Connecticut College Alumnae News Vol. 9 No. 4
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Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
Justice Crucified* a Synopsis, Chronology, and Selective Bibliography of the Sacco and Vanzetti Case
Differentia: Review of Italian Thought Number 8 Combined Issue 8-9 Spring/Autumn Article 21 1999 Remember! Justice Crucified: A Synopsis, Chronology, and Selective Bibliography Gil Fagiani Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Fagiani, Gil (1999) "Remember! Justice Crucified: A Synopsis, Chronology, and Selective Bibliography," Differentia: Review of Italian Thought: Vol. 8 , Article 21. Available at: https://commons.library.stonybrook.edu/differentia/vol8/iss1/21 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. Remember! Justice Crucified* A Synopsis, Chronology, and Selective Bibliography of the Sacco and Vanzetti Case Gil Fagiani ____ _ The Enduring Legacy of the Sacco and Vanzetti Case Two Italian immigrants, Nicola Sacco and Bartolomeo Vanzetti, became celebrated martyrs in the struggle for social justice and politi cal freedom for millions of Italian Americans and progressive-minded people throughout the world. Having fallen into a police trap on May 5, 1920, they eventually were indicted on charges of participating in a payroll robbery in South Braintree, Massachusetts in which a paymas ter and his guard were killed. After an unprecedented international campaign, they were executed in Boston on August 27, 1927. Intense interest in the case stemmed from a belief that Sacco and Vanzetti had not been convicted on the evidence but because they were Italian working-class immigrants who espoused a militant anarchist creed. -
Ernest Elliott
THE RECORDINGS OF ERNEST ELLIOTT An Annotated Tentative Name - Discography ELLIOTT, ‘Sticky’ Ernest: Born Booneville, Missouri, February 1893. Worked with Hank Duncan´s Band in Detroit (1919), moved to New York, worked with Johnny Dunn (1921), etc. Various recordings in the 1920s, including two sessions with Bessie Smith. With Cliff Jackson´s Trio at the Cabin Club, Astoria, New York (1940), with Sammy Stewart´s Band at Joyce´s Manor, New York (1944), in Willie ‘The Lion’ Smith´s Band (1947). Has retired from music, but continues to live in New York.” (J. Chilton, Who´s Who of Jazz) STYLISTICS Ernest Elliott seems to be a relict out of archaic jazz times. But he did not spend these early years in New Orleans or touring the South, but he became known playing in Detroit, changing over to New York in the very early 1920s. Thus, his stylistic background is completely different from all those New Orleans players, and has to be estimated in a different way. Bushell in his book “Jazz from the Beginning” says about him: “Those guys had a style of clarinet playing that´s been forgotten. Ernest Elliott had it, Jimmy O´Bryant had it, and Johnny Dodds had it.” TONE Elliott owns a strong, rather sharp, tone on the clarinet. There are instances where I feel tempted to hear Bechet-like qualities in his playing, probably mainly because of the tone. This quality might have caused Clarence Williams to use Elliott when Bechet was not available? He does not hit his notes head-on, but he approaches them with a fast upward slur or smear, and even finishes them mostly with a little downward slur/smear, making his notes to sound sour. -
March 2019 Network Newsletter
ICDF Networks March 2019 Men in Dance I am a man. I dance. I am a man who dances, and I stand before God. From ‘MANifesto’ - Andy Raine One of the great things about working with dance is that it reaches across so many barriers, and impacts us in ways we haven’t learnt to protect ourselves from. The toughest guy can weep when a sudden gesture opens his heart. A dance can arrest someone so they forget which direction they’d been walking. We can include and connect, give voice to another person’s pain, can address difficult issues with compassion and insight, all without saying a word. As artists, as guys who dance, teach or choreograph, or even just as men, we need to be authentic and to have integrity. That’s what we encourage each other to be and to do: so we’re comfortable in our skin, live well in our body and dare to participate in the worlds we inhabit. That may mean stepping outside the narrow parameters of inherited prejudices, inhibition or hostility. A person is someone to meet, not a problem to label, address and solve! Let’s create safe spaces for meeting and learning from each other. For info: To connect with Andy Raine email ... [email protected] Network Page on ICDF website ... http://icdf.com/en/networks/men-dance Page 1 The Voice Behind The Voice - by Andy Raine I'm putting a few paragraphs down here about a general approach that affects the way we learn, the way we interact with other people and the ways in which we expect God to intervene. -
The Universite of Oklahoma Graduate College M
THE UNIVERSITE OF OKLAHOMA GRADUATE COLLEGE M ANALYSIS OF JOHN DOS PASSOS’ U.S.A. A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHE BE F. UILLIAIl NELSON Norman, Oklahoma 1957 All ANALÏSIS OF JOHN DOS PASSOS' U.S.A. APPROVED 3Ï ijl^4 DISSERTATION COmTTEE TABLE OF CONTENTS Chapter Page I. THE CRITICS....................................... 1 II. THE CAST .......................................... III. CLOSE-UP .......................................... ho IV. DOCUMENTARY ....................................... 63 V. MONTAGE........................................... 91 VI. CROSS-CUTTING ...................................... Il4 VII. SPECIAL EFFECTS .................................... 13o VIII. WIDE ANGLE LENS .................................... l66 IX. CRITIQUE .......................................... 185 APPENDK ................................................. 194 BIBLIOGRAPHY ............................................. 245 111 ACKNOWLEDGEI'IENT Mjr thanks are due all those members of the Graduate Faculty of the Department of English who, knowingly and unknowingly, had a part in this work. My especial thanks to Professor Victor Elconin for his criticism and continued interest in this dissertation are long overdue. Alf ANALYSIS OF JOHN DOS PASSOS' U.S.A. CHAPTER I THE CRITICS The 42nd Parallel, the first volume of the trilogy, U.S.A., was first published on February 19, 1930- It was followed by 1919 on March 10, 1932, and The Big Money on August 1, 1936. U.S.A., which combines these three novels, was issued on January 27, 1938. There is as yet no full-length critical and biographical study of Dos Passes, although one is now in the process of being edited for publication.^ His work has, however, attracted the notice of the leading reviewers and is discussed in those treatises dealing with the American novel of the twentieth cen tury. -
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A Critical Review of Lisa Mcgirr's the Passion of Sacco and Vanzetti
A Critical Review of Lisa McGirr’s The Passion of Sacco and Vanzetti Written by Sass Rogando Sasot This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. A Critical Review of Lisa McGirr’s The Passion of Sacco and Vanzetti https://www.e-ir.info/2015/04/03/a-critical-review-of-lisa-mcgirrs-the-passion-of-sacco-and-vanzetti/ SASS ROGANDO SASOT, APR 3 2015 The Political Performance of Sacco and Vanzetti: A Critical Review of Lisa McGirr’s The Passion of Sacco and Vanzetti “History knows that it can wait for more evidence and review its older verdict,” says William Stubbs, “it offers an endless series of court of appeal, and is ever ready to re-open closed cases” (qtd. in Southgate 117). That is precisely what Lisa McGirr has done in revisiting the case of Italian anarchists Nicola Sacco and Bartolomeo Vanzetti in The Passion of Sacco and Vanzetti: A Global History . However, for McGirr, re-opening the case does not mean telling the story of Sacco and Vanzetti along the familiar lines of ascertaining their innocence. She takes a different route and a distinctive angle. Employing a transnational approach, McGirr limns the “global nature of the mobilization in support of Sacco and Vanzetti” and the global relevance of the United States, illuminating how the two men emerged from the ashes of obscurity to become a monumental global cause célèbre, haunting the world with their stubborn legacy (McGirr 1086-1087). -
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: . -
Judge Brett M. Kavanaugh: His Jurisprudence and Potential Impact on the Supreme Court
Judge Brett M. Kavanaugh: His Jurisprudence and Potential Impact on the Supreme Court Andrew Nolan, Coordinator Section Research Manager Caitlain Devereaux Lewis, Coordinator Legislative Attorney August 21, 2018 Congressional Research Service 7-5700 www.crs.gov R45293 SUMMARY R45293 Judge Brett M. Kavanaugh: His Jurisprudence August 21, 2018 and Potential Impact on the Supreme Court Andrew Nolan, On July 9, 2018, President Donald J. Trump announced the nomination of Judge Brett M. Coordinator Kavanaugh of the U.S. Court of Appeals for the District of Columbia Circuit (D.C. Circuit) to fill Section Research Manager retiring Justice Anthony M. Kennedy’s seat on the Supreme Court of the United States. [email protected] Nominated to the D.C. Circuit by President George W. Bush, Judge Kavanaugh has served on Caitlain Devereaux Lewis, that court for more than twelve years. In his role as a Circuit Judge, the nominee has authored Coordinator roughly three hundred opinions (including majority opinions, concurrences, and dissents) and Legislative Attorney adjudicated numerous high-profile cases concerning, among other things, the status of wartime [email protected] detainees held by the United States at Guantanamo Bay, Cuba; the constitutionality of the current structure of the Consumer Financial Protection Bureau; the validity of rules issued by the For a copy of the full report, Environmental Protection Agency under the Clean Air Act; and the legality of the Federal please call 7-5700 or visit Communications Commission’s net neutrality rule. Since joining the D.C. Circuit, Judge www.crs.gov. Kavanaugh has also taught courses on the separation of powers, national security law, and constitutional interpretation at Harvard Law School, Yale Law School, and the Georgetown University Law Center. -
Annual Report July 1, 2015, to June 30, 2016
Annual Report July 1, 2015, to June 30, 2016 ANNUAL REPORT 2015–2016 1 Preserving America’s Past Since 1791 Board of Trustees 2016 Officers Trustees William N. Thorndike A Message from the Chair of the Board & the President Charles C. Ames, Chair Benjamin C. Adams Edward L. Widmer Frederick G. Pfannenstiehl, Oliver F. Ames Life Trustees Vice Chair Frederick D. Ballou Bernard Bailyn At the close of FY2016, the celebration of our 225th anniversary was well underway. Judith Bryant Wittenberg, Levin H. Campbell, Jr. Leo Leroy Beranek Activities included two exhibitions: The Private Jefferson: From the Collections of the Secretary Joyce E. Chaplin Levin H. Campbell, Sr. Massachusetts Historical Society and Turning Points in American History, both high- Paul W. Sandman William C. Clendaniel Henry Lee lighting the strengths and little known collections of the MHS. The Private Jefferson Treasurer Herbert P. Dane is also our first traveling exhibition, making the journey to the Virginia Historical Trustees Emeriti Amalie M. Kass Society and the New-York Historical Society to further spread the word of our ex- Nancy R. Coolidge traordinary holdings. For this anniversary year, Cocktails with Clio, our annual gala, Anthony H. Leness Arthur C. Hodges ventured into new territory—that is, the John F. Kennedy Presidential Library and G. Marshall Moriarty John F. Moffitt Museum—for the reception and dinner. Among the other 225 efforts were the publi- Claire Nelson James Storey cation of a companion volume to The Private Jefferson, special features on our website, Lisa B. Nurme John L. Thorndike and public programs. Byron Rushing Hiller B. -
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways.