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Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova
Compiled by Irina Kuzmina Marina Medkova English version Olga Perevezentseva Dmitry Osipenko Digital version Dmitry Osipenko Graphic Design Lilia Garifullina Theatre Union of the Russian Federation Strastnoy Blvd., 10, Moscow, 107031, Russia Tel: +7 (495) 6502846 Fax: +7 (495) 6500132 e-mail: [email protected] www.stdrf.ru Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova. Moscow, Theatre Union of Russia, April 2016 A reference book with information about the structure, locations, addresses and contacts of organisers of theatre festivals of all disciplines in the Russian Federation as of April, 2016. The publication is addressed to theatre professionals, bodies managing culture institutions of all levels, students and lecturers of theatre educational institutions. In Russian and English. All rights reserved. No part of the publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher. The publisher is very thankful to all the festival managers who are being in constant contact with Theatre Union of Russia and who continuously provide updated information about their festivals for publication in electronic and printed versions of this Guide. The publisher is particularly grateful for the invaluable collaboration efforts of Sergey Shternin of Theatre Information Technologies Centre, St. Petersburg, Ekaterina Gaeva of S.I.-ART (Theatrical Russia Directory), Moscow, Dmitry Rodionov of Scena (The Stage) Magazine and A.A.Bakhrushin State Central Theatre Museum. 3 editors' notes We are glad to introduce you to the third edition of the Russian Theatre Festival Guide. -
January 2006
RUSSIAN THEATRE LIFE IN BRIEF _________________________ Newsletter of the Theatre Union of the Russian Federation (STD) Address: STD, 10, Strastnoy blvd, Moscow 107031, Russia Tel: + 7 (495) 200 1546 / 229 3894, Fax: + 7 (495) 230 2258 E-mail: [email protected] Web: www.stdrf.ru ___________________________________________________________________________ #2 (January, 2006) IN THIS ISSUE: AT THE THEATRE UNION OF RUSSIA The 2nd National theatre forum Theatre. Times of Change (Feb.27-28, 2006, Moscow) THEATRE FESTIVALS IN RUSSIA. A BRIEF DOSSIER Baltic House, International Theatre Festival (St.Petersburg) Tchir Tchayan (Spirit of the Earth), International Ethno-Ecological Puppet Festival (Abakan, Republic of Khakassia) RUSSIAN HIGHER THEATRE SCHOOLS Russian Academy of Theatre Arts (GITIS) Moscow Art Theatre School Boris Shchukin Theatre Institute Mikhail Shchepkin Higher Theatre College St-Petersburg State Theatre Arts Academy Ekaterinburg State Theatre Institute Yaroslavl State Theatre Institute ONE-LINE NEWS AT THE THEATRE UNION OF RUSSIA The 2nd National Theatre Forum Theatre. Times of Change (Feb.27-28, 2006, Moscow) The 2nd National Theatre Forum will be held February 27-28, 2006 on the initiative of the Theatre Union of Russia. Representatives of theatres from all the country’s regions will attend. To a large degree the calling of such a large-scale forum is accounted for by the coming changes in the cultural field and in the activities of state-funded institutions. As it is known, an overwhelming number of Russian theatres (especially in different regions) are state-owned or municipal institutions that are supported by the government. Even though they have never been funded sufficiently, these theatres could nevertheless count on certain guarantees that allowed them to keep a permanent troupe, production shops, service personnel and buildings, which were put under their governance. -
Valentina Serebrennikova
VALENTINA SEREBRENNIKOVA [email protected] www.vstheatredesign.com +61 403 602 684 Production Designer, Art Director, Costume Designer and Art Department all-rounder, working across theatre, film and television. Skills and Experience Extensive experience as professional stage and costume designer creating design for over 30 theatre productions. Experience as a production and costume designer for film. Collaborated with State Academic Repertoire theatres as well as independent contemporary theatre companies in Europe, Russia, Australia and New Zealand. Extensive Research skills / Sourcing of props and dressings skills. Very confident Hand drawing / Digital drawing / Scenic painting skills. Solid Computer skills (Office, Adobe products including Photoshop and Illustrator). Advanced Prop making / Sculpture / Costume making / Sewing skills. Education 2017 - 2018 Master of Production Design for Screen, Victorian College of Art, University of Melbourne, Australia 2005 – 2010 Bachelor of Theatre (Stage Design) Department of stage design and theatre technology, Saint Petersburg State Theatre Arts Academy, Russia 2003 – 2005 Bachelor of Costume design Saint Petersburg State University of Technology and Design, Russia 1999 – 2003 Diplomas in Stage design (Scenic painting, Fine Art) Art College, Krasnoyarsk, Russia Awards and Acknowledgements Curator and author of solo set-costume design exhibition “The History of Disease” at Melbourne Fringe Festival 2015, with participation LaMama Theatre and Metanoa Theatre, Melbourne, Australia. 2013 – The ‘Golden Mask’ award ‘Best Show in small forms’. Curator and member of the Russian school of scenography exposition at the international festival of scenography ‘PQ-2011 Prague’. From 2005 Permanent member of Saint Petersburg Union of Artists, section of stage and screen and participant of its exhibitions and in professional forums. -
The American Career of Maria Ouspenskaya (1887-1949): Actress and Teacher
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 The American Career of Maria Ouspenskaya (1887-1949): Actress and Teacher. Pamela Sue Heilman Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Heilman, Pamela Sue, "The American Career of Maria Ouspenskaya (1887-1949): Actress and Teacher." (1999). LSU Historical Dissertations and Theses. 6890. https://digitalcommons.lsu.edu/gradschool_disstheses/6890 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
History on Stage in Imperial Russia by Irina
PERFORMING THE NATIONAL PAST: HISTORY ON STAGE IN IMPERIAL RUSSIA BY IRINA SERGEYEVNA AVKHIMOVICH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Doctoral Committee: Associate Professor Valeria Sobol, Chair Associate Professor David L. Cooper Professor Michael Finke Associate Professor Valleri Robinson ABSTRACT This dissertation closely examines 18th- and 19th-century Russian historical dramas set in the Time of Troubles, which was the era of dynastic crisis and the first civil war in Russian history during 1598- 1613. The project demonstrates that this subgenre was essential for the development of modern theatre in Russia and for articulating vital concerns about Russian national identity. Historical drama became the first type of plays developed by the earliest modern Russian playwrights and stimulated the emergence of original stage practices. I discuss several plays that contributed significantly to the national discourse and stage history, written by the following major and minor authors: Alexander Sumarokov, Alexander Pushkin, Matvei Kriukovskii, Nestor Kukol’nik, Aleksey Khomiakov, Mikhail Pogodin, Nikolai Chaev, Alexander Ostrovsky, and Aleksey K. Tolstoy. I demonstrate that, from its beginning, modern Russian theatre was not an imitative art form but, rather, an amalgamation of various foreign influences and older Russian folk performances. I discuss articles and dramas that display proto-nationalist ideas as early as in the 1790s and 1800s, a few decades before the commonly known Romantic debates on the nation, national literature, and “narodnost’.” I also explore how the historical theatre of the 1860s becomes the experimental grounds where the concept of “historical truth” (historical accuracy) is put into practice. -
Performing Community 2 : Short Essays on Community, Diversity, Inclusion, and the Performing Arts
Performing Community 2 : Short Essays on Community, Diversity, Inclusion, and the Performing Arts By Blair Ruble Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, DC 20004-3027 www.wilsoncenter.org ISBN: 978-1-938027-59-8 October 2016 SHORT ESSAYS ON COMMUNITY, DIVERSITY, INCLUSION, AND THE PERFORMING ARTS l III l THE WILSON CENTER, chartered by Congress as the official memorial to President Woodrow Wilson, is the nation’s key nonpartisan policy forum for tackling global issues through independent research and open dialogue to inform actionable ideas for Congress, the Administration, and the broader policy community. Conclusions or opinions expressed in Center publications and programs are those of the authors and speakers and do not necessarily reflect the views of the Center staff, fellows, trustees, advisory groups, or any individuals or organizations that provide financial support to the Center. Please visit us online at www.wilsoncenter.org. Jane Harman, Director, President, and CEO BOARD OF TRUSTEES Thomas R. Nides, Chair Public members: William D. Adams, Chairman of the National Endowment for the Humanities, Sylvia Mathews Burwell, Secretary of Health and Human Services; David Ferriero, Archivist of the United States; Carla D. Hayden, Librarian of Congress; John F. Kerry, Secretary of State; John B. King Jr., Acting Secretary of Education; David J. Skorton, Secretary of the Smithsonian Institution. Designated appointee of the president from within the federal government: Fred P. Hochberg, Chairman and President, Export-Import Bank of the United States Private Citizen Members: Peter J. Beshar, John T. Casteen III, Thelma Duggin, Lt.