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Newsletter Spring/Summer 2014 SODAC COMMITTEE Spring 2014
African Lion candy box designed by Robert Minkin and pro- duced by Wedgwood, 1963 © Wedgwood Museum SODAC Newsletter Spring/Summer 2014 SODAC COMMITTEE Spring 2014 Chair Secretary Andrew Renton Caroline Alexander Head of Applied Art Curator of Decorative Arts Amgueddfa Cymru - National Museum Harris Museum Wales Market Square Cathays Park, Preston, PR1 2PP Cardiff, CF10 3NP Tel: 01772 905411 Tel: 029 2057 3297 Email: [email protected] Email: [email protected] Treasurer Website Officer Laura Gray Laura Breen Freelance curator Ceramics Research Centre—UK Email: [email protected] University of Westminster Email: [email protected] Membership Secretary Events Organiser Rachel Conroy Alyson Pollard Curator of Applied Art Curator of Metalwork and Glass Amgueddfa Cymru - National Museum Walker Art Gallery Wales Liverpool Museums Cathays Park, 127, Dale Street Cardiff, CF10 3NP Liverpool, L2 2JH Tel: 029 2057 3383 Tel: 0151 478 4263 Email: [email protected] Email: [email protected] Newsletter Editor Committee Members Kirsty Hartsiotis Ruth Shrigley Curator of Decorative Arts & Designated Collections Manchester Art Gallery The Wilson Cheltenham Art Gallery & Museum Clarence Street Jean Vacher Cheltenham, GL50 3JT Crafts Study Centre Tel: 01242 775712 Email: [email protected] Celebrating gold boxes p. 6 Sarcophagus Cabinet, 1772, CF6 © © CF6 1772, Cabinet, Sarcophagus Plymouth City Council (Arts & Heritage Service) & Heritage Council (Arts City Plymouth The current Treasurer is standing down from their role on the SODAC committee. If you are interested in applying, please first contact the outgoing member for an informal discussion of the responsibilities of the role: Laura Gray [email protected] If you would like to apply, please then send an expres- sion of interest to the Chair, Andrew Renton ([email protected]) by 5pm on Friday 4 May. -
Focus-18-Nov-Dec-2014.Pdf
BLYTHBURGH FOCUS SERVING BLYTHBURGH, BULCAMP AND HINTON Issue No.18 http://blythburgh.onesuffolk.net November/December 2014 Council wins battle for flashing speed signs Blythburgh Parish Council has finally won its parish council has to be agreed with Suffolk nearly eight-year battle for flashing speed County Council before the system can be warning signs on the A12 and Dunwich Road. installed. Once formal agreement with the Following discussions with Suffolk County county council is reached, the sign can be Council and manufacturers of the signs, the ordered with a likely delivery of time of four to council has agreed to purchase one sign and five weeks. supporting equipment at a cost of £3,035, which The Parish Council is also keen to install will be moved around three sites in the village. prominent gateway signs for the A12 and possibly the B1125. The sites are at each of the A12 entries to the village and one as near as possible to the The estimated cost of providing gateways and southern entry into Dunwich Road. Suffolk new signs is approximately £2400 per pair of County Council will install three posts at a cost large oak gateways for supply and construction of £150 each at sites already agreed between plus a total of approximately £3000 for the parish council and Suffolk County Council’s investigation, design and safety checks regardless highways department. Financing for the system of the quantity. The total cost of two gateways was agreed at the November meeting of the on the A12 would be approximately £7,800 or parish council. -
Feb 2 7 2004 Libraries Rotch
Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joso Magalhses Rocha Licenciatura in Architecture FAUTL, Lisbon (1992) M.Sc. in Advanced Architectural Design The Graduate School of Architecture Planning and Preservation Columbia University, New York. USA (1995) Submitted to the Department of Architecture, in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation at the MASSACHUSETTS INSTITUTE MASSACHUSETTS INSTITUTE OF TECHNOLOGY OF TECHNOLOGY February 2004 FEB 2 7 2004 @2004 Altino Joso Magalhaes Rocha All rights reserved LIBRARIES The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author......... Department of Architecture January 9, 2004 Ce rtifie d by ........................................ .... .... ..... ... William J. Mitchell Professor of Architecture ana Media Arts and Sciences Thesis Supervisor 0% A A Accepted by................................... .Stanford Anderson Chairman, Departmental Committee on Graduate Students Head, Department of Architecture ROTCH Doctoral Committee William J. Mitchell Professor of Architecture and Media Arts and Sciences George Stiny Professor of Design and Computation Michael Hays Eliot Noyes Professor of Architectural Theory at the Harvard University Graduate School of Design Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joao de Magalhaes Rocha Submitted to the Department of Architecture on January 9, 2004 in Partial Fulfilment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation Abstract This thesis attempts to clarify the need for an appreciation of architecture theory within a computational architectural domain. It reveals and reflects upon some of the cultural, historical and technological contexts that influenced the emergence of a computational practice in architecture. -
Lawn Road Flats (The Isokon) Ing and Meal Deliveries from a Staff Kitchen Sent up by a Dumb Waiter in the Core of the — a New Vision of Urban Living Building
DOCUMENTATION ISSUES Lawn Road Flats (The Isokon) ing and meal deliveries from a staff kitchen sent up by a dumb waiter in the core of the — A New Vision of Urban Living building. Wells Coates’ parallel interest in boat building and product design is evident in the intricate fitting out of the interiors, BY JOHN ALLAN which aimed to cater for young professionals with a mobile lifestyle. The studio units are So much of modern architecture’s early history depended on a handful of courageous pioneers. only 25 m2 in area but include a kitchen, a One of the first Modern Movement buildings in England was the achievement of an unlikely trio dressing room and a bathroom alongside the — a plywood salesman and his psychotherapist wife, and a Canadian part-time journalist turned main living/sleeping space. The importance architect. This article and the accompanying text by Magnus Englund tell the extraordinary story of the dressing room with its built-in storage of the Lawn Road Flats in Hampstead, London – their origins and heyday, the linked program of was particularly stressed as a key factor furniture design, their declining postwar fortunes and ruination, and then their recent and remarkable that distinguished the Isokon units from the rescue and restoration to become a beacon of modern heritage and the epitome of progressive average student bedsitter with clothes and st 21 century urban living. clutter typically strewn over the furniture or crammed into a clumsy wardrobe. The experiment showed that existenzminimum could be elegant as well as economical. Ad- “after all the energy and diversity of the The pioneering Pritchards vance lettings were stimulated by exhibiting Continent, England seemed about 50 years a showflat mock-up in 1933, and the building behind, as though lost in a deep provincial Lawn Road Flats in Hampstead, north London was successfully occupied soon after com- sleep”. -
'A New Order Is Being Created': Domestic Modernism in 1930S Britain
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal ‘A New Order is Being Created’: Domestic Modernism in 1930s Britain Moore, Daniel DOI: 10.3366/mod.2016.0148 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Moore, D 2016, '‘A New Order is Being Created’: Domestic Modernism in 1930s Britain', Modernist Cultures, vol. 11, no. 3, pp. 409-428. https://doi.org/10.3366/mod.2016.0148 Link to publication on Research at Birmingham portal Publisher Rights Statement: Final Version of Record available at: http://dx.doi.org/10.3366/mod.2016.0148. (c) Edinburgh University Press Eligibility for repository: Checked on 10/6/2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Read More About Breuer and Isokon
Marcel Breuer at Isokon The Hungarian-born Marcel Breuer (1902-1981) first studied and then worked at the Bauhaus school in Germany, whose mission was to combine functional design with the principles of fine art. During the late 1920s and early 1930s Breuer designed a range of tubular steel chairs, which he is perhaps best known for, among these was the notable Wassiliy chair. Breuer emigrated to England in 1935 where he then found work with Jack Pritchard of the Iso- kon Company, one of the earliest champions of Modernism in Britain. Pritchard’s wife, Molly Pritchard, was one of the co-founders of the British based architect-design company Isokon (short for Isometric Unit Construction and a reference to Constructivism) founded in 1929. The founders were greatly inspired by Le Corbusier and the Bauhaus and set out to design and build Modernist housing. Their prime project was the Lawn Road Flats in Hampstead, the earliest Modernist buildings in Britain, which later came to be known as the “Isokon Building”. Designed by architect Wells Coates and completed in 1934 the Isokon Building was seen as a very bold and liberal-minded project amongst the otherwise quite conservative British. The residents of the building were a group of just as progressive writers, bohemians, artists, archi- tects and intellectuals such as the Pritchards, Marcel Breuer, Walter Gropius a.o. As a constant promotor of Modernism, the entrepreneurial Pritchard subsequently founded the Isokon Furniture Company in 1935 which grew out of the principles of the Isokon Com- pany and became one of the most progressive British furniture manufacturers of the 1930s. -
Isokon Furniture – Modernist Dreams in Plywood
DOCUMENTATION ISSUES Isokon Furniture – Modernist Dreams and later went on to employ Philip Mor- ton-Shand’s fourth wife Sybil Mary Sissons as in Plywood his private secretary. Jack Pritchard and Wells Coates had formed a joint company in the early 1930s, BY MAGNUS ENGLUND first called Wells Coates & Partners but later named the Isokon Furniture Company. The The Isokon Furniture Company was never commercially successful, yet its legacy has stubbornly re- name was Wells Coates’ idea and was short fused to die and disappear. Even today, this radical collection of plywood furniture is manufactured for Isometric Construction. By replacing and used. The main reason is of course the names associated with it: Jack Pritchard, Wells Coates, the C with a K, it also alluded to Russian Marcel Breuer, Walter Gropius, László Moholy-Nagy and – more recently – Edward Barber & Jay Constructivism. The first products were Osgerby. The genius little Isokon Penguin Donkey, first designed by the Austrian émigré architect basic desks and shelving by Wells Coates, as Egon Riss in 1939 and marketed by publisher Allen Lane’s then new imprint Penguin Books, is partic- well as a stool made and designed at A. M. ularly popular with younger generations of design students. Luther but sold under the Isokon name. Wells Coates was not new to furniture design; he had already made tubular steel furniture for Jack Pritchard (1899-1992) was an upper Architectural Review. Philip Morton-Shand PEL, a British company inspired by Thonet middle-class Brit whose father had briefly later went to visit the Stockholm Exhibition in Germany and its designs by Marcel Breuer been the Mayor of the London suburb of of 1930, where he met the Finnish architect (1902-1981) and Mart Stam (1899-1986). -
Grdm Friends Newsletter 14
View this email in your browser GRDM FRIENDS NEWSLETTER 14 Contents Recent Trip and Talks 2020 Diary Forthcoming Talks and Trips And finally RECENT TRIPS Twenty Friends made the long journey to Hampshire on Wednesday 18th September, 2019 to visit the Barnsley Workshops and Bedales School. Blessed with excellent weather we had a very informative and interesting visit. A guided tour of the Workshops provided us with the story of furniture making - from the purchase and maturing of the wood through the making process to the finished [and expensive] product. After lunch at the Pub with no Name we made our way to Bedales where we saw [in particular] the Memorial Library designed by Ernest Gimson and built by Lupton and Edward Barnsley. RECENT TALKS On Wednesday 25th September, 2019 around 40 Friends heard an entertaining talk by Naomi Games in the Edinburgh Room at the Lygon Arms. Her father, Abram Games, was the only official WWII poster artist and, although his work is interesting in itself, it was the personal recollections and anecdotes about her father which enabled us to see the man behind the famous posters. On Friday 1st November, 2019 about 30 Friends heard Joseph Bray talk about his recent Churchill Fellowship which he spent in the USA and Northern Europe investigating the future of craft furniture making. The audience demonstrated a lively interest in the subject and Joseph was a knowledgeable and engaging speaker. The Friends donated £100 to the Sylva Foundation where Jospeh now works as thanks for this talk. I remind Friends that after each talk the Speaker is invited to join me and a few Friends for supper at the Lygon Bar and Grill or in the Lygon Wine bar. -
Architecture of Edwin Maxwell Fry and Jane Drew Ashgate Studies in Architecture Series
THE ARCHITECTURE OF EDWIN MAXWELL FRY AND JANE DREW Ashgate Studies in Architecture Series SERIES EDITOR: EAMONN CANNIFFE, MANCHESTER SCHOOL OF ARCHITECTURE, MANCHESTER METROPOLITAN UNIVERSITY, UK The discipline of Architecture is undergoing subtle transformation as design awareness permeates our visually dominated culture. Technological change, the search for sustainability and debates around the value of place and meaning of the architectural gesture are aspects which will affect the cities we inhabit. This series seeks to address such topics, both theoretically and in practice, through the publication of high quality original research, written and visual. Other titles in this series The Architectural Capriccio Memory, Fantasy and Invention Lucien Steil ISBN 978 1 4094 3191 6 The Architecture of Pleasure British Amusement Parks 1900–1939 Josephine Kane ISBN 978 1 4094 1074 4 No Matter: Theories and Practices of the Ephemeral in Architecture Anastasia Karandinou ISBN 978 1 4094 6628 4 The Challenge of Emulation in Art and Architecture Between Imitation and Invention David Mayernik ISBN 978 1 4094 5767 1 Building Transatlantic Italy Architectural Dialogues with Postwar America Paolo Scrivano ISBN 978 1 4724 1483 0 Forthcoming titles in this series The Architecture of Edwin Maxwell Fry and Jane Drew Twentieth Century Architecture, Pioneer Modernism and the Tropics Iain Jackson and Jessica Holland ISBN 978 1 4094 5198 3 The Architecture of Edwin Maxwell Fry and Jane Drew Twentieth Century Architecture, Pioneer Modernism and the Tropics Iain Jackson Liverpool School of Architecture, University of Liverpool Jessica Holland Liverpool School of Architecture, University of Liverpool © Iain Jackson and Jessica Holland 2014 All rights reserved. -
6. Into Exile: with Gropius and Wachsmann to the New World
MIT Press Open Architecture and Urban Studies 6. Into Exile: With Gropius and Wachsmann to the New World Walter Gropius, Konrad Wachsmann Published on: Apr 23, 2021 License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC-BY-NC-ND 4.0) MIT Press Open Architecture and Urban Studies 6. Into Exile: With Gropius and Wachsmann to the New World National Socialism and the Exodus of Talent Upon the assumption of power by the National Socialists in Germany in 1933, there followed an event unprecedented in the history of modern civilization, an event whose ultimate dimensions of personal tragedy have tended to overshadow and obscure its enormous cultural import in all fields of creative human endeavor, and not least in architecture. We are talking of the exodus, voluntary or enforced, of the cream of German intellectual and creative talent, its widespread dispersion throughout the world, and the cultural dislocation and the cultural crossfertilization inherent in this dispersion, in what Sibyl Moholy-Nagy wryly called “the Diaspora”—a term normally applied to the exile of the Jews, but which she here chose to give the wider connotation of the “scattering of the faithful.”1 The cruel weight of Nazi policy and practice fell first, and most heavily, upon the Jews. By 1933 the first measures had been taken “to foster Jewish emigration from Germany and Austria,” which by 1941 were to result in more than half a million leaving.2 Some of these “measures” were cooperative, if not disinterested, as we have seen in the case of the Palestine prefabs; others were of a more coercive and increasingly brutal nature. -
What Tuberculosis Did for Modernism: the Influence of a Curative Environment on Modernist Design and Architecture
Medical History, 2005, 49: 463–488 What Tuberculosis did for Modernism: The Influence of a Curative Environment on Modernist Design and Architecture MARGARET CAMPBELL* Introduction From the mid-nineteenth to the mid-twentieth century, specialist institutions such as sanatoria and asylums were established. In these, patients could be separated and isolated from the community and provided with the control and management of specific medical conditions such as tuberculosis and lunacy. At the start of this period, tuberculosis was a disease closely associated with the rapid growth of industrialization and a poorly nourished urban working class who lived in insalubrious, overcrowded conditions. By the early twentieth century, despite attempts by reforming socialist orga- nizations such as the Garden City movement in England or the Life Reform movement in Germany to introduce healthier housing, these conditions had changed little. As the disease was more prevalent in younger men and women of working age, the financial drain on the European economy was considerable.1 By this time, research and treatment of the disease had coincided with the advent of modernism. This was a cultural movement that in architecture and applied design involved the integration of form with social purpose. It also attempted to create a new classless and hygienic lifestyle with socialist values. In the 1950s, when the scourge and stigma associated with tuberculosis were still prevalent throughout the developed world, the introduction of the triple-drug therapy meant that the long-held apprehensions would soon be forgotten. The emergence of a multi-dependent, drug resistant form of the disease that is also linked with HIV/ AIDS has stimulated press by-lines such as ‘‘The shadow of the sanatorium looms again’’ or those that describe tuberculosis as ‘‘the white plague’’. -
Buyer's Guide: Isokon
The closest British design came to Bauhaus was arguably in the furniture produced by Isokon in the 1930s. We asked Magnus Englund, Isokon furniture collector and Managing Director of contemporary design retailer Skandium (skandium.com), to share his advice on buying vintage Isokon. Buyer’s Guide Isokon furniture 36 MidCentury|Summer/Autumn 2014 MidCentury|Summer/Autumn 2014 37 What characteristics define the Isokon Many of these designs are still manufactured aesthetic? today, by British company Isokon Plus. While most Isokon furniture was designed during the 1930s, it has a timeless look that points Over what time period were classic pieces forward to US and Scandinavian 1950s ply like the Donkey and the Long Chair furniture. The start of Isokon came about because manufactured? of its founder Jack Pritchard’s work for the The first Penguin Donkey was introduced in British company Venesta, a sister company of 1939 and was only made for a brief period of time, the Estonian plywood manufacturer Luther. because war cut off the supply of plywood from Plywood is therefore the material of choice for Estonia. This makes 1930s-made ‘Donkeys’ very all Isokon furniture. Alvar Aalto’s plywood rare indeed. The Long Chair and Short Chair, furniture designs from the 1930s certainly had and the Nesting Tables and Dining Table, an influence, which is hardly surprising as Aalto were introduced earlier and were therefore in furniture was widely sold in Britain through production for longer, but were never made in Finmar at the time. large quantities. In the 1960s John Allan took up production of the Long Chair and Nesting Which designers have worked for Isokon? Tables again, this time in Britain.