Enuma Elish and Genesis Enuma Elish
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1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
The Epic of Gilgamesh: Tablet XI
Electronic Reserves Coversheet Copyright Notice The work from which this copy was made may be protected by Copyright Law (Title 17 U.S. Code http://www4.law.cornell.edu/uscode/17/) The copyright notice page may, or may not, be included with this request. If it is not included, please use the following guidelines and refer to the U.S. Code for questions: Use of this material may be allowed if one or more of these conditions have been met: • With permission from the rights holder. • If the use is “Fair Use.” • If the Copyright on the work has expired. • If it falls within another exemption. **The USER of this is responsible for determining lawful uses** Montana State University Billings Library 1500 University Drive Billings, MT 59101-0298 (406) 657-1687 The Epic of Gilgamesh: Tablet XI The Story of the Flood Tell me, how is it that you stand in the Assembly of the Gods, and have found life!" Utanapishtim spoke to Gilgamesh, saying: "I will reveal to you, Gilgamesh, a thing that is hidden, a secret of the gods I will tell you! Shuruppak, a city that you surely know, situated on the banks of the Euphrates, that city was very old, and there were gods inside it. The hearts of the Great Gods moved them to inflict the Flood. Ea, the Clever Prince(?), was under oath with them so he repeated their talk to the reed house: 'Reed house, reed house! Wall, wall! O man of Shuruppak, son of Ubartutu: Tear down the house and build a boat! Abandon wealth and seek living beings! Spurn possessions and keep alive living beings! Make all living beings go up into the boat. -
®Ht Telict11ria Jnstitut~
JOURNAL OF THE TRANSACTIONS OF ®ht telict11ria Jnstitut~, on, Jgifosopgital Sodd~ of ~nat Jrifain. EDITED BY THE HONORARY SECHETARY, CAPTAIN F. W. H. PETRIE, F.G.S., &c. VOL. XXVIII. UON DON~: (Jluuli~clr b!! tbc :IEnstitutr, 8, \!llt'lpl)i et:crracr, ~baring ~rtrss, §".~.) INDIA: w. THACKER & Co. UNITED STATES: G. T. PUTN.AM'S SONS, JS. r. AUSTRALIA AND NEW ZEALAND: G. ROBERTSON & Co. Lrn. CAN.ADA: DAWSON BROS., Montreal. S . .AFRICA: JUTA & Co., Cape 1'own. PARIS: GALIGNANI. 1896. ALL RIG H T S RES E 11, Y ED, JOURNAL OF THE TRANSACTIONS OF THB VICTORIA INSTITUTE, OR PHILOSOPHICAL SOCIETY OF GREAT BRITAIN --+- ORDINARY MEETING.* PROFESSOR E. HULL, LL.D., F.R.S., IN THE CHAIR. The Minutes of the last Meeting were read and confirmed, and the following paper was read by the author :- THE RELIGIOUS IDEAS OF THE BABYLONIANS.t ~ By THEO. G. PINCHES. HE most extensive work upon the religion of the T Babylonians is Prof. Sayce's book, which forms the volume of the Hibbert Lectures for 1887 ; a voluminous work; and a monument of brilliant research. The learned author there quotes all the legends, from every source, connected .with Babylonian religion and mythology, and this book will always be indispensable to the student in that branch of Assyriology. I do not intend, however, to traverse the ground covered by Prof. Sayce, for a single lecture, such as this is, would be altogether inadequate for the purpose. I shall merely confine myself, therefore, to the points which have not been touched upon by others in this field, and I hope that I may be able to bring fot·ward something that may interest my audience and my readers. -
Namzitara FS Kilmer
Offprint from STRINGS AND THREADS A Celebration of the Work of Anne Draffkorn Kilmer Edited by WOLFGANG HEIMPEL and GABRIELLA FRANTZ - SZABÓ Winona Lake, Indiana EISENBRAUNS 2011 © 2011 by Eisenbrauns Inc. All rights reserved Printed in the United States of America www.eisenbrauns.com Drawing on the cover and beneath the title on p. iii by Cornelia Wolff, Munich, after C. L. Wooley, Ur Excavations 2 (1934), 105. Library of Congress Cataloging-in-Publication Data Strings and threads : a celebration of the work of Anne Draffkorn Kilmer / edited by Wolfgang Heimpel and Gabriella Frantz-Szabó. p. cm. Includes bibliographical references and index. ISBN 978-1-57506-227-3 (hardback : alk. paper) 1. Kilmer, Anne Draffkorn. 2. Music—Middle East—History and criticism. 3. Music archaeology— Middle East. I. Kilmer, Anne Draffkorn. II. Heimpel, Wolfgang. III. Frantz-Szabó, Gabriella. ML55.K55S77 2011 780.9—dc22 2011036676 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. †Ê Contents Preface .............................................................. vii Abbreviations ......................................................... ix GUITTY AZARPAY The Imagery of the Manichean ‘Call’ on a Sogdian Funerary Relief from China ................ 1 DOMINIQUE COLLON Chinless Wonders ................................ 19 JERROLD S. COOPER Puns and Prebends: The Tale of Enlil and Namzitara. 39 RICHARD L. CROCKER No Polyphony before A.D. 900! ...................... 45 DANIEL A. FOXVOG Aspects of Name-Giving in Presargonic Lagash ........ 59 JOHN CURTIS FRANKLIN “Sweet Psalmist of Israel”: The Kinnôr and Royal Ideology in the United Monarchy .............. 99 ELLEN HICKMANN Music Archaeology as a Field of Interdisciplinary Research ........................ -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
Eski Anadolu Ve Eski Mezopotamya'da Tanrıça Kültleri
T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİM DALI ESKİÇAĞ TARİHİ BİLİM DALI ESKİ ANADOLU VE ESKİ MEZOPOTAMYA’DA TANRIÇA KÜLTLERİ KADER BAĞDERE YÜKSEK LİSANS TEZİ DANIŞMAN: DOÇ. DR. MUAMMER ULUTÜRK KONYA-2021 T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİM DALI ESKİÇAĞ TARİHİ BİLİM DALI ESKİ ANADOLU VE ESKİ MEZOPOTAMYA’DA TANRIÇA KÜLTLERİ KADER BAĞDERE YÜKSEK LİSANS TEZİ DANIŞMAN: DOÇ. DR. MUAMMER ULUTÜRK KONYA-2021 T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü BİLİMSEL ETİK SAYFASI Adı Soyadı Kader Bağdere Numarası 18810501035 Ana Bilim / Bilim Dalı Tarih/Eskiçağ Programı Tezli Yüksek Lisans X Doktora Öğrencinin Tezin Adı Eski Anadolu ve Eski Mezopotamya’da Tanrıça Kültleri Bu tezin hazırlanmasında bilimsel etiğe ve akademik kurallara özenle riayet edildiğini, tez içindeki bütün bilgilerin etik davranış ve akademik kurallar çerçevesinde elde edilerek sunulduğunu, ayrıca tez yazım kurallarına uygun olarak hazırlanan bu çalışmada başkalarının eserlerinden yararlanılması durumunda bilimsel kurallara uygun olarak atıf yapıldığını bildiririm. Öğrencinin Adı Soyadı İmzası i T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü ÖZET Adı Soyadı Kader Bağdere Numarası 18810501035 Tarih/Eskiçağ Tarihi Ana Bilim / Bilim Dalı Tezli Yüksek Lisans X Programı Doktora Öğrencinin Tez Danışmanı Doç. Dr. Muammer Ulutürk Eski Anadolu ve Eski Mezopotamya’da Tanrıça Kültleri Tezin Adı Anadolu ve Mezopotamya yüzyıllar boyunca pek çok medeniyete ev sahipliği yapmıştır. Bu topraklar üzerinde birçok kavim doğmuş, varlığını sürdürmüş ve yok olmuştur. Bu bölgeler çok uluslu bir yapıya sahiptir. Çok uluslu olması, dinin de çok tanrılı olmasına neden olmuştur. Hem Anadolu’da hem Mezopotamya’da birçok tanrıça inanışı oluşmuştur. Anadolu’nun en mühim tanrıçası Kibele’dir. -
The Fifty Names of Marduk.Pdf
The Fifty names of Marduk What we find in the list of the names of Marduk, head of the Mesopotamian divine pantheon, as listed in the Enuma Elish (‘When on High’), is the name of each aspect of Marduk followed by a short description of the powers and properties which each name represents. Taken together, these descriptions of the aspects of Marduk provide a catalogue of divine qualities, and consequently, since the duty of the Mesopotamian king is to emulate the qualities of the gods, also provide a catalogue of the qualities required in the king. It isn't necessary to review all of the names for the purpose of this study - the first ten are reviewed, plus some later names in the list, and the colophon. The translation of the text is by E.A Speiser, from his: Enuma Elish, The Fifty Names of Marduk, (Tablet VIb – VII). What I'm interested in here is the underlying rationale for this collection of names, properties and attributes. It is well known that the divine pantheon in Mesopotamia was subject to local politics and changes in rulership and cultural hegemony, and I am not challenging that at all. However it was possible for properties and attributes to be reassigned, and transferred to other deities. And they were so reassigned. I'm interested in the properties and attributes of Marduk as they appear in the Enuma Elish, and what can be understood of the process by which the list was generated. Samuel Noah Kramer commented, with some puzzlement, on a Sumerian list of disparate things which were white, which I referred to earlier. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon
Journal of Book of Mormon Studies Volume 10 Number 2 Article 8 7-31-2001 Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon Andrew C. Skinner Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Skinner, Andrew C. (2001) "Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon," Journal of Book of Mormon Studies: Vol. 10 : No. 2 , Article 8. Available at: https://scholarsarchive.byu.edu/jbms/vol10/iss2/8 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon Author(s) Andrew C. Skinner Reference Journal of Book of Mormon Studies 10/2 (2001): 42–55, 70–71. ISSN 1065-9366 (print), 2168-3158 (online) Abstract The serpent is often used to represent one of two things: Christ or Satan. This article synthesizes evi- dence from Egypt, Mesopotamia, Phoenicia, Greece, and Jerusalem to explain the reason for this duality. Many scholars suggest that the symbol of the serpent was used anciently to represent Jesus Christ but that Satan distorted the symbol, thereby creating this para- dox. The dual nature of the serpent is incorporated into the Old Testament, the New Testament, and the Book of Mormon. erpent ymbols & SSalvation in the ancient near east and the book of mormon andrew c. -
Mesopotamian Mythology
MESOPOTAMIAN MYTHOLOGY The myths, epics, hymns, lamentations, penitential psalms, incantations, wisdom literature, and handbooks dealing with rituals and omens of ancient Mesopotamian. The literature that has survived from Mesopotamian was written primarily on stone or clay tablets. The production and preservation of written documents were the responsibility of scribes who were associated with the temples and the palace. A sharp distinction cannot be made between religious and secular writings. The function of the temple as a food redistribution center meant that even seemingly secular shipping receipts had a religious aspect. In a similar manner, laws were perceived as given by the gods. Accounts of the victories of the kings often were associated with the favor of the gods and written in praise of the gods. The gods were also involved in the established and enforcement of treaties between political powers of the day. A large group of texts related to the interpretations of omens has survived. Because it was felt that the will of the gods could be known through the signs that the gods revealed, care was taken to collect ominous signs and the events which they preached. If the signs were carefully observed, negative future events could be prevented by the performance of appropriate apotropaic rituals. Among the more prominent of the Texts are the shumma izbu texts (“if a fetus…”) which observe the birth of malformed young of both animals and humans. Later a similar series of texts observed the physical characteristics of any person. There are also omen observations to guide the physician in the diagnosis and treatment of patients. -
Supernatural Seminar
DIVINE REBELLIONS and their fallout Tradition Disconnection Why is humanity so depraved? Why is the world so wicked? Answer Traditional Christianity Biblical Period •The Fall (Gen 3) • The Fall (Gen 3) • Sons of God (Gen 6:1-4) • Babel (Deut 32:8-9; cp. Psalm 82) Three Rebellions Rebellion Fallout • The Fall (Gen 3) • Death, estranged • Sons of God • Lethal threat; (Gen 6:1-4) demons; depravity • Babel (Deut 32:8-9; • Abandonment; cp. Psalm 82) idolatry; misery GENESIS 3 The original rebel Eden: The Cosmic Mountain • a supernatural rebel, not a mere snake • Genesis 3 isn’t trying to teach us about zoology (or evolution) • Ezekiel 28, Isaiah 14 make this clear • Prompts humanity to rebel • Cp. Rev 12:9; 20:2 The “Fallout” of the First Rebellion • Estrangement from God • Humanity not at home with God; a broken home (chaos) • Death / mortality • The serpent is “cast down” to the Earth / Underworld (ʾerets) • Lord of the Dead (everything dies) The “Fallout” of the First Rebellion The realm of death = • De-creation • Dis-order (chaos) • Anti-Eden • Inhospitable, threatening • Desert wilderness, barrenness, creatures associated with death (cf. Isa 13) • Azazel, Rephaim spirits, etc. GENESIS 6:1-4 (5) Usurping the image, accelerate depravity Genesis 6:1-4 Controversial Passage • Failures of dominant view (“Sethite”) in The Unseen Realm Greatest flaw: • 2 Peter 2:4-5 • Jude 6 Genesis 6:1-4 What did you notice from Peter and Jude? “angels that sinned” “cast them into hell” “chains of gloomy darkness” • Peter drawing on material not in OT, something that actually provides the original context to Gen 6:1-4 Genesis 6:1-4 Peter and Jude are drawing directly on ancient Jewish books like 1 Enoch, Jubilees, and the Book of Giants. -
Mesopotamian Culture
MESOPOTAMIAN CULTURE WORK DONE BY MANUEL D. N. 1ºA MESOPOTAMIAN GODS The Sumerians practiced a polytheistic religion , with anthropomorphic monotheistic and some gods representing forces or presences in the world , as he would later Greek civilization. In their beliefs state that the gods originally created humans so that they serve them servants , but when they were released too , because they thought they could become dominated by their large number . Many stories in Sumerian religion appear homologous to stories in other religions of the Middle East. For example , the biblical account of the creation of man , the culture of The Elamites , and the narrative of the flood and Noah's ark closely resembles the Assyrian stories. The Sumerian gods have distinctly similar representations in Akkadian , Canaanite religions and other cultures . Some of the stories and deities have their Greek parallels , such as the descent of Inanna to the underworld ( Irkalla ) resembles the story of Persephone. COSMOGONY Cosmogony Cosmology sumeria. The universe first appeared when Nammu , formless abyss was opened itself and in an act of self- procreation gave birth to An ( Anu ) ( sky god ) and Ki ( goddess of the Earth ), commonly referred to as Ninhursag . Binding of Anu (An) and Ki produced Enlil , Mr. Wind , who eventually became the leader of the gods. Then Enlil was banished from Dilmun (the home of the gods) because of the violation of Ninlil , of which he had a son , Sin ( moon god ) , also known as Nanna . No Ningal and gave birth to Inanna ( goddess of love and war ) and Utu or Shamash ( the sun god ) .