THE DIAPASON AN INTERNATlONAL MONTHL1' DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS

S;:d1,third Yt:ar, No.6 - JVllol(' No. 750 MAY, 1972 SubsCTiP'iotls $4.00 a year - 40 un's a ,ofrj ------~--- Checklist of Summer Fred M. Gramann Wins Conferences, Workshops & Other Activities

Fort Wayne Contest June Inlem:llion.3.1 Institute (or HUDl.3.D­ istic Studies, Nuremberg. Wcst Grr­ Frrd M. GrOimann. 21, o[ Spanaway. Enumclaw. Washington. and the Span. Mr. Ross and Mr. Fienen were finalists many. and Vienna, Austria. June 1·28. Washington, w:u namrd winner of the away Lutheran Church. Mr. Gramann in the Fort Wayne Com~tition in pre­ Master courses in piano, 0!Fn. harpsi­ Thirtrenth NOltion:lt Organ Playing was aw:arded a 4-ye:t.r scholarship to \'ious ye:ars. chord. Paul Badura-Skoda. Viola Them. Competition in the finals March 18 at Syracuse University where he was a stu­ Judging the contest fin:l.ls were Rob­ Walter Kra(t, K:l.micl d'Hooghe, First Prtsbytcrian Church. Fort Wayne, dent of Don:ald Sutlterl:t.nd. At the end ert Clark. associate professor of mu­ Klaw-Christhart Krau.cnstein. Marilou Indiana. Gram2nn competed against of his freshman. sophomore. and junior sic. University of Michig:t.n: Arthur Krauenstein. Eta Haricll-Schneider. seven others in the finals, which had years he was awarded the Arthur Pais­ Poister. professor emeritus of the School "rrite: International Institute for Hu­ been rcductd from an original (jeW of ter Prize for outstanding organist in the of Music, Syracuse University; and Mal­ manistic Studies. !718 DUl1lbanon St" 49 contestants. He was awarded a cash School of Music. He was :1 finalist in colm Williamson. composer. lecturer. Houston. Texas 77025. prize of $500 and will give a tecital at 1970 in the Fort ,.yarne Competition. and perfonner of London. England. First Presbytcri3n Church on April 25 He is currently a student o( Will Head­ The contestants were chosen (rom en­ International Bach Competition in as one of the artists in the Church lee. and serves as orpnist and choir tries covering 25 slates and the Dis­ piano. organ. harpsichord. voice and Music Series. director at the Fint Universalist Church trict of Columbia. Each contestant was violin. June 3·19. Write: Sckretariat des Mr. Gramann is a student at Syra­ of Syracuse. He has been selected to rcquired to perform a composition of Wettbcwerbs. Intemationaler Bach Wett­ bewerb. Grassistrasse 8. Leipzig. EiUt Clise University, New York, and will rc­ appear in Wllo's Jl'/Io In American Col­ the Bach or pre,B:ach era, :1 composi­ ceive his B3chelor of Music degree in leges and Universities for 1972, and he tion from the Romantic era. and a work Genuany. organ in June. He began his organ will be married in August and will by a contemporary composer, Gramann's Contemporary Organ Music Work­ study with Mrs. Ona McKee and Dr. leave for Paris where he has been ac­ winning selections were B3ch's Fanlasia shop, Hartt College of Music, West Edward Hansen of Seattle. 'V:uhington. cepted to study wilh Maric·Claire Alain. on Komm, IIeiligu Geist. Herr Gott: Hartford. Conn. June 5-9. Ll'Onard In 1967 he won the Seattle AGO Com­ Runner-up in the compelition was Tournemirc's Choral·Improvisation sur Raver. Ricllard Felciano. Edward petition. He has served as organist at Robert Bates of Detroit. Michipn. Mr. Ie J'iclimat: pasclJaU: and Messiaen's Dicmenle, John HollL Wrile: Summer both the Calvary Presbyterian Church. JI:ates was aw:trdcd a cash prize of $500. Combal de la Mort et de la Vie (Les Session. Hartt College of Music, U. of Third place in the competition was Corps Glorieux). Hart(ord, 200 Bloomfield Ave., West awarded to Raben B. Pilman, Jr., of The nationally known competition has Hart(ortl. Conn. 06117. W:ashing1on. D.C. been a part o( the Music Series of First S:U.cr;;m Choral \Vorkshop, Iowa Stale Other finalists in the competition in­ Church for the p:ast thirteen years and U., Amcs. Iowa. June 11·16. Lebnd B. cluded Arthur Bloomer of Edinburg, is partially underwriUen by a grant Sateran, Knut NystedL Write: M. W. Texas: David Fiencil of Fort Wayne; (rom The First Presbyterian Church Walgren. Man:ager, Sateran Chor:L1 ford Lallerstedt of New York City. a Jo·oundatioll. Members of the music staff workshop. Augsburg College, Minne:t.­ student at The Juilliard School of Mu­ include Lloyd Pinkerton. minister of polis. Minn. 55404. sie: Rick Ross of Orlando. Florida. a music, and Jack. Ruhl. organist. The Tenth Early American Moravian Mu. student at Southern Methodist Uni· Re\', George Ross M:ather is .senior pas· sic Fcstinl, Salem College. Winston­ \'ersity in Dallas: and H. Ross Wood of tor of the church. Mr. Richard Bibler Salem. N.C. June 11-18. Write: Mora­ Maplewood, Louisian3. also a student is the Music Scrk'S Committee Chair­ "ian Music: Festival, P.O. Box 10387. at Southern Methodist Uni\'t~rsity. Both man. Winston·Salem. N.C. 27108. Summer School of Church Music and Finalists. back row. I. to r.: Ford LaUentedt, David Flenen, Rick Rou. and Robert Pitman, Liturgics, Austin, Texas. June 12·16. Jr., front row, I. to r.1 Fred Gramann, Robert &ates, H. ROil Wood, and Bloomer Alec Wyton, Lester Groom, William B. Green. Arnold W. Hearn, Richard For­ rest Woods. 'Vrite: Lila Belle Brooks. Registrar, Summer School of Church Music &: Liturgics, P.O. Box 2247. Aus. Above: Contest wlnner Fred M. Gromann tin, Texas 78767. Americm Guild o( Organists National Ielow1 Judges Malcolm Williamson. Arthur Con\'ention, Fainnont HOlel. Dallas. Poilfer, and Robert Clark Texas. June 18-2-1. Write: Dr. A. Eugene Ellsworth. 7111 Fenton Dr.• D:a.llas. Tex.. 75231. 5.iteran Choral Workshop, Augsbufl CoUcge, Minneapolis, Minn. June 18-25. Leland B. Satemn. Knut Nystcdt_ Write: M. 'V. Walgrcn. Manager. Sateran Chor­ al 'Workshop. Augsburg College. ~nnne· apolis. Minn. 55404. Choral Director's Workshop, U. of Wisconsin-Whitewater, Wis. June 19·2!. Douglas McEwen, Edwin FOOL Write; Dr. Franklin F. Bushman, Chainnan, Dept. of Music. U. of WiscolUin-White. water. Whitewater, Wis. 55190. Westminster Choir College Choral Institute, Princeton. N.J. June 19 thru WESTMINSTER CHOIR COLLEGE DOCTORAL PROGRAM IN SETH BINGHAM HONORED July 28. Charles Hirt, Robert DeCor. 90th BIRTHDAY mier. Thomas Dunn. Robert Shaw, Jo. INITIATES MASTER'S DEGREES ORGAN INAUGURATED ON seph Flummerfelt. 'Vrile: Charles Schis­ The State of New Jersey hIlS author­ AT LOu/SlANA STATE U, ler. Director of Summer Session, West· ittLinz Feuinl o( Mwic, Montreux-Vcvey and Vienna. Austria. July 16-23.' Spon­ Swiuerland. Scpt. 1 Ihm OCL I. Orch~ sored by Die Gcsellsdtaft der Orgel­ lral. choral. organ. piano, dlamber mu­ freunde. Lectures. recitals. discussions sic concerts. Write: .oHice du Tourisme, organ demonstrations anc..l visits 10 his~ 1820 Montreux, SWitzerland. loric anc..l modem organs. lVrite: Gcs­ Inlemational Mastcrclass Cor l\lwic, ch5f1slelle dcr GOO, Turmslrassc 17 D Frciburg, Gennany. SepL I-II. Organ: i3 Esslingcn. West Gennau)'. • Image(201) Michael Schneider. \\trite: Inlemation­ ~Arts 1041 , Newark, New Jersey 07101 414-6021 Aspen Choral lruthutt, Aspm. Colo. ale MciSierkune fOr Musi". SchJossbrr­ ~~ox July 16 thnt Aug. 13. John Nelson, di- Gring 9, 0 78 Freiburg. Wcst Gcnnany.

2 THE DIAPASON NUNC DIMITTIS THE DIAPASON EalDb/uh.d In 1909 same city, but returned to the Cathe­ dral in 1927 to preside at the console of a new pipe organ. He remained the (Trademark re,ldered at fJ. S. Pale,., Office) Cathedral organist until his retirement in 1952. Following his retirement he S. E. GBUENSTEIN, Pub/uh., (1909.1957) hccame a senior warden of the Cathe· dr-d. and at the time of his death he 10BERT SCHUNEMAN MAY. 1972 was an I10norary vestryman. folif .. Dr. Brinkler's lo\"e affair with the KOlz.schmar Memorial Organ in Porl· land City Hall Auditorium was a long DOROTHY ROSER and happy one, dating back to the in­ Bu';n••• Manager Fred M. GramcmD WID. stallation of the new instrument in FL WCl}'De Canl•• t 1912 when he attended the first can· ccrt. He slIccc(.'tied Dr. Will C. Mac­ WESLEY VOS When All !he Fan.. aead the AHillant fdi,or tastrucilollJ - t'arlane as municipal organist in 1935, An Article an TranalaUon and remained until 1952. That saine by Raymond Mabry 4 year Dr. Brinklcr was awarded the han· mary degree of doctor of music by Th. MUl.u. Work. cnr.d Art of Bowdoin College where he had served Ceaar Frauck as head of the department of music. An In.errudionaJ Alonl"'" neoofed 10 by Norbert DuJaurcq 4·5 Dr. Brinklcr's last recital on the 'he Or,an and 10 Orlan"" and Church A-Iuric Pra9nmt Nate. aD Fl.,.e InterpretCldoDS Kotz.schmar Organ was May 18, J971 , by Gerd. Zacher 01 CaabvpQJu:tas and it was his gift to the community. One hom. Bach'. Art 01 FU9Ue ALFRED BRINKLER The program induded works by former Offlclld Journal o/Ihe by Gerd. Zacher I Dr. Al£red Btinkler, 91, retired mu­ municipal organists and one of his own Union Naclonal dct Or,onlda of A-Ie%ico compositions. halde AhJqrlaun at S.M.O. 111 nicipal organist and (or many )'ears by Lcmy Palmer organist and choir director at the Cath­ For many years Dr. Brinkler directed Th. Dlapcgon edral Church of St. luke, Portland, his 24·\'oice Polyphonic Society in per· Editorial (lnd Bu.lnea Office CHECntST OF SUMMER ACTMTIES 1·2 fonnanccs of Handel's Messiah in the Maine, died M.neh 3 in Portland. "'34 Sou,h WalHuh Aun.ue. Chfcalo. mmcnwmns , Maine. He had heen hospitaliled ilftcr Cathedral or St. Luke. He also dirccted In.; 80805, Telephone 312·HA7-3I49 being struck by an automobile on Dec. the Portland Men's Singing Club for Subscription price. ,4.00 a lIear in ad· REVll:W 20. 1971. 15 }'ears. It was during his tenure that vance. Sinl'e copie. 40 cen"'. Bacle Gent Zacher they won several national honors. by Donald Spie. I Dr. Btinkler, dean of musicians in number. more than hea year. old. 75 the Portland. Maine, area, was born in Dr. Brinkler organized the Portland cn."'. Forel,n ...b.cripliofU mud b~ EDrTORlAL FEEDBACK Letter. to the Editor If-IS Ramsgale, Kent. England on May 2. Chapter of the American Guild of Or· paid In United Slale. fund. or th~ 1880, the son of Gcorge Buttery Hop- ganists in 1911, and he was instru· "quioaknl t'."reof. HARPSICHORD NEWS 18 -kins llrinldcr and Mary Elizabeth Smith mental in founding other chapters in the state. At the time of his death he CHAPTER & ORGAN CLUB HEWS 11·11 Brinklcr. After study with some of Eng­ Adcerlirin, nlte. on applicatioll. land', leading organists, Dr. Btinkler \'o'as the oldest Fellow in the Guild. OBGAH RECITAL PROGRAMS 20-21 served five )'eau as organist in the his­ Dr. Brinkler's chief hobby was pho. Routine i'em.,or publlcalion mUff !HI CALEHDA.l\ IJ.2S tork St. M3ry'S Minster, Th:utet. Eng­ toglOlphy, .lOd the multiple gum finish. recnced nol lo'.r 'han ,h. 1011.. 0/ the CLASSIFIED ADVERTISEMENTS 21-t'T land. At the age of J9 he went to Dur- ing process which he used caused his monlh 10 aaure imertion in 'he laue --J&am Univenity where he tooL:. the works to resemble etchings Selections lor Ihe n.sf monlh. For recital pro­ examination and was granted Uu: de­ of his phologr.'lphs have been exhibited era,... and odomldnc copy. 'he clo.· gree of Associate of the RCO. in Pans, London, San Francisco, and in, dol. ,. Ihct 5,h. A-Ialeriab for re­ AU lubsaibers arc urged to ICIId at other locations in the U.s. changer of address promptly to the Dr. Brinklcr came to the U.s. at the oleUt Mould reach 'h~ ol/ic. by 'he o(fice oC The Diapason. Changes turn of the century to become organist In 1913 Dr. Brinkler married Beatrice hI. mwt rtad. us be£ore the 15th or the and choinnaster at St. Matthew's Cath­ Bartol Banks, also well known in Port· month preceding the cbte of the edral, Dallas, Texas. In 1905 he became land as a musician. She died in Decem· Second.claa po.'age paid 01 Chi­ fiot issue to be mailed 10 the new organist at St. Luke's Church, Portland, ber, 1961. He lea\'es a son, Bartol coco, la., arul a' additional maUl,., address. nw: Diapason cannot pro­ Maine. He left St. Luke's Church in Brinkler, a classifying specialist in Wid. office. lqued mo",1"". The DlapGlOn .ide duplioue copies miascd bcciuse 1912 to herome organist and choir­ ener Memorial Library, Harvard Unl· O/fle. 0/ publication. -434 Soul'" Wabdlh or 3. lubscriber'. failure to notify. master at St. Stephen'S Church in the versity. A.,..,.... Chlcaro. IU. 60805

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CONTENTS Guilmant's and Pirro's Arch;veJ deJ ma;lreJ de l'orgue is the most extensive and Volume 1. Jean Tilelouze. Oeuvres compleres [1898] scholarly coJlecrion of early French organ music ever assembled. Long our of print, [he Arch;veJ contains the works of [Wenry.eight early French composers, inc1ud. Volume 2. Andre Raison. Livre d'orgue [1899] ing Jean Titelouze and Franr;ois Couperin, MZlOY of the lesser known bur signifi ­ Volume 3. Fran~is Roberday. Fugues et caprices cant composers includ~d have never appeared in major collections, and many of Louis Marchand. Pieces choisies pour i'orgue Livre 1 their much sought aft~r composirions are available vircuaUy nowhere else, Seu­ LN. Clerambault. Premier livre d'orgue d~nrs, pccformers, and scholars of rhe history of ehe organ and ies music will find P. Du Mage. Premier livre d'orgue the A"hiveJ fully deserving of the renown it has enjoyed since its original publi. L.C. Daquin. Nouveau livre de Noels [1901] cadon. Volume 4. Nicolas Gigaull. Livre de musique pour I'orgue [1902] Volume 5. N. de Grigny. Livre d'orgue ALSO AVAILABLE Fran~is Couperin. Pieces d'orgue Louis Marchand. Pieces choisies pour l'orgue [Livre 2. 19041 Domenico Scarlatti: COMPLETE· KEYBOARD WORKS Volume 6. Jacques Boyvin. Oeuvres completes d'orgue [1905] In Facsimile from the Manuscript and Primed Sources. Edited by Ralph Volume 7. J.F. Dandrieu. Premier livre de pieces d'orgue Kirkpatrick. 18 volume•. New York, 197 1. Clothbound I.t $250.00 Guilain. Pieces d'orguc pour Ie M.gnifiC31 [1906 J Per volume $ 1'.00 Volume 8. S.A. Scherer. Oeuvres d'orgue [1907] • Volume 9. N.A. Le Begue. Oeuvres completes d'orgue [1909] Volume 10. Liber Fratrum Cruciferorum Leodiensium (containing For detailed brnchurer, p/eaJe u"rjte to Mr. PolU/ Negri in the Netl.' York o/lice. pieces by A. Gabrieli, Pietro Philippi, J.P. Sweelinck, Cl. Merulo. unknown masters, Fr, G. Scronx, W. Brouna, P. Cornet, F. Fontana. G .M . Casini) JOHNSON REPRINT CORPORATION P. Philip•. Trios New York and London P. Cornel. Pieces [19\0] ® HI Fiftb Avenue, New York, N .Y. 10003

MAY, 1972 3 in addition to exposure to oral tradi­ tion we should all be encouraged to When All Else Fails, Read the Instructions question, to 5Cek. our own answers in re­ The Milieu, Work, and search, to ha ... e a reading ability in a foreign language, to use the tools of An Article on Translation translation. and finally 10 experienct: Art of Cesar Franck our own unique ··joys of dismvuy" iD 10 doing. By Norbert Dufourcq Ask anyone who is working on a By Raymond Mabry Ph.D. in a foreign language to discuss the problems of translation. and you (Poris: Lo Colombe, 1949, pp. 73.81) will 500n disco ... er that. a tr3nslation In these tlo·it yourself days. we are Ihe student em usually get an "idea of whidl is accurate and 31s0 reads well Translated by Raymond Mabry oflen told: "When all else fail!;. read what an item is 3bout, , However. some­ in English is a work of art. the instructions." The title of this arti­ times he cannot get :l clear idea of the The translator's art is appreciated or cle might ha\'c bt.'Cn p:lI':lphrased "When content or locate those det:lils that undcrstooc..l by only a few, largely other In the course of tbe 10 or 12 yean we all else fails, rC:ld the jntroduction," To would interest him. If he can, he usual­ translators. Until foreign langu:1ge study shall review here, Cc:sa.r Franck. pthered read the introduction ltul is in large ly cannot afford 3 writt~n trarlsla,ion is required throughout i[ade and high all that he had sown during the pre­ measure a reflection of our sel£·confi­ by a professional linguist or find a qual­ school, the sitUiltioll \'0'111 not changc vious .30 years. This decade WlU not de· dent but haphazard approach to other ified music professor who has the time noticeably. In the meantime, it is ... itally dicatc:d solely to lIymphonic mw1c, to cnc.ka\'ors. to pro.. ide one. M mical and organ terms important that students learn to ex­ piano music, or to chamber music. For constilute a real problem in transla­ 'Vc all 50011 learn that correct press thcmsch"es in their 0\\,11 language example, during this time the organiat thought. pCT50nal organization, and di­ tion, and no collection of available bi­ with greater articulation and accuracy I composed numerous {JagC5 in the two rection lu:fure beginning any clldt"a\'or lingual music dictionaries is comprehen­ The translator must be as proficient iu operas, Hulda and Ghut:le. Nevertheless. arc respected k"SSolts in thrift and lead si\'el Thus the student. perhaps e\'en his English as he is in the langu:1ge to be hiS temperament was not prepared to to improved results in our final prod­ teacher, too oftcn must be content with translated. interpret for the theatre and to ester· ucl. Often when a project is well under­ an "idea o( what it means." naHze his inner feeling1-those feelings way ur completed, we c..IisCOn!T how we Translator', Art which, eternally engra,'ed on the heart might have begun in an c\'cn more tIi­ What Now? of man, he would rather comment upon rett and orderly m:uHlcr. Once again The nectl for transl3tions transcend'l in worts of pure music. It il not rur­ we ha\c fl isco\'crw the eu ence of all As a consequence, many details go un­ the immroiatc practiC11 ncetl of intro· prising that a high spiritual quality educfJt io1l, i.c. that education 1.'1 nc,,'cr noticed or arc misunderstood 35 the reo ductions in English for scholarly CUI · envelops pages of secular appeanncr. cnding. nforlllltatcl)'. an appreciation suit of an inaccurate translation. As a lions. This is L~ pctia1Jy true for the such as those comprising these tWO and undcrstanding of this truth rarely corrective measure, all musicians should I\Rledcan orgallin , bCC3USC a ... ast quan opera scores or even those to which we broadens its scope at an eolily a te, make a greater effort to researc.h more Lily of his research material has had, have dedicated this chapter. If one sees thoroughly the repertoirc they study and ancJ continues to ha"c, its origin in here the marks of a violent IIOU1. it is pelonn. We should not hesitate to ask. foreign countries, Therefore, 3 jOUln ~ 1 The J'roblem because Franck in fact belongs to the the experts for assistance_ Secretly. we article and an excerpt (rom a book arc generation of the romantics; but here all like to teach oursch'es, a fact in­ also included In the serics of trans la­ and there his expressions of IIOrrow and These remarks and the following here- nt in the joys of research. Second, tions presented here. passion which often lead to aerenity re­ translations grew out of the problem en=ry musician, most especially organ­ A few words of ad"'icc bd(l re )011 be turn us to the lofty. indeed mystJa1 (if of thc editor's introduction to a scholar. ists, should bc required to ha... e :l great. gin to translate. Always h:l ..- e a music not always religious) surroundings In Iy performance score from a (oreign er reading abi';'y in (oreign language! libradan help ) 'OU check to dctennille which their author Jives. We remem· publisher. Organists often do not have as part of his degree requirements at if a translation is a,'ailable. Don't bt· ber that the organ, the instrument with a wide choice of "scholarly editions" the undergraduate and graduate le"'els disappoillled if a hidden one should which he is easily associated, command. from which to choose, antI mosl of those - particularly in the case of perform­ arise after you have finished yours ed his thought each time be took up that are a ..' ailable arc the products of ance doctorates where the Ph.D lan­ Proccctl with great attention to det:1lls his pen. foreign publishers. l\.Iutt."O ... er, the fact guage reading r«iuireRlents oftcn are of grammar, synux, mood. and inten­ Cesar Franck Wall not unaware that that sc ... er.ll edilioll5 1113Y be a ... ailable 1I0t part of the degree program. We sity. Remember that a translator's wurk music for worship exists and that ill docs not assure the plcscncc o( a schol· call hope that foreign music pUblishers is largely a labor of lo"c with its own literature dc:servC5 to be enriched. Here arly Introduction In English in any of will finally be convinccd one day of the iutel1t:ctual rewarc..ls, Always ha... e ynur we do not return to the oratorio. but thein, 1\lthough this lI iluation cxists in necessity and merit of publishing Eng­ work chcd:cd fil1311y by a professiollal must point out all the motet.! he wrolc the repcrtoin: o( olher i.-strumemalists. lish tr.uu lations of introductions along linguist and by a music expert. All good for soloists or for aoloists ;and choirI the it S{.'CIIIS to be pre\'illcnl l'SpfCi:lIll in with that of the original langu:lge. But Lranslations of technical material an" 0llertoires and, in general, all the vocal organ literature. f'orlunalc1y, some prog' we cannot wait until then. tile result or comblllL'lI eUorts. works by which he heard God ling. re~ is being made. bill II is "cry slow. We need not sttoS the pain(ul aware· Without doubt these works contain Today's foreign recording companies ness of a lack of musical understanding. Ne .. er forgct 1hat your Lranslation must, be a ~curate and yct, read well in numerous wea.k.nnscs. and they allude arc u!. ually 3ware of the problem and ~"i dellt in the pcr(onll3nccs of organ­ more to decoration than to n:teditatlon. print English tr.Ulslations of thdr j3cket ISts, that results (rom language defici· Enghsh. \ our reader Will be disap­ pointed. misled. or boll. H your rl"Sults But why not cite here. for example, the 01' inscrt notes. Howe,,·er. recordings ency nor lhe gross mispronunciation first phrase of the QUQt: rU ista, the seem to be issued more frequently than tllat often occurs wben they diSCUSS are awkward, ob... iously literal. or in­ Domine non secundum, the "~ni Cr~Q­ are scholarly editions and usually in­ repertohe. Too olten both sins ha... e consistent_ A good translation is an ori­ ginal creation lliat com'e)'s the same lor (duet) and finally dorian and lydian volve less cost 3nd time. their origin in a lack of incenti... e to choral excerpts from the Biblical seena research more thoroughl¥ one's reper­ meaning and a similar style o( writing as its parent. '1 herein lics the diUicult) 1 entitJed Rebt:eea1 Or even the beautiful Circumstance toirel Good raeOlrdl inc... ttably leads to transition in (-sharp minor of PS4lm language skills whidl in tum lead to Finally, share )'our translation with otlu:1"S by submitting it for pUblicaLion. 150 or the famous 11010 song on the translation, all of which contribute to ... erses of Brizcux entitled lA PmceJ· To speak, read. and write a foreign improved perform3.Dce. Before submitting ),our translation language are three rdated but also diS­ for publication, be surL' to obtain writ­ slon1 The lauer. a desaiptIve candcle. is ... e~ close to certain sonp of Duparc. tinctly diffL' relit tools. To have a rea­ More Thorough Research ten pcnnision to do so from the original sonable fluency in the use of one of author and/ or publisher. In some cases but Its extreme simplicity and grandeur tllese tools docs lIot assure or even render it a greater religioul thought. The introductions to good scholarly the pcnubsion of bolh parties 103y IJe When imprisoned by text. imply fluency ill anothcr. The language ttqu irL"tl. Remember. thiS is yuur re­ a Cesar editions wually are long and contain Franck never Sttmed musically at cue counes of moU undergr:tduate music much valuable information which either sponsibility and not that of the firm majors includc a littJe of all thfl'C tools, to exprCS3 its content. Is It not at the is not available in Ena;lish translation to which lOU submit lour U'ansl~ti o n and these students appruaf:h graduate (or publication. organ urat he would have lung his faith or at Icast is not uslly accessible to with the most fervour? Howcyer. as an school with :l ceruin dl'gTec of rnwic· both the student and the practicing language confidence. After having rom­ improvis:uor for 50 yean. be did not musician. These introductions usually Summary believe himself obligated to dedicate plL'ted tJle l'hD. rC3ding requirements contain anal)'scs oC the woru in ques· in two foreign languages, they usually In writillg this introductory ;uticle. numerous composed works to it. MUit tion. background m3terial. a commen­ we interpret this reserve which he are not ncarly :IS confident. Education tary on numerous aspects of perform­ the author tJocs not mean to imply that often fosters a feeling of humility tbat ever),one should be capable o( proouc. placed on composing for the organ ance. a list of sources used. and a whose pipes he cherished more than any is closely related to one's abilities. defensc of the editor's work. and ap­ ing good English translations. Hut It t: In order to read or translate techni­ other instrumental en5e:mble. as the sign Ilroach in his et.lition. It is my belief dot:s br:lieue tlla' marlY who ,"o uld, ;rim­ of a great modesty? One does not know. cal lIIaleri:ll. merely taking courses is ply arc lI ot doing so. SOllie would lind that foreign cdhions oftcn arc mis­ Perhaps discouraged by the reception not enough to supplement the use of judged and therefore misused. because 110 pleasure or dmilenge in such work. a dictionary. Aher a few readi"g CDunel I:or the latter, he behe.. 'cs ··tlle deslre publishers accorded his scores or by the the perlorlllL' r cJocs ltot fully understand manner in which the parishioners of to know" should not be IcCt as simply such matters as are presented in the Sainte Clotilde received his lmprovlsa. editor's prefacing relllarks belore mak.· "an idca of what it me:u15," The basic argumelll here is nothing 1II0rc than a tions, he preferred to be IUt:nt. In a Ra~mo"d Mabry, a graduate 0/ tlu: ing musical /' udplllcnu and performance production of organ works 10 few In Curhs Irutitute 0/ Music, also lIo1dJ decisions af ecung his prep3ra.tion_ If matter or SlAJd scholarship: Le. following any im'cstigation tbrough to a (inal number as his, is it not also nea:ssary tile Master 0/ Music in organ and Mas­ only he will read first :lnd Ihen prepare to see the extreme prudence of one who to think and act, a "'astiy improved per. conclusion. 'er 0/ Library Science degrus from 1,,­ did not know how his n:verent commen· diana University. His orga" studies IIave spccth'c will be a large part of his l'erhaps a rcw will find the IIIc..:mh"c taries, entirely s)'l1lphonic though they been witll Alua'idu McCurdy (ma performance, to creatc SUllie greatly needed transla­ wcre,. would appear on the organ in the CI)'de Holloflury. Organist-Clloirmastu Too oftcn we are not prepared to tiuns. So much remains to lx: done that margtn of a French $Choul then turned at Immanuel episcopal Cllurcll in lVii­ make compolfative juc..lglllcnlJ regarding e"cr)'oue can find somt: thing to match e~tircly . 10ward the cono:rt organ? his particlI)ar imcrl'Sl. It is in this liph'it miJlgloli. De•. (lOOO·62) and at tllC Sec· tliHercnl c,:t1itions and dt:tails of per ~lI~ally . If he wrote little for the organ. that the author prl'SCIlLS his trarub.tions ond Prelby,er;all Clltlrcl, in Riclunuwt fOflnance.: practice. Instead. we are left lJ. It .not ~use in the last 15 yean of "a. (100267) , lie is curTently tile (Jt ~ to accept the judgments of our teach­ or material on Schlick • .Bohm. Franck.. IllS hfe he discovered the immeruity o( sislmlt Head 0/ tile Fint: .Arts Depart ers - past and present - based on their and Reger. . ) hcsc will be published in Bach's work, which held him in awe be­ ",~", 01 'lie Atlant~ , Gt:orgia Publ,c LlIowletlge o( the repertoire in ques­ a series 111 tllis and future Issues in the fore his m3nuab and which stimulated LIbrary. TIle traru/atlon 0/ articlt:s and tion. Milch has always been due oral hope lhat they mil)' be of service and him less to compose nun:terow workJ buoks rdated to Frendl a"d Gt:rmml tradition, but much of its content seems l!lllightenmellt to those ..... ho. until now. tlla!l to co!"po5C profound and cspedal· orga" 'ilera,urt: lias bun a /avuntc to be modified, for beller or worse. in had 110 access to this iu(ormation he­ Iy mnovatu'e work..s? project 01 long·standirl,. thc pmcess. '1 he author suggests that cause o( a lack of language skill. It is not necessary to restale the dr· cumstances in which the three ChMQI~s ALEXANDER BOGGS Recitals and Master Classes Organ Consultation . Ackno~/edgm~nt is made 01 the gra­ etOllS dSsutance 01 Miss Irene Fedder" 0/ Bloomington, Indiana, whOle JUg­ RYAN Cathedral Church of Christ the King gt:~tions aided_the lin,!1 preparat,i0n 0/ tins manuscrIpt. Tins trandatlon is CONCERT ARTIST Western Michigan University at Kalamazoo publisll~d with ti,e hind permission 01 tile author, NC1Tb~rl Dlllourcq,

THE DIAPASON . were born. We will remember simply ism. In the second part of the intra· Docs the third C/,orale in A Minor that the organist composro thern in the duction, the song theme gives substance reveal a better construction, a better last year ot his life during the months to a luxuriant ornamentation. This distribution and utilization of materials? of August and September which he time the chorale·refrain appears in the The form appears bettcr balanced and spent in the Brissaud's home at Ne­ pedal in E major. After a few measures the thought more sustaincd. This time Abingdon mours. The victim of an accident when of transition In which free recitatives Franck made usc: of a ternary sub· the cab which was carrying him to his alternate. the large variation begins division and offered us a sonata in the rl"iend. Paul Braud, was hit by a bus. which we referred to above. This work manner of the old masters by grouping Malees Music Franck h3d decided 10 leave Paris 10 of long childbirth, which develops the an allegro. an adagio, and an allegro in ~rrect the coll«tion of Cenr INtirel most varied tonalities (g minor, b nat the samc mo\·ement. A chorale theme P;ues pour harmonium which the pub. minor, c sharp minor, f sharp minor), incorporates itseJf to this triptych. This for tisher Enoch had ordered &om him. leads "ia an Impetuous triplet rhythm theme does not ~enerate a suite of varia· One can imagine with what love he to a genuine apotheosis, a glorious and tions, as in the: CI,orale in n Minor, but worked. In a few measures and with lJ.n ultimate affinnation of the chorale in nourishes different episodes of a single Music Maleers obvious desire to avoid any technical E major which proceeds with all the large variation. As in the two preceding difficulty. he must set forth a theme. It power of the instrument from the man· works. the hannoni1.3tion of the chorale ANTHEMS was 301 the precise moment when he uals to the pedals. If the above plan intervenes only after the appearance of must be the most exacting and IOWI im­ lacks clarity. the idea does not lack an opening theme which contains noth. Omnipresence pose upon himself a conciseness which grandeur. UnconsciOUSly or not, Cesar ing of the chorale: theme. This theme i, not his strong point. that he worked Franck remained faithful to that prin' has a markeLi rhythmic clement who5t: Allen James. For general use; based on out the longest compositions and thOSe ciple which he had not erased 10 fol· profile imitOJItes a similar initial period Psalm 139. Suitable for small and large most filled with fttling which he ever low since Les Dealillldl!s, the Quintet, in a prelude by BOlch. Three times in choirs. Moderate. SATB APM·775 35¢ wrote for the organ. And this he dld the "ar;at;ons sympllon;qu~s, the So· succession, thi, rhythmic dccounterpoint, the st~ngth 0 emotion, Rach and Beethoven are united in Cesar letter. presentation of a large hannon. and in truth. its tragedy. To htJVe found~ Franck, opening the way to a new ized song·fonn whose six periods of six this thought does not radiate joy all in aesthetic: the religious symphonic or­ to eight measures alternate between one the Chorale in E Major but bathes in a h... n which Vierne. Tournemire and Du­ manual and the other: after SOme reo kind of appeased bliss. In an organ mu· pre will e"ploit henceforth along with mote modulatiON, everything bC'coming sic is there a romantic poem which :1.11 those who. for more lh:..n a haJ(­ lost and drowned in a new theme (the equally addresses the soul with 5uch century in Western Christendom. h.:l\·e chorale) whose simpler harmoniution rending accents and finally brings jt unceasingly rendered illustrious an art yields to a more tightly. woven vc:rticaJ- 10 serene a response? made of knowled~, taste and faith.

MAY, 1972 5 '"' EK~JfM O'GM Installed hy ALTENBURG SA;\FORD HEIGHTS UNITED PRESBYTERIAN CIIURCH In'i n~ton. New JUICY REVEREND WADE 1\1. NYE, Pastor

Kiln L Canneln was appointed musk: coordinator at Uma laplbt Temple, Umo, Ohio, as of SeptemiMr, 1971. HI, dull.. George Bouman, Jr. of A.,d." ••, at the Temple Indude direction of the mu· announce, the establishment of hi' own or­ lie program for the large Adult Bible gan building firm In Lowen, Massochu""" Cia" of 600, and directing and arrang· Mr. Bozeman began his organ building ing for the bra" ensemble and teen char· career In 19'9 with 000 Hofmann of Au.tin. ole. The Temple overage an allendance of Texos, and 101., worked with JOMph E. over 1100 Tn the Sunday School throughout Blanton of Albany, Texa., Robert L SIp., the past year. Mr. CORnon received his of Inc. 00110 •• and Noack Organs, Inc.. of BA degree in orgon from Bob Jones Unl. Georgetown, Mossachusetts. H. spent the .... rslty where he studied with Kotl Stohl. tchotastic year of 1967~8 In VI.nAo, Minh.er of ",UNc: and youth at the church Austria, .'IId)'lng or9On building on a Ful­ Is Jerry Burton. bright gront. H. has travelled wld.ly In Europe and America, studying old and THE ALL-MIAMI BOV CHOIR has been invited to ling at the Graz Internalional Youth new organs. Music Festival in Autria, July 11_15, 1972. Mr. Bozeman is also organist<.hoirmast.r Write, or c.111 collect rOt Paul A. Eisenhart, diN:Ctor- of the choir-. laid information you may at the First Congregational Church, Woburn, his sroup would be happy (0 participate U require regarding any 0' Moss., and h. Is active as a recitalist_ H. they can rabe funcb tn rover expenses by the magnificent stand.ud a r Is co-edilor of Art of the Organ, a new May 31 . The AII·Miami no,. ChoN-, founded custom designed Rodgers quarterly iournal for those wift! a M,jaus by Mr-. Eisenhar-t in 1968, is under- the spon. Organs directly 10 Interest In the organ. sonhip of the Divi.ion of Mwical Am or the Uniftnit, of Miami School of Mlaic. The Mr. OUo A. All enburg Of The flnt protect of the new fi,m 'titlll Mr. William S. Wrenn. ptll"pote of the choir is 10 pnwm mlMical be the ...twllcfing of a 2·manual Hook Imining and opponuniticl of CKUlknt muj· argon of 1870 which will be In.falled In cal e~eriencc to iu three performing en· the Auburndale Congregational Church, Au· ICmbles. the Tourins Choir, the Concert burndale, Massoc:huMfls. ChoU-. and the Cadel Choir. The hoyt ~ ceive instruction in Ih~ry, ligltt-singing, ear MICHAEL SCHNEIDER and his IOn, training and voice, and have a 2-wC!1:k lummer CHRISTIAN SCHNEIDER, ohobt ror the camp at the Univenity of Miami. In the Deutsdt Opu 8m Rhein, DUsseldorf. Wat Gu. PMt, ihdi ... ldual boy. Irom the choir have many, wen: presented together in their (tnt been inviled to .ing in Maico and Germany. Exclusive Dealer in American ~ncert April 7 at Teu.s Christian Another has been invited 10 .inB in The Neth· Uaivenicy, Fort Worth. erlands this summer.

If vve made CI1 orgcn fa' }QI"duch, f"!O one vvoUd wa1t it. That's the price you have to pay for a custom­ built Reuter organ. It's suited to your playing situation - and no one else's. Before we begin building you an instrument, we make a careful study of the exact condi­ tions (acoustical and otherwise) under which it will be played. If you'd like to know more about an organ designed with this kind of care, call us collect (913-843-2622). Or write for a free brochure and use of our 3O-mlnute film.

~ORGAN COMPANY / Box 486 Af. / Lawren ••, Kansas 66044

6 THE DIAPASON IN 1962 •• • HeaRT LEH ollGAH ~~ !R~PHILHARMONIC AL \...INCO\...N CENTER. /I Organ OPENING 0; that heralded a busy .~e~~::e~~ ~n~recordings The even .th fine orchestras I appearances WI

AND NOW•••

Ker:med¥ Center ,For The Performing Arts, Wasi:lington, D.C. bIlP.a.y OrChe.tra, I~tllur fiedler, Conductor Berj Zamkochian, Organist-October• 11971 THE NATIONAt SIMPHON¥ ORCHESTRA & STOKOWSKI Kenned¥ Center,• January 1972 .-arttn I.utbtr ~ing jIIt,modal 6trbttt Kennedy Center, January 1972

ZUBIN MEHTA, MUSIC• DIRECTOR LOS ANGELES PIIIUIAIlMONIC ORCHESTRA Music Center, - November 1971

Saratoga Performing •Arts Center, New York ~l1gJ~~~ August 1971

ZUBIN MEHiTA, MUSIC• DIRECTOR LOS ANGELES PHILHABMONIC OBCHESTBA , Music Center, lDecember• 1971 Thl blstlr 'bilharlDIDic Orchlstra Tlleatl"e - 'Henty Lewi.. Conducting - IFebruary 1972

••• II MAOUNGIE. 'JOA. '.0.2 Gerd Zacher Two, for example, subtitled "Har­ the same interpretive challenga as the Louisville Bach Sociely, Inc. monics" and dedicated co composer "Variatioll5" with notes written out­ Meivin Dickinson, Conductor Gyorgy Ligeti, created a hauntingly side the kcy compass, romplex textures, presents the Gcrd Z.,chcr. organist ... nd composcr. Medieval atmosphere through the sus­ and rapid shifts between exlreme reg­ AHce Millar Chapel. Nortwcstem Uni, taining of selected pilches to e£(ect isters, As performed by Zacher. the FIRST RECORDING \'crsit)'. [\,amiton, Illinois, M ... rch 9, re\'erber.:tting hanuony, Number Three, doc.lecaphonlc "Fragment" was a most EVER AVAILABLE 1972: Contrapunctw One (rom «The "Timbro·Durces," dediclted to Mes­ beautirul mO\'emeRt. standing quite Art of the Fugue" in n,'e inlcrprcta. siaen. assigned different tone colon 10 comr.1ctc in iUclf. of two lions by Gcrd :l:achcr, J, S, Bach; spctilic noll.' "aluC5. ano Number Four, T Ie final "Vagans Animula" ror or­ magnificent Leipzig "Ratswahlrl Sana I)'. Gerd ZOIcher; SonalclI.Fragment "Interferenscr:' oedicated to Dengl gan and tape required creat.i\·e errorl (19-10). Arnold Schoenberg; V.gam Ani· Ilambraeus. used registers or dirferent from the pedonner equOlI to that of CANTATAS OF J. S. BACH IUlilOI pro orgolno sonorireroque dugulo octa,·es 10 pllt all pOlrls of thc counter­ the com~ser, Giuseppe Giorgio Englert. #69 "Lobe den Herrn, meine colllitanle (oder "wenn Orgelton bci point in the same voirc cln!?C, Zacher In reahzing tbe graphic and verbal Seele" seinelll KoJlcgen zU G35t isl") (1969). actuall), worked out ten sudl mterpreta­ directions o[ the score, Zadlcr assem­ in rcalisOllion by Gcnl Zachcr, Giuscppe tions and recorded them ror the Polyoor bled a fantastic collage of fragments #120 "Gott. man lobet dich in Giorgio Englerl. label. The pedagogical point of eadl from a large number of contemporary der Stille" The Unilcd SI:Itt.'S debut o[ organist is as proround as its musical point; by compositions and superimposed it on RIVERGATE LABEL 1002 Gerd Zacher. !\larch 9. :tt ~orlhwcstcm the conclusion o[ the £jfth intcrpreta­ a Iwenty-minutc background of tape Available from better record stores Unh'Cl'~il)"S Millar Chapel drew a large tion the knowledgeable listener could sounds prepared in Englert's I·... ris stu­ or order directly from and dh'crsificd audience from Ihrough­ silently reconstruct and enjoy the sub­ dio from a GOllzales organ. The at· out Ihe Mid·West, This musical e\'enl o[ stance of this music to a remarkable lempt of thc work "to exposc the jargon Louisville BachSociely uncolllmon dislinclion look place undcr dl'gree. of religiosity that has become an ... t­ 2549 Woodcreek Road Ihe joint sponsorshir or Northwestern titudc" probably rell short of ultimate Louisville, Kentucky 411205 Zacher's own piecc "Szmaty" followcd Uuh'ersity School 0 Music and Con­ the intemlission, Based on thc collo­ success lor most listeners in this in­ Records $4.50 each, plus 50¢ tcmpornry Concerts, Inc,. ... Chicago qui... l I'oUsh word meaning "rag tat­ slance due to the subtlety of the musical postage and handling. non·profit corporation. It was a kind ters." the still unpublished piece Ct.'olves (I uotations. the great length ... nd ,"olume '?[ I~~:II at.'Sthctic,religious L"Xpcriencc. its form ano details £rom the phonctic or distoned tape sounds, and the ex­ ALSO AVAILABLE ON REQUEST: IIISPITlUg rcsponse (rom 1II0si non, sounds" 'sh' (rustling), 'm' (humming), (feme concentr.:ttion of musiClI ma­ Motets by Brahms and Distler IJchc\'ers, as well as sillll)le worshipper! 'a' (sounding), 't' (spiICing). and 'y' terial. The sheer expanse of sound (Rivergate 1001) and oroained dergy or whatC'lcr mu­ (d)ing awaYl'" It is a wcn·ordered com­ nonetheless sen'cd as ;m impressi\'e sical laste. position. bri Hanlly idiom:uic to the or­ climax. 10 an awesome music I experi­ The n\'e rascinatlng intcrpretations gan, incorporating fanlasy. color block. encc. of " Contmpunctus Onc" [rom Bach's ostinato. and passacaglia sctlions, and In ... n encore. Badl's choral prelude THE Art of FIIgue rillt."tI the [irst hal£ of reqUiring the resou17cs of a \'ery large "Valct will ich dir gebcn." Zadler oem­ the ptugram wilh thought.pro\'oking organ plus two rl'glstrants. onstrated a freshness of approach that UNIVERSITY OF WISCONSIN music-dl subsmnce ror pcrfonncr, com· The three minule "Sonaten·Frag­ could only rome after considerable poser. and music historian. and witlt FOCUS ON CHURCH MUSIC ment" of Schocnberg rccei\'cd a color· cxpericnce in new music. The COIll'ie­ simple, satiS£)' ing aural pleasures for ful reading with registrations reminis­ tion and understandinl? inspired by the plain I)' uninitiatl'd. Perrormed in cent of that composcr's "Variations for the responsibility of givmg a premit.'fe 18th Church Music Conference t.·:lch casc (rom an open score of Bach's Orchl'Stra." Dating irom 1940. the perfonnancc arc hl\'aluable ingrcdients own unaltered pilCht.'5 and rh) thllls. the "Fragment" is all that exislS of Schoen­ in the approadl to all classical music, Sidney Johnson, Carl Schalk I.adler interpretations achic,·ed their berg's first attempt to fill the H. ,V. What a good casc for studying Ihc new AIH Wyfon. Daniel Moe, ingenious varict)' through unorthodox Gray commission which rl"Sultcd in thc berore the oldl Madison - July 31.August 1-2, 1972 rcgistr:ttions and articulations. Number "Varialions on a Rccitath·c." It poses - Donald Spk's Program Notes on Contrapundus One from Bach's Music in the Small Church Art of Fugue in Five Interpretations by Gerd Zacher Arthur Cohn and Edward Hugdahl S..... n Wark'hops TIIroughoul Wiscon,in The follow;'I/{ program tloles wne all aura of echo; it is not 50 much the does that violate its fonn and fonnat. ",rille,r by Gud Utcher 10 accompmt)' June 16-.July 14, 1972 art of time as the art of space. The or wilJ this. perhaps, disclose ncw and his performa"ce of flis ollln live j"Ur­ building lakes up Ole sound and cher­ diHercnt qualities of thc (omposilion~ Write: UW Exlenuon Arts Im~/atio"s of Hacl,'s first {r'gue itt "Tile isht.'S it Cor ... while until it dics away. J. S. B... ch composed ~,' er ... l revcrsi- tlrt of Frlgr,e" on Marcl, 9 at Northwest­ 610 langdon Sfr •• t t play (lhis) version of the fugue ble fugues .... nd his style or writing al- ern U"ivenily. Tiley describe flllly and thus: I stnkc each key at the corren ways lett room for the interChanging Madlsoft, Wisconlin 53706 cmlcisdy 'he essence of Mr. Zacllers art moment, but relc::asc it ouly when it of parts and ranges. This actually i5 ami tilt' method wflich he rued itl these has berome superfluous or has been one of the reasons why his music is five highly individunhstic interpreta­ forced away. In uncontrollco ooses, this alwa),s supple and slrong simultalle­ tiom. JI'e /mb/ish them here, with per­ technique would be "messy." In this ousl)'. mission, because of their ;'Ilerest to wa)'. however, a web or echoes is cast As will be noted, Ihe choscn registra. orgfltlisls everywhere. and i,1 'he hopes m·cr tIlC rugue, in which aU manner of tion for this riece produces, quilc shu­ that suc" a creative mi"d as Mr. Zach­ choros (including those of Alban Berg's ply because 0 UIC Ilature of t11e instru­ er's might become an ;ns/JiratiOlJ for Violin Concerto) can be heard fleeting­ ment. a Counter/mir" a'ie which is oillns. ly. The ruguc becomes tr... nsformed in­ practically unchanged. To Professor Theodor W. Adorno for to a loccata based on strange conso­ 5. DENSITY 1-2-3-4. for Edgar Va­ his 65th hirthday. When [ am asked nances. Disco"ery means tak.ing ... way rcse. In perfonning this fugue on a whcre J havc been I must reply it hap· the co,'ers beforc the cycs and cars. stringed keyboard instrument, each pcns, (l-aool Neruda) 3. TIMDRES·DUR£ES, for Olh'ier striking of a key produces an ... ccent, I. QUATUan. Bach himself adm. ML'5Siaen. Olivier Messiaen discovered This process is augmcnled (and the catt.'tI and practised organ playing in "colors of duration." Following his resulting sound more pronounced) "real Quawor" On thn-c Illanuals and ideas, this last \'ersion is a. spectral all­ when a dlord is struck. The succession pedal. This fuguc can be played in alpis of thc fugue. Each note value is of accents produces, internally. new that manner witIlom undue difficulty. gh-en its characteristic tone color: qua­ rh)'thms, Since, on the organ. 1 alii M)' (irst interpretalion logethcr with "en and scmiquavers the bright Cym­ una Me to producc an)' accents by ini· the others. forms, ::as it were. thc theme. bel; crolchcts and minims fundamental tial ringer contact, I must choose rrom thc "givcn subject." The \'oices are Principal; all longer notes are garish in Ihe two remaining possibililics: registra­ characterized so that l"ach can at oncc color (Krummllorn and Scsquialtera). tion, and length of toudlcs. he recognized by its tone color. For The diHerelll rates of momenlUIll arc Whenever Bach notatcs two pitdles this I cmplo), registration rollowing con­ clcarly e,·idcnt. Once again. time comcs that must bc struck simuhanl.'Ousiy, BAssmAnn \'entional models. '. hc bass is charac­ to the forc; in Ihe (irst interprclation then I reduce the length or their dura­ fjPlJl5iClJor~5 terized by me::ans or round·toneo, deep the duration of the wholc rugue was lion. I£ thrce or rour simultaneous Fhltl.'S; the tenor, as "t::aillc" is pla),cd marked out, in the second the distances sounds arc im'oh'cd. then various side 1>pbal lJaIp5ic~or~5 all UIC reeds; the treble with catHo 5010 between the entries or thc theme were effects may develop: resultinif sound registration (of Incomplete overtonc brought out. now the entire texture is combinations (mixtures) muluply the ~ox- lfonstr1Htion structure) Gedackt 8' ... nd Sifflote I', analysed in the minulcst det... il. so that Ilumber of touches and remain sound­ Onl)' the alto, ::as the voice which begins tlle clement o[ time seems to be dis­ ing untB. within the compass of a the cycle, is gh·en an clement to attract sected. However, as the eye sees an measure, Ihe vertical oensity is tenni­ 2lrod)ures - ]mler5~ip5 attention, namcly an Acoustic 8' formed o\'erall form cven in a picture m ...de nated. TJle specific durations of all h ... r­ lIy lhe combination of Octa\'e 4' and up entirely of dots. hcre: the points of monic incidenccs ... rc further supported mrtgoire 9arpsirJ}Drb Nasard 2·2/1}' - thus it an either be time together form the original model by sort pedal tones which fCmain until regarded. on account of its extremc of the fugue. blotted out by the subsequent dlomal bistributol'5 position, as the highest of the threc un­ 4. INTEIlFERENSER, for Ben g t structure. The pedal tones hence ue... te der parls (malc alto· Principal f... mily), Hambraeus. Amateurs and laymen - a subsidiary, melodic background sup­ ~rlPmont.1IJ055 . Olll)' or, owing to its crossing of the treble, in Iheir attempts at composing music port that adds continUity to the com­ as a lower top part (contrnlto_imagin. or in trying to perform works too dif­ position's total context, particularly in ary 8' - fundamental note). This ver­ ficult for them by simplifying them - connection with the piece's irregular sion represents the most unambiguous ohen \'iolate. unknowingly. existing or total rhytJ,mic structure. exposhion of tJIC course taken by the expected chord structures aDO progres­ 6. Bach specified nothing rurther re­ \'Dices. The listener recognizes ramiliar sions by reproducing them upside down garding ule Art of FlIglle - neither de­ ROCHE ORGAN Ihings bllt he is also ... ble to perceive or otherwisc altered, while belieVing tails of instrument::alion, dynamiC mark­ new fe::alurcs without hindrance. Al­ that all aspeCL!l and eUeclS of the mu­ ings (which were a concern of the next though still at home, he is already on sic so changed rem::ained the same. generation) , the system of tuning COMPANY his way. What is the actual damage perpetrakd (equal temperament is merely a suppo­ 2. HARMONIES, for Gyorgy Ligeti. by such deeds? sition), articulation, nor many other Bach has been described as "Gothic." What reaUy docs happen to a fugue f... clors afrecting the music. He put to­ builders of This is, in some respects. correct. Badl's if I decided to play the soprano part gether (composed) only the naked music stiU contains many mcdieval as notated. but using a SlOp which structure. Putting togcther implies com­ Mech.nical Action Organs characteristics which his contemporar­ transposes it down by an octa\'e; if I parison which can give risc to ... nothcr ies had long since abandoned. He was perronn the alto ex.actly as shown, and unrorcseeablc result. Docs the unhc... rd. Electro-pneumatic Organs so out of datc (as his SOliS declared) choosc registrations which let the tenor imaginary original conccpt finally that he poinled the way to the future sound one. and the ba.ss two octaves emerge as an abstraction behind these P,O. Box 971 Taunton, Mass. 02780 (as Mendelssohn discovered) • The higher? The rugue is then condensed five versions of the first Contrapunctwl whole of Medieval music h ... s about it into a ,·ery narrow musical range: but - Gerd Zacher

8 THE DIAPASON Beauty in the eye of the beholder: another challenge for Moller.

When the form of the organ be­ i ng to the eye the same sense of comes a vital element in the arc hi­ wonder and beauty the Moller tect's statement, Moller meets the voice always conveys to the ear. requirement, however difficult. The design of 51. Procopius Abbey in Lisle, Illinois rejects tra­ dition and artifice alike in favor of stunning simplicity. Soaring space and the play of light on massive plain surfaces en­ hance a desire for meditation and prayer. In conformity with Vatican II's Constitution on Sacred liturgy, nothing is allowed to interrupt the communicant's direct involvement in the liturgy. Here, the natural symmetry of the gleaming pipe ranks has been transformed to explo it most clearly the intent of the architect, reveal-

IN C ORPORATED Hagerstown, Maryland 21740 Phone: 301-733-9000 LOS ANGELES CHAPTER of A. G. O. New Music Project presents Twelve Recitals to be broadcast by KPFK (90.7 FM) Los Angeles Thursdays at 12 noon Music by April 6 Leo Sowerby 13 Marcel Dupre 20 Clarence Mader 27 Hugo Distler May 4 Norberto Guinaldo 11 Johann Nepomuk David Dimnent Memorial Chapel at Hope College. Holland, Michigan, will be the site for a 18 Rayner Brown series of orgon recitals May 18·20 during Holland's famous .43rd annual Tulip Time fes­ tival. The festival, held while the tulip fields are In bloom, brings well over 200,000 people 25 Helmut Bornefeld to the city which puts on a real Dutch-style festiyol each year. Last year, over 2000 people also attended the organ recitals at Hope College. The recitals are arranged In June 1 Donald Johns 20-minute programs, and are played by Hope College organ major Alumni and selected out­ 8 Gerhard Wuensch standing senior organ majors. (All of the recitals are listed in the recital pages.) Dimnent Chapel houses two organs: a 4-manual E. M. Skinner built in 1928 and located 15 Serial composers in the chancel; and a new 2.manual, mechanical action instrument In the gallery, built in 22 Music from The California Organist 1970 by Pels & yan Leeuwen of Alkmaar, Holland. Bath organs will be used for the fes­ tival redtals. Hope College music department numbers 13 faculty members and a degree Played by outstanding artists of Southern California offering which includes the AB and MusB in music education or performance. Organ faculty m;mbers are Roger Davis and Roger Rietberg. Also to be broadcast later by stations KPFT Houston SYRACUSE U. HOLDS chestral pieces: the Syracuse Collegium WBAI New York City M usicum sang three cantatas and other BACH BIRTHDAY MARATHON mcal works: Nina Johnson. harpsichord­ KPFA Berkeley ist of Cincinnati. performed the rom­ Twelve hours of continuous music plete Goldbt:Tg J'aTialimIS; Janet Lyman Check with your local station for program information by Bach constituted the "Bach Birth­ of New York played the unaccompanied day Marathon" held at the Syracuse Uni­ works (or the viola. and students per­ ,'ersity School of Music on March 21. fonned the complete Book I of the From noon to midnight students and Well-Tempered Keyboard and selections mllsic faculty from SU and nearby col­ from A,ma Magdalena Bach's Book. leges. and mllsicians from the commu­ The Concerto lor Three Harpsichords nity and as far away as New York and was also reatured. Since 1780 Cincinnati kept up an uninterrupted Organ works on ule program included succession of works by the master. who the Canonic Variations on J'om Him­ was born March 21. 1685. mel hocll# played by Fred Gramann: The reason (or holding this "mass Prelude and Fugue in D minor (BWV \Val~ker Organs music appreciation program" was re­ 544). played by Jean Clay: the com­ ported by SU (acuity member Don plete "Leipzig" chorale fantasias (BWV Smithers as "students need a sustained 651.668) played by William Neil: chor­ errort (or musical performance. and a ale fantasias, nwv 645, 646, and 625. Represented by: Bernard Cavelier moth'ation (or serious and large·scale 2519 Sheridan Drive music making. The object is to raise. played by Ned Chapman. Diane Uebel· Tonawanda, New York 14150 hoer, and Linda Church: the Pedal-Ex­ not money but, musical standards and <:reiliUln (BWV 598) , played by 'ValLer Telephone (716) 838·2509 interest." The university orchestra played some l'fci££er, and the Toccata in F (BWV Pieter A. Visser Melvin W. DUnn Brandenburg concertos and oUler or- 540), played by netty Kahler. 932 So. Inverness 407 B Street Glendora, California 91740 Salt Lake City, Utah 84103 Tel. (213) 335·2436 Telephone (801) 364-5948

excellent estimates - also complete services

E. F. WALCKER & CIE, ORGELBAU 714 Ludwigsburg Postfach 1148 West Germany

EVERGREEN SCHOOLS OF CHURCH MUSIC - 1972

First Session - July 31 - August 5

Second Session - August 7 - August 19

Faculty: Thomas Matthews Leander Chapin Claflin III has been ap­ Lester Groom pointed organist at Abington Presbyterian Church, Abington, Pa. beginning in June, Wilbur Held Richard L. Smith has been serving in the 1972. Mr. Claflin will assist G. Stanley Laven Sawell dual role as director of the department of Powell. minister of music, in the church's music and chairman of the division of fine extensive music program which indudes 8 The Rev. Karl Spatz arts at Marion College, Marian, Indiana choirs. 3 bell choirs. and 2 chamber or­ The Rev. Dickerson Salmon since Sept. 1, 1971. He is in his sixth year chestras. Abington Church, one of Philadel­ of teaching organ and theory at Marion phia's historic congregations, was founded College. Mr. Smith holds the Mus8 degree in 1714 and now has a membership of Courses: Voice Production, Choral Techniques, HarpSichord in the in piano from the American Conservatory oyer 3000. Mr. Claflin is currently a pupil Church Service and The Little Organ Book of Bach of Music, Chicago, where he was a slu­ of James Boeringer at Susquehanna Uni­ dent of Oswald Ragatz and Robert Ray­ versity where he is a candidate for the For infarmalion, please write the Registrar, field. Mr. Smith is dean of the Kokomo, MusB degree In performance. His former Ind., Chapter of the AG06 and he is also teachers hG'le been Cameron McGraw in P.O. Box 366, Evergreen, Colorado 80439 director of music at First United Methodist piano and Virginia Cheesman and William Church, Gas City, Indiana. TImmings in organ.

10 THE DIAPASON CflSb.VhNT

([asauant frtrg~ ST-HYACINTHE, QUEBEC, CANADA Fellowship of Baptist Musicians Schedule Summer Conference The Conference for Church Musi­ cians, sponsored by the Fellowship of American Baptist Musicians. will be held at the American Baptist Assem­ bly, Green Lake, Wisconsin, from July 9 to August 5. Section one of the con/erence is geared for adults who work either on the \'olunteer or professional level in church music. Section two, the Youth Music Conference, is designed for youth who arc in\'Oh'ed in any way in church music. The faculty con 5 i 5 ts of Lloyd rfautsch, choral clinician for adults: john Kemp, choral clinician for youth; Helen Kemp. children's demonstration choir: Jack C. Goode, instructor in or­ gan. There will be choral workshops for children. youth and adults: classes in organ, voice, handbeJls, guitar and conducting; daily choral reading ses­ sions: workshop for composers: music William Rainey, 1B year old fre,hman displays: organ and choral concerts. organ sludent of John Mueller at the North For furthcr information write: Sam­ Carolina School of the Arts received the uel J. Hood. President, Fellowship of first prize of $700 at the National Organ American Baptist Musicians, Valley Competition sponsored by the First Pre.. Forge, Pennsylvania 19481. byterian Church, Fort Lauderdale, Florida. The three finalists, which included David VIRGINIA LEE VANCE has rueived a Smith, a doctoral candidate from Eastman Fulbright gnant for study in Austria during School of Music, and Keith Shafer, a ju. the 1972-73 academic year. She will study with nior at Southern Methodist University, Anton Heiller. She is a graduate or Salem p!ayed a recital for an audience of 3.000 College in Wi nston-Salem, N.C., where .he as part of the Saered Music Concert Series. studied with john S. Mueller, and is sched­ uled to Il'ceive the MusM degree from Yale They were chosen from 42 entries from Univenity in june as a student of Charla the U.S. and were judged by Robert Freund. St. Andrew Lutheran Church, Cape Girardeau, Missouri Krigbaum. Reginald Foart, and George Volkel. Rev. Louis H. Launhardt, Pastor Mr. Rainey has been at North Carolina TilE NASHVILLE CHAMBER SINGERS. School of the Arts since Sept., 1970. He diruted by Henry Fusner, save the lint is director of music at Parkway Presbyter­ uncut IJerformancc of Bach's "St, John Passion" in Nashville on March 5. The choms ian Church in Winston-Solem_ Last Odober of 19 mixed voices, soloists and instrumental_ he won first prize in the organ competi­ SEVENTEEN RANKS ists rucived ravorable review from the city's tion at the North Carolina Music Teachers newlpapcn for thcir perfonnance at Fint convention at Winston-Salem. He is from FREE STANDING Prt'Sbytenan Church, where Mr. Fusner is Spartanburg. South Carolina. organist and choinnaster. INDEPENDENT PRESBYTERIAN U. OF WISCONSIN SPONSORS CHURCH, Binningham, Alabama, sponsored SEVEN LOCAL WORKSHOPS WICKS ORGAN COMPANY IHighland, Illinois 62249 a religious arb festival May 5-14. A con­ cert with old instruments. and an organ con­ The University of Wisconsin Exten­ Pipe Organ Craftsmen Since 1906 cert by E. Power Biggs were induded along sion Arts will sponsor seven 2-day work· with a fil m festival and a religious art e.,"' shops on "Music in the Small Church" hibit. T. S. Eliot', "Murder in the Cathedral" in SC\'cn communities throughout Wis­ was aho per£onnc:d. consin this summer. The workshops, run by Arthur Cohrs and Edward Hug­ dahl, wit be intensh'c and practical scs· ANDREWS UNIVERSITY sions designed to help local musicians rrom small churches. The dates and 10- CHURCH MUSIC WORKSHOP C".ltions arc as follows: june 16-17, Ken­ wood United Methodist Church, Mil­ JULY 9 to 14, 1972 waukee; june 19·20, Dovrc·Bcthel Par· ish. New ,\uburn; June 22-23, Zion Lu­ Oliver S. Beltz, guest lecturer, hymnology, conducting theran Church, Stratford: june 26·27, Presbyterian-Congregational C h u r c h, Rudolf S. Strukoff, choral music, conducting Ashland: june 29·30, First Congrega­ Rae Constantine Holman, children's choirs tional Church, Sheboygan: july 10-11, St. Peter's Lutheran Church, Prairie du C. Warren Becker, organ Chien; and july 13-14, Grace Lutheran Church, Tomahawk. Further inrorma­ Lectures, demonstrations, concerts, special topics tion may be obtained rrom Mrs. jeanne Two credits graduate or undergraduate R. Weher, U. or Wisconsin-Extension Arts, 633 Extension Bldg.• 432 North Open to laymen interested in church music, directors, organists, pianists L:lke St., Madison, Wis. 53706. RUIIY II. DART. a ductoral candidate in For information address: Church Music Workshop organ at Loui$iana S'ate Univenity, Baton Department of Music Rouge, aud it student IIf Ridlard j. lIC$dlke, gave it lceture-redtal 1111 Arnold Schoen­ Andrews University berg's "Variation, 011 a Recitative," Oplll 40, Berrien Springs, Michigan 49104 on jan. 25 at Trinity EIJiscopal Church, Baton Christine Marshall of Paramus, NJ., was Rouge. nle lecture portion was preceded by a performance of the work, which was then the winner of the Young Artist Contest in n!peated after the lceture. nle lceturc induded Organ sponsored by the Society of Ameri­ material on the glrncsis of the work, disclll· can Musicians Feb. 27 at St_ Paul's evan­ sion of Schoenberg's relation to the organ, gelical lutheran Church, Chicago, illinois. his \'ariation sets, and the a\-ailable edit;on of 18th Annual Church Music Workshop Miss Marshall is a sophomore in the School the work. of Musie, Northwestern University, where I'ETER GRAY, organist of Kansas City, 1.10" she is a student of Riehard Enright. She July 10-13, 1972 played it recital on Feb. 6 at the Grand Ave. is a National Merit Scholar. As winner of Methodist Church, Kansas City, which in­ Michigan State University the contest, she will be sponsored by the duded three compositions which were written lOCiety in public recital next season. for and dedicated to him by the comJlO5en. Corliss R. Arnold, Director Other finalists in the conlest Included They were: "Brief Variations on a nlai Folk Beth Foul of Upland, Ind., on organ senior lIymll" by j on SIMmg, " Tript),(:e" by Noel GOI'manne, and "Fugue in A minor" ),y David Arthur Poister - Organ at Moody Bible Institute and a student of N. johnson. The last piece rcreivcd its fint John Ferris - Choral Repertoire Lillian Robinson; and Mrs. Kenneth Stevens performance ill the recital. of Madison, Wisconsin, a pupil of Robert Brother Gregory Horning. O.F.M. - Creative Worship Lodine. An extension student of Moody DAVID PIZARRO of Cmll hridge, Mass., Danford By ten. - Organ Repertoire Bible Institute, high school senior Jon is ma king his 7th Europl'an orgnu rec::ital tour he tween April 15 and Sept. 15. He will Gomer Jone. - Banquet Spealeer Burns, of Des Plaines, III., was declared win. perfonn 'ome 60 recitals in Switzerland, Shirley Harden - Junior & Youth Choir ner of the Junior sedion of the organ C~ech o"ova kia, England, Norn-ay, Sweden. contest. She Is also a student of LUlian Donald Armitage - Junior & Youth Choir Denmark. France, Belgium, Spain, Portugal, Robinson. Austria, Luxembourg, Finland and Iceland. For further information or brochure write: Mr.. Margaret Lee Pegg, Conference Con.uhant CREATIVE ORGAN BUILDING FOR ARTlmC MUSICAL RESULTS Church Music Workshop Continuing Educallon Service Greenwood Organ Company Michigan Stal. University CHARLOTTE, NORTH CAROLINA 28205 Ealt Lansing, Michigan 48823 ..... --_-1 '7HREE GENERATIONS OF ORGAN BUILDING" 12 THE DIAPASON AGO to Run Placement Bureau at Dallas Convention £~~utauqua Organ Music Work.shop MARILYN MASON,CI13 irman Chautauqua, N.Y. The American Guild of Organists Dcpt of Organ, Unh'crsity of Michigan AUGUST 23, 24, 25, 1972 19i2 National Convention in Dallas, sessions in Texas, June 18·24, announces the con­ Techniques of Organ Playing tinuation of the employer/applicant in­ Music in Worship fonnation exchange for the member­ The Literature for the Organ ship. The effectiveness of the placement sen'ice has been extended this year by Fee: S30 for all scssions: morning & the appointment of a national commit­ afternoon cach day. tee to continue following the conven­ Miss Mason will also pla~' an organ rc­ cital in the Chautauqua Amphithcatcr, The historic lake Avenull Baptist Church, tion. During the convention the Place­ August 24 al 8:30 p.m. Rochester, New York, burned to the ground ment Bureau will be located in the Ex­ Jan. 15, 1972, leaving only the stone hibit Room of the Fairmont Hotel and Chautauqua InstituUon's annual sum­ wal's standing. The church had been ren­ will be open from 9:00 A.M. to 5:00 mer school and music festival from ovated in 1964 to accommodate a new Cas­ P.M. each day. June 29 - August 27 offcrs symphony avant organ of 56 ranks and 52 stops, Placement Bureau receptionists will orchestra concerts, operas, plays, lec­ and the instrument was totally destroyed. answer questions regarding openings tures, special entertainment and recre­ It had been dedicated in 1965 with a re­ and will arrange interviews between em­ ation on Lake Chautauqua. cital by David Craighead, and had since ployers and applicants. It is very im­ For reservation/application and com­ been used for recitals by many prominent portant that vacancy and application plcte summer school catalog, write: organists as well as students of the East­ resumes be filed with the Placement man School of Music. Mr_ Craighead Service in advance of the convention so Chautauqua Summer School played the last public performance on the that confidential files may be estab­ Ho x 500, Ch.1U tauqua, N.Y. 14722 lished. If you are interested in a change indrument in a concert featuring the wor~d premiere of Samuel Adler's Organ Concerto of po~ition and have an opening to be with the Eastman Philharmonic Orchestra filled, please write for an employer/ ap- conducted by Walter Hendl on Nov. 12, lication placement (onn to: Dr. 'Ves· 1971. The organist of the church, Michael r.ey S. Coffman, A.G.O. 'i2 Placement THE COLBY INSTITUTE OF CHURCH MUSIC Corzine, was to have played a recital in Chainnan, P.O. Box 21206, Dallas, Tex­ the church on Feb. 7, and he reported that as 75211 Seventeenth Year August 20-26 hb shoes and recital music were sitting atop THOMAS D. AVINGER, comJl'O'Mr ol the console the night of the fire, thus Houston, Texas, had a program of his mu­ The 1972 season will featUre as Guest Instructors being totally destroyed. The recital was sic performed by the Rice University Chorale moved to the Twelve Cornen Presbyterian under the direction of Donald Strong at Rice ARTHUR POlSTER, organ Church in Rochester. Ullh"ersity, Feb. 17. Members o( the Houston and The congregation celebrated their 100th Symphony Orchestra .accompanied the chorus. Featured on the program was the premeiere VALORIE GOOOALL, voice anniversary in June of 1971". They are of :Mr. Avinger's new cantaln, "Sorrow and now in the process of deciding upon plans Joy" for chorus and chamber orchestra. It for rebuilding, and they are holding lillY­ is a musical setting to the poetry of Dietrich An intensive week packed with courses (organ, voice ices in the facilities of Central Presbyter­ BonhocHer. Margaret A. Snapp, Rice Chapel and choir) and recreation on a lovely hill·top campus ian Church, Rochester. organist, played Avinger'. chorale preludes in beautiful central Maine on "GiVe Me That Lowest Place" and Gib­ DONALD S. SUTHERLAND and his choin bons' "Sollg 13," as well as his "Theme, Ro­ Demonstrations Recitals Exhibits and lIIusicians at Bt3dley Hills I'rcsbyteriall mance and Passacaglia" from Four Pitus lor Conducting Practice Opportunities Church, Bethesda, Md., .kirted an inadl!quate Or~QII. Mr. Avinger is assistant conductor of organ (while waiting (OT the installation of the Houston Symphony Chorale and works for Counseling Repertory FUn their lIew Holtkamp organ) during the Len­ Humble Oil and Refining Co. as a ')'Itenu ten s~son by doing a series of dlambcr con­ anal),t. certs. A chot31 service, a concert of chamber For information address: music, and a program called "The Negroes' EDWARD N. WATERS, fonnerly assutact EVerett F. Strong, Assoc. Director Legacy to America" by the Negro Oratorio chief of the music division, has been named Colby College Society of Washington, D.C. under the din:c­ chief of the music division of the Library Waterville, Maine 04901 tioll o( Joan Mitchell Salmon, brought a wide of Congress, Washington, D.C. He .ucceeds variety of ullusual music to the church. Harold Spivacke who retired in February.

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MAY. 1972 13 As for the manual eomp.us, anyone who and orpnic relatioruhip •. . between the ac­ course, his whole cue was built on the quia­ ha, owned a slllall pipe org3n in a dustf cli­ tion and the chest." The additional five ar so ness of valve opening. All the other mlUieal THE DIAPASON mate like Tuoon would be hallpy indt>ed to be inches doesn't really foul up the workings facton aflretins beautiful orpn speech were rid of thme top 5 or G pipes-they .ue the when we already have 10 contend with Ipread­ IoIt in his display of model, and test equip­ ooes that allr,llYs clos: up with dust, and can't ing from about 36 incho manual compass to ment, be "CPt in tune anyw::ay. more than 85 inches ches t width. And ludy, With the avenge orpnist now bec:omins Ibch', "WohltC'mperirtes Clavier" was tnNt il .temS unn«essarily crud to eliminate Jean more aware of the classic "W~rkpr i nlip" ideals certainly wriUen to demonstrate the poIlillil­ Lan!lais (and all the otMn) by (lining 0If( of orpo buildioll' throullh the dloru 01 10 ity of playing in all key'l, and thw it is lurdly their top two pedal ript't. Thme who play the many, includillg tne pages of TH~ {hIlP.u«»f more than a quibble to argue whether he couoterfeitl are an 100 familiar with the 'ea~ (despite the heavy advertbins ~ lupplied br meant "equill temper:tment"-ilt k»t, unll'S.l pedal lines. the counterfeits). we are Reins lOme new one ean show JOme other Iynem of temllera­ This brings w to the concave_radiating pedal­ hope for the Kins of Inltruments in Amcriea. ment in which all keyl plaoy equally well (Of' hoanl controveny_ Your Itatement that this 1 hope that efforts wiD be redoublt'd In thd equally badly III the Clue m::ay be) . Most (ct­ "complicates desisn and (um:ti0'l in a mechan. direction 10 include more and more larmen t:linly, he did not claim that he was tuning ical action" just dn't valid. I fttl lOrry for 1\1 well as the misinlormC'd "proressionaob." his inltnllllent in mathematically equal !k11l, the builder who can' , dr:$isn the rGl1er_board, The sadness of tltis need hat beC'n brought each uv'2 x Ihe frequenc;y of the preceding backfalls with fan-(r3me, etc., te) accommodate home to many or us quite eloquently by what note. Undoubtedly, he tuned by filth and this feature. In your C'ditorial you "contend has happened to two laTBe instnlments in our fourths, flattening and .hat))ening in the man­ that the finer balance • • • between the or­ own city in recent times. One of these was a ner or a modem piano luner who Jets his gan and player, the liner will be the player'l 49-rank, 1930's organ, with tlte Ulual com­ bearinss without an dcetronie helper, and sense of contact aond participation with the plimr.nt of saloistic lind slUlh mat~riat. This the result would be, to a fair approll.imation, inslmment." This seems to me to fully IUP­ instrument was lavishly and lovinllty moved an ('qually tt'mpered scalc ..•• port the need for a conca~'e_",diating pedal­ towanl recognized tonal balance principles and We are left with two pouibilities--either board. The whole action of the foot and Irg "Werkprinzip" ideals. The results were quite to So baek, for whate\'er rC'ason, to uIlliin is so differently employed in orpn playing well received. Unfortunately, lOme well-mean­ other temperutments which sound very !ood from that of the Iingen, hands and arms. The ins but quite unknowledgable people found a in a lew keys and horrid in all the f'CJt. or Reometric ncc~ itirs or the pedalling technique tinker to "restore" the orsan. Not onlf was the much needed upper work remowd and to try to adopt om: o( lhe outlandi, h L.ey­ an! complicated by the problem of leamins FEED BACK ••• the tonal balance destroyrd, but the once boards sh, music per­ the pedal enmpan was In:lde to agree with with the convenuonal 61 .key sp:an, any use ploy principles present in the JUat tracker formed in equal temperalment puts .omething the compau of the onhestral double-bass. of a slIprr-couplec to brins into play lOme of history to improve other 3ction medtanism!l. of a Itrain on the rrfined and cultivated ear, There is proonbly little organ music per Sl: the dclicate registr.ation po"ibilities is limited. Sensitive care mUit be wed, however. Some Romantic mUlie is even more of an abomina­ that cver calls for thr:$e notes, and «rtainh' Why chop orr another five pipes? nlis may fcw yean ago I spent a dev:utating ahernoon tion in meantone than is Baroque mwic in none prior to the tum of the century. On be quibbling lor pipes aud 1 Ihan't fiRht over in a futile attempt to advise a prospecti"e or­ equal temperament. A large concert ilUtrument the other hand, shortening the pedal to E a few leathernuu, a couple 01 incites of wood, gan buyer. A ruther naive, but convincing. Uled regularly for the performance of a varied as in the HemmetSam instrument under dis· and :worted traden, raUen, sticken and builder research man hopelessly convinced the liter3ture will inevilably be tuned in equal cllssion, wilt pose lome problems, even in squares. 1 am very amcemed about two points, buyer that direct elertric acuoa could in no temperament and left that 'way. playins Bach (The Toccata in F comes to howC\·er. I don't lee that die nduction you way be less eflective than the other actions, This is not 10 Illy thaI most musicians do mind at ooce). advocate actuaJly bendiu your "better balance includins the dider/chanoel chell palle'. Of lIot feel some subtle dissatisfacuoa with the

14 THE DIAPASON restJcss, intentionally false intervals of equal on the organ-builder'. art, include these .erioUl lure more preciady in all positions of the top IIIddenl, able to build orpnsl With English temperament. In my judpnent it is no coin­ om. ions at part or your discussion. and 'olds than due linsle fold reservoin. In orpnbuiJding falling nearly two centuries cidence that the increatine: acceptance of equal Sincerely VOIlnl ; a sinlle fold resevoir the mechanic.al force ap­ behind the quality of French-Catholic 0"" temperament in the Romantic era w.u pan.Tlel. JIU03 L. Grable plied. to Ihe wind , ..ries al the antle 10 the pnt, and at least thrtt centuries behind the eel by the incrusing popularity of trcmulants P .5. Please h!member: All you "aU, nctd horizon of the fold chanra as the top of the quality of the Protestant cantineotal Euro­ and eelestcs, which blur the pitches 01 notes is a cave. a fire, and a piece of meat. resevoir rises and fall.. With a double fold pean,' orpns, thc amateur American builder in a chord suUiclenlly to conceal the beats re­ P.P.S. I shall ,.., renew my Jubscription to rcsevoir with one fold "in" and one fold I'out" malr.inl poor copies of English nrpm alarted .ulting 'mrn tempered intervals. (The mmu­ your publication. Ihe dft'ct is larrdy canee1ed. For a further us orr in grand Ityle indeed I With the blind lant i. equally errective in maskinl moderate discussion of the mt'Chaniat forces involved leadinll the blind, large and famow orpD­ dqn-r:s of out-of-,uneneu, as many an orpnist ICe Sec:tion 28-f page 161 If of F. E. Robertson builden in the United Slates turned out disco\'Cn lor himself when the tunu iI a few Prdtlj,AI T"dl'JI arl Or,d,. B.i1Jift" Samp.. thoUiands of fluty, weak and undneJopcd in· weeks overdue.) New York, N .Y_, Alarch 6 , 1912 - JOn Low, Manton A: Company, London 1897. strumcnll for our consumption and our equan, To the Editor: It should be noled that theh! is a great dis­ amateurish Iitentul'C!. \Vben the mmantic Spealdnlf of the tuner - the editorbl lCems I am writing in response to your editorial to SlIMest that tuninl by means or an elec­ tinction be'ween a .Iightly naible wind .up­ orpn bombed N~w England with the Kiant in the February isue of THI!. DIAPASON, not to ply, and one containing noiae of ill own. A Walclr.er organ from Germany in 1858, the tmnic in.lnlment introduces a certain slerility tae wue whh any of the lpecirlC iteau of into the tempel1llmenl. The pu~ of an flexible ,upply is compatable with Ifood tone New England.centered Amcnc.n olpn in­ which you wrote (lOme made seNe and some in an andfic inllrumenl. noisy wind iJ not. dustry fell owr backwards to .brt t",;ol to electronic tunin« imlrument, of coune. iI to ,eemed belabored and .illy) but to voice an make the work of the tuner both simpler and The devicet that produce an aMolutely emulate ill IOUnd. with heavy nickinlf, larwer opinion which I leel more stronsly every day: scales, Ili!her wind preslUh!. low pitched. (theoretically) more accurate by seltinlf aU that the gentlemen who fancy themseh'e5 the Iteady hani wind supply may in lact be pu­ the intervals for him and mlucin", the whole fect tran.mitten of high frequency noi.e of nuty mixlures and lenera! noise or roar. The leaden of the organ building indUlitry are be­ Americans could not even do a rood job or tuninl process to unison tuninr. With appro­ coming more and more myopic, Jelf-indulsenl, the blower fans dir-ectly. In modem orwans in ,.nate adjustment of the vernier control, an which Ihe blower is located only a few ft"Ct copyinl IOmelhinl rilht undtt their nOldi and unrealillie, aod that the I~t orran re­ clectronM! iRitrument can be used to tune aa from the wind regulalin! device, perhaps di­ for the resuhinl orpns or the lut four ~ form m(wement has finally reached that lta!('­ ades oC the 19th century hardly matched orran in dlt, '~mp"dm".' more quiclr.ly than rectly connected to Ihe wind chests which al. by intervals. As these inttrumenb probably im­ of .eU-corruption to which all revolutions lows .teady wind at regulated presture but the q~lity of thC! Wakker except in a few, r.1f'C, Instances. prove on the accuracy of most tuners, AI well seem doomed. containing noise from the blowC!r which has The movements !Oals have been achieved: .. their Ipeed, any unple»ing err~b resulting not been pmperly relined. The old Ityle dou­ Then came lI~nry Willis to England and from their me must be attributed to fla ..... In hilh pressures ond cement chamben and the ble rib rese\'oin with its large internal \'Glume the old English influence was apin upon w the temperament iUeIl. Dread Tuba have bt-en pllrwed. The admirable pmvides an area in which absorbtion of hirk wilh Ihe theath! orpn placed tqUIIl'd, in soal of putti,.. the ol'Pnist bad in touch our churches and imlituoolUl of "hilMI''' Repttling the relationship bet\Oo'een tempera­ Ircqucnda can talr.e place. as well as c.almin« with his instrument was accomplbhed when of turhulences in the wind. leaminl. American orpndts easily proved ment and the tuninl of mutations: In spile of mechanical Ir.ey action returned. I applaud the that the classic.al music of the centuries prior the teachinp of musical theory about rein­ tr:lCker, but I IUIpect that the continued The type of sprinSS used on both rerulaton to lhe 19th, And the traditional Protestant forcement of natural harmonies, mixtures and ""urilication" or orpn design d rapidly put­ and concu.ions have a la!'lfe effect nf the church music - includinl hymns _ sounded mUlations mUlt be tuned at tempcred inter­ linS the instrument out of touch with our steadyness of the wind supply. Coil .prinp duller than dull on these orpns while non­ wis to the unison, not at tnle ones, if chords are prone to internal Itanding waves that can era. ut's face it: organisll ;If'C: traditionally eburch music of the orcheslra a~ opera 10- 1'.e IOinl to be .truclr. wilh thC!f! stopl dra\'fn. an out-or.step lett, a bit reacltonary and usual­ in point 01 r:roct ernIe a bouncing etreet in the IfCther with tfte concert music or the Fre'nch_ th~ & Tile n:uption, as pointed out in c-ditorial, I)' .lilhlly behind the musie:al times. The build­ ""ind supply. Thil problem larwcly eliminated CatholM! mmantie oflan waI much more in. it the li"e. In muntone, which sounds :. per­ en' attempt to relepte them to perfonninlf by the use or leaf springs. terdtinr. American orpnbuilden led by hct .event~~nth. In the "theatre" organ (the a c~rlain (and historically IOmcwhat far-re­ A third point for consider.ltion is tha. pipe­ Ernest M. Skinner and othen the~ began to 1CM:alled "unit orchestra" as developed by moved) part or che literature only reinrorces work is fensitive to atmospheric condilions of exploit this huthu music and the French Hope-Jones around che lum of the cencury), this tendency. And we are now arrived at a heat, den.ity, and humidity. The increased Romantic, tOJether with the poclr.etboob of nishly Plidactory mutation voices ~rc ob­ point where even portKtns of Ihe Baroque prl'SIUre of the air produced by the blower the wealth, and roaring "tw~nties." Thus tained by unification, which of course can Iiler.llure are arhitrarily dismilkd, and we d abo heated. This heated wind when RIp­ we come to the mmical heritap and orpn yic1d onl, tempered intervals. In equal temper_ find a large New York City Episcopal Church. plied to the pipework will cause the pi(lC!l to design baclr.rround 01 the people who became ament the quint is nat by no more than a once possessed ot a O. Donald HAmson which rise in pilch If hdd apinst a stanelanJ pilch this seneration', orwan teach en. It made no IChisma, whereas in malntone the 5th-K1.lnd­ could do ;II lot of thinp well replacinlf it wilb such as a 'ork. Since tn:ble pipes are much difference whcther these tcach~rs came from inlf ranks are nallened Il 'luarler of 11. comma. a "French CI;usic" imitalion which does more SC!nsitive to chanlCS in temperature than che hilhest academic environmenll or fmm At the ritk of not being talr.en quile striously, are baa pipes this effect can be quite notice­ :!Ie local around the comer .. a may I tuAest a funl.er compromilc: r-eprdinl nolhinlf wdl. Does man live by de Gripy , ~hur:eh. akane? aWe within a ranlr. of pipes. We w~re rttendy convertw Planat; the raula were the temperament? We an: all familiar with orpns Too milch of a good thinl. feUoWl! The called to IC!rvice • larwe orpn of a wC!lI .known u nte and tI.e tastes devC!loped were the same. o( as few ... thirty Ilops ia which the builder "Ir;ss is more" sensihilily of Webern led 10 manufacturer that could not be kept in tunC!. Now we have lOme enli!hlenment in lOme has endeavon-d, not without K1me IUCCess 10 the .terile excesses of the lotal .erialitt. lrom Thennocouples ""ere inserted in windlines for 01 our organ-teaclllnl schook, brought about include tonally complete and useful ~nfe~hles whieh composen an: only now btrinniog to a period of time. It soon became evid~nt that throuSh the hdp of Fulbright Scholanhips of both Baroque and Romantic Yok". To recover... th~ organ to go tllroullh the sante the room temperature r-emained constant. but thC! ease of reaching Europe and the ~ lpealr. of balance and blend amon« .ucJt tonally late? tilt: tune ,Ieadily drew apart and hearne nllftt renaissance in Europe or the cl.. tic duparate dements would a contradictK..n in be My principal fear is thts: that the once klng wone. A check of the thcnnocouplC!J reveiled orran and the mlllic. to IfO with it. 1he terms, nor does the wise builder .Irive for of instrumcnts will allow ils builden to try to it .teady incn-asC! in the temperature of the renaissance which took place in Europe with .uch a 10a1. Then why not regard the two tum the dock back. will remove ilscl[ from wind. The air supplied to the pipes was 97 little pain in tea tbnn two decades hat al. .ets of voices ... two dutinct in.trumenb the onloing stream of musical hislory, and degrees F. when the pipes and room rern:tined M!ady hammered at this CDuntry lor nearl, !iDI .h.rinl wind .upply and coruole, but each will; will become like Ihe harpsichord, which, dr:­ at 68 dr'Jf'eet F. OLvimuly, this inslrumC!nt decades with ditcouraginlfly alow raulll The its own palene of tone-coJon, ",.tI tdtt. w;,4 spite aU the beauty and euitement it remains could not be expected 10 hold ill lune until lack of interal on the part of mott o~nisu ill ow. "",p,rdmn,l (This is not an orilinal capahlC! or senerating, is a museum piece, the thu pntbkm was sofvc-d. In this case the wind in tI.a country in tfta excilinl refonn move­ idea wilh me; Helmholtz, among others 'us­ ",.rdian of a Slorious palt, but no lonl~r was supplied by a 1Y, hp blower (slow lpeed). men~, as compar('d with the scholarly re­ Jt"Sted IOmethinr of the IOrt more than ~ cen­ the inspiration for a vital future. Presumably Generally we have found a rood argument for cepllon by o!"r pt'"rn in Europe, becomes tury ago.) Mr. Phelps and othC!rs won't care, as long as the use of slow speed blowen in that thcy nearly nausC!.l!ltmg. The vast rn:tjoril, of 0,," Of coun~, the stop controls o( the two syI_ their tierees are in tune and the bills are show ICSI of a lendency in creating lur!iulences san, IliII beinlf constructed in Ihis country lems would have to be dislinclivdy marlr.ed. patti, but I, for one, am not ready to let them and heating of the air. Had a hillh .peed are merely a hodlfepodle of quasi-EnSlilh and an organ bullt to be tuned in this dual have tree nino blower bHn emptured in the above c.uc the ~nttc-Amuic.an thealre sounds, unbkndlns, fashion lhould have lep3ratc combination and Out ot the exCNes of the Romantic er.l. nrpn wOl11d no doubt Il3ve prond evC!n more ntlty, d!"U a.cd .totally without literature 'UII. ef'eSCl!ndo IJ'Items (if any) and J~parate .fon­ came Robcrt Hope-Jones. Who amonll us will umtl'ady in iu tltnl'. port. GigantiC firm. (fl)r the orpn indust".) ando pedals •.Equal temperament is bad enough, be the Hope-Jones of the 1980s? Alterations in the Itumidit, content of the which developed durinl the past 10 yean but one quail. at the thoulht of an inadver­ altf:lt to the tnuh or this statemenl. Many Sincerely youn, wind supply ClIO abo cllect the pitdl of pipes. lent conllomeration 0' equal drld unequal Amtrican churches .till consider that the motl Harold SIO\'~r Although this dfect is rather uncommon. it kmperarnenb in the tame ~tion . coukl be considered in CIUCt of a basement !~!)Qrt;mt !~ing ia 10 buy an orpn from a P.S. For the I'ecOc"d, I am well under thirty b. name and that tfte second most im. Youn nry .incerely. yean old. blo\Oo'er locatioo and problem! with stabmey or John II. Dirco tllning. Since the density or air dcterminn the portant thinlf is the principle that the larser pitch of a pipe given 0 certain lenglh, an in­ aa orran is, or the rreater the number or crca.se in tllC! IlUmidity ercates an increa.e in keyboards it has, or the greater the number of Milwaukee, Wis., Feb. 24, 1972 - the density of the atmosphere. unified ItOPS it d;'pla,.., the better_ MOlt of San FranciKo, Cam., March 8, 1972 _ the rat of the American churehet think that To the £ditor: To the Editor: In ,ummatton, we '~1 Ihat it is 01 para· buyin! an organ is lilr.e buying a new ..OW: Your cditorial of February 1972 that ap­ mnunt importance 10 the pruduction of rood I have read your February editorial .everal lor their kitchen - only it COIlJ an out­ times. It is a most detilhtful piece of utire.. pe.3.mI in THZ D'APASON r.lne. some interest­ tone fmm pipes that the wind lupply be as ing lKtinll, on which we would like to .hare r.lgeOUJ amount tnQre - and that thc in­ It is rood to see that our oldest and mo.t dis­ free as po_ible (rom turbulencet and noise. tellircnt thinl to do is to Ihop around end­ tinsuished Olpn monthl, hu room for hearty lOme or our experiences and commC!nll. The Ellective means to produce this desired wind leuly for the lowest price fmm the most humor. point of .pecial inl~rest to III is on the quality supply is hy ule of slow .peed blowen. lar'Je penon.bte "orpn butchu" they can find double fold resC!voirs, at wdl as cah! in the ~ngratub~ on a wdJ comtJUCfcd "put_ of air woplic-d to th" pipeWD£k. We Ilave, .. then let their organist piay armchair orp~ on of the ndlCUlous current fad of rrsre:uioo of late, been cnndttctin~ npcrimenll on vari­ cons'Rlctinn of Iflnd Inlnu 000 cheSi horinss. d~jlner and tonal director to specirty to in orpn buildinl. OIlS instrument, of dirlerinl manufacture and 810\Oo"er placement should aOO be carefully con· the butcher "ow the orpn .hould be built. Youn sincerely, as!! on this very topic. sidered for possible problcnu arising from air Evcn the churches who buy from the AlthouSh milch consideralion hu been Ifiven temperature and humidity. M with anything "biS name" builders wually fed they know Jack M. Bethards o( an artillic nature Itriet hard and fast rules 10 matlc!" of pipe""ork and chest actions, the mOh! About orpn desisn than tJle profes. P.S. I enjoyed molt especially your beauti­ can not he :1pplied in specific cases. The mOlt imDOrtant study of the quality of the air sup· .ional ("we h:rove a fisht to have what W~ fully strained Iosic reo pcdaJboard and .key illtdl~nt approach is of course a proper plkef hat lalllely been ipontl. The (oRowing w~nt! I ! J !") and tbe big n.ame banders compau aDd consCruc:tMJn. comider.l.tion of individual facton, placill1l poinb, we feel, should be considered along faithfully take down the ,pecir~tiOll of the P.P.S. No, the mechanical combination ac­ with ehest actioM, scaling, etc. them in their llroper perspectives. We offer ?ew orpn Imm the orpnist-tuddenly_tumed_ tion afK\lment is even better! only our 'ugseltions baaed on our raearch Modem gentle unforced. voicin. (open toes, Intoo()rpn-design~r. It is lilr.e the IUrJeOft as II guide for others to reach their own con­ lellinlf his patient tell him how to perform the low pressure, moderotte cut-up and Absence of clusionl. We will .,lIer '~II. - Ell. opera.ion! Or the violinilt tellio.. the violin­ excessive nieking produCd a quality of lOund Respectfully JOun, which is more euily innucnced or interfered maker how 10 make the violin. with by the following problems: Henry R. Weiland So your editorial which displa}':ll tuch an J, Stanton Peten Forat Grov~, Ore., Feb. 23, 1972 _ First, the air that is tupplic-d to the pipes exten.ive degree of Ir.nowledle about "III or4 To the Edieor: should be free from turbulencet. Obviously if pnbuilding and llIr'IfUes about subtleties of de. siln seC!mI rath~r like taking a bath in milk. [ was enlilhtened to read your editorial in the tone of a pipe ia modulal~d by noise in February'l issue of THI!. D,APASON, in which the wind lupply this docs not allow a voieer West Springfield, M:w., March 3, 19n - '':hen .the majority of American organists tl) produce tllC! besl quality of K1und that Tn the Editor: lull tlllnk about tt\'O enclosed divisions anci JOU pve )'OUr View1 on the dirulion that IWO celesta (e\'en Cesar Franck. had only modem orpn bui1ding .hould take. Hown'rr could be obtained from the same pipe under Your editorl:il, Som4! P,,(fflul TAo.,AI. if you'll lorrive me, theh! were two areas thai more favorable conditions. Unles. the wind aboul IIr, Orld", brousltt both thrills and in­ one of each), a minimum of thrtt manuals you did not treat of which to my mind would supply to the pipes it as (ree as possible from tense frustratlon to this ~ader. It reminded and 12 to :J(j GC!neral PisIOIlJ, the rear of have made the editorial more complete. turbulence the noile content of the wind will me again, in bluing trulh, of the fantastic e\'ery C!ndOSt'd division 51uffed with reed be tml1lfered to the hannonic deo.·elopment amount of di_ension utant in this country slOl1S but never mind having 41">' on the Great I. The mlary fan that provides wind for the produced by the pipcwork. This noise content al.out orpn design - diaensKm born of ig­ Division, and "What', A Sesquialtera for?" modem olpn has introduced a type of wind of wind ca. be produc:nl in w:ver.ll waY'; Ihe hOl1IIDCe and Jlubbomess. Whether this discn­ and "h thil Comet thing no orchestra In­ .twinea that d inorrantc and WI'}' mueh out thr-ee mott imlKtrtant are: 1. Blower fan ti,.. s;Un will ev~r dis.tipate, thil reader has berun strunloCnt imitation Of' what?" and "lIow can of k~ping with the demands of the literature can

MAY,I972 15 baldi; four 5On:lI35, Scarlatti; and CinqllUme Concn't (Pilus de clavecin en concerts), Rameau. Larry Palmcr played the inaugural concert on Montcvallo University's re­ ccntly acquired William Dowd harpsi­ chord 011 March 20th. The e\'ent was one of a series of concerts celehrating the dL'tlicalion of thc Alabama Uni\'ersi· 1\" 5 new music building. The progr.u~: Toccata Ottava Book I, Frescobaldl; Ln Uomatlesca ;nd La Raila dell' ~n' torcia, Valente; SOrlale. 1)0.'" c1av~cltl, Martinu: Conti,",H1m. ~Igell; two plece~ (rom Lamber's Clnvlc/,ord. Howell~, Suite in E Major, Handel: CI'TOmatlc Fantasy a,.d Fugue, nwv 9OlJ, Bach. Off the Sound board Karel Paukert and Donald Spies, as­ sisted by a small string ensemble, played Syh'im Marlowe was assisted by flute, a program of music for. duo keyboards oboe. :md 'ccllo in her Carnegie Recital and instruments at Lutkln Hall, North· Hall Concert in New York on March western Univcrsity, E"allston, Ill. on I The program: Trio SmllIta in D Feb. 13, Music for t\\'o or~ans , a~d four· ,,;ioor Pureell. 26tll Ordre, Francois hand piano were combmed With the Coup~rin: SOMt" jtl n minor (or \'iola (ollowing: Toccata lor Organ and lIarp­ dOl g;lmba. Dach: SOlin/a it' C tn;'lOr for sic/lord. Robert Jones: Kyr!es a"d Al­ oboe and continuo. Handel; SorUlla leluias I _ TlIlrd Exullatlon lor tll~ Number Tllru in C, Virgil Thomson: Preassion 0/ tile Corn/orter /~r Pos,­ l..es CiPlqs Doigu, Str:n'insk),; COIlcerlO a'Je Harpsichord and ElectronIc Tape Ii .. ;11 D minor, Handel. (fi~t performance) , L:lwr~nce Casserly: FmJ Tulan pl:lyed Gio~nni Ber· C01lcerlo lor Two Hnrpnc/,ords, BWV maroa Lucchincui's COllft:rlo a DIU! 0,.· 1061. J. S. Bach. gnn; (ca. 1770) 3t the Cathet.lral in Mathilde l\IcKinney pl:tyed the fol· Stockton. Ci1iifomia. on February 6. lowing program at AU Sain~' Church, He had recorded one part on the Flen­ Princeton, N.j , on Feb. tlJ: AIr.a1ld,r' ~r­ trop D.gan at H3n:ud Uoh'crsity's iations. Handel: Echo Fantane, J an~· Busch·Reisinger Museum, and per­ tio,. on Mei" junges Leben hat em fonned the 5Ccond part Jive at his Em' Sweelinck: Toccata in D, Bach; Neupert harpsichord. "Bach Before the six pieces (or harpsichord by Rameau: Mast" a composition by English harp­ and 5 So,.alas, K. 595. 263, 421, 471 and sichonlist Ceorge Malcolm was also 461, by Scarlatti. The Dalla. Morning New.. titl.d this photo ThrH Generations of Harpsichordists; shown on the progr:Im. This work was con­ Richard CHUler played a recital at ceived as a co"'r.:l.nion picce for Alec preparing for the Barh Concerti Concert at SMU are {left to right) Larry Palme" Rebecca Brenau College on Feb. 28. The. pro­ Peal, and Isolde Ahlgrimm. Dr. Palmer studied with Miss Ahlgrimm in Salzburg In 1958·59, Templeton's Bac I GOl!! to Town. gram: Toccata PrimlJ, Frescobaldl: So­ and Miss Peal is presently a graduate harpsichord student with him at S,M.U. YeUa Pcssl-Sobotka was assisted by flatas L 392, 10. 2lJ8 and 415. by Scar· Paul Olcuky, 'cello, at her recital on latti: 'Prelude and Fugue in A-flat from February 18 in Sage Chapel of Mount WTC II, Frencl. Overture, Bach. Isolde Ahlgrimrn at S.M.U. Hermon School, Northfield, MaS5. Miss Fcatures and newS items are welcome l'cssl used a Sassmann copy of an An­ for these page!, Address. Dr. Larry Isolde Ahigrilllln. extraordinary pro· And the concertil Scnsitivelr, aCcompa­ dreas Ruckeu harpsichord of W40; Palmer, Division of Mustc, Southern fessor of harpsichord at the Vienna nied by SMU's Chamber Ore lestra con­ Mr. Oldsky, a Stradivarius 'cello. The Methodist UniversilY, Dallas. Texas, Akademie, came to DallilS lor an extra· ducted by James Ri\'C! Jones, Ahlgrimm program: the three Son:l.tas for gamba 75222. ordinary week in February. Appearing began the program with the solo con­ and harp,ichord by J. S. Bach (G as the third artist in Southern Metho­ certo in D Major (8WV 1053) ; (or ~rajor, D Major, G minor). Arter a dist Unh'ersity"s "Connoisseur Serics" the two harpsichord cona.-rlO in C standing ovation Yella Pessl played, as o( concerts, she packed the house (the Major (BWV 1(61) she was joined by an encore, the last mo\'ement of Bach's U. OF OREGON SPONSORS BAROQUE WORKSHOP University'S Caruth Auditorium, which her one·time student, Larry Palmer, Italian Concerto to an audience gath· scats 600) for a solo recital and for a who teaches harsichord at Sl\IU. A(ter ered 'round the harpsichord on stage. program of Bach concerti: she also gave intermission, Kenneth Nienhuis. second­ Victor Hill played the following pro· A summer Baroque \Vorkshop a!ld a lecture on \Vedncsday and a master year graduate student in organ and gram on january 8 3.nd 9 in his Griffin Festi\'al will be held at the University class on B3ch's Wd/ ·Tem ptf~ d Clavier, harpsichord. joined Ahlgrimm and Han Concerts 3.1 Williams College, o( Oregon School of Music from july Dook I on Saturday. Palmer (or the three harpsichord con· "'illiamstown, M3.Ss.: Toccata 11/1, Bal­ 5 through August G. The worksh.op certo in D minor (BWV lOGS); and, and (estival will (eature Helmuth Rill­ Actually, Ahlgrimm spent nearly two letto 'eno, 5 Gagliarde, Frescobaldi; weeks in Dallas, for. being the perfec­ finally, graduate harpsichord students Suite in G minor (Book I). Chambon­ ing conductor of the G5chinger Kan­ Rebecca Peal anti Robert Love joined tor~i and Bach.Collegium Orchestra of tionist that she is, she arrh'ed a week nieres; Menueis in D, La Forqlleray. early in order that she might have Ahlgrimm and Palmer for the four Cllaconne, Duphly; Suite in D minor, Stuttgart, Germany. haqnichord concerto in A minor (BWV Louis Couperm: Frenell Suite in E enough time to practice on the concert A workshop in choral music will fo­ instrument. It was her first time ever 1065) . Major, Bach. The Williamstown Ba­ cus on the Mau in B minor by J. S. to play 3. recital on one of Rainer The standing ovation and insistent roque Consort, of which Hill is director, Bach. Three are3.S of study are open to applause follOWing this last concerto presented this program on Febmary 5 Schuetze's harpsichords, and she found students: one on DOlch's choral tcch· the adjustment a problem; the keysizc led to an cncore repetition of the third and 6: nassoora So"ata i" F, Calliard; nique and interpretation. another on was especially annoying. Nevertheless, mO\'ement. causing sc\'eral listeners to Quella !iamllla elle ",'Qcu"de, Marcello; Baroque solo and chamber rc~rtory, ex.press a wish for a fivc-harpsichord Recorder So,.ata in F (Opus 1/11), one would scarcely have imagined any and the third in choral conducting. StU­ of this anno)'ance if he had heard the concert. As it was, the four harpsi­ Handel; songs by Dowland and Jones; denlS ma.y enroll in all three or any chord work was a (jut (or D:l.llas, Pavana Lachrimae, Swcclinck; Suite 5 spectacular playing she tlid at her solo one of the classes which will be run recital. where it had bccn perrormed preViously and Tambourins, (Pieces de clovenn en by Mr. Rilling with the 3ssistance of with pianos but never with the in· concerts), Rameau; Sonatas BWV 1020, james Miler, Royce Saltzman, and staff This year's Connoisseur Series was de\'oted to a stutly of the sonata (onn, struments for which it was intended, 1032, and 1029. Schillmmerl du, and members of the School o( Music. The The four instruments on stage - the Schlage doell, Bach. workshop will cuhninate in 3. festiv~l and Ahlgrimm's program, the final one in the series, survelcd many early es­ 1969 Schuetze and a 1968 Dowd, chcck Catholic University of AmeriCl. Wash· (caturing perfonnanccs of the mus~c to check; a Howard Everngam and a ington, D. C., heard Thomas Dunn, studied in the workshop: choral mUSIc says in this form: the BiblIcal Sonata Four of Kuhnau; the D3.ch Fantasy ill one-manual Sperrhake along either side baroque: violin. and William P3I'5OOS, representing several cenlUrics, vocal and - generated mucll interest. The con­ harpsichord, on January 27. The pro­ instrument3.1 ch3.mbcr mwic (especially C minor (BWV 9OG) , four brilli3.nt Scarlatti Sonatas (K. nos, 245, 125, 51lJ, tinual addition of one player to the gram: So"a'a iu A Major, opus 2/2, that of SchilU), and two performances ensemble also made for a crescendo Vivaldi; Sonala Quinta, Fontana; So­ of the Mass in B minor. 175), and Haydn's Sonata in F Major (Hoboken XVI/23). In 3.tldition she of interest, as well as for considerable nata Quarto (1626), Marini; Sonata Further information may be obtained jangle by the time the (ull complement Quinta (1681). Biber; So,.ala in D Maj­ included 3. Suile in F major by Louis from James A. Miller. School of Mwic, Couperin (a logical and masterful read­ was utilized. or. opus 9/3. Leclair; Sonata in F major, University of Oregon, Eugene. Oregon BWV 1016, DOlCh. The violin was a 97403. ing of an unmeasured prelude, a roo Ahlgrimm's visit to SMU was ex­ 1767 instrument by Alexander Kennedy, m:mlic and free Tombeau de AIr Blan­ emplary of the wayan artist should London, the harpsichord. a two· manual TIlE INTERNATIONAL BACH COM­ croeller) and the work which is nearly he aV3.ilable to students and faculty. Sperrhake. PETrnON 10 be held June 30th in Leipdg, her trademark, the Chromatic FlJnto.sy She receh'ed maximum exposure, was £OUt Germany, has announced che juries and Fugue (BWV 003) by Bach. New York Times critic Donald Hena­ well·received by both prc:s.s and tele­ ror the competition, The orpn jury includes \ ision, and the requcsts for her speedy han wrote of two harpsidlord concerts Uerbc:rt Collum, Hannes Kistner. Johannes Of her performance, DlJlIar Morn­ during mid-January, both in Carnegie Ernst Kailler, and WoUpng Schetdich of Ease ;"g Ntws critic Ardoin wrote, return have been legion. Hcr genuine lOhn humility. inimitable Viennese charm, Hall. Syh'ia Ab.rlo~' e and Kenneth Gt:rmany; Alois Forer of Austria; H4rty GrocI· "There followed t Ie most tree, imagi­ Cooper had a soki.oul house (or a pro­ ~I"! of the U.S.s.R,; Jon-Jacques Grunen. native rc:llization of the first half of antI ability to mat e her instrument wald, Fnmce; Fudinand Klinda. of eucho· sing made each of her appear-mces un· gram of music composed largely (or pi. IIovakia; LuiSi Tasliavini of July; and Henry the great work as I h3.\'c heard since a 1951 performance by l.:tndowska. \Vith (orgettable experiences for lhose who ano - a ruming o( the tables since pi­ Weman of Swrden. The harpsichord jury will were there. From Dallas she wenl on anists so often play harpSichord rep­ include Herbert Collum, Hannes Klistnrr, lIans Ahlgnmm it becomes an improvisation (0 Oberlin (or a SRO concert at the erloire on their instrument. Among the Piselmer and RUlh Zcchlin of East Germany; in the truest sense. Part of it is realized hils o( the program were Stravinsky's Isolde Ahlsnmm of AUltria; Oldricl, Krrdba of in what to be 5ure is a highly person3.l Allen Art Museum; then to New York Eight Easy Pieces, Satie's Three Pieces CJcchoslovakia; and Jean·JDCQues Grunen­ W3.y (an unexpected usc o( dotted for 3n appearance at the Austrian Cui· in lhe Sha/Je a Pear, and sclections wald of Fromce, Theodore Hochy.Niekel of rhythms to offset scale passages), but 3.t tural Institute; and then back to Vi· 01 the U.S.A. will .ervc as one of the 12 vocal enna. For us, it was difficult to de­ fr~m Barlok's Ten Easy Pieces and juron. the same time a highly compelling way." AJ,krokosmos. There was also genuine scend again to everyday business. to harpsichord literature by Bach, Fresco. Ahlgrimm's 1ccture, "The Many­ the "peanut butter and jelly" of teach­ JOliN FERRIS directrd the Harvard Uni­ Sided Baroque Arpeggio," helped to ing after the caviar of her visit. But, b3.ldi, Scarlatti and Couperin. Elaine venily Choir wilh JOloisll and an instrumental Comparone also played a well'reeeh'ed ex.plain to many some of her rationale as Ahlgrimm told us 50 many years ensemble in tnv concerts of the music of for the Chromatic Fanlo.sy. It W3.S a ago when we first said "Coodbye" in recital which included Soraata Olle Heinrich Schutz in commemoratioD of the (1781). C.P.E. Bach; English Suit. tercentenary of his drath. The fint was held fascinating display of intelligent schol­ Salzburg. "Do not worry - musicians Fr>ur, J. S. Bach: Sonata in A Major, on Mar~h 2t at lIarv.ud Memorial Church, arship presented with a fluency and always meet again." And. mirabUe dictu, j- C. Bach; Toccata SeUima, Fresco. and the lecond on Marda 26 at Old West grace which won many &iends for her they do indeed. Church, Bostop. and for the harpsichord. -LP iliS THE DIAPASON The class will inclUde works by Li· DENMARK TO HOST geti, Cage, Hambraeus, DU5S0tti, 1..0- renUen, Back. Moran, and Berthold INTERNATIONAL SEMINAR Paul. Further information may be ob­ tained from Richard Gempel, 85 Norn­ An international seminar in organ berg, Steiner Wcg 48. Wcst Germany. will be held from August 7-12. 1972 :H the Church of Sl. jacob in Varde, Den· mark. The seminar will include lectures SUSI JEANS ANNOUNCES and concerts for which the 33-stop BOXHILL FESTIVAL EVENTS Marcussen organ will be used. The Cacult)' will include Finn "iders', or· Susi jeans will hoJd her unique lium­ ganist of St, Andreas' Church. Copen­ mer festh'al in the main music room hagen and lecturer in harpsichord and of her Georgian country home at Cle\'e­ organ at the Unh'ersity of Copenhagen Jand Lodge, Dorl.:ing. EngJ:md. in the and the Royal Academy of Music; and hcaUliful Surrey hills. The 19i2 Dox­ Gennain Dcsbonnet. organist and con· hill Music Fcsth'al. held on june 2 and ductor of the Church of the Immacu­ 3, and june 9 and 10, will present a late Conception. Paris, France_ Mr. Vi· wide \'ariety of music, performers and dew's lectures wilt deal with problems instruments. The world-renowned coun­ of interpretation in the org:J:n works of ter-tenor, Alfred Dellcr, will be heard j, S_ Bach, and Mr. Dcsbonnet will lec. in recital on june 9, singing arias by lure on French organ music from dif­ Grandi, Monteverdi. Purcell. and Eliza­ ferent periods. John Corrie of Evanston. Illinois. has Harry WeUs has been appointed to lfIe hethan songs. Evclyn Rarbirolli. the Varde. a to\\'n of 12,000 inhabitants, bun awarded a Fulbright·Hays schalauhlp is situated in the so·called "Wonder­ faculty of Washington State University, oboist. and widow of Sir john. wilt grant to .tudy organ with Antan HeUler in give the rirst performanr.c of the Simon land" ncar the west coast of jutland, Vienna, Austria beginning September, 1972. Pullman, where he teaches organ, harpd­ and it is ncar the popul:1r summer chard and piano. Mr. W.II •• whose organ (1720) conccrto for oboe, Tccorders and Mr. Corrie holds a MusS degr" from Ob. strings on the june 2 program of 17th beaches. Further inConnalion may be erlin Conservatory of Music where he teachelt hay. inclvded Marilyn Mason, obtained by writing: OrgeJsemin:ltets Philip Gehring and Rabert Rcryfield. Is cvr· and 18th (;el1lury chamber music. Re· studied with Davfd 80_. He aho holds the corder player Katharine Jeans, daughter Sekretariat. MJtlle\'cj 8 A, 6800 Varde. MusM degree fram NOrihwe.tern University rently a student af Oswald Ragatz at Indi­ Denmark. ana University where h. has completed o[ Lady Jeans, will also be heard on where he was a student of Grigg foun­ coursawark for the MusD degree in organ, that progmm, and Lady jeans will be tain. Mr. Corrie', wif.. Rebecca Wells he:nd playing sc\'eral of the instruments Corrie. has also been awarded a Fulbright­ Mr. Wells, togeth.r with his wife. pianist FERRIS CHORALE RESUMES in her rine collection_ Wales is (amous art Sharon Streight, frequently appears in Hays grant to study Byzantine history for its harpists. One o( the best.known, CHICAGO CONCERTS at the Univenity of Vienna, DUring the solo ond ensemble keyboard recitals. Ann Griffiths, wHl gh'e a recital on a The "'iIliam Ferris Chorale, directed past year Mr. Corrie has been employed single.aclion harp from 1796 and also by William Ferris, resumes its activities by the Roderer Organ Company, EYanston, KARL·ERIK WELIN FEATURED a pedal harp on june 10. Gillian 'Veir in Chicago with a set of concerts in Illinois. will playa harpSichord recital of works May after a five year lapse during AT NUREMBERG FESTIVAL by COllperin, Rameau, Bach. Handel which Mr. Ferris was at work in Roch­ A NEW WORK BY LOUIE L. WHITE for organ ,vas pcrronncd for Ihe (int time on and Scarlatti on june S. using for the ester. New York. Since returning to Chi. April 7 by John Rose at SI_ Matthew's Lu­ Karl-Erjk '\'clin of Stockholm. Swe­ laner an 18th century Italian imtru­ ago, the choir has been refonned, and Iheran Church, Charleston, S.C. Called "Re­ den, will gjve a special mastecclass in ment rescued from Italy'S disastrous will continue 10 specialize in the per. flection. on Saudlem Hymn Tunes," the wMk contemporary orb.... n literalure at the floods a short while ago, formance of Renaissance polyphony and comuU of varialiON on the hymN " Won­ 21st annual International Organ Week The festival will also feature an ex­ contemporary choral music, for which drous Love" and " Pisgah" which the COIR­ in Nuremberg, West GCMnany_ The hibition of musical instruments and it had enjoyed a fine reputation in poser rrcalled IU :1 strong memory from his mastercl3Slics wHi be held from Afonday, an exhibition of paintings by Richard the CJticago :lrea between 1%1 :md South Carolina childhood. Mr. White, COli­ ductor of the Grcen\vkh. Conn" Chon' Su­ june 12 through Saturday, june 17 at H. jobson. Further dNails may be ob­ 1966. ciety aud a rnemllcr or the music faculty at St. Bartholomew's Church in Nurem­ tained by writing the Boxhill Music The May concerts will feature per­ Rutgers University, composed the new orran berg. The maximum number of parti­ Festh'al Sccretary. CJc\'eJand l.odge. formances of Brahms' motet upon Psalm work for John Rasc, who ltal been his .tu­ cipant.! in the class has been limited to Dorl.:fng, Surrey, England. 51, Byrd's Mass lor FOllT "oices, Sow· dent at Rutgers. 12, and candidates must provide a cur­ erby's Mass in C, and Mr. Ferris's prize riculum vitae in order to register. Spec­ ROOERT GANT. a doctoral candidate at winning ca.ntala, O,a 0/ Egypt. The Eastman School of Music. and student of DOUGLAS L. BUTLER W;d the orpnist talors may register simply by paying concelU will be held at GalVin Memor­ for a multimedia meditation performance: of the registration fee, but the number Ruudl s..unden, played the premiere U.S. ial Chapel, Northwestern University on ~rlonnance 01 Anton Hellier's "Ol'Je1kom: crt" Dupre's music in this " uperiment in ere. of spectators is limited to SO. AU rqps­ with the Eastman-Rochester Symphony Or­ May 10; Bond Chapel, Unh'crsity of a liVe ccfebralton." The production was abo traUons (participant.! or spectators) chestra under the diuction of Walter Hendl Chicago, On May 14; and at St. james done at St. Mark's Church, Portland 00 must be received before May 31, 1972. on Feb. 23 at the Eastman School of Music Episcopal Cathedral on May 25. :Marcb 26.

ORGANS LOOKED LIKE THIS ...

REISNER HAS BEEN MAKING PARTS FOR THEM!

Reisner began making quality components in 1904, and it didn't take long • z• for their chest magnet to become known u one of the be.t made through­ • • s out the world. Since that time, Reisner has constantly expanded their product line which now includes action magnets, custom-built conaoles, relays, remote combination actions, and other electrica11y-operated equi~ ment for the pipe organ. Dttring these years of expansion, Reisner'. design engineering philosophy has remained unchanged-bulld quality products, no sacrifices in materials or workmanship, no built-in obsolelCense. That's why these intemationally-

Hagerstown. Maryland

MAY, 1972 .17 Chica~ Chapter AGO, Ill., PlUlCnted • NEWS OF CHAPTERS dean', recital at Moody Dible Institute on Feb. 14. Glady. Christentcn, Vernon Stndt, Lillian Robinson, and Robert Lodlno plaJIld AND ORGAN GROUPS worr... by Bach, Franek. Viernc, Lanslais, and SCHLICKER Sowcrby. Sprin&ijefd Chapin AGO, m., praented Wendell Kennedy in conart at the Cent",1 Bapwt Church on Feb. 13. The capacity au' dience li.tened 10 0. recu.1 ilIutlracing the for excellence of design, the finest of quality materials, and the Huntsville Ciaplcr ACO. Ala., in eoopt'n­ hlne colon 01 the orp.n. Mr. Kennedy's re­ lion whh radio Itation WNDA·FM in Hunts­ cital w;u in keeping with the Chapter'. em­ highest order of craftsmanship in mechanical and electric action ville, rqularly presents II. one-hour JJro!n.m phllSit tid. year on member participation. - called "The Ol"lJan Loft." The prORnmming E,'elyn L. Vaughan reflectJ; the best in church and tnnple mwic, pipe orgclRs. both orpn and chor;ll, Accordi"1 to Guild FortT Wayne Chapter AGO, Ind., presented ideals. Station owner-man_ser, Mr. Fn:d a lecture-recital entitlell "How Styla Han Welts, donates the time and .n chapter mem­ Changed'" or "The Gre:t.t Step B:lekwardsl" bers participate on tome basi.. - Marth. This IUrvey of 19th century prosnmmatic Brannon organ mWK: proved to be light, hiShly enter­ Buffalo, New York 14217 taining and infonnative. Central ArizoDa Chapter ACO held ita ,cc­ An enlightenins harpsichord worJuhop was ond annual wedding rnUlie prosram at the conducted March 14 at St. jude', Roman Central United Presbyterian Church, Phoenix. Catholic Church, ho.ted by Edw"rd Throm. 1530 Military Road on Feb. 13. Three aample weddinl' werc pre­ On display were harpsichords built by 10£.:11 .ented with mwic perlonned by David N. talent. The pfOSrum allo consisted 01 Ilida Johnlon, Helen Donald.on, Dnd Richard of harp.ichords, both ancient and modem. brochure available member APOBA Probst and whith included works by Dr. An opportunity to play the inltruments was lohmo'n and Mr. Probst. F:ubin". wen pro­ si\'en the members. - Mary Anne Arden vided by Diamond', Ikpartment St~. llowcrs by Millie'" and the r«rplion by P.rties Un­ St. Joseph Valley Chapter AGO, Ind. _ limi'~ Dr. Chilton MeI'htt'len 01 Ihe hosl The history and dtNelopment of the pipe or­ church' savc ahort talb on the hillory of san w:u prcKnled in :t. demolUlration wins \·:t.riow wedelins tradition.. The .uccodul .Iida and recordin,. or European inllrUmenlJ progr.un lIttnctni about 500 penons to ehe at lhe January meetin, or the 51. Joseph event. Valley Chapter. Thom8.1 Wqencr, organi.t On Feb. 27 and 28 tht' PhOt'nb area and c.hoinnaste.. at Trinity Luthenln Church, churches joined in a youth choir fati,,:t.1 and Elkbart, W8.1 host. Ilis Europc.:.n research 0f1 workshop sporuorm by the Chapttr. The the lubjed w;u tile buil 01 the demonstra­ Iheme 01' the lestival was "The Life of tion. - Jane Flora McMANIS Christ;" Helen Kemp Wai festival conductor Kansas City Chapter AGO, Kanu.r. _ St. of lOme 450 children. - Marjorie HlW KANSAS CITY, KANSAS Michael'l and All Angeu Episcopal Church Pasadena Chapter AGO, Calir. - The sreat was the host 101' January'l dinner and pro­ 66104 god Pedagogy showed Ilit lighter side to a sram for members and clergymen. Fr. Benj:l. host of enthwiastic memben oyernowing the min Harrison of St. Michael'l Chutdt pre. choirloft of Alhambra's Fint Baptist Church, sented his new "Mau." The Auditorium Jan. 10, when luest organi.. Owen Wilson Chorale of the RLDS Church under the direc­ Bradley held lordl on "The Art of Accom­ tion of Allan Hunt presented a ch0r.:11 re­ Builders of Fine Tracker and paniment" in hYllln., anthem., lind lervice dtal includins works by Shaw, Br.thau, Han­ lIIusic, with :t. little "linS along" on Faure's sun, Faure, Schubert and Garlick. Electro·Pneumatic Pipe Orgaos Requiem and H:t.nllel'l Mcuiah lor soad Cherry Rhoda, suest artist at the Febru­ measure. ary meeting, pl:t.yetl works by Tournelllire, East (after llinner 1pe.3fr.u-piani.I-Yamaha Bach, Listt, Scarlatti, and Guillou. _ Lorrelta Inquiries are Cordially Invited Mwic Scheme I!d,'ocate RlIIlph Pirree talkins Teter on "Buildins the Future Conurtsocr") met B"ton RouKe Chapter AGO, l.:t. _ Gary West (ors"n recitalist'leacher-KOllman Alex­ .5<:oIt and Dan Talbot were pflCllCntcd in re­ W. ZiIllIller & Sons ander Anderson playins the 1962 Schlicker) .Ill dtal by the Chapler on Feb. 21 '" the Fint INCORPORATED All Sainu Church, P.uadena, Feb. 14. and Baptist Churda. Work. by Bach. Masiaen, lo',e w:l.S in lhe air. 110111' could it hne bun Vteme, PRSton, and Br.thmt were iftduckd olhcrwiu-. with Eros asotndant, and it bdns on the prosnun. Valentine'. Day? - Richard W. Sbter AI.lllng Add,... : p. O. Box 1 t024 • a..rlotta, N. C. 21201 NATtONS FORD ROAD· CHAR LOne, N. C. Redwood Empire Chapter ACO, Cam. - Boston Osaptcr AGO, Mau. - Considerins Keith Thompson, the younlat member of the winter New England wuthcr, February and Chapter and a .ophomore at Walla Walla, March events were well auendell. A W8.lh. Washin!lton, College, played a prosram for inllon'. Birtllday mtc!tin, al Univenity Lutll. the December holiday meetin, which included er.m Church, Cambridse fcaturcll o.n illUlt",. works by Bacb, Buxtehude, Dupre, d'Aquin, ted lecture by Dr. George Beckel' of New Purvis and Mcuiaen. - E. lIelen Pendleton Haven, Coon., on the Ors:t.DI 01 North Ge,... DELAWARE lI1any. This was followed by Ihort redtalt by Da\·id Beyer and Jama Schultz on the new Rivenid~San Bcmardino Chapter AGO, Noack organ. Cali(, presented its annual o .... an and instru_ ORGAN COMPANY, INC. ments pro!lram at Fint United Methodi.t Doston U. was the .ite Mo.rch 6 fo .. alec­ Church, Rivenide, on J"n. 9, Work. by lIan­ ture.demonstration pertaining to the amateur a progressive company with traditional Ideals del, Zigelli, Zabel, R..aclllnaninof£, Mendels­ choir .inser and director. OIS" A\'trino of whn, Dale Wood, EII"r, and Pinkham were the Longy School music "'euhy dispensed a designing and building custom pipe organs pcrlonnrd by oboilt Ted Perkin" orwanist wealth o[ information and insiaht. _ Mar. saret Krewson Dorothy Hater, sopranO!! Alice Wymer and 252 FILLMORE AVE. TONAWANDA, N. Y. Helm W:t.lfr.er, orwanist Linda Niederkorn, the Calvary HandbeU Choir, violini.t Alfred Wal­ Mont!lomery County Chapter ACO, Md. _ Sacn:d music composer, Ruuelt Woollen per­ ten, DrJ'anilt Donald VauSh, nutist Pe~gy Bell, orpnut Kimo Smith, and the Loma Lin­ mitted us to see througb the e,'cs 01' the com­ da Univenity Chamber Sinlen conductn.! by poscr, 10 tee how and why his mwie is cn:­ Bjam Keyn. The allerinl 0' $100 was :ukkd alet.l. He W;IIred &ocnIC 01 his life .Ill well as ••••••••••• ORGANERIA ESPANOLA (Madrid) to the Chapter'. schobnhi(l fund. - Dorothy some of hit music at the Feb. 21 hleeting at Hester Fint Unit.ed Methodist Church, Hyuthvilk. • No one - YES, NO ONE - builds organs BETTER than the DEDICATED In lieu of the March mHtin" the Chapter SPANISH ARTISANS. We are still VERY COMPETITIVE. Send us your Hartlord Chapter AGO, Conn. - The mid­ aUendcd the premiere of o!ivier Mcuiaen'l • new work, "Meditation sur Ie Mysten: de I. specs or desires - ALL TYPES - We will quote and perhaps surprise winler annual dinner meeting w;u held at the Fint Chureh of Christ, West Hartford on Sainte Trinitc" pl.yed by him :t.t the Shrine • you. D. Whiting (AGO), Representative. 609 South Grand Avenue, jan. 31. Gordon Steams pmc-nted a prosram o{ the Immaculate Conception. WAShinstoo, • Los Angeles 90017. on junior choir repertoire, !l.nd used anthems D,C. on Abrch 20. - Thomas A. BASt and orpn music were sold aiong with :t.n auction of an organ pipe, rinser cymbal., and Ban!l:or Chapler AGO, Maine - Mn. Har­ an unusual hom. On Mardi .. Madeline Mar. riet Meh.nn hosted, prosrammcd, and catered ••••••••••••••••• shall presented an all·day workshop on the the Feb. 7 meeting. An intereuins tl.'port on 113 merits of diction at the Asylunl Hill Congr~ the life of Clarence Dickin.on Willi giYen by J. H. & C. S. ODELL & CO. gational Church. - Cail Pedenen Mn. Mehann, who had done eon.ider.lble re­ Y searcb into his woru Dnll hi. contribution to - 82-84 Morningsida Ava., Yonke,., Naw York 10703 our tima. Woru by Dickinlon were avaiJaltle E Di.trict 0( CoIumhb Chapter AGO _ ONE HUNDRED & THIRTEEN YEARS for examination and diletillion. A "Memoin of joseph Bonnet" were presenled 18S9 -1972 by Dr. Conrad Bernier of Catholic. Univenity A. RO!en was host lor the March 6 meel­ R at St. Dominic's Church, Washington, D.C. ing at the Columbia Strut Baptist Church. A Five Generaliona building Odell Organ. bUlincu meeting was heM in whicll the deatb Mr. EU!lene Stewart of St. Matthew'l Cath~ of Dr. Allred Brinkler was noted In the S 914 Yonlta,. 5-.2607 dral followed with 0. .hort program of works by Bonnet and Frane.lr. on the 18B7 Roose\'rlt records. Sitter Florentt Patenaude 01 tbe Northern Conservatory of Music presented • OfIan or 41 I1mh. - C, D"Je ComOI' progl'Ol!m on contemporary trendl in church music with mustr.tINInI. - Alten C. Fernald M:uon CitT Cuptcr AGO, Iowa, met at and Rich.rd J. Snare the Fint Congreg:t.tional Church lor its March BERKSHIRE ORGAN COMPANY meehn!. The theme of the pros",m was Arm Arbor Chaplu AGO, Mich., . ponlOfed "Church Music lrom North or the! Border." a " Fatival Service 01 Vc.pcn " em the fint 68 So. Boulevard, West Springfield, Massachusetts Orsanilts Marie Von Kaenel, Mn. Wallace Sunday of Lent. A _peeial mised choir 01 Allen, and Mn. Robert Spiqd pcrfonned lingers lrom area churchel was conducted by Member: Inlernalional Soeiel1 oC Or.an Builders works by Willan, Bala, Biuell, Graham Mary Ellen Henkel and accompanied by harp. George, and Kenneth Meek. _ Mn. Harold lichordi_t Donald Renz and tympani, Lrau S. Petenon and organ. - Iris Murtaulb CHOIRMASTER CONFERENCE JULY 3-7 JULY 10·14

DR. STANLEY VANN, PETERBOROUGH CATHEDRAL

.~ ADDRESSt Warr.n C. Mm.r, Chrill Church, Shahr Halghtl, Ohlo 44122

1$ THE DIAPASON SoutLQAtem Minnesota Chapter ACO - Okbhollt3. Cill' Chapter AGO, Okla., held 23 memben and gucsts oU~nded the Jon. 31 a dinner mt'eting March 6 at United Wesley mt'eting at Trinity Lutheran Church, Rocho· Methodlst Church. Two Tulsa oJ'lanists, Alta ter. Chonl lekctioru of Sowerby, Gardner Bush Sekcy and Betty P~lmer Knott, were .nd Zimmermann were conducted by G~raJd heard in rcclt~1 on the new Ttllcn organ as Nrar, Robert Sconin and M~rrill Dav;s, and part of the c:J[change pfOSr:lIm with Tuh... wor.s for electronic tape and oflan were Followinr the recital. Mr. Miller, are3 npr­ played by Mr. Davu. sentalh-e 10f' TeUen Orp.n Co•• gavc an in· A student redtal w;u held at Redt'emcr fonnal demonltrauon of the Oflan. - Etlu­ Luther.ul Church, Roebester on Feb. 27. Pupils beth M. Banks of four chapter memben performed. The use of instNmcnts in wonhip waJ tlte! theme of the March 14 m~tin! at the Fint unculer Chapler AGO. Pa.. - Re!inald Presbyterian Church in koches1er, and Pierre Lunt, oflJanist and ehoinnuter or Ihe Fint Cochereau WiLS praented in recital at Chri.t Presbyterian Church, was speaker at the Feb­ United Methodist Church, Rochesler on April ruary meeting. Mr. Lunt, who spent lenni 20. - Mn. P. L. GodtJand recent months Jiving and studyin! in France, spoke on the contemporary French musical St. Louis Chapter AGO, Mo,. held its Kene. After student Roser On-ybill played March 20 meetin, at the Epi.copal Chllrch of "Tiento" by Langlals and Fr.mck's "Finale the Good Shepherd with a. Iec:ture-demonstra· in n·nat," Mr. Lunl described io great detail tion on electronic ottan installations by Mr. his experience. in Franct:, his impl'Ulions of Bert Sterbcnx, who .Iso ICrved as host for the Dupre, Marchal, and DurullE. :lnd the char· meeting. - Henry Glow Jr. acteristics of the Frenell Org;lnJ he heard and played on. He concluded by playin! lapes Metropolilan New Jcncy Chapter AGO - of these Frenchmen playing on French ol'lans. Memben were held spellbound on Jan. 10 - Rebecca S. Harrison SCHANTZ when the Newark Boy. Chorus under the di­ rection of Jamet McCarthy ~n! for the Piltsbursh Chapter AGO, Pa. - The Fro. group al the Montgomery Presbyterian Church, 28 meeting was hdd at St. Paul's Cathedral, IkIlC\lilk. Mr. McCanhy also discuucd the and consisted of a ruit:&1 by David Craig­ uhooI, "otOC techniqua:, and vanow ocher hud of the Orl(an d~artment at Easlman ORRVILLE, OHIO ilems pertaining to the chwus. - M,yllis V.m School of Mwie. A Young Orpnisl's Recital N~t by Ihe lint ..nd second prize winllCn of last season', eonlest, Patricia McAwl~ and Mar­ Rochater Chapler AGO, N.Y., met at St. garet Ewans, 'r.iS held Mareh 27 at the Third lIaul's Lutheran Church, Pittsford, N.Y. with J'resbyterian Church. Marilyn Stulken as host. BuUalo orBani.t The April 21 meeting W:l.S hek! at Carnegie­ Thoma! Foster ptdenlcd a lecture-demonstra­ Mellon Univenity. Robert Nocilnon 01 Ann tion recital on new, unfamiliar, OT obscure or­ Arbor, Miehig:l.n, save a lecture on ortan pn music for the dlUrch service by Near, design. Don:l.Jd Wilkins w;u host. - Mary C. lIinkham, Johnson, Proub:, BiiueT. Telemann. lIardy Gehring, Chal]lenuer, and t..arkc. - Carol Doran Southeastern South Dakob Chapter AGO heard a lecture on ''The music of the Lamen­ tauons" given by Si,ter M. Jone Klimisch on Central HudlOlll Vallcy Chapter AGO, N.Y. Feb. 20 at Mount Marty College, Yankton. _ In January the Chapter heard blind organ­ Musical demonstrations were given by the ist Charles Brand in rccital at Immanuel Canlon of Sacred Heart Con,·ent aIlisted by ....btt: Auoclalt4 PIp. OrPD BIIUd .... at Allterlca Lutheran Church, Kinlf.ton. The prog11lm two Itudents of Mounl Marty, Irene Robba induded works by Bach, Mendelssohn and of Selby and Candyce Chrullal of Redfield. Franck. The FebNary meeting was a choir Botll the Roman Ilnd Spanish plainch.nt let­ rehcan.al with emphuis on anthems, and tinp of the Lament:&tiOnl were lung pre­ hymn inle-l]lTCt:&liona and presentation to the ceded by melodic antec:ede-nll found in Na· CORsregation, indudin, rnllr. hymns. The pr~ torian, Yemenite, and Jewith coantillation gr:lm W:1I directtd by ViJ'linia Hopkins with melodies. Renaissanoc cumpies included Re­ the assistante of Jack Davis and Connie Lacey. sponsoria roc Holy Week by InlC'Jneri, Pales­ _ Connie Latty trina, and Martini. An c:s:cerpl oJ a Charpen­ tier Jetting iIIustr.lled the French Baroqlle Akron Chapter AGO, Ohio. met at Rcd~m' style and parts ol the: Stravituky "Threlli" cr Luthenn Churdl, Cuyahop Falh, on Feb, were also heard. The Canton, directed by 7. Dr. Ron Gould. iLSaisted by nutist Walter Sister Jane Klimisch, we:re the (ollowing: Mayhall. both 01 Youn!fltown U., prncnted Silten Andree: Mechtenbcrs, Doris Oberemltt, G. F. ADAMS Harpsichords II diSt:wsion and two pcrfonn:m<:cs or "Sonala Jeanette Klimi,dl, Ke:"in Irwin, Mary Carole da Chiesa" by Frank Marcin. Two diHe-rent Curran, Aidan Bour.!!, Christine Luke, and nutes were wed, one ror each pcrfonn:m<:e, ROI:Ileen Dickes. to show contrasts in timbre with the organ. Organ Builders, Inc. - Janet Lewis Nashville Chapter AGO, Te:nn •• have held Clavichords the followinA' programs: a. dedicatory recital Canlon Chapter AGO, Ohio - The Feb. .eries on the new AllStin organ at McKendree 204 West Houston Street 28 mn:ting was held at the Church or the United Methodist Church by Earl V. Copa, Saviour. A pre-dinner recital of works by Roger Nyquist, and 11. Myron Br.auni II.. Kwi­ Bach, Albinoni, Fr:lnck, and MCI!4Iiaen was n.!r on wonhip Ilnd mwic in chanrins times New York, New York 10014 played by Pegsy Grant. Followin", dinner the led by Alfred B. Haas, CU-lponsorcd by Van­ program "Ringing and Singing" featuring the derbilt Divinity School; and a progroam on relephone OR.gon 506160 White ChalJeI Ringen under tbe direction by electronic and avant-sarde mwic.al forms wing W. Robert Morrison eml.hasized bell accom­ the Moog 'Yllthesizer under the direction of paniments for hymns Imd anthems. - David Tom Rhea. - Dottie Jo Sage C. Bower W:uo Chapter AGO, Ta.u, mel Ilt Baylor Cincinn;lli Chapter AGO, Ohio, preKnled Uni\:C'J'Iity to lta"e Il snealr. prn'icw of Bay­ the Gcor&ill St:&le Ullivernty Choir under the lor's new GI·rank RuSani ursan. Dr. Juycc direction of Donahl Neue-n in a prtJlr.llln 01 Jones, dean, prc:sc:nted Ptero Rufall..i, Allen JOHN BROMBAUGH & CO. wMb by CowiM, IkJ'lu, 8«1, Brillen, Ver­ Van Zocrrn, and Roan lIank:sty. Each gave di, Ramifel, and othen on March 2~ at the a t:&lk aboul the new orpn and tokl about Tracker Organ Builders Cathedral 01 St. Pe:ter-in·Chains. - Rulty their job in its imtallatioa. M~mben wetc Stephens allowed to ICC "the works" up dose and wen: 7910 Elk Creek Road 8i"en a detailed sbowing o( the lotany clec· Dayton Chapter AGO, Ohio, presented tronic console. At the February mn:lins a Middletown, Ohio 45042 Joyce Jones in recit:&t on Feb. 6 at the Sev­ Rodgen touring ot'SOln Wlls featured. - Roger enth.Day Adventist Church, Ketterin!. Her Key. mastery was evidenced in works by Bach, Du­ pre, and Van Hulse. On Feb. 7 she Kave a Hopewell-Pe:tenbW'l' Chapter AGO, Va., Sperrhake workshop for Dayton ofl:mists. - Virginia presented Lawrence Robinsvn in rcat:&l at the Robertson Second Prabyterian Church, Petenbu.... His progroam included works based on chorales by ANDOVER ORGAN COMPANY, IHC. Harpsichords Toledo Chapler AGO, Ohio - Leading us Willan, Franck, Karg.Elert, Brahms, Shackel­ on a guide:d tour Ihroulh European churches, ford, Bach, and M~ndeillOhn. - Fred Clem­ Box 36 MaJ'luerite Thai praentcd a pmpting of on" tracker organs lor our Felt. a meeting. lIelp­ Methuen, Massachusetts 01844 in! her were John Fritz. III ';he turntable ~nd Roanoke Chapter AGO, Va., met March modern mechanIcal octlon Passau W. -Gennany Grinnell Brothe:n sound ~ulpment. We hnt I heard the Niehoff oraan in LiiRl:burs dating 14 at the Windsor Hills United Me:thodist from 1551. NOlturally our tour included Tole:­ Church. ).lisa Linda MOlyJ, oraanill-dloirmaster Box 532 do Spain and the E,nperor'. Catbcdral an. of Raleilh Court United MethodiJt Church, ors played a. recital of worb by DuMage, Haydn, The bullr. of our tour was tben divided lJe. tween North Gennan and Fnnch organs, with Walcha, Lanalais, Berlim.i, and Mendeb­ a number 01 line uamplcs being hrant JOlin on the comparatively new 27-r.m. MOIler :'Ian. - Jean S. Traylor SlII3n Crail D.S. WENTZ. INC. Pipe Organs .NOACK. RANDALL S. DYER P. O. Box 222 Pipe Organs and Organ Service THE NOACK ORGAN CO., INC. Worth, III. 60482 MAIN AND SCHOOL STREETS Box 489 GEORGETOWN, MASS. 0183] WA 5·0534 GI B'()534 Jefferson City, Tennessee 3n6O

Organ Builders and Inc. • Rebuilding FRANK J. SAUTER SONS • Repairing * Phones: 3B8·3355 * • Contractual Servicing For Unexcelled Service 4232 West 124th Place PO 7·1203 Alsip, Illinois 6065B

,19 MAY. 1972 Harrr Hubet. Sali.... ItS - United Metho­ Kathy Zurawd. Forestville, ar - .';nl ddt Church, Colby. KS Marth 12: CoACCrio Presbyterian. Rardon! CT Mard. 16: TrumllCl 2 in B.f1l1t, Handc-I: Trumpet Dialosue, in Dialosve, O1erambault; Sonata I, nlV\'c· CIerambault; Toccata and Fusue in D minor, ment 2, Hindcmith; 0 Thou o( God dt!! Organ Recitals o Mensc:h bewein, Bach: Choral ill A mi· Father, Christ by in bonds of death, Sona(.";l nor, Franck; AlleI\lyaI, Preston: Priere du 3, Prelude in C, Bach; Revelations, mQ\."c­ Christ, joie el darte des Corps Olorieux, menu 1 and 2. Pinkham. Messiaen; PlUtorale, Rabey; Chorale No.1, Larry Palmer, Oalhs. TX - St. Catherine'. David Crawfonl Stilb. Atlanta, GA - Andricssea. Manan Rubl, Cambridle, MA - Memorial Church, Fnmltfurt, West Cenrt::any Jan. 14: Ri\'Crside Church, New York City March 5: Church, Harvard U., Cambridge March 17. Concerto I in C. Pepping; Paltof.:alc BWV 590, Fanbsla and Fugue on BACH, Liszt: 0 man Robert Rayfield Bloomill!"ton, IN - Fint all·Bacb: Komm helliser Geist B\VV fiSl, Prelude and Fusue in C 8WV Sl7, Allcin liemoan thy greal sin, Bach; Prelude on Were Presbyterian Cburdt, Dec-rUeld, IL March 12: An WassernUuen Babylon BWV 653, HetT Golt in der Hoh BWV 662, Ba.ch: Snn~dina you therc, Stills; Voluntary Ii, St;lnler: ;,0.. 50ns of Joy, Sonl of Peace, Lanslau; Suite Jcsu Christ dich zu uus wend BWV 655, 0 op.lft/I. r.utib on Nun komln der Heickn RIlla I, C.P.E. &cI1; Antiphon 3, Dupn:; on the 2nd Tone, Clcrambauh; Prelude ana Lamm Golles uruchuldiS BWV 656, Von Gatt Heiland, Distlu. Trinity Church, Boscnh::aUKR. 3 Ljturtlic..a.l Skelches. Oldroyd; Prelude on Furuc in E·nal, Bach; !ympbony in G, will ich nicht bs~n BWV 658, Nun komra Well GCnrnlny Jan. 18: IlIme l'cppins. BOlCh Deus Tuomm Militum, Sowerby. Fast and Siniller, Sowerby: The Nativity, dltr Heiden Heil:md BWV 659, Allan Gon in and Di,tler; A Tryptch of Fugues, Ncar. St. LanglaiA ; Sch!;no from SymJlhony 4, Widor, der lIoh BWV 663, Jesus Cllriitul unser Martin', Church, Dann.ladl, West Ger­ Ar1hur Vidrich, Pittsburrh, PA - St. Finale, Franck. Heiland UWV 665, Vor deinen Tllron BWV many Jan. 16: same Bad., Dililer, Near; John Luther.ln. D1oonuburg, PA March 5: 6GB, J'relude and FUlue in B minor UWV 5+1. Prelude and Fuguc in Bop. 7/1, Dupre. Pn:lude and Fugue in C, Toccata, Adalio and Marianne Webb, ~rbondale, IL T3bel Fugue in C, Bacll; Arioso, Jenkins; Sonata 011 nacle Presbyterian, Indianapolis, IN Mattb 12: Rayner Brown, Lot An;e1es, CA - Biola Klaus Krut..J:cmtein, Houston, TX - St. thc fint Tone, Lidon; Son;llta 2, Men­ Concerto on E • • ulIgen drei Engel, Micheelse1\; College, La Mir.acllt, CA March 17: Sonata Ambrose Church, Feb. 27: Prelude and Fugue delllahn; 2 lettings Henlich lUI mieh ver­ Flute Solo, Arne, Prelude and Fugue in lJ 19&1, Grun~wald; Mcmento Mori 195-1, Borne­ in G minor, Von Gott will icll nieht lassen. lanSen, Br.lhOlll. DWV 532, B:ach : Sonata I, M~ndelnohn; 1m, reid ; Fantasia 'lu.ui Sonata 1972, Johns; 8uxtehude; Chrbtc du (.:amm Gottes, 0 promptu, Vierne; Preilide and Fusue in D, Variations for trumlH:t, tromoone and argall, Mensch bcwein, Passacaslia alld Fugue in C Lee Jeuup, S:ua Francisco, C\ - RLDS Dupre. Keidl Weathers; Sonatina No. 28, Rayner minor, !bch; PRlude .. nd Fusue in D minor, Aud., Oaklanc.l, CA Man:b !j: TOCCIta op. 59, Drown. Anisted by Willum Lock, baritOitC Mcndeluohn: Fantai.ic .nd Fugue in B· Reacr; Fllirest Lon! Jesus, Sdlrveder; PrelUl.le Jacqueline Howie Griffin, Greenville', SC - (Bornddd., Keith Wuthen, trumpet, and flat, BocIYi Choral in ,\ minor, FnDck. and Fugue in D BWV 532, Badl; Corlqe WeslmiMter l'resbylrril n, Gnenvillc, 50 D3~jd DickinlOfl, Irombone. and Litanie, Dupre; Intermeuo from Sym­ March 12: Dorian Pnludc on Dies Irae, Si· Linda. Hall - Icnior recital, Tilt College, phonic 3, Vieme; Tumult ill the Praetorium, monds: Prelude o.nd Fugue in B minor, Bach; Victoria Mathi. Simmons, Hot Springs, AR fonylh, GA March I: Lobe den Herren. Malc:inlrea\l; In Paradisum, LClur; Final. Sketch in C minor. F\lgu~ I on BACH, Schu· -Christ Episcopal, Little RIIclI, AR Matth Walther; Allein GOIl in der 1I0h, Wir slauben FrancJc. mann: Fantabie in A, Franck. 11: Prelude and Fugue in E minor, Bruhm; 0.11, Bach; Concerto in B·nal op. 4/2, lIandel; o Trauriskeit, Br.lhm.: Variationl on Veni Sarabande and RJl'ytillnic Trumpet from Ba· ViTlinb Lee Holland - student o( Walter Bruce B. Ste\·cftl, Champaip, IL - first Creator, Dumne; Henlicbster Jesu, Pepping; roque Suite, Binsham; Litanic., Alain. A. Eichinler. graduate recital, U. of Wash· United Methodist, Champaign March 12: Ii Alleluias of the holy soul, l'rayer of Chrb t ington, Seattle March 6: Prelude aDd Fugue pieces from M:lSI for the Convents, Couperill; ascending, Messiaen. Kathlyn Ulviden Moen, Minneapolis, MN in E-fl.::t.t BWV 552, Jesus Christw unser I'rellHle and FUIUl! in B minor BWV :.-H, _ Lutheran Church of the Retkelller. jerUI:I.­ Heiland BWV 688, Kyric BWV 671, Bach; Bach; AUegro cantabile from Symphony .5. Willbm Dan Hardin, Clyde, NC - ~bll Icm, hrad March 2: Chaeonne in G minot', ParUta on Wie Ichon leudnet, Peppin.. ,io. Wtdor; Prelude anc.l FUIUl! on BACII, Lint. Hill CoIlqe, Man Hill, NC Mardt 11: Suite L . Couperin; Toccata per ,' E1CYol'ionc, Fm· nata of Joy for Drpn op. 19, Midlael C. du pre:mi~r ton, Cl':rambauh; l'rdullc .md coba,ldi; Offcrtoire (Man fur Convcnu), F. Youn,. Hany Kelton, ~mbrid&e, MA - Fint Fugue in D BWV Sl2, Dach; Fantasy in F Couperin; Recit de licrcc en taille, de Grisny; Parish Church, Lexinston, MA March t!: minot' K 608, Mozart; Scheno (rom SympbulIY J'rrlude, Fusue and Chaconne, BUdehude; Ich K.;;.lhlccn Cunnins:ham - stlHl~nt of GII­ Dialogu~ in C, Marchand; l'astorale in F, 2, Vieme; Dicu pumi nOlll, Meuiaen. ruf zu dir, Herr Christ der eill'se Guttes b~rt Mead, aenior recital, Moody Bible In· B::Ich; Sonata 2. I1indemith; Pastorale in E, Sohn, 0 Mensch bewdn, lIuzlich thut mich Ititute, Chicago, IL March 8: Noel grand Franck; Sonal.::& 1 in F minor. Mc-ndelssohn. David McVey - RLDS Auditorium, In­ verlansen, Christ unser lIerr XUIll Jordan jC\l et duo, d'Aquin; Prelud~ in E. nat, Bach; dependence, MO Marell 18: Chaconne in E kam, Komlllst du lIun, Erharm didl lIIein, Con motu maestuso froan SOlltata 3, Men~ Helmuth Rillin!", Stuttgart. West Germany minor, Come nuw Redeemer of our race, Wir slauben all, Prehlde and Fusuc in D, delllohn; Prelude on Cnwond, Rowley: Li­ National Conservatory of Mwic, Mexico City, Toccata and Fugue in F, BUJ:tehude; l'relude Bach; l>euxielllc Fantaisie, Alain; Rhusymedrc, tallic., Alain. Mexico March 13: Prelude, FUlue and Cha­ and fusuc in C BWV S-t7, Bach; Behold a rose Vaushan Williams: Sa",bandc, Near. conoc in C, BWltlthud~; Variations on Mein is bloomins, My Jesus calls me, Brahms; The Marilou DeWaU Kratz_tdn, HOUlton, 'CX junges Leben hat ein End, Sweelinek; Tiento Burnins Bush, Berlinslt.i; The Celestial Ban­ Eliabcth SoIlmbcfler. Hartford, CT - - Rice Uai\·ersity, Houston March 8: Nutl en la, Correa de AraWlo; Batalla Imperial, quet, MeuiaeR; Fallwy 2, Alain; Toccata, Fint Prnbyteriao, Hartfonl Marc.h 2: Toe­ SwWc, d'Aquin; Andante in F, Mourt; Prel· ~banmcs; PasuC:lsUa and FUlu~ in G minor, Sowerby. c:a.la, Ginastera; Scltmilcke dich. Bach: C0r­ ude and Fusue in D, Bach; Chonl in A Five chorales frnm the Orgdbiichlcin, Prelude net Voluntary in D, Stanley; A Triptyclt 01 minor, Franck; Scherzo fmm Symphony 2, and Fu!JUC in D, Baeh. FUlues, Near. Lloyd Davi., Barrington, IL - Salem Vierne; Suite Gothiqu~, Boellmann. Theodore W. Ripper. DCCltur, IL - first United Methodist, Barringlon March 19: Partita 011 When on th~ cross tbe Saviour Presbyterian, Danville, IL March 1-1: -I picc~ B. Thomas Vise, Little Roek. AR - Christ Jobn Upham, New York, NY _ St. Paul's hung, Scheidt: 2 sellinls 0 linner come thy Episcopal, Little Roek Matth 3: Prelude and from op.18/1, Distler; I'relude, Fugue alld Chapel~Trinity I'arish, New York City March sin to mourn, Bach and Walelm; 2 setting. fugue in E, Buxtehude; Lord Jesus Christ Chaconn~ in C, Buxtehude; Partita on AIt, 8: Kyrie Gott Ilcmscr Gei't, Dics lind die" o Lamb of God mo.l holy, Bach and Pach­ be present now, Telemann; 2 lettings All beilsen nlln Gebot, Wir slauben all, Chrut holy Jesus, Rohlil; Voluntary in D, Sbnley; e1bel; 3 settings Out or the depths I cry, Prelude: for the Passion of the Lord, G\linahlo; rlury be 10 God on high, Walther and Telc· unser Herr zunl Jordan Kam, Fugue in E­ Dusch, Scheidt and Peetenj 2 settinss 0 mann; Cantabile op.37!1, Jonsen; Schena, flat, all from Clavicriibuug III by Bach. Variations on Unter der Linden, Sweelinclr.; sacred head, Kellner and Brahms; Fanwia Litaize: The World Awaitins the Savior from Prelude and fugue in C BWV Bach. 5-17, in G, Dach; Cbor:al in B minor, Franck. Symphorue-Pauion, Dupre. Dianne KrrCl. Hartford, CT - Fint Pres· Charles S. Brown, Denma. TX - Doluphin Anulcd by tl.e Chancel Choir. byterian, Hartford Mattb 9; Prelude and Way Unitrd Metbodist. Mobile, AL M3rch Calvin HampIOD, New YIM'k, NY - Herrick FUlLuc in F-sharp minor. BlUlehude; Prelude Mem. Chapel, Occidenbl CoIlese, Los 14: Prelude and Fusue in D minor BWV W. Arnold Lynch, Wldtita, KS - St. Paul'l and FUlue in C, Bach; Final froID Symphony 539, Bad,; Fanbly-The leaves on the trees A.M.E. Church, Wichita March 19: Concert Anleles, CA March 4: Peer Gynt Suite 011. 2. Vierne. .f6/1, Griel; Von Gott will ich Dicht lassen, spoke, Finney; Suite for a IIIcchaniGlI or­ Overture in C, Hollins; Sleepers Wake, Come Nun 10mm der Heid~n Heiland, Bach: Prel­ san, Beethovc-n; Intmitus, I\ria cd Alleluja now jesus to earth, Bach; Concerto-The John Obeb", Independence. 1.10 - West. ude and fugll~ in D, Tocc.ata and Fugue in op. 47, Klebe; Fantasy in C, ChofOll in A Cuckoo and the Niahtingale, Handel; Spirit­ minster Collese, New Wilmington, PA MardI F. Buxtehud~; Suite op. !j, Durufle; Do You minor, Franck: Noel en duo, d'Aquin. ual, Purvis; Fantary on Nellieton, Younll"; Want to Know?, Hampton. 10: Litanies, Alain; Herzlich tut midi er. Offertoire, DuBois; Toccata (rom Symphony fnuen, Mein "jesu der du mich, BraIum; Donna NarC")' Rabertson, Man Hill, NC !j, Widor. Brother J.::uncs' Air, Wright; Cbor.d in E, Wallace Seely, Sc:r,ttle, WA - First Pres· Southern Baptist TheolO!Jic:a.1 Seminary, Louis· F!"Anck; Prelude and FUlue in E·flac, Baclt; ville, KY March 101: Prelude and Fusue ill byterian, Ewrrtt, WA Man:b 5: Toccata in Litany, God or the Expandift!J Univene, Fel· Squire H:ukin, Buffakt, NY - Fint I'res. E minor, Polchelbelj We pray now to tM E minor, Bruhm; Pour k Tombcau de Col· b·,.ltrian, Buf(alo March 19: Prelude and ciano; Pauacallia quasi Toccata on BACII bm. GuilkJu; Prelude and Fugue in B minor. Holy Spirit, Buxt~hude; CliNt lay in the Solola. ' FUlue in D BWV 352, Bach: :I piC"C'U from Badl; Volumina, Lilui; Verset pou~ I.l fete bonds of death, Te)emann; Come Savior of Mau for the Con~· enu, Couperin' Majesty the sentiles, Jesu jvy or MaD'1 dcsirinl, Nm". de Ia dedicace, Mcuiaen; Final in B·nat, of Christ praying, Serrlt!! Alleluias, 'Outbursts thank wc 1111 our God (~ntata 79), Badl; James Chidester, Bu(fa'o, NY - St. Paul'l Franck. Cathedral, Buffalo Marcil 10: :I lettin.s 0 o.f jvy, P",yer frorn Christ ascending, Mes. Choml in A minor, Franck; Chant d~ ~lDy, Sacred Head, Bach, Brahms Ilnd Ahrrru; Ab Kevin Waltcn, Wappingen Falls, NY l\:len; Scherzo op. 2. Durufle; Ave Maris JongenJ Processional, Shaw; Berause, Viellll;; Strlb. 3, Dupre; W"unini.ter Carillon, Viernr. Rondo Francaise, Boelhnann: Asnus Dei, Bing. holy Jesus how hast Thou offended, W3Ich,,' St. Bartholomew's Churdl, New York City ham; Tocc.ata from Symphony 5, Widor. Statiom 3 and 12 from StatiolU of the Crow' March 14: Voluntary in C minQr, Greelle; Dupre; Tumult in the Pnetorium. Maldn: Psalm Prelude, 1I0wells; Air with Variations, Dori. M. Williams, PittsbuTIf KS _ United greau. I'resbyterian Church, J'iUsburg March 19: Jama W. Good. Loui.ville, KY - Fint Sowerby; Pauac:a.llia and Fugue in C minor, Lutheran, Louisville March oS : Voluntary in Bach. From God I ne'cr will turn me, BWltehude' How brishCly shines tl.r: morning st;lr, Pach: D Ininor, Stanley; Partita on Was Golt Crai& Osotam, Liule Rock, AR _ Christ Palrici.:s Bird. New Ycwk NY - St. Paul'" dbel; Sleepers wakc-, Come you now JaUl lui, Pachelbel; Allein Gott in der Holi BWV Episcopal, Little Rock March 10' Trumpet Minuet, 1I00lins; Variations on Ea·t-ce Ctupel, Columbia U., New York City March fl'D!" Heaven, Trio Sonata 3, Bach; Cruci­ 6tH, Valet will ich dir sdxn BWV 135, P~I. Man SWl:ClilKk: ~Dtabik , Franck· Prtlude 3.J H; Prelude 'rom Suile "p. 5, Dumfle; Schcn­ filllOft, Dupri; My heart it filled with Ions­ ude And Fugue in D BWV 532, BacJl: Prel. ello, Vieme; La Nalivite, Lanrbis; Le Cuu ing, Brahms; Choral ill E, Franck. udr:, FUlue and Variation, Fr.tnck; Pr~­ Furue in F minor BWV SJ.I, B;cli' Ur:n::lie-bster Jau, Wakita; P.usion op. 115/-1: Rqer. Cou, d'Aquln; Improvisation on Victimae lional, Mathias; God of the Ellpandins Uni~ Paschali, Toumemire. wrse, Feldano; Prelude and FUlue in D • Ames Andenon, New Vim, MN - Dr. Mar. Norman G. Johnton, Louisville, KY _ op. 59/ 5, Reser; Finale frum Symphony I, Da\'id Enot. PrincelQn, NJ - St. Paul'. Un Luther Cnllqe, New Ulm March 19: Con. St. Matthew'a Church, Louisville March 12: certo in D minor, Vi\':Ildi; Trio Sonata in D Vierne. Cathedral, Syracuse. NY March 14: La Vie,..e Prelude. Fusue and Variation F~nek' Chro­ Tclemann; Ach Herr midi armen SUnder' et l' Enrant, Lcs Bergen, Les Enfanu de Dieu, Jonathan A. Wright - uudent recital, matic Fugue, Pachelbel; Ah' wither 'may I Buxtehude; Prelude and FUlue in A minor' ny, Toccata and Fusue in D minor Badl' Les Mages (rom La Nativite, Apparition de Bach; Chants d'Oisea.ull:, Messla.en· Grand pupil of Tbeoc.lore Teittel, Lower Columbia. l'Eglise Eternelle, Messiaen. Collese, Lon!JVitw, WA M.::arc:h 5: Trumpet by Symbolic Dance company CPachelbei and Piece Symphonique, Franck. ' Tune and Air. Pun::ell: Flute Solo, Arne; Prelude, FU!Jue and Chaconne BWltehude' Walter A. Eichin!l:er, Seattle W.\ - I'lym. Conarlo in A minor, Vivaklt-B.:ach; Wadlet MeditatiQn, Langlais; The Lo'rd's Supper' Joyce Brooks AuchinbJ - Grace Church outh Conrregational, Seattle March 1~ : Suite auf, Henlich lut midi vedanseo, FUlue in Weinbc:fler: FaDwy on Christ the Lord ~ MiIIMook, NY Mardi 19: Prelude, Fup; C mmor, Bach; VanatiolU on America; Ives' RiK,! ror organ and br.us, J'ccten. Auiltcd du .caM\d ton, Guilalin: Choral 'rom Sym­ phonie Romane, Widor; Orgelpsalm, Schraedr:r; and Chaoonnc in C, BUltlehude: Von Gott Mit Fried und Freud, Walch.a; Choral in A by Symbolie Dance company (Pachelbcl and will ich nieht lasun, lleuenberg· Prclude minor, Franck. Weinberatr). and brass eruemble. 2 Jettinp lIr:nlitlider Jesu, Brahms and Geb· and Fugue in A BWV 531i T~ta and hardi: Gott der Vater wahn uns bei, Borne-­ Fugue in D BWV 538, Bach; Suite du pre. Cherry Rhodes, New York, NY - Trinitv Garry John Savoie, Lalayettc-, LA - Onr reid. mier ton, CleambauJt. United Church, Springfield, MA March 5· Lady o( Perpetual Help Church, New Iberia, Office 35 from L'Orsue Mistlque, Tourncmire' LA Matth 12: Holy God we praise Thy n3me, David J. Uurd Jr., New York, NY - St. All Glory be to God on turla, Bach; Prelud~ Rcger, Preludc, Fugue and Ciaeona in C, Paul'l Chapel.Trinity Parish, New York Cily A. Elbert Adams, Greenwood, SC _ West­ and Fusue on BACH, Liszt: Livre d'Orsue, Buxtehude; Prelude and Voluntary in D March IS: I'relude and Fugue in A minor, minster Pre:sliyterian, Greenville, SC Mard. du Male; Saga 4 Leonardo, Saga Ii Icarus Boyce; Concerto lor Flute and Orpn 3rd 2 seninls Aw tider Not, Bach; 2 settinas 19: Suite, Near; Promenade, Air and Toc. Guillau. ' movement, Peflolesi; Fanfare, LemmelU; Slee~ lIenlich tut micb \'erlansen, Prelude aad cata, Haines; Choral in A minor, Franck; 0 en B.ach; Choral Orne, Lan.lais: Ave fugue in A minor, Brahma. Lamb of God all holy, Lamb of God our CIwIWa H. Walker _ All Sainu Church, ~ake , Mana, BOlli; A\~ Maria, Bach-Counod; At. Savior, See the Lord of lire and light. Toc­ Winter Park, FL March 5: Voluntary in P, I~ rrom Symphony 6, WKior. Auilted by Noretta Voth - dudeDt or Lillian Robin· cata, Adalio a.,c.J Furm in C, Bach. Stanley; Chaconne in D minor, Pachelbcl' Mn: Gr:raId Guitbeau, flutist and Fr. Groth Vater uruer, Wer nur den lieben Gott, Toe: 5On, lenior recital, Moody Bible In.titute, 10101.11. • 1ft: Donakl S. Baber, Detmit, MI - Church o( cata in E, Bach; Fanwioa, Joachim; J'relude ChK:ago, IL March Echo Fant»ia, Sweelinck; 0 Sacred Head, Buxtehude; Con~ the Assumption of 1he Blcued Virsin Mary on Drop Drop Slow Tears, Perilchetti; Chor,,1 AJbn Siovenby, Bradford. PA _ First Detroit Mattb 19: Meditatiom on the in A minor, Franck. certo in A minor. Vivaldi.Bach; Fusue in A­ Seve~ Methodist, Kane, PA March 12' Toceab iu flat minor, Brahms; I'relude in A minor, Last Words of Christ, John IIwton. Parish Richard W. Slater, Glendale, CA _ First E minor. Pachelbel; My ilUOOI~ heart now David: Cantabile, Frana; Adagio and finale choir ntistcd with moteu. ,Presbyterian, San Fe:"!lando, CA March 5. yearnetJl, Kellner; Pnlude and FUlue in C from Symphony 2, Widor. Toccata and Fugue in D minor, Bach; Partita minor, BUJ:tehude: A Tune for die flutes Sharon Smith - senior redtal, Tilt Collrge on Herzlich tut mich vcrlusen, Pachelbej. Stanley:.A Trumpet Tune, Grrene: I'artita 01: David Fuller - St. Paul'l Cathedral, ";u(· Fonyth, GA Marclt 22: 3 uttinp Waehci Elevuione and Olfertorio, Zipoli; Andante k Jt'SUi PTlceless lre:uure, Walther; Introduction falo, NY March 17: Symphonie Romane, auf, Walther, Bach and Kars·Elert· Allqrru 616, Mozart; Sketch in D·rlat up.58/4 Schu. and Toccata, Walond; Proceuional. Mathw; Widor; Motet, Praelx virgo bellisn:u aura, non troppe (roea Zwe;ite Sonate scltrocder. man.. , Choral in A minCH", Fmndr.. ' Monwnent Co a Dead Ch.ikl. Vierne; Gar. Leonardo Leo. Auiskd by Jane Baae, s0- Scheno from Symphony 2. Vie:ae. Preluck loylCl.TllCCilta Grvlesque. EdmunWon. prano. and Fu!JUC in F-aharp minCH". Buxtehude.

THE DIAP~N EdmUDd Shay, ]kloi" WI - Beloit Col· Constance Jeaneue Burleson - Imior f'C+ Winston Stepheru Jr. - St. Paul'l Ch.pel. Mu: Jacbon, Ashbnd, KY - Morehad lege Mareh 21, oil-Bach: PassaCOlgJia and Fugue obi. Itudent of W. David Lynch, Meredith Trinity P.::aruh, New York City March 29: State U., Moreh~d, KY April ID~ Prelude in C BWV S82, Tno Sonab in E minor DWV Collcle, R:.leigh. NC March 26: DialOllue Rccercar from Fiori Alus;c.ali, FrescobaTdi; So· and FUIUC in E minor, Buxlehude; Fu(UC in 5~8, Tocata and Fusuc in F DWV 5-10, Co,,­ lur lei gr.tnds jeull, de Gri,ny; Prelude and natil I in E-nat BWV 525, Bach, Prelude A·nat minor, Mrin Jcsu de du mich, Brahm.; trapuncti I, 2, l and 4 from Art 0{ the FUlluc in A minor DWV $.fl, B:u.h; Chor.al in on Vktimae paschali laudtt. T. C. David; Olferloirc frum Pamh Mall, Couperi,,; Fusuc BWV 1000. Von Call will ic:h nidtt B minor, Fnnd; LiUftia, Alain, Toccata in D minor op.59/5. Fogue in Sc.hmikke dicll, Komm Cott SehZlpler. FIln­ lan en BWV 658, Komant du nun BWV 650, o op.s9/6, Rcger. tasia and Fugue in 0 minor, Bach. Prelude and FUJue in D BWV ::i32. Jordis Larson, Spoluane, W,\ - Cathedral of St. Jolin the Evangelist, Spokane March J:unes R. Meuler, Hartford, cr - Fint Marpret Stupp, Houston. TX - Rice Bl1IllIer Hull, New Yo.-k, NY - St. Bar­ 26: G;uKlcamus, Campbell; P;usac::alliia and Prcmyterian, Hartford March 30: Olrcrloire U., Houston April 16: Symphony ~, Boyu; Iholmew'. Churel., New York City March Fu({ue in C nlinor, Bad.; Dialogue, Wyton; sur les gr.ands jewe. Couperin; Alle,ra from Toccata and FUllue in D minor (Dorian}, 11: Cortclle ct Liunie, Dupre; Pricrc. Jongen; Licb.ter Jesu, Purvis; TranspartJ de joi.e, Sunata I, I1a\'C mercy a God, Bach; Intro­ Bach; Toccata, Gigout; Four PicotS for Or­ Pug,dI«lia from Syn.phony in G, Sowcrby. Messiaen. duction and Passacaglia in D minor op_ 56, aan, Avinger; Variations on Three Blind Mice, Rcger. Jerry Wood; Variations on America, Ives. Elisabeth lIamp, Danville, IL - Finl Pres· Mlllenlm Willianuon. London, En,;land ~ Lloyd Cast, Albany. NY - All Sunb Ca­ byterian, Danville Mn.reh 19: Meditatinns on Fint Presbyterian, Fort ·Wayne, IN March 28: William K. Miller, Durham. NC - Duke the Sexen Lu t Words of Christ, Huston; Univenity Cllapel April 2: Tocata prima, thedral, Albany April 16: Choml in E. Franck; Prelude and Fugue in C minor. Mein Jesu Toccata from Symphony 5, Widor; Majesty or Lamb of God pure nod holy, Bach. Toccata setlima fBk. II), Frescobaldi; Wo o der ,Iu micla. Brahms; J'uce J'ieces, Books Chrut praying, QUlbunt or joy, Mcuiaen. 1 :and 2, Vision of the Christ-Phoenix, Wil­ s{lll ich fliehen nwv 646, Wachet auf BWV Rieh:trd Allen Cmfll. Hartford, FiNt cr _ li:.msnn. Ga. Conccrto I in G DWV 5!Y.! . Bach i Sonata Gaslon Libize, Paris. France - L'ESlbc I'resbyterian, Hartford March 23: Pfl'ludl! 3 in A, Mendeluohn; Carnh·al. Crandcll; des Sainu-Martyn-Canadiens, Qu~bec, Canacb and Fugue in E minor (Cathedra)), Wenn \~ir Meditation, Langlais; Troi, daniel; liltlrtiqucs. April 17: Prelude et fugue en fa dieze mincur, in !lochstclI Njjtl!en .dn, In dir ilt Freude, Fa}'e Jacohs junior recital, Itudent 01 Nelhybcl. W. Onid Lynch, Me~dith Collele. Raleigh, Choral,-preludes "Roi, couvert de blCSlurcs," Bach; 0 wie 1C:1i1 leid illr doch, Hcnlieh thut "in dulei jubilo," Bustehudc; Choral-prelude mich ,,·erl. llllcn, Brahms; Two Pfl'lude:s, NC March 28: OHertoire fTOm Mass for Michael Rudd, Sious: Fall., SO - Fint Convents. Couperin; Prelude and Fugue ia "Dc Diell, je ne veus pas me .eparer, PriJ­ Diementt. Prabytenan, Sioux Falls April 9: Dialogue, ude et fugue en mi minueur BWV 548, Bach; A minor BWV ~3, Bach; Suite Mcdicvale, Clerab:tuJt; BcnediclUl, Couperin; Canwna on Lanalais. Dialosue en ut majeur, Marchand; Noel "VOWI Eli~beth M. F::lul _ slodent or Lilliall the Fourth Tone, Frescobaldi; 0 MelUch qui dbircz lans fin," Correne; Feux £oIll:b, Robinson, senior redtal, Moody Bible Inltitute, bewcin, Panacallia and FUllle in C minor, Vierne; L'Asc:en'K)o, Deux c:Jllraita (AIIeJuju CI,lo!o, IL }'brch 2]: Con ~,to 3 in G, James MOCKr, Lawrence, KS - Southern Bach; Toccata on C'sharp, Ihll; P~lude on sercins, Trnnsporu de joic!), MCSli:len; Lied, ~er; Too:ab in F, Bach; Firntle lrom Illinois U., Carbondale, lL March 29: Prd· Bishoplhorpc. Prelude on St. Columba, Willan. Variations sur un noel an!evin, Lilaue; lnl. SympJlOny 3, Vie me. ude and Fugue in G BWV 541, Prelude and Chonl in B minoc, Franck; Bcnedie:lw, Reaer, pro\is.ataon sur un lheme donne. FUlue in C BWV 547, Bach; Ollertoire, Prelude and Fu!ue on BACH, Liszt. N()ntl3n L. Selby, Ciftcinn:ati, OH _ Man Croo:nl,omc en bilk. D,-logue I"r Ics !Rods W. G. Mari!oId, Barbourville, KY - Union Hill Collqe, Mars Hill, NC March .!-I: jew: from Parish Mass, Couperin; Postlude Dan S. Locklair. New Vorll, NY - St. Collqe, Barbourville April 23: Pmcluclium ip l'artite sopm III. lollia, Frescobakli; Ich ruE IlOur l'oUice de Co.nldie" Deux dalUes a I)~ul's Chapel, Trinity Parish, Ncw York C.ty B·(bt. Leidins; Voluntary 6 in D, Walond; zu dir, Von Himmel hoch, Ein fute Burw, Agni Vavishta, Lamento, Dc....xielOc fantaisic, April 9: Concerto in 8 minor, Walther; So­ TlICCat ~ IC!ptima, Eberlin; Prelude and Furue W:llchaj Partita on Nun komm del' I1eidcn Litanies, Alain; Andante sostenuto (rom Sym_ nata 3, Mendelssohn; Nova, Roberti; Finale in G minor. BlUtehude; Sunab in G for Heiland, Distlerj Pn'lude and Fugue in G. phonic Gotllique, Widor; Piecc Heroique, from Symphony I, Vieroe j a Lamm GoUa viola and keyboard, Bach; Sonata 2, GeDUner. Bruhos; Trio in G DWV 1027a, Wir slauben Franck. ullschuldill BWV 656, Bach. Auisted by Allan E. Green, viola. all DWV 7-ID, \\'0 loll ich lliehen hin BWV 6!H, Fugue in E-flal BWV 5::i2, Bach; B;asse de Cromorne from Premiere Suite, D;andrieu; Vailla regis proccdunt a 5, Bennudo; Prd­ ude au Kyrie from lIommage A Frescobald:, Thema et Variations, Langlais; Prelude 0".7/ 1, Dupre.

Fred B. Bincka - doctor.al recital, student of Kirby Koriath, Dall S~te U., MUncie, IN M:arch 24: Litanies. Alain; Preludes in E mi- 1I0r (grroter :lnd lesser), Bruhn.; COllccrto in A nlinor BWV 593, Vivaldi-Bach; Wie 1011 iell dich emprangen, Gclobet Icb t du Jau Chrin, )'eppin,; Chromatic Study on BACH, I'ulon; 5Yllllillooy I, Viemc. Virwinla Sirohmeyer, IJtUe Rode, AR - Christ Episcopal, Litde Rock March 24: Tncc:ata in E mil.or, 1"I:I:helbcl; Chritl lay ill death's ,I1ISP, Ita\'e mercy ullOn me 0 Lord, ('relude ill C minor (TI.e Gre:al), Bach; Trulllltcl in DialOllue, Cleramb;ault; 0 World ( now must le;I\'e tln~e, UlOlhm.; BttCCusc, Vic!rne. Robert Andenon, Oall..... TX _ Flnt Con­ gregational, Lot Ansdcs, CA March 2-1: Sym­ phony 2. Vierncj Vatcr unscr, BGhm; Trio in G DWV JO'!7a, Fantasia and Fugue in G IIlinor BWV 5-12, Bach; Introduction, Varia­ tiont and Fuguc op. 73 , Reger. Jeannie Tynes junior recital, student oi W. Da\'id LYIlt:II, Mcredith College, Ral­ e:gh, NC March 2-1: l'relude and Fugue in G nlinor DWV 535, BlCh; Cantabile, Francl.; Fanwie (Homlll3ge i Frcs~ldi), Langlais; Toccata frolll 5yn.phony 5, Widor. lohn Bedel' - St. Paul'. Cathedral, Buf­ falo, NY March 24 : Fanbsi.2 :'00 Fugue in G minnr n\'lv 542, B:tcll; Kleine 1'l'iIcludien und Jnlenllcul. SchlOeder. James Alerby - Grace Ltltheran, Albert Lea, MN March 26: p;Cce H~rutque, Fmnck; Fi,·c Chor.lole Prelude., Walther; Two Sun!" Melloy; Prelude lor Ort~n and Tape, Richanl Stewani Prcludc .::and Fuglle in E·(Jat DWV S~2, Bach; Tlleme and Variations, Lan!iais; Illtroo:luction and Fugue frolll Scmall. {In the !HIlt Psalm, Keubli:e. ANl iJled by Albert Sand­ lieU, tcoor and Lori Abbcn, luitar. Henry von HlllSeln, Andenon, SC _ West­ minster Presbyterian, Greenvillc, SC March 26: J'rocessional, Mathu; 0 blessed Jesus, My heart u filled with lonlling, Brahms; He who ST, JOHN'S LUTHERAN CHURCH, Phoenixville, Pennsylvania 31 Registers 51 Ranks will suUer God to auidc him, Fuguc in f... flal, Bach: Flute Solo, Arne; Preludes and IlIlcnnazi op. 9, Schroeder; Death and Resu .... TCi:tion, Lanllai.1 Scheaeuo, Vieme. W:tltcr Slrojnr, Jr., ChiClJO, JL - St. John'. Rtfonned Epilcopal, GhaliO March 26: Allegro from Symphony 2, Vierne; Pavane, Elmore; l)~can or Ealter. Mueller; Baroque Suite, Vounl: I'relude and FUlue in E minor, ℓ Vartalion on a theme by William BiI· finp, J'frn'ell: 1'«1' Gynl Suite I, Gries; &olian.. ~ftinntr ... the organ. Chonl h A minor, Fl'ilnck. Wallace AI. Coursen Jr., Bloomfield, NJ - Christ Episcopal, Bloomfield and Olen Ridge, NJ Mardi 26: Prelude and FUlue in B minor, Wo soli ich fliellen hin, 0 Lanua GoUes un­ schuldi!. Bach; CortCJe et LitaDie, Dupre; a Traurigkeit, Kleine Intraden, Sdarocder; Cboral in B minor, Franck. Floyd Gulick, Boston, AlA - St. Michael'l Church, New York City March 26: Fantasia Chmmatia, Aldn junlcs Leben hat ein End, Sweclinck; Toccata and FUlue in F BWV stO, Bach; Etudes for Orpn 1 and 4, Lukas Fou; Choral in A minor, Franck. Wesley L. J:tmes, ScraalDn, PA - Trinity Congregational, Scranton Marcb 26: Prelude in D, Rejoice now Christian lOuis, Bach; Pou­ tomle, Milhaud; Finale from Sun.ata I, Men­ AEoIian'SkinnerOrgan Company,loc, Pacella Park Drive Randolph,Mass.02368 (617)961'2705 tlclssohn.

'MAY, 1972 , ·21 CALENDAR KEATES MAY 1 2 3 4 5 6 ORGAN COMPANY 7 8 9 10 11 12 13

LIMITED 14 15 • 16 17 18 19 20 • 21 22 23 24 25 26 27 SCHULMERICHII> 28 29 30 31 HELPS YOU FORM ENRICHING, DEADLINE FOR THIS CALENDAR WAS APRIL 10 INSPIRING HANDBELL CHOIRS Start hondbell choirs tor youth •• . or ony 5 May Easlertide Chond Vespcn, Concordia • E. Power Biggs. Independent Presby. Senior College, Fort Wotyne, IN 8 pm age group ••• with Schulmerich "Precision teri:m. Birmingham. AL 8 pm Requiem by Mozart; Bach Chorale Tuned" Handbells, the finest. Write to Pierre Cochereau. Lewis &: Clark Col· Singers and Second Presbyterian Chan­ ACTON, ONTARIO lege, Portland, OR eel Choir of Indianapolis, Robt. Shep­ SCHULMERICH CARILLONS, INC. fer, cond.; First Methodist, Lafayette. 9552 c.rU1on Hi •• s.n.nvU'-, PD. 11960 6 ~I.y IN 8 pm Joseph Kline, all-Bach, St. Mark's Ted Alan Worth, VOCltional H.5., Episcopal, Phiiadelph!a,.PA -4 pm . Hammond, IN robert anderson Billy Nalle, John Dlckmson H.s., Wil­ University Chorus, James Mack, Man­ LUDWIG ALTMAN mington, DE 8 pm del H.II. U. of Chicogo. IL 3:30 pm SMD FAOO Dexter Bailey. Church of the Ascen­ Sa" 'randIC. Symphony Orchestr. Virgil Fox. New Bern H.5" New Bern, NC sion, Chicago. tL -4 pm Tempi. Emanu-El Southern Methodl., University E. Power Biggs, Independent Presby­ James Riihimaki, Emmanuel Episco­ tcrian, Birmingham, AL pal, La Grange, IL 4 pm CaUfornla Palace of the Legion .f Honor Dollo., Texa. 75222 Worth-Crow Duo, Thornton H.5., Roger Nyquist, St. John Cathedral, HaO'ey, IL Milwau"e<::, WI 11:30 pm Robert s. Lord, Church of St. Jacques Choral works by I'rartorius, SchUtz, du Haut.Pas, Paris. Fr:mce 5 pm Schelle, Bach: The American Kantorei, HEINZ ARNOLD David PizalTo, Uctersen, West Ger­ Robt. Bergt, cond.: Laclede Groves Joseph Armbrust many Chapel, St. Louis, MO 5:30 pm Mu •• M. F.A.G.O. D.Mu •• Philip Keil. Church of St. Ignatius, 7 ~I.y San I-'rancisco, CA 4 pm Churt" of tho Holy Comforter STEPHENS COLLEGE Carl Weinrich, Dwight Chapel, Yale Chico Stale College Concert Band, COLUMBIA, MO. U., New Ha,'en, CT 8:30 pm Grace Cathedral, 5:111 Fr.mcisco, CA 5 Sumter, South Carolina Ccmtata II by Bach, Church of the pm Ascension, New York City 11 am 4th Annual Festival of Choirs, La Su~n Dilday, Riverside Church, New lolla Presbyterian, La Jolla, CA 9:SO York Cit)' 5 pm I: 11 am John Barry Wayne Fisher, St. Thomas Church, Elizabelh Hamilton Salter, St. Paul's ROBERTA BITGOOD New \'ork City 5:15 pm Episcopal, San Diego, CA 4:30 pm ST. LUKE'S CHURCH Fir.t Congregational Church Choirs of Bernards H.5., Robt. T. Volbrcclll, dir.; St. Mary's Abbe)', Mor­ 8 M.y LONG BEACH, CALIFORNIA ristown, NJ 4 pm Patricia Bird, Church of St. Paul the IlATTLE CREEK, MICHIGAN John Rose, Calhetlral of St. John, Apostle, New York. City 8 pm Paterson. NJ 4:50 pm Richard Heschke, Calvary Episcopal, Frederick Swann, Church of the Holy MemphiS, TN Communion, South Orange, NJ Roger Nyquist, St. John Cathedral, Wm. G. BLANCHARD DAVID BOWMAN LanClster AGO Senior Choir Festi­ Milwaukee. WI ORGANIST val, Earl Ness, dir,; Holy Trinity Lu­ Ronald Hough. Wayland Baptist Col­ POMONA COLlEGE D.M.A. theran, Lancaster, PA 8 pm kge, Itlainview, TX CLAREMONT GRADUATE SCHOOL Evangelical Lutheran Church Con­ John Kuzma, St. Paul's Episcopal, Alabama State University cert Choir (Frederick, MD), William San Diego, CA 8 pm THE CLAREMONT CHURCH Sprigg, dir.; Cathedral of Mary Our Claremont California Mantgomery, Alabama Queen, Baltimore, AID 5:30 pm 9 May Guy Bovel, All Souls UniLarian, TimoL1ly Zimmermann, St. Barthol0· Washington, DC mew's Church, New York City 5:110 pm George Ritdlie, Duke U., Durham, Wortll-Crow Duo, Rhinelander Union ETHEL SLEEPER BRETT H.5., Rhinelander, WI Henry Bridges NC 7 pm Frederick Swann, Bethlehem Luther­ E. Power Biggs, Independent Presby­ an, Aberdeen, SO Organist and Recitalist First Presbyterian Church terian, Birmingham. AL 4 pm Spring }"estival Coneen, chorw, so­ 10 l\Iay Fint. Methodist Church, Sac:raJlKllto. Cal. Charlotte, North Carolina loists, orch.; Christ Church, Cincinnati, Timothy Zimmermann, St. Bartholo­ OH 8 pm mew's Church, New York City 12: 10 pm JOHN BULlOUGH CHARLOnE WILUAM WlLFRm BRIGGS an Flutld A.B. M.S.M. Ch.M. Ore '" M.S., tH.M. THE ATKINSON DUO Fadeish Dickinlon Univerlity RRST PRESBYTERIAN CHUICH ARMY AND NAVY ACADEMY St. John's in the Village TflI"eclr. New Jersey OCEANSlDf, CAUFORNIA CARlSIAD, CAUfOINlA Memotlel Methodiat Church New York 14, N.Y. White Plalnl, New York BOX 785, CARLSBAD, CA 92008 • 7141729·2990

ARTHUR CARKEEK EARL CHAMBERLAIN ARTHUR C. BECKER, Mus D., A.A.G.O. M.S.M. A.A.O.O. F.T.C.L DePauw University Organist DE PAUL UNIVERSITY Gobin I\Iemorial Church - ST. STEPHEN'S CHURCH ST. VINCENTs CHURCH, CHICAGO GrttnaUdeJ Indiana Coha... et Mauachnettt

Gmenstdn Award SpoRlOr Robert C'.rla Edward D. Berryman. SMD Warren L Berryman_ SMD CHICAGO CLUB OP School 01 Music BERRYMAN WOMEN University of Michigan O,ganbt-Cholrmas", Head, Organ-Church Music Dept. ORGANISTS WESTMINSTER PRESBYTERIAN CHURCH BALDWIN.WALLACE COLLEGE Anamay Owen Wales, President Ann Arbor Mlnneapalis aerea, Ohio

Margaret MelvIn Harry E. Cooper WALLACE M. COURSEN, JR. F.A.G.O. DICKINSON Mus. D., F.A.G.O. CHRIST CHURCH Uotv ...1

22 THE DIAPASON Karl Schrock, St. John'. Episcopal, William Ferris Chorale. Bond Chapel. Washington. DC 12:1 pm U. of Chicago, IL 8:30 pm KATHRYN ESKEY William Ferris Chorafe, Galvin Cha­ Gillian 'Veir, S(. John's Abbey. Col­ DELBERT DlSSELHORST pel. Northwestern U., Evanston, ]L 8:15 legeville, MN lIMA Th. University of pm Biola Chorale, Loren Wiebe, dir.: Iliola College, La Mlr.od., CA 8:W pm Uninralty .f Iowa Norlh Carolino II M.y The Cathedral Choir, John Fenster­ Bach Fnun). Bethlehem, PA (tbTU maker. dlr.; Grace Dihedral. S:m Fran­ Iowa City lowo at Green,boro M.y 22) cisco, CA 3:30 pm Ted Alan 'Vorlh, Auditorium Thea­ David Pizarro, Erding. West Germany tre, Red Wing. MN David Piz:trro, Rottcnbuch, West 15 M.y GEORGE ESTEVEZ Germany Walter KJauss, Church of St. Paul EARL EYRICH the Apostle, New York City 8 pm ch.m. 12 M.y Donald R. M. Paterson. dedication Director First Unitarian Church Noyes Fludde by Britlen. St. Mark's recital, Anabel Ta)'lor Chapel, Cornell Providence, Rhode Island Church. Shreveport, LA U., Ithaca. NY 8:15 pm CHICAGO CHAMBER CHOIR Frederick Swann. First Baptist Church. Ted Alan 'Vorth. Municipal Aud., Santa Ana, CA Beloit, WI USC Chamber Singers. Charles Hitt, Frederick Swann. San Diego Chapter dir.: Monrovia Presb)'tcrian, Monrovia. AGO, St. Paul's Episcopal. S3n Diego. Chari•• H. Ph. D., •• A. O. o. CA 7:30 pm CA GEORGE FAXON usc Concert Choir, James Vail, dir.; St. Augustine.b )··the·Sea Episcopal, San­ FINNEY 16 )(oy TRINITY CHURCH ta MoniCl. CA 8 pm Chalrmanf Dlvtalan .. Musk' Art David Piz:arro, Mindelheim. Wat Trinity Churdl C hoi r, Trinity Houahton c.n .... Houahton. N.Y. Church, New York City 12:"5 pm BOSTON Germany Bradley Hull, St. Bartholomew's Houa"'on W.... yan Math.dlt, Church Church, New York City 5:-'0 pm I! M.y Gillian 'Veir. }'frst Presbyterian, Fort William Whhehead, nach Festival Wayne, IN Redial. Bethlehem, PA John Rose, Fint United Methodist. Robert Finster NOIfes Fludde by Brillen, St. Mark's Monlgomery, AL HENRY FUSHER Church, Shreveport. LA lIMA S.M.D., A.A.B.O. Ted Alan Worth. Marian Aud., Yank­ ton, SD 17 May St, John', Cath.drol Flnt Prnby.... ron Church Robert Baker, Wesley United Metho­ Frwcrick Swann, AGO ma!ler class, D.n".r Na.hvIlJa, r.nn..... 37220 Santa Ana, CA dist, Worcester. MA Selections from }esw Christ, Super­ Virgil Fox. St. Patrick's Church, star. USC Tro1an Chorale, Terry Danne, Bridgeport, CT dir.; First Congregational, \Vhittier, Bradley Hull. St. Bartholomew's CA 8 pm Church, New York Cit}: 12:10 pm Antone Godding LESTER GROOM David Pizarro, 8ad WorishoCen, 'Vest Albert Russell, St. John's Episcopal, Oklahoma City Unlvenlty Seattle Germany Washington, DC 12:10 pm Choral Conducton Guild oC ChicalfO. SeQltle Pacific Church of the Margaret Hillis, workshop on Ktn, Sch ••1 of Mu.k Colleg. 14 Mar Eplph"'r David by Honegger, Northwestern U., II.hop W. Angi. Smith Cho,.1 98119 98122 John Ogasapian, St. Anne', Church, Evanston. IL 8 pm Lowell, MA 4 pm Worth.Crow Duo. Black Hilb Col· Battell Chapel Choir, Charles Krig­ lege, Spearfish, NO baum. cond.; Dwight Chapel, Yale U., Edward G. Mead. Church o[ the Holy E. LYLE HAGERT DAVID S. HARRIS New Haven. CT 8:!O pm Sepulchre. London, Engl:md 1:15 pm L<>rd Nelson Mow by H.ytIn, St. Church of Our Saviour George'l Church, New Yorl:. City • pm Grtlutmilne Eplswpal Church Richard Roeckeleln, St. Thoma! 18 May Larry King, Trinity Church. New Akron, Ohio Church, New York City 5:15 pm Minneapolis, Minnesota 5MCH Donald R. M. Paterson, dwication York City 12:45 pm Organ recital (invitation only). Anabel Taylor Tulip Time Recitals, Hope College, Chapel. Cornell U., Ithaca, NY Holland. MI: Glenn Pride 10 am, Ann 5th Annual Spring Concert, Trinity 8. Rowell 11 am. Kenneth Nienhuis 12 Choir of Men &: Boys, Trinity Church, noon, Douglas Dykstra I pm, Glenn YUKO HAYASHI WILL O. HEADLEE Princeton, NJ 7:50 pm Pride 2 pm, Kennelh Bntggers 3 pm, John &: Marianne Weaver. St. Paul's Ann B. Rowell 4 pm foculty SCHOOL OF MUSIC Lutheran, Aberdeen, MD 8 pm William Martin. pianist; Cathedral 19 May new england conservatory SYRACUSE UNIVERSITY of Mary Our Queen, Baltimore, MD Frederick SW;lOn , Trinity-on-the-Hill SYRACUSE, :\,EW YORK l.mO 5:30 pm United Methodisc, ,\ugusta, Ga boston Carol Warburton, Fifth Church of Tulip Time Recitals. Hope College. Christ, Scientist. Washington, DC 5:30 Holland, 1\11: Thoma.s Couwens 10 am. pm Paul Hessclink 11 am; Kenneth Brug­ Cherry Rhodes. All Souls Unitarian, gers 12 noon. William Wilson 1 pm, Washington, DC Cheryl R. Peterson 2 pm, Kenneth LAYTEN HECKMAN WILBUR HELD Br.&dley Hull, Ridley Park Presbyter­ Bruggers 12 noon, William 'Vilson 1 SM.D., 'AO.O. ian, Ridley Park. PA pm, Cheryl R. PClcnon 2 pm, Kenneth Holy ',Jnlty Lutheran Church Ohio Stale University Roger Roszell, organ, Donald Doig, liruggers ! pm, Kenneth Nienhuis .. pm Mlnneapoll., MJnnefD'a 55406 Trinity Church lenor, Calvary Luther:m, Chicago, IL COLUMBUS, OHIO 4 pm (Gontinued, p. 24) SAMUEL HILL Harry H. Huber WAYNE FISHER SL Paul'. Church M.Mus. 0.1"'10, IDiDolJ Kansas Wesleyan University Collelle-Conservatory of Music Carthage CoD"" University Methodist Church . SALINA, KANSAS University of Cincinnati Kenosha, Whcoruin

DAVID HEWLETT JOHN HUSTON d. deane FIRST PRESBYTERIAN CHURCH hutchison MARSHALL BUSH TEMPLE EMANU-EL portland, oregon 11M CDftMrYatory of Music New York ClC)' .. CIoIIoI a."ch, Atchb,.,... 1M... 01420

ELLEN KURTZ KIM R. KASLING D.M.A. ! ~OHN HOLTZ JACOBSON Organist and Chairman, K.yboDrcI Dlv. I Manlcato Stat. Coli... M.Mus. A.A.O.O. I Faculty: HARn COLLEGE, University of Hartford Manlcalo, Minn. L S Organist: CENTER CONGREGATIONAL CHURCH, Hartford Concord, California Reci'al. - Cia .... - C. h.II....

GEORGE E. KLUMP HOWARD KELSEY DIVISION OF THE ARTS Washinglon Unive,lIily DALLAS BAPTIST CoLLEOE. Saint Louis, Mo, 63105 DALLAS, TEXAS 75211

MAY. 1m u Gillian 'Weir. St. John's Abbey, Col­ Magnificat by Bach. San Jose Stale J. MAX KRUWEL legeville. MN College Concert Choir &: Orchestra; David Pizarro. Dueren. West Germany Grace Cathedral, San Francisco. CA 3:30 A.I., 10 MUS., M.A., 8.D. ARTHUR P. LAWRENCE pm Seeond Presbyterian Church Doc. Mu •• Arb, A.A.G.O., ChoM. 20 May Noyes Fludde by Britten, First Con­ Vesper Concert Organist Saint Mary'. Colt.g. and Te De"", by Kodaly. Mass in C mi­ gregational. Berkeley. CA 5 pm Michigan and 20th St. 'lOr by Mozart. The Harlem Chorale. Lloyd Holzgraf, First Congregational, n. Unlvenity of Notre Dame Byrne Camp, dir.; Chapel of the Inter­ Chicago, 60616 Notr. Dantll, Indiana 46556 Los Angeles. CA 8 pm cession. New York City 4:30 pm Elijal! by Mendelssohn. Oratorio William Whitehead, Bach Festival Chorus &: Orchestra, Biola College, La Recital, Bethlehem. PA Mirada, CA RICHARD W. LlTTERST Tulip Time Recitals. Hope College, Elijah by Mendelssohn, La Jolla Pres­ William MacGowan Holland, MI: Paul Hesselink 10 am, byterian, La Jolla, CA 7:30 pm M. S. M. William Wilson 11 am. Glenn Pride 12 All Sainls Church noon, Gwynne B. Vanderwall 1 pm. 22 May SECOND CONGREGATIONAL CHURCH Thomas Gouwens 2 pm Paul Hessrlink 'Walter Baker. Stt: ven Martorella. orp Pasadena, California 3 pm. Phyllis Thompson 4 pm gan &: piano: Church of St. Paul the Rockford. Illinois Apostle, New York City 8 pm 21 ~ray William Teague. Alexandria, LA Choral Music by Britten. St. Thomas Kathleen Thomerson, Union AVe. Frederick Church, New York City 4 pm Christian, St. Louis, MO 8 pm Brllce Gustafson, St. Thomas Church. John Corrie, Vail Chapel. Northwest­ MARRIOTT ASHLEY MILLER New York City 5: 15 pm ern U .• Evanston. IL 8:80 pm Mass in G by Schubert, St. Andrew The Detroit Institute A.A.G.O. Marianne 'Vebb. First l'resbyterian, Music Society. John Weaver. dir.: Madi. La Grange, IL 8:30 pm of Musical Art, Detroit. N.Y. Society for Ethicol Cahura son Ave. Persbyterian. New York City I David Pizarro, Amorbach, West Ger­ Organist, The Detroit Symphony 4 pm many 2 West 64th St., New York City Will Headlee, St. Mary·s Cathedral. Ogdensburg. NY 7:30 pm Thomas Peelen. St. Mary's Abbey. 25 May Morristown. NJ 4 pm Haig Mardirosian. Sc. Paul's Cathe­ All·Dupre program; Luke Grubb, dral. 'Vorcester. MA ROSALIND UOHNSEN HAROLD MUELLER Choral, works by Britten, St. Thomas F.A.G.O. Wayne Lefever, Reginald Lunt: First Westmar College Presbyterian. Lancaster, PA 8 pm Church. r:ew York City 4 pm Henry Lowe, St. Bartholomew's Calvary Methodist Church Trinity Episcopal Church Musical Vespers. Cathedral of Mary Our Queen, Baltimore, MD 4 pm Church, New York City 5:30 pm Temple Sherith Israel Wall Street Choral' Society. Trinity LeMars, Iowa San FrandKo Haig Mardirosian, Cathedral of Mary Our Queen. Baltimore. MD 5:30 pm Church. New York City 12:45 pm Whitsurlday Hymn, Easter Hymn by Virgil Fox. 'Yestminster H.5., 'Yestp Vaughan 'Villiams. Stabat Maler by minster. MD Schubert. The Green Blade Risetl. by ' Villiam Ferris Chorale, St. James WILLIAM H. MURRAY CARLENE Wright: Lawrence P. Scheriber, cond.: Cathedral. Chicago, IL 8: 15 pm Albert Wagner. organist: National City USC Chamber Chorus, Charles Hirt. Christian Church. Washington, DC 8 dir.; Bovard Aud .• U. of Southern Cali­ Mus. M. F.A.G.O. NEIHART fornia, Los Angeles, CA 8 pm St. Andrew's Episcopal Church pm Perston Rockholt. St. Martin'soin-the· Gillian 'Veir, St. James Cathedral, Meyer and WOfnal1 Toronto, Ont. La Grange, III. Kansa. City, Missouri 64113 Fields Episcopal, Columbia. SC Dixit Dominus by Handel, Trinity Episcopal. New Orleans, LA 7:30 pm 24 }\(3Y Lord Nelson Mass by Haydn. John Dan S. Locklair. 51. Paul's Chapel, Kurtz, dir.: First Methodist, Warren. Trinity Parish, New York City 12:30 NORLING frank a. novak OH 7 pm pm St. Nicholas by Britten, choirs of Henry Lowe. St. Bartholomew's Church. New York City 12: JO pm 51. John's Episcopal Church EMMANUEL CHURCH Woodside Interdenominational and Court St. United Methodist Churches, Bruce Henley, St. John's Episcopal, Washington. DC 12: 10 pm City Helgb.. Hanoyer, Pa. 17531 orchestra of Flint Symphony, Wm. Cath­ Jener New Jener erwood, cond.; Woodside Church, Flint. Requiem by Verdi, Wm. Lemonds. MI 7:30 pm cond.; Emory U., Atlanta. GA 8:15 pm Marilyn Mason, Muskegon, MI JOHN KEN OGASAPIAN Stephen J. Ortlip, AAGO Virgil Fox. Catherine Spalding Aud., 25 1\(ay Louisville, KY St. Luke's Chapel Choir of Men &: Elijah by Mendelssohn. First Metho· Boys. Trinity Church. New York City Saint Ann.', Church ChaHanooga loY' Choir dist, Ashland, KY 5 pm 12:45 pm Missa Brevis, Magnificat from I'es­ Massachu..... Stat. College Lookout Presbyterian Chun::h perae Dominica by Mozart, Fourth Pres­ 26 Mar Virgll Fox, Our Lady of Grace Low.n Sewan•• Sumln« Music Cent.r byterian, Chicago. IL 6:50 pm Cantata 172 by Bach, Grace Lutheran. Church, Brooklyn. NY River Forest, IL 4 pm Requiem by Verdi, Emory U., Atlan­ Pentecost Vespers, Chamber Choir of ta. GA 8:15 pm FRANK K. OWEN Lutheran School of Theology, Gerald David Pizarro, Minden. West Ger­ Jack Ossewaarde Spice, dir.; Augustana Lutheran, Chica­ many Lasons - Recitals go. IL 3 pm 51. Bartholomew's Church Byron L. Blackmore. First Lutheran, 27 May St. Paul's Cathedral Onalaska. 'VI 7:30 pm Baroque Music, Collegium Musicum. St. Joll" Passion by Bach, St. John'S Howard M. Brown. Bond Chapel, U. New York Los Angeles 1 7, California Cathedral, Denver, CO 4 pm of Chicago, Chicago, IL 8:30 pm RICHARD M. PEEK FrankOn E. Perkins GEORGE Sac. Mus. Doc. MARKEY A.A.G.O. - Ph. D. Recorcls Markey Enterprises 201-762-7674 Covenant Presbyterian Church Th. Ladue Chapel Recitals St. Louis, Missouri 42 Maplewood Avenue 1000 Eo Morehead Charlo.... No C. University of Missouri, St. Lauis Instrudion Maplewood, N.J. 07040

ARTHUR A. PHILLIPS MARILYN MASON CHAIRMAN, DEPARTMENT OF ORGAN MGO Ch.M. F.T.C.L MYRTLE REGIER UNIVERSITY OF MICHIGAN Mount Horroh Call-ve ANN ARBOR St. Albans Congregational Church South Had"y, MaslOchusetts "MI.. MalOn phJy.rl wi'" aultedry ami ,eserve, demonlfrcrf;ng anew 172-17 St. Albern., N.Y. 11434 be, extraordinary ladlily •••" Des Maines Regis'.r, Odall.r 5, 19"

JOSEPH MARCUS St. John's Cathedral LARRY PALMER Organ - Harpsichord RITCHIE Jack Edwin Ragers TRINITY CHURCH Southern Methodist University NEW ORLEANS Jacksonville, Florida Dallas, Te.as 75222

Oswald G. JOHN ROSE RUSSELL SAUNDERS D. M. A. cathedral of the sacred heart Eastman School of MusIc RAGATZ newark University of Rochester Prefeuor of Organ INDIANA UNIVERSITY

THE DIAPASON 28 May Alms in C by Schubert. St. George's Keith R. Sh3.fer, St. Thomas Church. Episcopal. New York City 10:50 am K. BERNARD SCHADE New York City 5:15 pm Bradley Hull. St. P;lIrick', Cathedral. S.M.M. john h. schneider Richard Douchett. SL ~[ich3Cl'5 Epis. New Yo rl.:. City STATE CQlUOE cobal, New York City Mendham Choir festival, St. Mary's Calvary Presbyterian Church Dug1as C. Kciliu, Par.adi5e 'Voods Abbey. Morristown. NJ 7:30 Jm EAST STROUDSBURO, PA. Studio, Southold. NY 4;:30 pm Arthur P. Lawrence, c.. cdr-II o( Workshop. CIIMI t.actu,., Miriam Burton, soprano; Calh~r.d Christ the King. K:Llamazoo, AU 4;30 Th. Kodaly Cho..1 Mothod Riverside, California of Mary Our Queen, Ballimore, 1\10 pm 5:30 pm ",hat Is Mati? by ROil Nelson, First John Gearhart, National Cathedral, Baptist. Los Angeles, CA 4 pm Washington, DC 5 pm John Kuzma, St. Paul's Episcopal, JOSEPH SCHREIBER Thomas F. Turner. First Presbyter· San Diego. CA 4:30 pm Robert Shepfer ian. Wilmington. NC 5 pm Independ.nt P,.... yt.rion Church Organist. Cholrmethr Timothy L. Uakcr, St. James Episco- 6 June SECOND PRlSIIYTERIAN CHURCH pal, Shelbyville. KY 3:30 pm Trinity Churd. Choir, T r 1 nit y Blrmingham-South.,n Colt.v. David Plufro, Altcna, West Germany Church, New York City 12:45 pm Indlanapoli., IncilaH 4'260 Birmingham, Alataomo Recitals 7 June 30 BraM':fi ley Hull. Sl. Bartholomew's David Pizarro. London, England Church. Nen' York City 5:30 pm Paula swepston. soprano, Trinity 8 June ROBERT SMART Church. New York City 12:45 pm Larry King. Trinity Church, New L. ROBERT SLUSSER SW1Uthmorc, Penwy1nDla York City 12:45 pm MUS. M., A.A.O.O. Trinity EpiJa>poI Churdl 51 May SW1Uthmorc CoIIqe LA JOllA PIE5llYTOIAN CHUIICH 8radlc)' Hull. St. Bartholomew's 9 June Coogtq:atIoo Rodcph SIWom, Church. New York Cily 12:10 pm Joan Lippincoll. " int Baptist. Phila- LA JOlLA, CAUFORNIA PhIIacIcIphia Homer J ackson, St. John'S Episcopal. delphia, PA Washington. DC 12: 10 ~m David Pizarro. Our lam Gam edral. Durham , England Carl Staplin 1 June THE TEMPLE 'h.D., A.A.G.O. l'hilip Sieinhaus. T rinity Church, ROLLIN· SMITH Drake University New York City 12:45 pm C"v.lond. Ohio 44106 RECITALS University Christian Church 2 June 1150 Forty-lint Street, BrooId1D. NY 11218 DES MOINES, IOWA Reqlliem by Verdi, Apollo Musical Club; Orchestra Hall. Clucago, IL 8: 15 DAVID pili ADOLPH STEUTERMAN O";n Clayton Suthem, II 3 tune GOODING Mu •. Doc., F.A.O.O. 3vid PizarTo. SunningdaJe, England ProIeuor 01 AI. THE CLEVELAND ORCHESTRA Southw ••tern at M.mphis 4 JW1e Calvary Epi.capal Church OrranUt.Cond~tGI' Robert Baker. St. Thomas Church, MUSICAL HERITAGE SOCIETY M... phl., Tenne .... Uncoln UDi.enity. fa. New York City 4 pm RECORDINOS JOHN M. THOMAS - AAGO 0.-'" . D1t ..... George Wm. Volkel FREDERICK SWANN F' ..... ~ p,.... yt __ CMrda LAWRENCE The Riverside Church Sf.", UoI.offity of WIse ..tIo SAC. MUS. DOC., FAG.O. Steyen. 'oint, Wkc. 5441. New York City FOUNDEII·DlRECTOR All Saints Episcopal Church "CHURCH MUSIC INTUIEStS" AOINCY ROBINSON Drake College VI.CioINIA COMMONWEALTH UNIVEItSITY Fort lautl.nlale George Norman Tucker WIWAM Th.laptlot .tCHMOND. V'.6INIA ROAIDA MIU. Bach. FRANCIS Tonoplo ST. LUKE'S CHORISTERS VOLLMER TH'lpIe Squ.,. Kalamazoo Skip 17, N.Y. Vemon tie Tar BOY CHOIRS ''''''0.0., Mu •• Doc., S.M.D. Church 01 Ihe Ascension Fifth A.... nlle at T.nth St,..t JAMeS LeLANb W. WILLIAM WAGNER N.w Yo":. N.Y. 10011 HOLL1N8 COLLEOE WA-LI-RO Juilliard School 01 Music BOY CHOIR Union Theological Seminary AfT. LEBANON METHODIST CHURCH Recitals WARUN C. MILLO - DlIlCTOI Organ and Choral Workshops Pituburwh. PeftlUylftllia Clwlol Chwcll, Shah .. IIoltIhb 22, OhIo

RUSSELL G. WICHMANN HARRY WILKINSON sally slade warner CLARENCE WATTERS Chatham College Ph.D., FAG.O. a.a.g.o. ch.ID. CHURCH OF RECITALS ST. MARTIN·IN.THE.fIELDS St. John's Church ShadysIde Presbyterian Ch.stnut Hili, Phllod.lphia ST. JOHN THE EVANGELIST Pittsburgh, Po. 15232 WEST CHESTER STAn COLLEGE, PI.. Beacon Hill _100 W. Hartford, Connecticut

C. GORDON DAVID A. JOHN E. WILLIAMS DONALD WILLING St. AntI,.w. Presbyt.rian co.... lacvlty WEDERTZ WEHR Ph.D. La ....Iou .. P,otbytoria. CI.. ",h North T•• o. St ... Uni.enity 25,. West Hath SL Eai

George Y. Wilson barclay wood HARRY ARTHUR WELLS 80.6 WAif/tUI INDIANA UNIVEItSITY Washington Stat. Univ.r.ity FOX CHAPEL EPISCOPAl. CHURCH FIRST BAPTIST CHURCH 'ullmon 99163 Bloomington. Ind. Fux Chapel, Pittsburgh, 'Go 1$238 Wo..-c. MauachUICttl

Gary Zwicky DMA FAGO william whitehead Ealt.,. UIf ..... Univ.,.,ity Charlnt ... 2344 center street, bethlehem, pennsylvania

MAY, 1972 25 CLASSIFIED ADVERTISEMENTS

POSITION WANTED POSITION AI'AlLABLE MISCEUJfNEOUS HA.RPSICHORDS

ORGANIST .CHOIRMASTER, WIDE EX· EXPERIENCED ORGAN MEN - DO ORGAN SERVICE MEN - WE WILL HARPSICHORD, VIRGINAL. CLAVI· perience. rU'St-c1aa education, deena. uccllcnt ynu have creative ability? Are you intemtnl fl'(:o\'er Casavant and Slr.innl'r pouchboards, chord. nrsan kim. FilII .Ize patterns afler 17th "'t.~nc:cs. available after Junc 1. Outdoor in lales? Ett3blished nationall,.known orran primary and nffKI actton •. Write Burnca: As­ century imtnaments. from $23HIO. Free bro· family prefer northwc:st or northeast, US or builder hal dairable territory openinl for lGCiat~ , 1007 Susquehanna Rd •• Abinltnn, Pa. cllllrr on n:quest. Heurel Kits. 2 bil, rue Vi· Canacb. Your Df"U must have ,ooJ &eeOndary someone who can ,ell and "'... nts to apply .rtis­ 19001. vi~nne . Paril 2, Fnlnce. ichool, public or private, Addn::u £-4, THE Iry In cnll1l1llalion, dailn and i.".ta1lation lor DIApASON, "" clienll. 1ft.. ten-ilDl'l' muiu full·til'M a" PNEUMATICS AND POUCIIBOARDS OF II,\RIJSICHORDS AND PEDAL HARrsl· lenlion - no dilettantes. Includes urban, wb­ any mll"e r«m-end wlth Po1yunfhane plulK: . c"n"" - the ideal imlNlnenti for wpnist •• Wrile lor quolAtion. Church Ol'J'an Co., 18 illdividuals, and IChool •. For bmchun: M:nd ZSf POsmON WANTED - TO WORK urban and .mall·town areu - lOme travel and Wahon St., EdUon, N.J . 08817. 5: willa orpn builder thit .ummer. Mwt have loll 01 challeo~ , with proven potential for In S. Saba'hi! Son Ltd" Drpl. D. 108-1 H,,· man "'itb real ability. Interesled? Send re­ mn, Vancouver, B.C., Canada. ruom. board, pay. Some experience. Lee Dahl, AUSTIN ACTIONS REBUILT. (PRI. Ashby, Minn. 218/ 685-4006. Slime to : C-S, TH~ Du,PASos. All replies .trict­ Iy confidential. maries and .eCflRdaritl) with new plu tic I'er· FINE IIARPSICHORDS, CLAVICHORDS, nell: material. Siale your need, and lend lor made in divrnr: configunllion" and disposition •. POSITION AYAlLABLE SOUTHEAST FLO RID A EPISCOPAL details. Pernex pouc~ ho also. Foley.Balr.er, Inc., Write, p"nne, visit .hnp. E. O. Witt, R3, chllrch ne~b cmnhined orp.nist-choinnastCl" Bo,.; 66. Buclr.land Sialinn, Mancho lcr, Cnn­ Three Rivt'n, Mir:h. 49001. 1i16/2..... SI28. aDd day.school (K-7 ) music teacher. Free nrcticllt 06IJ.KI. time and lacilities for private teachinl. Ad· FOR SALE IIARPSICUORDS, CLAVI_ drn:l E.2, Tilt DIAPASON. SERVICE MEN - DO YOU LACK SHOll chonls II)' Neupe!rt, world's Cinest, oldest .pace? We spedalize in leathrr work, recover· malr.er. Catalog1 on rrq ~ l. Magnamusic, Sha· LARGE EASTEkN BUILDER, lon, UNUSUAL OPPORTUNITY FOR AMBI· inK pneumatics, po'lches. actinru. enpaving, 1'lIn, Conn. 06069. atabla.hal. il lookia, (or II kaowledlUblc tious youn! man to s.ccun: wide e.ptricnce tic. Write R. M. Milliuln 5: Son, Bo. :!9J, ~D witb hit feet on the ,round to in pipe o'To'n buildins, and worlr. into mpen· Lewilburr. Pa. 17837. HARPSICHORDS AND CLAVICHORDS head~ II TRACKER. ORGAN DEPART· sible position. n'e Gr..tian Orpn Builden, - various disposition' harpsichoro. from $860, MENT... an adjunct to our work on QUALITY DIRECT ELECTRIC CHESTS cl.vichords from $430. Thomas E. Mercer, 215 the electro-pneumatic I)'Jtcm. Decalur, Illinois 62525. UM of ,lIde cbestl, c:asework. open toed made to order, lood delivery. Ailr.en AsIociates, lIarriwn Ave., Christiana, Pa. 17509. VOicill, and simplest practical Action is • Bo,.; 143, Broolr.lyn , Pa. 18813. foreaone conclUSion. WANTED - MISCELLANEOUS ZUCKERMANN HARPSICHORD KITS Candid.te mwt be able to tab II sped­ ST. CECILIA, PATRONESS OF SACRED fully asK!mblcd. Flembh curved bcntside. fication .ad carry it throu,h 10 completed music, .catcd at the orsan. Print of I.mow From $87S.00. J. Knepple, 21 Seventh St .• ~n. .Dd to ~rticipale in ula and WANTED - GOOD USED PAIR (OR paintin! by Nl'Iujolr.. 1 dOl:. (S.7) note cardJ Ansonia, Conn. 0&101 . dcYelopmcntal work. more) 01 Gem,an or European prdal timpani and CI\\'c!opa (Opus #2) $3 .00 postpaid. ,.ei.Utiet of our lal"lc plant and pIpe Dr. D. Richard Smith, Room 116, Memorial (Sample ~ .50) Or,ran Arl, Bo" 309, Burlin­ HARPSICHORDS, CLAVICHORDS .bop are available. Crnler, l'unluc Univenity, Larayette, Induru pUle, Calif. !HOIO. ~h",ilicent tone a hancbome appearance at An auflellt opportunit, for the r!iht 47907. n:awnable COlt. Maurice de Angeli, Bo,.; 190, ~. All repUet conftdenlial. Wrile B·2, R.D. Vennsbul"J. Va. Taa DIAPAaON. I -I, 18073. WANTED - AEOLIAN ARTIFACT: HARPSICHORDS original btah light ru:tUf"C Aeolian Co. uac:d to HARPSICHORDS FROM $790. ZIMBEL. illuminate .pool bolt €II their player organ FOR SALE - SA8ATHIL BACH [[I CON­ Ilema, .een. UllIeen, portable. D. Woollen, con$Oles. C. Rou, Bo:c 4010 PSA, Victoria, cert hafPSichonl. 8', 4' - 8', 8'. Lute 6602 Lake Lnis Rd. S.E., Olympia, Wash. AN APPRENTICESHIP PROORAM IS BE­ B.C., Canada. 16', ing oUerm by the finn of William Hyman stop €In I.oth upper and lower 8' and 16'. 7 """". Harptichorck in the lubde and eucling re­ WANTED TO BUY - TRACKER AC prdab. Lilr.e new " ,500. E. H. Mueller, M.D •• production of 18th century French harpsi­ tion church orpn. Send stoplist, dimensionl, 707 Commnnwt'ahh Ave., Newton Center, SPERRHAKE HARPSICHORDS AND 021S9. chorck. aslr.inl price. Addf'ltlS E.7, THZ DIAPASON. Mass. clavichords. Ea;cellenc, dependable, beautilul. The emplwis of this propam will be to­ Robert S. Taylor, 8710 Garfield St., Bethesda, warda a rully prxtical, pro(asional, and rea· WANTED - 4·MANUAL/22 TO 32·RANK FOR SALE 1970 ZUCKERMANN Md. 2OO'l4. console; either Wurlitur, Kimball, M8IT " harpsichord; 1.8' .(rinl, eke.,.,. natura", ~ . Iillic approach and traininl in all phUCI of Denvu, 303/427-6246. the lath century French IChool ol ha~ichonl Cohon or Robert Morton. Siale malr.e, sbe. "THE HARPSICHORD," INTERNATION_ buildinl in the traditional Knte: at a crall condition and price. N«d one: badJy. Addrtsl: FOR SALE HARPSICHORDS AND al quarterl, for loven of urly keyboard in· and at a profession, tkmandinl es:tremel, Bo. 317, APO San FranciKa, Calif. 96334. clavichords made by J. C. Neupe!rt aDd S. Itrumenl.s and music. AniclCl, interviews, pho­ acute slr.Ub in woodv.-orkinl and joinery, ltart­ Sabathil I: Son Lid. Finest quality, fuDr S'W" tograplu and illustrations b, todaYI foremost ing from the raw materials throu,h to the fin­ WANTED WILL TRADE WURLITZER artilil. $8 per annum. "The Harpsichnrd," Style 0 trumpel, pufcct condition, two top anh:ed. Lar'Jot selcclion available from our ished product, varnishing and silding, design showrooms. Fi,u,"tinl Now Avoilsbl,. Free Bo. 4323·D, Denver, Colo. 80204. and acoustical matten, quillinl, volcinlf, and notCi miuinl ror Wurlitzer .mall scale tibia. Allen , 1145 Crernmollnt Rd., Haddonrield, Catalog. J . W. Allen, SOO Glenway, Bristol, tunin,. The involvement will be .e»lel, with the Va. 24201 703/669-8396. • tricl leaminlf and development of the tech­ N.J. O8o:Jl . FOR SALE PIPE ORGA.NS niqucl practiced durinlf the cluIical period HARPSICHORD KIT. BUILD A FULL of the harpsichord. WANTED - AEOLIAN CHAMBER OR­ .i~e n:plica nf a French 18th century harpsi. This apprenticeship pn>sr.am " bein, olfcrccJ pn pipes; 8' Fern Flute, 4' Flute d'Amour, chord, 2 • 8', I • 4', FF'I' ". DaiJDed and FOR SALE TRACKER ACTION only 10 thole who poIICII the aptitooa for 4' Wald Flule, 2' Piccolo, and S-nnlr. Strial dturch mpn, e::uellent condition, ~nable made by Frank Hubbard. Sillale manw, ~ ; price. Addf'ltll E-6, THE DtAPA80N. the tcril)UJ Rudy of a demanding prolr:uion. .Mi.lun: w/clItil. A. H. Rtbton, 6309 Mc­ double: manual $860. For brochure, writ!!! Th. five year prosnm will require a tuition Pherson, S(, Louis, Mo. 63130. Franlr. Hubbard, IB.5A Lyman St., WaJtham, fcc for thote who qualify in the futi Iv.-o ,can. Mass. 02154. FOR SALE - WICKS PIPE ORGAN, 2- II qualified, a wary will be offered (or the manual, of. nob, self-contained, unenclosed, rtmainina thru yean. WANTED - MUSIC ROLLS FOR AUS­ tin, Welte, Slr.inner, Aeolian, Duo-Art and HARPSICHORDS AND CLAVICHORDS large scale open toed pipe wark, bold voicinl, Send letter 01 application .tating qc, quali. - New Flemish harplichord, curved bentaide, suitable (or .mall church, teaching . tudio, ficationl, and referenca to: wanam H)'tn8n Estey pipe! orpn playcn. J. V. Macartney, 406 Haverford Ave., Narberth, Pa. 19072. unrompromiainl daDic: construction and de­ chapel. Lc:. than three yean old, very at· 1IlU'{11ichorda, 1018 Washington SU"eet, Hobo-­ taa, ~355.00. Other kill {rom ~12S.00. Send tDctivc price if buyer an move. John Carroll, ken, New Jcncy 07030. lor free brochun:. Zuclr.crma.nn Harpichordl, 8.SOO Old Spanish Trail, Tucson, Ariz. 85710. WANTED - TWO, THREE, AND FOUR­ Inc., Depl. D, 160 Si..xth Ave., New York, VICTOR PIANOS AND ORGANS IS manual usrd Austin consola. Address U-3, N.Y. 10013. THe D"",uoN. FOR SALE - 1926 WICKS, 2 MANUALS, opening new mati 1t0ftS from Miami to patm of. ranb, Bourdon, Diapuon, Salicional. Oboe. Beach. Will hire orpnD'- for Wel traininl, fLEMISH HARPSICHORDS CUSTOM Recentl, rebuilt. Console beautifully aatiqued. alto orpn ICtViceman. Send rtlUQle 10: Vtctor WANTED - AEOLlAN-SKlNNER CUEST built {rom ZudcnDaDn kits; very reatOnabI. New blower and .tatic nJUlalor. utra nlDb P;"JtOI " Oraatu, 300 N.W. 54 SL, Miami, work. Sandlinl Pipc Organ Company, 8130 priCCI. Ruy CronK, N. Wilkesboro, N.C. available. ~I,500.00. O. 0, Betancourt, Box Fla. 33127. Phone 305/751-7502. Carland Rd., Dallal, Tuu 75218. 286>9. 4m, Santa Fe, N.M. 87501. 505/982.Q68G.

QUALITY and COMPLETENESS

Your "ane.slap" supplier for all pipe argon supplies and campanen... DURST ORGAN SUPPLY CO., INC. P. O. Box 1165 Erie, Pennsylvania ~~INC. 16512 MANUFACTURERS OF Qu/\lITY ORGAN COMPONENTS

what is the CONfEMPORARY ORGAN SUPPLIES COMPANY? A new company with 20 yean of pipe organ experience. started to provide CHESTER A. RAYMOND, INC, contemporary products at reasonable prices. Want an example? #26 organ wire UlIual price $5.60 per lb. Our wire re­ PIPE ORGAN BUILDERS quires no Itripping tor IOtdering, yet the insulation is superior to D.C.C. at oaly $2.12 per lb. Send tor your wire sample and 1972 cualog. Both free Rebuilding, Malnlenance and Additions to you. CONfEMPORARY ORGAN SUPPLIES COMPANY P.O. Box 55 Prlncelon, N.J. 08540 Box A·B Campbell, Calif. 95008 Phone: 609-924-0935

ORGAN SERVJCE~J. E. Lee, Jr. Reid Organ Co. CONRAD O. DURHAM KNOXVlUE, TENNESSEE 37901 P,O. lax 363 an'• ..-.I h.d. Reb ... llding • Revoicing .. c.,. .... ltation lox 2061 (4OIl1 248-3167 t ... nlng • Moi•• .none •• R.b... ,ldlng Sanla Clara, California Ir... JecII. SIIo_ ZElST P.O. lox 212.5, Tallahas... , fta. 32304 COMVltanb III Oleo- .... _ken ......

THE DIAPASON CLASSIFIED ADVERTISEMENTS Classified advertising rat•• : per word, $.20; minimum charg., $2.50; box number, additional $1.00. RepU •• to box numbers should b. sent - cl o The Diapason, 434 5. Wo&ash Avenue, Chicago, III. 60605.

FOR SALE - PIPE ORGANS FOR SAl. E - PIPE ORGANS FOR SAI.E - MISC. FOR SALE - MISC.

FOR SALE 2.MANUAL 5-RANK FOR SALE - 2M/8R THEATRE ORGA!Il, COLLECTORS - IN MINT CONDITION FOR SALE - 1' lflE ORGAN PARTS. Wicks , now "laying. ldl';'l l l'omc or practice excellent condition. Id~al lor residen ~ . Con· Knee O rgan named " har lllonia" made in I1a\'e many ilems - Iheater and chureh organ organ, $1 ,000.00. Latc (1 93 1} 2-7 Wurlitzer re­ tain5 Estey. Wurlitll'r aud Morlon. Two 16'1: Paris 1858 dllring the reign "f Napoleon III. pipes, chests, ke)'S, blow~n, switchn, ete. Send lay, black caIJ5·minH:lrscr "n:scrvcd $460.00 lIollrdCln. String, GIO('k, Xylophone plus com· 2 lal'!e original volumes of "L' Art du Facture SASE for list or call 313/6-15·1455. Bodman's Marr-Colton S' Diapason and Gamba mitered plete loy counter. Rainirr Pipe Organ S .. rvice, d'Orgue" by Dolo BedO!l de Celles. 2 original Organ Serviee, 4275 SlIgargro\'e Ct.. Troy, and c,"lpned ror 7·£0(11 criling, 2 ranks on 3 5003 9th A\'emlc N .E , S .. al1l .. , Wash. 98105. m lumn of "Art of Organ B'lildinJ" by George Mich. 4BlIM. ch1'$15. $TID.Of). Wllrlitzror n-gulatOf 2OXSO. 206/fJ32·5587. Ashdown Audsle,.. Have oll.. rs of $200.00 for $50.00. Ib rlll ll Tn-m, $40.00. 2-manual 5· O"llIft, $-100,00 for cach volume of Durn Be­ FOR SALE - AUSTIN 8' MELODlA, $50, r.lllk chufch console with rclay, $250.0). l'lay­ FOR SALE - ELECTRONIC ORGANS dus. P1case no Im er off~n . Morel Organ Co. • 8' Flute CC'la te T.e. {\V(J(Jd}, $40, 8' Oboe rr (llano, dectririecl, Telubed and converted Inc., Reading. Mnu, 01867. mitered to ~ , recently revoked, $75. Gonel ror or-gan, $-100.00. 1 HP Spencer Orgob!o 6" FOR SALE - WURLITZF.R ORGATRON condition. C, A. Carhon. Plainville Avc .• WP $75.00. SwanlOn & Urown, 2f1M9 R(J$c Series 50 with tone cahinet, AGO console. Cl(. FOR SALE CURIOUS E. M . SKINNER Fanningtoll, Conn, 06032. 203/ 677.9614. Ro:ad, Westlake, Ohio 44145. 216/871-5768. cdlent condition. Best offer O\'~r $50'J, F. 11. high pressure wind generator originally in· Cooley, 581 Mountain A,'e.. BOllnd Brook, stalled on large console of famous Boston FOR SALE - 16' PEDAL TROMBONE. FOR SALE - 2-Ml\NUAL, 7·RANK PIPE N.J . 08805. 201 /35i-0016. organ. Not a blower, takt'S It'l l\' pr(!jf; lIfC wind +I uotn w/chest; 8' Tmmba, 73 notcs; 8" organ, about 30 yean old. 2 lIP Orgoblo. St. 11 m) silently ca nv .. rts to to·I:!" by mechanical French lIorn. i3 notes.. All voiced for 12" wind. l\ndrew·St. Jos.. ph Chureh, 925 Bruckhunt FOR SALE - CUSTOM MADE "t\LLE~ action. Very rare, nn other examples are good condition. Also : other misc. pipework &: St., Oakland, Calif. 9-Iflll8. TI,eater Deluxe" organ ; two.manual , walnut known. $250 ill like nel\' condition. abollt ehestwork. Sandling Pipe Organ Company, console. 3 cxlernal dl"Corati\'e walnut spn.k~ r 3'x3'x-l'. Barden and Clark Inc., Z2 Rutland 8130 Garland Rd., Dallas, Texas 75218. FOR SALE - USED 2·MANUAL AND cabinct. ; n ·nole pcdalboard. two indcpendent Square, Boston, Mass. 02118. pedal Wang.. rin unit organ: O pen Diapason, Cl(prcssion pedals for (Jllte, reeds and Itring1. FOR SALE - USED PIPES, CHESTS, StoJllted Dialmson, Salicional, l6-h. Bourdon Like new, owncr moving out or stale. Cost FOR SALE ORGAN VOCALIAN WITH consoles, misc, parts. O rgan Service, Box 2061 , extensioni Ch bU, pipes, console, blower. louv­ new $9,700, will sell for $7,iOO . A. R. Johmon, mingtiinger motor attached. Good c~ndition. Klloxville, T enn. 3i901. rn, Tremulant; a\'ailable summer 1972. Best 147 Walrath Road, SyrocUSt'. N .Y. 13205. 315/ Will take best offer. 315/ 457-1261. Wrile: ufrer FOB at chlln::h. Weslcy United Metho­ 469-1273 or 315/834·9370. Dora Doubles, 100 Glendale Ave., Liverpool, FOR SALE - WURLlTZER, LATE TOY dn t , 1101 Elm, Wausau, Wis. 544{)1. 715/842- New York 13088. counter $500., Xylophone, Glockempicl $30:1. 3768. FO R SALE _ ONE ALLEN CUSTOM each. Clarinet large Kale $2i5. Barton, toy 3·manual electronic organ, New in 1965. 8 LARGE TWO·MANUAL AND PEDAL COllnler $325 ., Oboe Honl $250., s}:O lted metal FOR SALE 2·MANUAL 14-RANK 1954 tone gencraton. Replacement value $26.000.00. Estey rced organ wi th electric blower, eueUent solo string $200., Marimba $300. Ma ny chests Miiller, tnunpet and 3·rank mixture. Disman­ Excelleot condition. Can be moved with mini· working conditioll. Bardell and Clark Inc., 22 $1.00 per note. 10 hone Spencer Orgoblo tled. Chureh merger. Best offer over $6,000.00. mal disasscmbly. Asking $14,000.00 as it ltands R utland Square, Boston, MA O2Il8. $100.00. I'elemlll solid ltate relay highly uni­ C . n. Frczcrt, 141 7 Ea$t Grove, Bloomington, on floor. Address D-8, TilE DtAPAS ON. linl for theatre organ 3·manual fourteen m nks, Ill. 61 701 . 309/ 662.1225. FOR SALE THREE·MANUAL MOL. $3 ,500. Wnle IIr eall Ja,. Him .... 551 1 SUnll)'­ FOR SALE - 1 RO DGERS 33-E ORGAN, ler drawknob console, 20 ycan old; needs re. slope Ave., Sh.. nnall Oaks, Calif. 91401. 213/ FOR SALE - ONE 2 ~·STOP MOLLER three·manual theatre .tyle, antique white com· leathering; available Sept, I , Illeasc contact 9!H·2!H6. All sales FOB Shcnnan Oaks. praclice organ, new in 19&1. Replacement value plete with 2 Rodgers external .peakcn and 1 Busilless Administrator, Fint Presbytenan $5,850.00. Excellent condition. Can be moved large Leslie, 32·note pedalboard, setter board, Church. 255 Harding Road, Red Bank, New with minimal disaacmbly. Asking $3.500.00 as toe stubs, 3 Cl(prasion pedals. Two run old Jersey 07701. FOR SALE - WURLITZER PEDAL­ it stands on floor. Address D.7, T ue DIAPASON. and like new. Cost new was $15,000.00. Will board (new caps), Wurliuer \VOOd flute (com­ sell FOB price $7700.00 cash. Robert R. FOR SALE 2·MANUAL MOLLER plete 93 pipes), Schopp Vox lIumana (7$ FOR SALE USED PIPE ORGANS AND Sirickler, Sr,. 203 N. Franklin St., Red Lion, consoles, keyboards only: two and three­ pipes), Schopp T uba (73 pipes). Schopp componellis available (rom churches where new Penna. 17356. 717/2#-4431. manun1, Spenccr and Kinetic blowen from String (85 pipes), K imball Marimba and ac­ Muller organs are bought. Eugene E. Poole, ~ lIP to 3 HP, Swell Ihades a nd cngines tion (action needs rebuilding) (large scale). Ifi:, Lakewood Road. Walnut Creek, Cali£. MUST SAC RIFICE - CONN :J..MANUAL, offoote chests, unit and pitman chests witl: other misc. parts (black cap magnets, nel[ hose 9-1598. model 830, chureh organ, all IOlid ltate, el[ t. pipes. Write Rive, Ille., 811 Fods St., Met­ ele.). Partheo Productions, P.O. Bcu 1741: 5peaken. pvt . owned, 1 yr. old, J ohn Sand­ airie, La. 70005. Andenon, Ind. 46014, or c.. dl 31 7/&12·8341. FOR SALE _ 2·MANUAL ORGANS: 3- ford, 1536 E. Rose. O range, Calif. 92667. 71 4/ slup, -I ..top Wicks, 6'ltop Maller, 12'ltop di­ 633·3565. FOR SALE LARGE 4-loIANUAL MOL. ler console (1928), from Amphitheater at FOR SALE - WURLITZER TIIEATR& rect ell'Ctric , abo 5 •• lop Great and chest. organ part.: pipes, chests, consoles, toy coun. ,lilte5, rday and 7.. top Choir pitman chest 500 USED HOME, THEATRE AND Chautauqua. Best offer. Box 453, Chautauqua New York 14722. ' ten, perelwions. Will sell entire lot to inter­ alld )Iil_ , Write Rive , Inc., 811 Fods St., church orgam, up to 60% ofr. Allen, Conn, ested party. Abo ehureh organ sluU. Ikmanl Metairie, La. 70005. Gulbransen. Thomas, Lowrey, Wuriiuer, Kim­ Blum, 434 W. RwcOlnb, J'hiladdphia, Pa. ball. Baldwin. Hammond. Moving arranged, FO R SALE - MOLLER ORGAN PARTS 19120. Victor PianO!l &: Organs Warehouse, 300 NW FOR SALE - SKINNER RESIDENCE 1929, Cl(eellent condition. 2·rank 'j3..note ches t, IIrgall, 7 ranks pipes, including two reed ItollS, 5-lth St., Miami, Fla. 33127. 305/751-7502. 2'x3', 2'rf'. 1 Y:t 'JI; 2~ ', two 16"L!1" rcser­ also electriC Harp. Some unification and duo \'Oin. OUset chest, large Kale 16' notes 1.6 FOR St\LE - :I Ill' KINETIC BLOWER, FOR SALE BALDWIN MODEL 48C, and 7·32. Ronald F. Wehmeier 523 Elberon 15" \vP no\\' playing 10 ranks, highly unified. ),le:iiJng , Two·manual detached console with AGO specification ; 32' note pedal, Good con­ pla)'er lIIecnanums; also, complete sclection of Ave., Cincinnati, Ohio -45205. '513/ 471-2588. Price III $160 includes starlen, timer and dition. 5 years old, $1 ,300.00. Phone 31 2/537· phase con\'crler. C , M . I'owen, 2051 Hanovcr w!ls. CCllldit,lIn good. Contact: J . J. Hydeck, 7992, 651 Piper Lane, Wheeling, Ill. 60090. Dri\'e, Clevela nd Hgts., Ohio +1112. 216/541- BethallY Coluny Lid,. 305 Cherry St .• Seran· after 5 p.m. FOR SALE - AUSTIN GR. AND CH. 0757. tClII , I'a. 18.501. chot for 8 Rh. Austin Swell chest for 7 FOR SALE - MISC. Rks. Austin Pedal OlM!n chest and pipes 32 FOR SALE - WURLITZER STYLE 2355 , 1I0t.... Amtill Sw. Open, Sal., Vox: Celes te FOR SALE - MISC. ORGAN ITEMS. three manuals. 11 ranks, )Jius many lpare parts and Viol d' Orch. pipes. Bellows and frame: Wurlitzer chests, WurJitzer shades blowen COLLECTORS ITEM - VERY Rt\RE work for all chests, abo 2 Austin swdl fronts pipes, Gotfried honcahoc console, ' etc. List and wll ,.layer with rolls. Scroll console beau· antique grand p1ano-rct'd organ combination ~'itb motors. All for $750.00 FOB Okla. City. available. S. Wetle, 421 Gilbert Wooddale tifully refinishCtI in white and gold. Easlern by Gilbert, 8o5ton ca. 1865. Handsome ruse' Illinois 60191. '" Jucaticm. l'ricc: make o(fer. SASE for detaib. • and 3'lI1allual consoles, 12 blowen, many wcmd \'eneer and original finish arc excellent chests and other part. too numerous to men. Addrcu E.3, TilE DIAPASON. condo Barden and Clark Inc., 22 Rutland ti,?n here. call lor what you need. R. W. Square, 8051011 , MA 02118. FOR SALE - SCHANTZ "ZEI'HYR" OR­ Glmpd, P.O. Box 75534 , Farley Station Okla. gan blower wi th 5 HI' 230V 30 lIIotor. 2·20" FOR SALE - RARE AEOLIAN·HAM­ homa City, Okla. 73107. • fOR SALE _ SEVER,\L FINE REED fans. 8Y,' wind pI'CSSure. Starter &: gener.r.tor mond Modd n r\ player organ. Very good organs and melodeons. Expertly reconditioned. included. Emmanuel Lutheran Chureh New conditiun. Several rulb. Jim Lauck, 1767 Com. Rceds, re,\'IIiced and Illned, Also replacement• . I'hiladelphia, Ohio +1663. 216/364.1121.' Attn!­ lIIollwcallh Ave., BCliton Harbor, Mieh, -49022. FOR SALE - WURLITZER OFFSET TI,e Little Organ ShOll, C. H. Gllnliuger, chest, Kimball swell Ihades, Welte chest .Mr. Roh .. rt R. Haeberle. Box 276, Williamsville, Vt. 05362. strings, Miiller Cornopean, Doppel Flute Dul: FOR S,\LE - AEOLIAN ORC HESTRELLE c~~a, strings. Gottfded Vox, Tmmpet, ' Estey FOR SALE - USED 2·MANUAL, 3·MAN­ ,.Iaycr organ, Style V, lIew condition, rare. FOR SALE _ CJUMES A 440, 25 SOLID Tlbm. 2M/8R and 2M/ 4R relays. Dialmson, tubes. No Dction. G to G. $150 ,00 r.o.b. firm. lIal sets of keys, tremolos, blowen, Cheap. belich, 50 music rolls. Orgoblo, !/2 HI', 400 rt'glllatiln. 2·manual Muller console, I'alll Mc­ Roesler·Hunholz Cu " 2200 N. 11th St., Mil­ CFM, 3" \\iud. Address E.5. Till!: DIAPASON. Address £-8, Till!: DIArASoN . GII\'er)', Uen\l'n, Ill. 312/788.5790. waukee \\ is 53205

LOUIS F. MOHR & COMPANY 0 HANSEN E. H. HOLLOWAY ORGAN R Since 1906 ORGANS MAINTENANCE G CORPORATION A , 2899 Valentine Ave. CDnstructDrs Builders 01 N , New York 58, N. Y. & 5!.e S"mt%/ Qua/if" Tracker and Eledro-pneumafic Telephone: SEdgwick 2J.5628 Rebuilde.s of slider chest organs. Emergency Service Yearly Contracls P JEROME B. MEYER &SONS , QUALITY Harps - Chimes - Blowers I , Expert Overhauling , PIPE ORGANS INDIANAPOUS, INDIANA P '339 SO. AUSTIN ST. "An Or,an Properly .Uainta;ned Meam Tel. 637-2029 P. O. Box 20254 MILWAUKEE, WIS. 53'07 QUINCY, ILLINOIS 62301 Belter AllUit:" E - 5

"Oua,jty wj,h ORGAN LEATHERS AIKIN ASSOCIATES Economy" IAI1 DIRECT ELECTRIC CHES1S WHITE, SON AA ELECTRO PNEUMATIC PEDAL C~ESTS COMPANY 286 Summer Street Boston, Massachusetts 02210 lox 143 Brooklyn, Pa. 18813 717-289-413. ,

FOR SALE: New Organ Pipe., Sl,. PIANO TUNING DO IT YOURSBf PIPE ORGAN KITS spoHn metal, Mixture., Scharff., Cyrn- Learn Piano tuning and repatr wtth easy Custom Ip.clflcatlons few church or Felix Schoenstein bois, Odav ••, etc. promptly avallabl•• to follow home study coone. Wide open r.sld.n.... complet. or FNrt., full In. field with good earning.. Makes excel· slrudlon. by est.bllsh.d or9'. builders. Excellent workman.htp. Write to: Ex- Pipe Organ Builders lent "extra" fob. Write COlKIT MFG. C•• P.O. Box 112 & Sons pert. on Organ Pipes, O.brGcler Ka., American School of Plano Tuning Hiler St.tton, kff.lo, N.Y. 14223 SAN FRANCISCO, CALIF. 53 lonn - 8e.al, West Oermany. Dept. D, Box 707 Gilroy, Colif.

MAY, 1972 27 LI.1:la,-,.

ANNOUNCING

European Artis's Season 1972·73

MICHAEL RADULESCU NITA AKIN Oct.-Nov. '72

GILLIAN WEIR Nov. '72

KAMIEL D'HOOGHE Jan.-Feb. '73

HEINZ WUNDERLICH Feb.-March '73

HOIlEIlT ANDEIlSON MONIKA HENKING Mar.-Apr. '73

MICHAEL SCHNEIDER March-Apr_ '73

FRANCIS JACKSON Mny - '73

nOUEIIT BAKER GEnRE HANCOCK IJONAI.Il ~1 " Il()NALD

- ..... •' ~ , ~~ ~ DAVID CRAIGHEAD CLYDE HOLLOWAY MARll.YN MASON LADD THOMAS

1IIIIIIF..£," " I I I ~. - ! 1 ~) i I,,· ~ CATHARINE CROZIER WILMA JENSEN FREDERICK SWANN JOHN WEAVER

RAY FERGUSON JOAN LIPPINCOTT WILLIAM TEAGUE WILLIAM WHITEHEAD

BOX 272 CANAAN, CONNECTICUT 06018 203-824-7877