Closeup Births JACKSON BROWNE -Hold and Lost but Not Without the Hard Les- Talent, Political Message Out, Asylum 5E511A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Eastern Progress 1980-1981 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1980-1981 Eastern Progress 9-4-1980 Eastern Progress - 04 Sep 1980 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1980-81 Recommended Citation Eastern Kentucky University, "Eastern Progress - 04 Sep 1980" (1980). Eastern Progress 1980-1981. Paper 2. http://encompass.eku.edu/progress_1980-81/2 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1980-1981 by an authorized administrator of Encompass. For more information, please contact [email protected]. J Vol. 59/No. 2 omcial Student Publication of Eastern Kentucky 1/nlvertily Thunday. S*pt»mb»» 4. 1980 Richmond. Ky. 4*475 New parking stickers issued Vietnam for faculty, staff native' By DEAN IIOI.T weight plastic construction and are system like the staffs would alleviate New* Editor very visible. the problem of commuters having to University faculty and staff per- Another change in staff registration pay full registration fees for more than sonnel are receiving somewhat dif- procedures also came about this year one automobile reminisces ferent parking stickers this year. Tom with mail registration of University Bv BRIAN BI.AIR Undquist. director of public safety personnel. For such a system for commuters to said. Staff Writer be placed into effect the students in- Many of those leaving were crying. All faculty and staff are being issued Registration cards were first mailed volved would possibly have to prepay to staff members and once the com- They would never see their country both parking zone decals for the fenders their parking fees before the beginning of their vehicles plus a plastic tag which pleted card was returned either by again They faced, in the main, very of the semester. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
James Taylor
JAMES TAYLOR Over the course of his long career, James Taylor has earned 40 gold, platinum and multi- platinum awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. For his accomplishments, James Taylor was honored with the 1998 Century Award, Billboard magazine’s highest accolade, bestowed for distinguished creative achievement. The year 2000 saw his induction into both the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame. In 2007 he was nominated for a Grammy Award for James Taylor at Christmas. In 2008 Taylor garnered another Emmy nomination for One Man Band album. Raised in North Carolina, Taylor now lives in western Massachusetts. He has sold some 35 million albums throughout his career, which began back in 1968 when he was signed by Peter Asher to the Beatles’ Apple Records. The album James Taylor was his first and only solo effort for Apple, which came a year after his first working experience with Danny Kortchmar and the band Flying Machine. It was only a matter of time before Taylor would make his mark. Above all, there are the songs: “Fire and Rain,” “Country Road,” “Something in The Way She Moves,” ”Mexico,” “Shower The People,” “Your Smiling Face,” “Carolina In My Mind,” “Sweet Baby James,” “Don’t Let Me Be Lonely Tonight,” “You Can Close Your Eyes,” “Walking Man,” “Never Die Young,” “Shed A Little Light,” “Copperline” and many more. -
Leland Sklar
The Inspiring Musical Journeys of Cordial Artists James Taylor Sonics are perfect. perfect. Sonics are Helen Reddy Expertly made.” cables. Cordial Rita Coolidge “Loving my Spencer Davis Group The Doors Jackson Browne Paul Williams Kenny Rankin Billy Cobham Linda Ronstadt Rick Springfield Crosby & Nash Stephen Stills Carly Simon Kim Carnes Art Garfunkle Rod Stewart Carol King Glenn Campbell Leo Sayer Hall & Oates Hoyt Axton Bette Midler Warren Zevon Donna Summer America Dolly Parton Billy Preston Don Henley Phil Collins Jimmy Webb Bonnie Raitt Ricky Skaggs Reba McEntire George Strait Oak Ridge Boys Randy Newman Leland Sklar P Patty Loveless that doin’ still there, Been Family Immediate with hanging out Currently live performances. uncountable and songs 2,000 albums/25,000 over whose work spans a player for surprising too credits—not onthe would be listed Leland agood chance there’s ‘90s and and ‘80s, ‘70s, the from artist album/song/ iconic any much pretty name could you is, Fact Check Taylor? James musicscene. popular the of forefront the at always and more— and movie dates, tours, sessions, recording of milestone number with extraordinary an long ( the represents Sklar Leland bassist Lyle Lovett pre-eminent artist, Cordial other any than more erhaps Manhattan Transfer Pathways long! Neil Diamond . Phil Collins? Suzy Bogguss Check Wynonna Judd populated ) career Clint Black a best: aesthetic Browne? . Jackson Leonard Cohen Wilson Philips —a group Thomas Dolby Check Air Supply Ray Charles Chet Atkins . The Peter Frampton Julio Iglesias -
A Compact Drum Kit That's Great for Kids
Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available. -
KONZERT Dvds
KONZERT DVDs Künstler Titel Drummer, Percussionist Phil Collins Live and Loose in Paris Ricky Lawson, Luis Conte, Phil Collins Phil Collins Finally…The first farewell tour Chester Thompson, Luis Conte, Phil Collins Patti LaBelle One Night Only John Blackwell Tina Turner One Last Time Jack Bruno Steely Dan Two Against Nature Ricky Lawson George Benson Absolutely Live Michael White Brian Setzer Orchestra Live in Japan (Big Band) Bernie Dresel Toto Live and more Jeff Porcaro Earth,Wind & Fire Live Sonny Emory Chicago Real Artist Working Tris Imboden Paul Simon You’re The One Steve Gadd Diana Krall Live in Paris Jeff Hamilton James Taylor Pull Over Russ Kunkel, Luis Conte Fourplay An Evening of Fourplay Harvey Mason Lee Ritenour & Friends Live from the Coconut Grove Harvey Mason, Paulinho da Costa Steve Lukather Los Lobotomys in Concert Simon Phillips Marcus Miller In Concert Poogie Bell Larry Carlton In Concert Rick Marotta Prince Rave 2000 John Blackwell Tom Jones Live at Cardiff Castle Graham Ward, Jody Linscott Bonnie Raitt Road Tested Ricky Fataar, Debra Dobkin Steps Ahead Live in Tokyo Steve Smith Niacin Blood, Sweat & Beers Dennis Chambers Xavier Naidoo Alles Gute vor uns Ralf Gustke Cher The Farewell Tour Mark Schulman Lee Ritenour Rit Special Carlos Vega Eliane Elias Trio Live in Munich Adam Nussbaum Herbie Hancock In Concert Terry Lynne Carrington Dizzy Gillespie At the Royal Festival Hall Ignacio Berroa, Airto Steve Gadd The Gadd Gang Live Steve Gadd Chaka Khan The Jazz Channel Presents Vinnie Colaiuta Toto Live in Amsterdam Simon Phillips Sting All This Time Manu Katche Sting The Brand New Day Tour Manu Katche Sting The Soul Cages Tour Vinnie Colaiuta Sting MTV Unplugged Vinnie Colaiuta, Vinx Paul McCartney Back in the U.S. -
NOVEMBER 1986 on Occasion, Special-Interest Publications Like Interfacing Equipment, and So On
in this issue . VOL. 10, NO. 11 Features Cover Photo by Rick Mattingly Columns EDUCATION ELECTRONIC INSIGHTS Midi And The Electronic Drummer: Part 2 by Jim Fiore 40 IN THE STUDIO Working With Arrangers/Producers Mattingly by Ndugu Chancler 42 Rick THE MACHINE SHOP by Living With The Machine by Simon Goodwin 56 Photo BASICS Working With A Metronome by Kenny Zail..... 64 ROCK 'N' JAZZ CLINIC Playing Around With Time by Rod Morgenstein 72 JAZZ DRUMMERS' WORKSHOP JOE MORELLO A Melodic Approach To Soloing When it comes to technique, Joe Morello is in a class by by Stanley Ellis 80 himself, and his work with the Dave Brubeck Quartet proved that he knew how to use that technique musically. Now, as a ROCK CHARTS teacher, Morello is passing down his expertise to a new Mel Gaynor: "Alive And Kicking" generation of drummers. by Andy Rankin 96 by Rick Mattingly 16 CONCEPTS Getting Unstuck DAVID UOSIKKINEN by Roy Burns . 110 CLUB SCENE Although the Hooters seemed to suddenly come out of nowhere, drummer David Uosikkinen explains the years of Hearing Aid development that led to the group's unique sound. by Rick Van Horn 112 by Robert Santelli 22 EQUIPMENT STAYING IN SHAPE: SETUP UPDATE Terry Bozzio And Rick Marotta 74 ELECTRONIC REVIEW TIPS FROM THE PROS Simmons SDS1000 And Rack PART 2 by Bob Saydlowski, Jr 114 The finest drummers in the business share the exercises, diets, JUST DRUMS 118 and warm-ups that keep them in top physical condition. by Ron Spagnardi 26 PROFILES UP AND COMING BARRIEMORE Marillion's Ian Mosley BARLOW by Susan Alexander 38 His experiences with such artists as Jethro Tull, Yngwie Malmsteem, and Robert Plant have given Barrie Barlow some NEWS strong opinions about the current state of music—opinions UPDATE 6 that he's happy to share without pulling punches, INDUSTRY HAPPENINGS 116 by Teri Saccone 30 DEPARTMENTS EDITOR'S OVERVIEW 2 GENE CHRISMAN READERS' PLATFORM 4 His name might not be on the tip of every drummer's tongue, but the list of artists that Gene Chrisman has recorded with is ASK A PRO 10 a virtual Who's Who of the music business. -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column. -
Softening City Life Flowers and Vegetables That Will in a Landscaping Competition Among Gardeners Bloom in Their Gardens
IN THIS ISSUE An arresting proposal - Page 6 A look at Harold Brown -Page4- Mrs. William Ma rchione, Jr. 228 Washington St . Sri ghton MA 02135 Cll-25 Softening city life flowers and vegetables that will in a landscaping competition among Gardeners bloom in their gardens. housing developments in 1986 and Rather than cursing April showers, were recently honored by the Br:jght· digging the gardeners like Evelyn M&cMahon and on Allston Improvement Association her neighbor Cathy Noseworthy work for their handiwork. line weather in it -the rain softens the soil, mak· "We try t.o have something bloom· ing it easier t.o manipulate. ing every month,'' commented. Mac· By Jane Braverman .. We go out in the rain and tum the Mahon. whose garden boasts rose Citizen Item Staff ground," commented MacMahon. bushes, cherry t~ tiger lilies, irises ''Transplanting is best done in damp and a host of ot.her flowers which vary While some of us curse the dreary weather. from year to year. New England weather that plagues MacMahon aqd Noseworthy have But the garden represents more the city at this time of year, others get jointly cultivated a flower garden. in.. than the hard work of two women. It out their spades and prepare the soil the Faneuil Housing Development for is a collaborative effort. Residents while April showers make way for the the past five years. They placed first contiruud on page 22 Hub Bub This elgn~ at the corner of Commonwealth Avenue a11d Thorndike Street makes for an lnterelJting eculpture ol 1oet auto huboapa. -
2016 for 2016
A To Z: 2,016 For 2016 1 A BARENAKED LADIES 2 A PUNK VAMPIRE WEEKEND 3 A TEAM, THE ED SHEERAN 4 ABC JACKSON 5 5 ABOUT A GIRL (Unplugged) NIRVANA 6 ACCIDENTALLY IN LOVE COUNTING CROWS 7 ACCIDENTS WILL HAPPEN ELVIS COSTELLO BRUCE HORNSBY & THE 8 ACROSS THE RIVER RANGE 9 ACROSS THE UNIVERSE BEATLES 10 ADDICTED TO LOVE ROBERT PALMER 11 ADIA SARAH McLACHLAN 12 ADVENTURE OF A LIFETIME COLDPLAY ADVENTURES OF RAIN DANCE 13 RED HOT CHILI PEPPERS MAGGIE, THE 14 AFTER MIDNIGHT J.J. CALE 15 AFTER MIDNIGHT ('88) ERIC CLAPTON 16 AGAIN LENNY KRAVITZ 17 AGAIN TONIGHT JOHN MELLENCAMP 18 AIN'T EVEN DONE WITH THE NIGHT JOHN MELLENCAMP 19 AIN'T NO REST FOR THE WICKED CAGE THE ELEPHANT 20 AIN'T NO SUNSHINE BILL WITHERS 21 AIN'T TOO PROUD TO BEG ROLLING STONES 22 AIR THAT I BREATHE, THE HOLLIES 23 AJA STEELY DAN 24 ALABAMA GETAWAY GRATEFUL DEAD 25 ALISON ELVIS COSTELLO 26 ALIVE PEARL JAM 27 ALIVE AND KICKING SIMPLE MINDS 28 ALL ALONG THE WATCHTOWER BOB DYLAN 29 ALL ALONG THE WATCHTOWER JIMI HENDRIX 30 ALL APOLOGIES (UNPLUGGED) NIRVANA 31 ALL DOWN THE LINE ROLLING STONES 32 ALL FOR YOU SISTER HAZEL 33 ALL I WANNA DO SHERYL CROW 34 ALL I WANT TOAD THE WET SPROCKET 35 ALL I WANT IS YOU U2 36 ALL MIXED UP CARS 37 ALL MY LOVE LED ZEPPELIN 38 ALL MY LOVING BEATLES 39 ALL OVER YOU LIVE 40 ALL SHE WANTS TO DO IS DANCE DON HENLEY 41 ALL STAR SMASH MOUTH 42 ALL THE PRETTY GIRLS KALEO 43 ALL THESE THINGS THAT I'VE DONE THE KILLERS 44 ALL THIS TIME STING 45 ALL YOU NEED IS LOVE BEATLES 46 ALLISON ROAD GIN BLOSSOMS 47 ALONE SUSAN TEDESCHI 48 ALREADY GONE EAGLES 49 ALTHEA -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation.....................................................................................