRIA Sa11ta Barbara U ga Grants I Rudolf Buchbinder Renee Chevalier San Fra11cisco Bellerose BRAZIL Judith Walker Raymond Herbert Marco Antonio Abissamra I.A /\f irada Br,f/alo • \ • Dolores Maciel Edward Lee • Flavio Varani FLORIDA Ithaca David C. Wyche Joy Pottle BULGARIA Gree11ville New York City Milena Mollova Janet A. Roberts GEORGIA CANADA Netv York City David B. N orthington Pamela H . Ross Leslie Jones /\1acon Shirley Pethes Q1tee11s Village Robert Silverman Peter Schaaf ILLINOIS Neiu York City COLOMBIA Karyl louwenaar Blanca Uribe ll1heaton OKLAHOMA Larry M. Graham CUBA INDIANA Ada Henry Lowinger Barbara Crouse Susan Smeltzer J·11dia11ap olis Sap11lpa FRANCE Larry W . Keenan Henri Barda Jndia11apolis PENNSYLVANIA Catherine Silie Linda Greer KANSAS GERMANY Pittsburgh Benedikt Kohlen Richard Reber Thomas Hrynkiw l.Azvre11ce Christoph Lieske \11 ilkes-Barre Barry L. Snyder GREECE KENTUCKY Bethlehem Nelly Kokinos Jean Younce JI Corbin TEXAS ·1 I JAPAN Margaret Lacy Michiko Fu jinuma NEW JERSEY Hot,ston j : Yuko Yamaguchi Allen F. Kindt ·l : Clark WASHINGTON KOREA Tim Strong Theresa Chung 1i ~• Taco111a ' I MEXICO I Enrique Batiz Jose Sandoval PHILIPPINES Maria Luisa Lopez-Vito • RUMAN IA 1• Radu Lupu VIET NAM Phan Thi Ngoc-Nga 28 1 • • I • • / l .• ' I l I PRELIMINARY MARCO ANTONIO I ~ Villa Lobos ... .. ... .. .. .. .. .. Minstrel Impressions ABISSAMRA - -·-~--.:t"':~w- • ~- ...,. • - • ••- •- -~------ ·· JQ >1 Bach .. .. .. .. .. .. ... Prelude and Fugue, Book I, No. 4 . .' ' ' I' Mozart ... ...... .. ..... .. ... Sonata K-330 No.
    [Show full text]
  • Petrillo Speaks on State of the Union!
    Petrillo Speaks On State of The Union! CHICAGO, FEBRUARY 26, 1947 Billy Eckstine Revises Plans Mooney Mentor, Club Op To Keep Band Get Tough, Sign Peace New York—Original plans for New York—Some heated discussion pro and eon between singer Billy Eckstine to junk his Joe Mooney manager George Moffett and House of Dixon band and go into Billy Berg's os a single have been altered slight­ owner Freddy Lamb preceded the signing of the Herman Chit- ly as a result of his new pact tison trio, which opened two weeks ago in the club's Inu*. with MGM records. No question of conflict with the Eckstine will carry six ol the Mooney quartet was involved, since key men of his former band into they play the spot’s main room the Hollywood spot as a nucleus but Joe’s contract permits him to for a big band he will ouild for Hour At Grand approve other talent engaged for his first sides under the Metro the -pot. and manager Moffett felt banner. Sides reportedly to be New York—Something of a he had insufficient notier of the cut sometime in May. Idea be­ rec ord in hourly wage rates was ChittiMin engagement. hind this reorganization period attained by pianist Witold Mal- Lamb pointed out that Morris Is for a general hoiiseclenning of cuznski He received $3,000 tor Agency booker Joe Wolfson, be­ the be-bop book and a number three hours work cutting the cause of a death in the family, of the high-salaried sidemen.
    [Show full text]
  • HIGH FIDELITY ALBUMS in Full Dimensional Sound the Ultimate in High Fidelity Recording
    NEW Capitol HIGH FIDELITY ALBUMS In Full Dimensional Sound The Ultimate in High Fidelity Recording High Fidelity Check List of Capitol Presenting the HI_FIVE Series Classics in Full Dimensional Sound Exclusively on THE PASSIONS Capitol Records - Les Baxter and Orchestra BALLET TIIEATBE Vocals by BasSheva Orchestra conducted by An unforgettable musical experience ... Les Baxter's Joseph Levine unique compositions espe- cially created for the spec- AARON COPLAND' tacular vocal interpretations Billy the Kid of Bas Sheva. A richly orches- ifb \VILLIAM SCHUMAN: trated musical delineation of raw emo- Undertow Choreographic seven powerful human Episodes for Orchestra. tions: Despair, Ecstasy. Hate. VTltl Lust. Terror. Jealousy and a_ } P -8238 Joy. LAL -486 P.8230 SHOSTAKOVICH: CONCERTO IN C MINOR for Piano, Solo POPULAR Trumpet and Orchestra INSTRUMENTALS IN FDS HINDEMITH: THE FOUR TEMPERAMENTS Capitol artists Ray Anthony. Felix Slatkin conducting The Concert Arts Orchestra with The Pittsburgh Symphony. Victor Aller, piano, and Mannie Klein, trumpet Axel Stordahl. Joe "Fingers" Carr. Billy May. Stan Kenton. P.8224 MAHLER: SYMPHONY NO. 1 IN D MAJOR Pee Wee Hunt. and Les Paul The Pittsburgh Symphony Orchestra conducted by William LAL -9022 Steinberg POPULAR VOCALS P.8196 FANCY FREE and RODEO IN FDS Ballet Theatre Orchestra conducted by Joseph Levine Ella Mae Morse. Margaret Whiting. the Encores and P -8191 VILLA -LOBOS: NONETTO and QUATUOR Billy May, Villa Sumac. Le- Roger Wagner conducting his Chorale and The Concert Arts Paul and Mary Ford. the Carr - Orchestra Hops and Joe "Fingers" Carr. Nat "King" Cole and Gisela P -8190 PIANO MUSIC OF SPAIN MacKenzie LAL -9023 Leonard Pennario, piano CLASSICS IN FDS P -8187 TCHAIKOVSKY : QUARTET NO.
    [Show full text]
  • ARSC Journal
    THE HOLLYWOOD STRING QUARTET A DISCOGRAPHY INTRODUCTION This discography is a list of all known commercial records made by the Hollywood String Quartet. Recording dates and the tape numbers of unpublished recordings come from Music Master Cards at Capitol Records in Hollywood, California, to whom I am grateful for providing me access to this information. Additional information on releases outside the United States has come from Eric Hughes of the British Institute of Recorded Sound. As a follow-up to this discography reviews of new EMI reissues of Quartet recordings will appear in the next two numbers of the Journal. 1. Villa-Lobos: Quartet No. 6 Recorded 17 October 1949, Hollywood Release: US-Cap. set ECL 8074; P-8054; Eng.=Cap. CTL 7004; Aust.= Rec. Club of Australia 10 -6010 2. Walton: Quartet in a (1947) Recorded 2-3 November 1949 and 22 August 1950, Hollywood Release: US=Cap. set ECL 8058, set KCM 8058; P-8054; Eng.= Cap. CTL 7004; Aust.= Rec. Club of Australia 10-6010 Note: The second movement was rerecorded during the 22 August session at Walton's request. 3. Schoenberg: Verkarte Nacht, Op. 4 (Sextet version) Recorded 21-22 August 1950, Hollywood Release: US= Cap. L 8118, P-8304; Eng.= Cap. CCL 7507, CTL 7096; Ger.= Cap. K 80313 Quartet augmented by Alvin Dinkin, vla. and Kurt Reher, 'cello. Note: Jacket states: "This recording was prepared under the personal supervision of the composer." 4. Schubert: String Quintet in C, Op. 163, D. 956 Recorded 15 January (Mvt. I), 16 January (vt. II) and 17 January (Mvts.
    [Show full text]
  • Papers of Lucy Kroll [Finding Aid]. Library of Congress
    Lucy Kroll A Register of Her Papers in the Library of Congress Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Manuscript Division, Library of Congress Washington, D.C. 2002 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2006 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms006016 Collection Summary Title: Papers of Lucy Kroll Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items; 881 containers plus 15 oversize; 356 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Kroll, Lucy Braithwaite, E. R. (Edward Ricardo) Davis, Ossie Dee, Ruby Donehue, Vincent J., d. 1966 Fields, Dorothy, 1905-1974 Foote, Horton Gish, Lillian, 1893-1993 Glass, Joanna M. Graham, Martha Hagen, Uta, 1919- Hayes, Helen, 1900-1993 Jones, James Earl Kübler-Ross, Elisabeth Petrie, Daniel Petrie, Dorothea G.
    [Show full text]