THE DIAPASON an Internatlonal MONTHL1' DEVOTED to the ORGAN and the INTERESTS of ORGANISTS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bengt Hambraeus' Livre D'orgue
ORGAN REGISTRATIONS IN BENGT HAMBRAEUS’ LIVRE D’ORGUE CRITICAL EXPLORATIONS AND REVISIONS Mark Christopher McDonald Organ and Church Music Area Department of Performance Schulich School of Music McGill University, Montreal, Quebec May 2017 A paper submitted to McGill University in partial fulfillment of the requirements of the degree of D.Mus. Performance Studies. © 2017 Mark McDonald CONTENTS Index of Figures ......................................................................................................................... iv Abstract ..................................................................................................................................... vi Résumé ..................................................................................................................................... vii Acknowledgements .................................................................................................................. viii I. Introduction – Opening a Time Capsule .................................................................................. 1 Bengt Hambraeus and the Notion of the “Time Capsule” .................................................... 2 Registration Indications in : Interpretive Challenges......................................... 3 Livre d’orgue Project Overview ................................................................................................................ 4 Methodology ..................................................................................................................... -
Programm 2006
PROGRAMM 2006 Österreichische Jugendmusikwettbewerbe 25. LANDESWETTBEWERB VORARLBERG 08. bis 12. März 2006 Landeskonservatorium Feldkirch Ergebnisse & Info: www.musikschulwerk-vorarlberg.at Prima La Musica ipp, tipp, tipp... www.raiffeisen.atk finden wir wirklich gut. So gut, dass wir Musiker, Gruppen und Orchester fördern. Jetzt wollen wir Sie aber nicht länger stören. Gute Unterhaltung noch. Österreichische Jugendmusikwettbewerbe MUSIK DER JUGEND PRIMA LA MUSICA 2006 25. Landeswettbewerb 08. bis 12. März 2006 Ehrenschutz: Landesstatthalter Dr. Hans-Peter Bischof Programm der Wertungsauftritte Mittwoch, 08. März 2005: Blockflötenkammermusik 7 - 8 Klavier 9 -11 Holzbläserkammermusik 12 - 15 Gesang 16 - 17 Harfe 18 Donnerstag, 09. März 2005: Klavier 19 - 21 Holzbläserkammermusik 22 - 23 Violoncello/Kontrabass 24 - 26 Violine/Viola 27 - 29 Gitarre 30 - 32 Schlagwerkensembles 33 - 34 Freitag, 10. März 2005: Violoncello/Kontrabass 35 - 37 Violine/Viola 38 - 39 Gitarre 40 - 41 Blechbläserkammermusik 42 - 43 Öffentliche Schlussveranstaltung 44 Jurymitglieder 47 - 58 Sonderpreise 60 Sponsoren 61 Zeitplan "Prima la Musica" 2006 Feldkirch Mittwoch, 08.03.2006 Donnerstag, 09.03.2006 Freitag, 10.03.2006 Samstag, 11.03.2006 Sonntag, 12.03.2006 Blockflötenkammerm. Violoncello/Kontrabass Violoncello/Kontrabass 09:30 bis ca. 12:15 Uhr 09:30 bis ca. 17:30 Uhr 09:00 bis ca. 19:00 Uhr Pförtnerhaus, Parterre Harfe 14:00 bis ca. 17:15 Uhr Violine/Viola Violine/Viola 09:30 bis ca. 18:30 Uhr 09:00 bis ca. 19:30 Uhr Pförtnerhaus, 1. Stock Gesang 13:30 bis ca. 17:30 Uhr Klavier Klavier 09:30 bis ca. 18:15 Uhr 09:00 bis ca. 19:00 Uhr Landeskonservatorium Festsaal Blechbläserkammerm. 13:30 bis ca. -
The Influence of Plainchant on French Organ Music After the Revolution
Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2013-8 The Influence of Plainchant on rF ench Organ Music after the Revolution David Connolly Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Musicology Commons Recommended Citation Connolly, D. (2013) The Influence of Plainchant on rF ench Organ Music after the Revolution. Doctoral Thesis. Dublin, Technological University Dublin. doi:10.21427/D76S34 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License The Influence of Plainchant on French Organ Music after the Revolution David Connolly, BA, MA, HDip.Ed Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music Dublin Institute of Technology Conservatory of Music and Drama Supervisor: Dr David Mooney Conservatory of Music and Drama August 2013 i I certify that this thesis which I now submit for examination for the award of Doctor of Philosophy in Music, is entirely my own work and has not been taken from the work of others, save and to the extent that such work has been cited and acknowledged within the text of my work. This thesis was prepared according to the regulations for postgraduate study by research of the Dublin Institute of Technology and has not been submitted in whole or in part for another award in any other third level institution. -
Eastman Notes July 2006
Attention has been paid! Playing inside Eastman Opera Theatre & outside takes aim at Assassins New books by two faculty members Eastman 90 Nine decades of Eastman milestones Winter 2012 FOr ALUMni, PArentS, AnD FrienDS OF tHe eAStMAn SCHOOL OF MUSiC FROM THE DEAN A splendid urgency Every now and then I have the good fortune of hearing a concert that is so riveting, I am reminded why I got into music in the first place. The Eastman Philharmonia’s recent performance of Stravinsky’s Rite of Spring, under the guest baton of Brad Lubman, was just such an occasion. Prepared and conducted su- perbly by Brad, and exuberantly performed by students clearly amped up by the music and the occasion, the raw beauty of one of Stravinsky’s greatest works came to stunning life. The power of this experience had nothing to do with outcomes, technologi- cal expertise, assessment, metrics of excellence, or gainful employment upon graduation. This was pure energy funneled into an art form. It was exotically NOTES irrational. It was about the rigorous pursuit of beauty, Volume 30, number 1 pure and simple. Winter 2012 As the national “music movement” grapples with the perception that it has lost precious ground in the fight Editor to keep music in our schools, I was reminded of our na- David raymond tional obsession with practical outcomes, and the chal- Contributing writers lenge of making a case for subjective artistic value in the John Beck Steven Daigle face of such an objectivity-based national agenda. Matthew evans Although we tend to focus on the virtues of music it- Douglas Lowry self, what we are really talking about is the act of learning robert Morris music. -
Lanolino Musikverlag
__________________________________________________________________________________________ L A N O L I N O M U S I K V E R L A G K a t a l o g u n d P r e i s l i s t e ( i n € ) (Stand: 07.7.2020) ____________________________________________________________________________________________________________________________________________________________________________________ IM HANDEL ERHÄLTLICHE NOTEN Klavier zu zwei Händen Marc-Antoine CHARPENTIER: Eurovisions-Prélude (Klavierbearbeitung) ............................. LMV-001 6,50 Werkhinweis in der Lehrplanliste der KOMU = Konferenz der österreichischen Musikschulwerke, www.komu.at. TEAMARBEIT einer Bamberger Gymnasialklasse: Passacaglia für Klavier (nach Hauers Zwölftonspieltechnik) .................................... LMV-005 14,-- __________________________________________________________________________________________ Oboe und Klavier Johann Sebastian BACH: Dir, dir, Jehova, will ich singen (Liedbearbeitung) ................ LMV-006e 7,30 Ich steh' an deiner Krippen hier (Liedbearbeitung) .............. LMV-007e 7,30 O Jesulein süß, o Jesulein mild (Liedbearbeitung) ................ LMV-008e 7,30 Vergiß mein nicht (Liedbearbeitung) ...................................... LMV-011e 7,30 Willst du dein Herz mir schenken (Liedbearbeitung) ........... LMV-012e 7,30 Ludwig van BEETHOVEN: Ich liebe dich (Liedbearbeitung) .............................................. LMV-010e 7,30 Die Ehre Gottes aus der Natur (Liedbearbeitung) ................. LMV-013e 7,30 2 Johannes BRAHMS: Feldeinsamkeit -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op. -
Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip
CARNEGIE HALL .... NEW YORK Thursday Evening, April 7, at 8.45 Saturday Afternoon, April 9, at 2.30 PR5GR7WVE "Ike BOSTON SYMPHONY ORCHESTRA : 188M931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Howe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, in additional chapters, the last years of Dr. Muck's conductorship, and the years of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. New appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston P-ice fl.ftO (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Di SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, APRIL 7, at 8.45 AND THE SATURDAY AFTERNOON, APRIL 9, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1932, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. BENTLEY W. WARREN President ERNEST B. DANE . Treasurer ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL WILLIAM PHILLIPS M. A. DE WOLFE HOWE EDWARD M. PICKMAN FREDERICK E. LOWELL HENRY B. -
Chambonnières As Inspirer of the French Baroque Organ Style
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1977 The decisive turn : Chambonnières as inspirer of the French baroque organ style Rodney Craig Atkinson University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Music Commons Recommended Citation Atkinson, Rodney Craig. (1977). The decisive turn : Chambonnières as inspirer of the French baroque organ style. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/1928 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. - ;=;----------- THE DECISIVE TURN: CHAMBONNIERES' AS INSPIRER OF THE FRENCH BAROQUE ORGAN STYLE A Thesis Presented to the Graduate Faculty of the University of the Pacific r -- rc·-t:::---'--=-=----- ___:__:::_ !'~ ', ~- In Partial Fulfillment ' of the Requirements for the Degree Master· of Arts ,' by Rodney Craig Atkinson May 1977 --------=- - ' This thesis, written and submitted by is approved for recommendation to the Committee on Graduate Studies, University of the Pacific. Department Chairman or Dean: ~4_,ZiL Chairman ~> I Dated C?id:ctfjl:?~ /7 77 v (( =--~~----= ~-- p - ~-- ACKNOWLEDGMENTS Appreciation is extended to Dr. David S. Goedecke for his guidance and suggestions. Loving appreciation goes to my parents, Dr. and Mrs. Herbert Atkinson, whose encouragement and support were responsible for the com pletion of this thesis. i i TABLE OF CONTENTS ::,:;; __ Page AC KNOW LED G~1 ENT S it LIST OF EXAMPLES v Chapter 1. -
Composers for the Pipe Organ from the Renaissance to the 20Th Century
Principal Composers for the Pipe Organ from the Renaissance to the 20th Century Including brief biographical and technical information, with selected references and musical examples Compiled for POPs for KIDs, the Children‘s Pipe Organ Project of the Wichita Chapter of the American Guild of Organists, by Carrol Hassman, FAGO, ChM, Internal Links to Information In this Document Arnolt Schlick César Franck Andrea & Giovanni Gabrieli Johannes Brahms Girolamo Frescobaldi Josef Rheinberger Jean Titelouze Alexandre Guilmant Jan Pieterszoon Sweelinck Charles-Marie Widor Dieterich Buxtehude Louis Vierne Johann Pachelbel Max Reger François Couperin Wilhelm Middelschulte Nicolas de Grigny Marcel Dupré George Fredrick Händel Paul Hindemith Johann Sebastian Bach Jean Langlais Louis-Nicolas Clérambault Jehan Alain John Stanley Olivier Messiaen Haydn, Mozart, & Beethoven Links to information on other 20th century composers for the organ Felix Mendelssohn Young performer links Fanny Mendelssohn Hensel Pipe Organ reference sites Camille Saint-Saëns Credits for Facts and Performances Cited Almost all details in the articles below were gleaned from Wikipedia (and some of their own listed sources). All but a very few of the musical and video examples are drawn from postings on YouTube. The section of J.S. Bach also owes credit to Corliss Arnold’s Organ Literature: a Comprehensive Survey, 3rd ed.1 However, the Italicized interpolations, and many of the texts, are my own. Feedback will be appreciated. — Carrol Hassman, FAGO, ChM, Wichita Chapter AGO Earliest History of the Organ as an Instrument See the Wikipedia article on the Pipe Organ in Antiquity: http://en.wikipedia.org/wiki/Pipe_Organ#Antiquity Earliest Notated Keyboard Music, Late Medieval Period Like early music for the lute, the earliest organ music is notated in Tablature, not in the musical staff notation we know today. -
Boston Symphony Orchestra Concert Programs, Season 48,1928-1929, Subscription Series
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. SERGE KOUSSEVITZKY, Conductor FORTY-EIGHTH SEASON. 1928-1929 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1928, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA. Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 853 ¥* s^ THE STEINWAY THAT YOU BUY TODAY WILL SERVE YOUR CHILDREN'S CHILDREN That's the sort of piano the at once — and the balance will be of Steinway is — so well built, so distributed over a period two skilfully constructed, that a lifetime years. Select your instrument of playing will not impair its lovely — today. tone. For thirty, forty, or even fifty C+J> tNO C+3 years it will serve you well. You A new Steinway piano can be need never buy another piano. bought from This means that you not only have $875 up the constant joy and companionship piano may be pur- of the Steinway for yourself and Any Steinway chased with a cash deposit of 10%, your children, but when they are and the balance will be extended over grown up, with children of their a period of two years. Used pianos own, it will be a precious heirloom accepted in partial exchange. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Com pany 300 North Z eeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9227220 Aspects of early major-minor tonality: Structural characteristics of the music of the sixteenth and seventeenth centuries Anderson, Norman Douglas, Ph.D. -
JUNE 2018 Andover Organ Company Seventieth Anniversary Cover Feature on Pages 26–28
THE DIAPASON JUNE 2018 Andover Organ Company Seventieth Anniversary Cover feature on pages 26–28 www.concertartists.com 860-560-7800 [email protected] PO Box 6507, Detroit, MI 48206-6507 ,Z>^D/>>Z͕WƌĞƐŝĚĞŶƚĐŚĂƌůĞƐŵŝůůĞƌΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ W,/>>/WdZh<EZK͕&ŽƵŶĚĞƌƉŚŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ANTHONY & BEARD ADAM BRAKEL THE CHENAULTS JAMES DAVID CHRISTIE PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAMÍREZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER 50th Anniversary Season THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Ninth Year: No. 6, Summer schedules, summer travel Whole No. 1303 With warmer months and the end of the choir and academic JUNE 2018 year, many of us are looking forward to summer travel. Perhaps Established in 1909 you will attend a convention, workshop, or take classes for con- Stephen Schnurr ISSN 0012-2378 tinuing education. Our April issue contained a list of many oppor- 847/954-7989; [email protected] tunities to attend conferences around the country and abroad. www.TheDiapason.com An International Monthly Devoted to the Organ, Our Here & There section contains announcements of many the Harpsichord, Carillon, and Church Music summer organ and carillon recital series. Several of these are in In this issue the Midwest: Indiana, Michigan, and Iowa, in particular. For June, we present an interview with Stephen Cleobury of CONTENTS Many of our readers will take advantage of summer abroad.