Hollywood String Quartet Testament
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A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Chloë Hanslip, Violin Royal Philharmonic
559302 bk Adams US 7/14/06 12:41 PM Page 5 Charles Owen Royal Philharmonic Orchestra AMERICAN CLASSICS Charles Owen began his musical studies at the Yehudi Menuhin The Royal Philharmonic Orchestra was established in 1946 by Sir Thomas Beecham, who set about creating a world- School with Seta Tanyel and continued at the Royal College of class ensemble from the finest musicians in Britain. Since his death in 1961 the orchestra has continued under a Music under the guidance of Irina Zaritskaya. There he won all the number of very distinguished conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir major piano prizes before completing his studies with Imogen Ashkenazy, followed in 1996 by their present Music Director, Daniele Gatti. Based in London, with a resident series Cooper. He received the Silver Medal at the Scottish International at both the Royal Albert Hall and Cadogan Hall, the orchestra also has a comprehensive United Kingdom and JOHN ADAMS Piano Competition (1995) and was a finalist in the 1996 London overseas touring programme. Recent highlights have included playing for the late Pope John Paul II in the Vatican, Philharmonic/Pioneer Young Soloist of the year competition. In for the President of China in Tiananmen Square and at the tenth anniversary celebration of Kazakhstan’s 1997 he won the prestigious Parkhouse award in partnership with independence, in addition to touring regularly throughout Europe and the United States. The orchestra has made the violinist Katharine Gowers. His concert activities are diverse many recordings and has a commitment to community and education projects, as well as to contemporary composers. -
The Juilliard Journal
FACULTY PORTRAIT Paul Neubauer Viola Faculty March 2017 After graduating from Juilliard, Paul Neubauer (BM '82, MM '83) became, at age 21, the youngest string principal ever to join the New York Philharmonic, where he spent six years before leaving in 1990 to pursue solo and chamber work. Along the way he joined the Juilliard faculty and the Chamber Music Society of Lincoln Center, in 1989. Appointed last spring as artistic director of the Mostly Music series in New Jersey, he'll make his Chicago Symphony debut in 2018. Why did you become a violist? It truly was my destiny. My godfather was the Viennese-born violist Paul Doktor (faculty 1971–89), and he was a major influence in my musical and personal evolution from a very early age. I also studied with him during my teenage summers and at Juilliard. On top of this, my older siblings played the violin and cello, so viola was the perfect choice since this would complete a string trio. Unfortunately that string trio lasted about 10 minutes since my siblings were not as committed to a life in classical music. And you're still part of a musical family … Yes, my wife, Kerry McDermott, is a violinist with the New York Philharmonic, and our children, Oliver and Clara, both play the violin and attend the Juilliard Pre-College program. I have told my children countless times that the viola is a superior instrument to the violin, but they unfortunately have not taken my advice as of yet. On occasion, we enjoy playing four-violin quartets with three violins and a viola. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950
FIFTIETH ANNIVERSARY OF SYMPHONY HALL BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HI SIXTY-NINTH SEASON 1949- 1950 Tuesday Evening Series BAYARD TUCKERMAN, Jr. ARTHUR J. ANDERSON ROBERT J. DUNKLE, Jr. ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. Jr. HERBERT SEARS TUCKERMAN OBRION, RUSSELL & CO. Insurance of Every Description "A Good Reputation Does Not Just Happen It Must Be Earned." Boston, Mass. Los Angeles, California 108 Water Street 3275 Wilshire Blvd. Telephone Lafayette 3-5700 Dunkirk 8-3316 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-NINTH SEASON, 1949-1950 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Ai len M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wtlkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T D. Perry, Jr. N. S. Shirk, Assistant Managers [»] Only you can decide Whether your property is large or small, it rep- resents the security for your family's future. Its ulti- mate disposition is a matter of vital concern to those you love. To assist you in considering that future, the Shaw- mut Bank has a booklet: "Should I Make a Will?" It outlines facts that everyone with property should know, and explains the many services provided by this Bank as Executor and Trustee. -
Hollywood Quartet Flourished Briefly During the Early Years of the Long-Playing Record
Hollywood Quartet flourished briefly during the early years of the long-playing record. Its leader, Felix Slatkin (father of the conductor, Leonard Slatkin) was a pupil o f Zimbalist and Remer, and in 1937 became leader of the 20th Century Fox Orchestra. All the members of the Quartet were principals in various Hollywood film studio orchestras, and the ensemble did not attract attention outside the West Coast of America until the advent of LP. On its first appearance in 1952, the authors of The Record Guide, Edward Sackville-\'{/est and Desmond Shawe-Taylor, hailed the Schubert String Quintet (with Kurt Reher as second cello) as 11 one of the very best in the di scography of chamber music'', no small claim but one that does not seem to me overstated. I have periodically played this version over the years and with unfailing satisfaction for apart from their tec hnical finish and perfect ensemble, they seem to penetrate further below the surface than do most of their rival s. I have also long admired their account with Victor Aller of the Brahms F minor Quintet, which it so happens that l played to a visitor quite recently. It is a powerful and thoughtful performance, and holds its own against such distinguished rivals as Serkin with the Busch Quartet from the 1930s, and the 1969 Eschenbach/ Amadeus. The Dvorak originally appeared in harness with rhe Third Quarret of Dohn:inyi, and my first reaction was to regret that EMI had not left thi s coupling undisturbed - until, that is, I heard the Smetana. -
Edition 2 | 2019-2020
insidewhat’s Welcome From the Director | 3 Zhou Family Band | 21 The Historian’s Corner | 4 Ying Quartet | 23 Leonard Slatkin Conducts Jeff Beal | 6 Voces8 | 26 Kat Edmonson | 15 Avi Avital & Bridget Kibbey | 32 Ying Quartet | 18 Schumann Quartet | 38 CONTACT US: Location: Eastman School of Music—ESM 101 EASTMAN THEATRE BOX OFFICE Phone: (585) 274-1109 Mailing Address E-mail: [email protected] Eastman School of Music Concert Office 26 Gibbs Street Mike Stefiuk, Director of Concert Operations Rochester, NY 14604 Julia Ng, Assistant Director of Concert Operations Eastman Theatre Box Office Greg Machin, Ticketing and Box Office Manager 433 East Main Street Joseph Broadus, Box Office Supervisor Rochester, NY 14604 Ron Stackman, Director of Stage Operations, Eastman Theatre Phone Jules Corcimiglia, Assistant Director of Stage Eastman Theatre Box Office: (585) 274-3000 Operations (Kodak Hall) Lost & Found: (585) 274-3000 Daniel Mason, Assistant Director of Stage Eastman Concert Office: (585) 274-1109 Operations (Kilbourn Hall) Hall Rentals: (585) 274-1109 Michael Dziakonas, Assistant Director of Stage Operations (Hatch Recital Hall) ADVERTISING This program is published in association with Onstage Publications, Onstage Publications 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the 937-424-0529 | 866-503-1966 publisher. JBI Publishing is a division of Onstage Publications, Inc. e-mail: [email protected] Contents © 2019. All rights reserved. Printed in the U.S.A. www.onstagepublications.com EASTMAN PERFORMANCE SERIES 1 2 EASTMAN PERFORMANCE SERIES experience excellence! o you remember the first time you experienced a live Dperformance? For many of us, it was as children and that memory has stayed with us all these years. -
Symposium Records Cd 1109 Adolf Busch
SYMPOSIUM RECORDS CD 1109 The Great Violinists – Volume 4 ADOLF BUSCH (1891-1952) This compact disc documents the early instrumental records of the greatest German-born musician of this century. Adolf Busch was a legendary violinist as well as a composer, organiser of chamber orchestras, founder of festivals, talented amateur painter and moving spirit of three ensembles: the Busch Quartet, the Busch Trio and the Busch/Serkin Duo. He was also a great man, who almost alone among German gentile musicians stood out against Hitler. His concerts between the wars inspired a generation of music-lovers and musicians; and his influence continued after his death through the Marlboro Festival in Vermont, which he founded in 1950. His associate and son-in-law, Rudolf Serkin (1903-1991) maintained it until his own death, and it is still going strong. Busch's importance as a fiddler was all the greater, because he was the last glory of the short-lived German school; Georg Kulenkampff predeceased him and Hitler's decade smashed the edifice built up by men like Joseph Joachim and Carl Flesch. Adolf Busch's career was interrupted by two wars; and his decision to boycott his native country in 1933, when he could have stayed and prospered as others did, further fractured the continuity of his life. That one action made him an exile, cost him the precious cultural nourishment of his native land and deprived him of his most devoted audience. Five years later, he renounced all his concerts in Italy in protest at Mussolini's anti-semitic laws. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
The Busch Quartet Beethoven Volume 4 Mp3, Flac, Wma
The Busch Quartet Beethoven Volume 4 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Beethoven Volume 4 Country: UK Released: 2009 Style: Classical MP3 version RAR size: 1345 mb FLAC version RAR size: 1648 mb WMA version RAR size: 1589 mb Rating: 4.6 Votes: 721 Other Formats: TTA XM DMF AHX AU AUD APE Tracklist Quartet No.13 In B Flat Op.130 1 I: Adagio Ma non Troppo 8:56 2 II: Presto 1:54 3 III: Andante Con Moto, Ma Non Troppo 5:23 4 IV: Alla Danza Tedesca: Allegro Assai 2:23 5 V. Cavatina: Adagio Molto Espressivo 7:00 6 VI. Finale: Allegro 8:27 Quartet No.15 In A Minor Op.132 7 I: Assai Sostenuto - Allegro 4:03 8 II: Allegro Ma Non Tanto 6:15 III: Heilger Dankesang Eines Genesenen An Die Gottheit, In Der 9 3:45 Lydischen Tonart: Molto Adagio - Andante - Mit Innigster EmpFundung 10 IV: Alla Marcia, Assai Vivace 4:26 11 V. Allegro Appassionato Companies, etc. Phonographic Copyright (p) – Dutton Recorded At – Abbey Road Studios Credits Cello – Herman Busch* Composed By – Ludwig van Beethoven Ensemble – The Busch Quartet Liner Notes – Tully Potter Remastered By – Michael Dutton* Viola – Karl Doktor Violin – Adolph Busch, Gösta Andreasson (tracks: Gösta Andreassen) Notes Tracks 1 to 6: Recorded at Liederkranz Hall, NY 13 & 16 June 1941 Tracks 7 to 11: Recorded at Abbey Road Studio no. 3, on 7 October 1937 Barcode and Other Identifiers Barcode: 7 65387 97942 3 Rights Society: MCPS SPARS Code: ADD Matrix / Runout: [Manufactured by kdg] 672.658 CDBP 9794 Mould SID Code: IFPI 3066 Related Music albums to Beethoven Volume 4 by The Busch Quartet Mendelssohn – Pacifica Quartet - The Complete String Quartets Beethoven - Alban Berg Quartett - Complete String Quartets Artur Schnabel, Ludwig van Beethoven - Beethoven the Complete Piano Sonatas on Thirteen Discs Beethoven, Paul Lewis - Complete Piano Sonatas John Lill - Beethoven Piano Sonatas Complete Vol I Beethoven, Juilliard String Quartet - Quartet In A Minor Op. -
Digital Booklet Porgy & Bess
71 TRACKS THE AMADEUS QUARtet ReCORDINGS VOL. I BEETHOVEN Berlin, 1950-1967 recording producer: Wolfgang Gottschalk (Op. 127) Hartung (Op. 59, 2) Hermann Reuschel (Op. 18, 2-5 / Op. 59, 1 / Op. 130-133 / Op. 135 / Op. 29) Salomon (Op. 18, 1+6 / Op. 59, 3 / Op. 95) recording engineer: Siegbert Bienert (Op. 18, 5 / Op. 130-133 / Op. 29) Peter Burkowitz (Op. 18, 6) THE Heinz Opitz (Op. 18, 2 / Op. 59, 1+2 / Op. 127 / Op. 135) Preuss (Op. 18, 1 / Op. 59, 3 / Op. 95) Alfred Steinke (Op. 18, 3+4) AMADEUS QUARtet ReCORDinGS Berlin, 1950-1967 Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: P 1950 - 1967 Deutschlandradio research: Rüdiger Albrecht remastering: P 2013 Ludger Böckenhoff rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, VOL. I BEETHOVEN as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MstASTER RELEASE which attain an astonishingly high quality, even measured by today’s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally com- petent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based 1 on private recordings from broadcasts cannot be compared with these. AMADEUS-QUARtett further reading: Daniel Snowman: The Amadeus Quartet. The Men and the Music, violin I Norbert Brainin Robson Books (London, 1981) violin II Siegmund Nissel Gerd Indorf: Beethovens Streichquartette, Rombach Verlag (Freiburg i.