DOCSLIB.ORG

I D 0#Mittito Tionship in Military Housing, Household Goods Shipments the Response in Dealing with Plus More Than 700 Vehicle the "Trouble Makers" Is Fast

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I D 0#Mittito Tionship in Military Housing, Household Goods Shipments the Response in Dealing with Plus More Than 700 Vehicle the Warning: The Taxman cometh Monday Page B-5 Volleyball: K-Bay second in FMFPac regionals Page B-1 Vol. 10, No. 14 Published at MCAS Kaneohe Bay. Also serving 1st MEB, Camp H.M. Smith and Marine Barracks, Hawaii. April 12,1990 Summer moves may be problem Eviction again this year from housing By cal. Reginald M. cols possible for Last year, during the Traffic Management Office's summer misconduct peak season (April-Septem- By ber), household good ship- Bat. T. Mt ments were so overloaded, Eight military families re- moving companies from the siding in Station housing Big Island had to be called were referred to eviction in to alleviate the backload. hoards in the past month for Adding to the problem, the misconduct. One E-7 and Army, Navy, and the Air one E-8 have been given Force have the same summer eviction papers in the last peak period and are vying for week. the same moving companies. Misconduct ranges from Although TMO is expect- children ing another who are deemed onslaught of unruly and a menace to moves (more other than 1,600 here) residents to barking dogs and during Hawaii's summer failure to conform moving to stan- peak, with a little luck dards of sanitation in quar- and a lot of help from the ters. Marines Simple things like and sailors receiving letting children roam the permanent change of station streets after the 10 p.m. orders, this year's moves can curfew to having go them get smoothly. into fights with the neigh- Hawaii has had a history bor's children can lead to of overloading the moving in- serious problems. dustry's capacity during peak When problems arise that season. Last year, TMO affect the harmonious rela- processed an estimated 2,000 I d 0#mittito tionship in military housing, household goods shipments the response in dealing with plus more than 700 vehicle the "trouble makers" is fast. shipments. Military sponsors who have "The problem stems from dependents causing trouble the shortage of cargo con- are ultimately going to pay tainers used to ship house- as much as $2,400 to move hold goods and the increase Cnl JelOn Eriticaon photo into civilian housing if the in weight entitlements for Cold weather combat training dependents can't be con- each rank," said SSgt. James trolled. Fletcher, Household Goods Boson Marines. tionsgemeohe Bay wait at the "link-up zone" after finishing a hump at the Mountain Warfare Training The, are more than n thna and Ciampi section head. Center, Gridgeport, Calif. For more on the training mission and the training center, see page A-.1. sand people waiting to at See MOVES /A -6 into housing on the Art Station. One of those people may get a house sooner than they expected if a housing gear up resident is deemed uncontrol- Hawaii Marines lable. Hawaii military housing falls under the control of the for CAX in California Oahu Consolidated Family Housing Office (0CFH0). By Cpl. loon &Wasps Bn., 1st Marine Division; plots its way through the Aside from the routine ad- additional aircraft assets and Center's desert-laden training ministrative rules they en- MCAGCC TWENTYNINE Marine Expeditionary Unit areas. force, there are 41 specific PALMS, Calif. - As 2d Bn., Service Support Group-11 - For 2/3, CAX will he the rules that cover conduct of 3d Marines, rolled into Camp all out of California. second phase in the two- military sponsors, their de- Wilson here March 31, the While the actual CAX will month California training pendents and guests in family last pieces of the 3d Marine only be exercised from evolution. housing. Regiment Air-Ground Task Monday through Wednesday, First came the 10,000-foot- "There's no surprise in- Force fell into place for the various units are currently high Mountain Warfare volved when we have to kick Combined Arms Exercise 6- engaged in a variety of pre- Training Course at Hormone out of quarters," 90. CAX training packages. MCMWTC, in Bridgeport said Capt. Jeffrey Smith, Air Awaiting the battalion and Some highlights included along the Sierra Nevada Station adjutant. "We have its attachments were several the Mobile Assault Course, Mountains. After its arctic more of a corrective and sup- other let MRS elements which Companies E, F, and experience, which included portive system than a puni- augmented additionally by G of 2/3 will undergo with two days liberty in Reno, tive one. We offer any unite from the let Marine Di- the support of tanks, trucks Nevada, the battalion servicemember with problems vision. and AAVs; the insertion and boarded a convoy of char- a lot of help before we evict In addition to 2/3, the extraction training for Recon tered buses and clamored out them." Hawaii-based elements in- and STA (Surveillance and of the mountains and into While no two problems that clude the regimental com- Target Acquisition) Platoon; the Mojave. lead to eviction are the same, mand; 1st Fin., 12th Marines; the Fire and Air Support Co- Meanwhile, the other 1st a set process of administra- various aircraft detachments ordination Exercises; and a MEB units here spent most tively dealing with all prob- from MAG-24; CSSDet.-37; variety of live firing at the of March aboard USS lem families exists. Most Co. A, 3d Reconnaissance various ranges. Belleau Wood (LHA-3), but complaints are referred lin.; and Co. A, 3d Combat The units will come together still found time to make a through the Provost Engineer Bn. Approximately to flex the muscle of a five-day liberty stop in Acap- Marshall's office. 2,90(1 Marines and sailors Norp.-0 M Cole MAGTF Monday. ulco. "We're not a 'hanging Cp photo here. from Hawaii are Through a complex conflict After completion of CAX, judge' court," said LtCol. Just kidding around The Island Warriors were scenario, produced and moni- the Hawaii Marines will Gary W. MacLeod, director of Tony Grayson, son of Capts. Larry and Catkin Grayson, further reinforced for the tored by the Tactical Exer- convoy by bus to San Diego the Family Service Center plays with shaving cream at the Child Development Center. three-week training evolution cise Control Group, the Task for a two-week float bock to and Air Station inspector. Sn.; 1st Tony Is one of thousands of military kids being honored by Co. I), let Tnnk Force will use its assets to the Islands, during which "We don't take a family with In observance of the Month of the Military Child. See A-2. Platoon, Co. A, 3d AAV Sn.; reek havoc on an "enemy" they will participate in am- et Platoon, Truck Co., HQ of plywood and tires as it phibious exercises. See HOUSING/A-8 Easter services, lot fire set new hours of operation. They are as follows: Mon events scheduled Call in case of day-Friday 10 a.m.-9 p.m.; Saturdays, Sundays and Holiday, of Defense civilians, military personnel, and Marine Corps chapels and Brunch on its Sunset Lanai Department from 10 a.m.-6 p.m. The new hours will Ice in effect for dependents ,-ho are employed or living on a military organizations are gearing up from 7:30 a.m.-12:30 p.m. for 90 days on a tent basis. dal 471-7117 in the event of a fire. for Easter, with programs to installatior all military people, their this number on every telephone in their help military people corn guests and civilian employ- People BF The Diamond's looking rough homes. memorate the Resurrection of ee,. The cost in $7.76 for As part of the 22nd Annual Earth Day clean-up program, Christ. adults and $4 for children deliverers volunteers are needed to pitch in and polish-up the Dia- Sunrise Services, the tradi- under 10. Volunteer newspaper mond Head Crater area April 21. tional Christian obeerviince, The Air Station Staff NCO will he held at Camp Smith Club will also host an Easter needed For more information, call SSgt Hooper at 477 6292 and aboard the Air Station. egg hunt at 9:30 on Sunday, Two thousand volunteers are needed to sell a special Camp Smith's service will he with its normal brunch hours "Kids Day" edition of the Honolulu afternoon and morning at 6 a.m. Sunday on the All- running through 12:30 p.m. newspapers, an part of the official kick-off of the 1900 Grades mess hull lanai, and The Manana Howling Children s Miracle Network Telethon. Money raised will TN4errieecuocat: iltevrioe will he open to the public. Association will sponsor an go to the Kapiolani Medical Center and the telethon. Air Station worshipers will Elister Family Festival Satur- For more information, contort the Kapiolani Medicel ftellplup Bon*. gather at 6 A.YD, nt the day from 9 a.m.-2 p.m. The Center at 97:1 :i109 Al Olen. 8-8 non event will include an Easter Family Bonfires tllupau Crater for their A10 Honrell amine Ad. / denominational service egg hunt and numerous other Armed RervIres YMCA Exchange to set new hours MWR Marie. 5-7 Camp Smith Staff gamma for children within the R The has 1..voly Speaking 11 NCO Club will boat an Koster military community. The Marine Corp* Exchange aboard the Air Station A-2 II %NA!' N1,1111 \ April 12,1990 Looking out for he kids April is month of the military child story and photos months through five years of by Cpl. Reginald RI Cole age and includes both full- Through it Marine couple's day care and an hourly eyes, moving from duty program.
Load more

Recommended publications
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
    A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives.
    [Show full text]
  • Ernest Elliott
    THE RECORDINGS OF ERNEST ELLIOTT An Annotated Tentative Name - Discography ELLIOTT, ‘Sticky’ Ernest: Born Booneville, Missouri, February 1893. Worked with Hank Duncan´s Band in Detroit (1919), moved to New York, worked with Johnny Dunn (1921), etc. Various recordings in the 1920s, including two sessions with Bessie Smith. With Cliff Jackson´s Trio at the Cabin Club, Astoria, New York (1940), with Sammy Stewart´s Band at Joyce´s Manor, New York (1944), in Willie ‘The Lion’ Smith´s Band (1947). Has retired from music, but continues to live in New York.” (J. Chilton, Who´s Who of Jazz) STYLISTICS Ernest Elliott seems to be a relict out of archaic jazz times. But he did not spend these early years in New Orleans or touring the South, but he became known playing in Detroit, changing over to New York in the very early 1920s. Thus, his stylistic background is completely different from all those New Orleans players, and has to be estimated in a different way. Bushell in his book “Jazz from the Beginning” says about him: “Those guys had a style of clarinet playing that´s been forgotten. Ernest Elliott had it, Jimmy O´Bryant had it, and Johnny Dodds had it.” TONE Elliott owns a strong, rather sharp, tone on the clarinet. There are instances where I feel tempted to hear Bechet-like qualities in his playing, probably mainly because of the tone. This quality might have caused Clarence Williams to use Elliott when Bechet was not available? He does not hit his notes head-on, but he approaches them with a fast upward slur or smear, and even finishes them mostly with a little downward slur/smear, making his notes to sound sour.
    [Show full text]
  • March 2019 Network Newsletter
    ICDF Networks March 2019 Men in Dance I am a man. I dance. I am a man who dances, and I stand before God. From ‘MANifesto’ - Andy Raine One of the great things about working with dance is that it reaches across so many barriers, and impacts us in ways we haven’t learnt to protect ourselves from. The toughest guy can weep when a sudden gesture opens his heart. A dance can arrest someone so they forget which direction they’d been walking. We can include and connect, give voice to another person’s pain, can address difficult issues with compassion and insight, all without saying a word. As artists, as guys who dance, teach or choreograph, or even just as men, we need to be authentic and to have integrity. That’s what we encourage each other to be and to do: so we’re comfortable in our skin, live well in our body and dare to participate in the worlds we inhabit. That may mean stepping outside the narrow parameters of inherited prejudices, inhibition or hostility. A person is someone to meet, not a problem to label, address and solve! Let’s create safe spaces for meeting and learning from each other. For info: To connect with Andy Raine email ... [email protected] Network Page on ICDF website ... http://icdf.com/en/networks/men-dance Page 1 The Voice Behind The Voice - by Andy Raine I'm putting a few paragraphs down here about a general approach that affects the way we learn, the way we interact with other people and the ways in which we expect God to intervene.
    [Show full text]
  • Iranrb^Btfr Ieubittitg Jbralb Dixie Roars out Approval As General
    m ro A T , SEPTEMBER t t , 11 PAGE TWENTY iffianrhrBtrr Eorafng Vrralb Tho Weather Avorago DpBy Not Prara Rbb raennaat of D. 8. Wealbar Bmui to reinetato them iislaaa tka r a r IRB W ara jt o i t d Frianda In town have received four yeara, thay were being drop­ returned only In tha last month. The marriage o f Miaa M ary ,C. voting votera reguaM It alx daya Ha gave tka worhen of both r a p t Fair aad ceathuMd enal tots newa o f tha birth o f twina. a boy ped from the voting Uata, only 803 s t o r e Lrwme of Weet Cbnter Mreet and 200 May Liose before tha next general ateetton. partlee a large ahara of tha credit nXTVRES About Town and a girl, to Mr. and Mra. fre d have reuueated both regtetrara to afterueeu aad tonight. Fkir m A lflo BanUnI o f Hartford, will be ralnatate tham. The next general election la Man­ for the return of many of the vot- Bonney of Vlata. f^llf., who al­ eaal t e r n sere w wfth teotoetstates aolemnlaed In Bt. Jamea' Church State law directa the raglatrara chester ia the town alocUona Oct. era to tho Hats. ’The workera found , 10,619 tomorrow morning at • o’clock. ready have a email aon and daugh­ iRanrb^BtFr iEuBittitg Jbralb The a0-«0 Club o f Bt. M o r/ i Voting Righto g, making tha daadUna BapL 3t. tkosa who wort In danger of being la tha eO'a.
    [Show full text]
  • Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
    BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma­ triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON­ Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli­ 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old­ KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi­ ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang­ Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop­ ~ Dear Beryl: .
    [Show full text]
  • The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
    The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways.
    [Show full text]
  • RALPH BERTON COLLECTION, Ca
    RALPH BERTON COLLECTION, ca. 1933 -2004 (Approximately 15 cubic feet) Biography Ralph Berton was born Berton Cohen December 24, 1910 in Danville, Illinois, to a family of vaudevillians. His father, Maurice, was a violinist and his mother Ida (nee Glueck) occasionally ran a boarding house for traveling vaudevillians. Berton was the youngest of three brothers. His middle brother Eugene, born in 1903, was a classical singer, concert pianist and musical theatre composer with whom Ralph collaborated on numerous musical theatre projects over the course of their lives. According to family lore it was Eugene who insisted on changing the family name to improve his show business career prospects and so young Berton Cohen was asked to give up his first name at the age of seven or so for the good of the family and then chose his own first name. While accounts of their exact age difference vary, Ralph’s eldest brother Vic was considerably older than Ralph, probably somewhere between twelve to fourteen years Ralph’s senior. Vic Berton was a drummer of considerable renown among jazz musicians in the early years of jazz, and, according to Berton’s account in his memoir Remembering Bix, something of a surrogate father for Ralph. Berton usually professed to have little formal education acquired haphazardly and unsystematically through voracious private reading and insatiable curiosity about the world around him. During this period, the bohemian and politically progressive Berton family moved frequently, spending a considerable amount of time touring vaudeville theatres of the Midwestern 4gas light” circuit and the precocious young Ralph could often be found backstage either with his ose buried in a book or absorbing the show business culture around him.
    [Show full text]
  • Privilege and Property: Essays on the History of Copyright
    Privilege and Property Essays on the History of Copyright Edited by Ronan Deazley, Martin Kretschmer and Lionel Bently To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/26 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Daniel Chodowiecki’s allegorical copper plate of 1781 shows unauthorised reprinters and original publishers, respectively as highwaymen and their victims while the Goddess of Justice is asleep. The full title reads: ‘Works of Darkness. A Contribution to the History of the Book Trade in Germany. Presented Allegorically for the Benefit of and as a Warning to All Honest Booksellers.’ The identities of most of the characters have been identified: the bandit chief is the Austrian publisher Johann Thomas von Trattner (1717-1798) who made a fortune by reprinting books from other German- speaking territories. His victims are the publishers Friedrich Nicolai (in the centre), and Philipp Erasmus Reich (fleeing into the background). The small bat-like monster hovering overhead (a position normally reserved for angels in religious paintings!) is modelled on Gerhard van Swieten (1700-1772), an influential adviser and doctor of Maria Theresa of Austria who eased censorship regulations but encouraged the reprinting of foreign books in Austria. Nicolai’s right arm extends the bat monster’s line of gaze and points to the head of the Goddess Justitia, sleeping as if drugged by the poppy blossoms above her head.
    [Show full text]
  • Of a New Gallery Americana Exhibit Meant to of the Herald the Approach of Autumn
    2F ** Houston Chronicle Friday, Sept. 13, 1996 'Fall ls in the Fair' • • • • • • • • • - Six folk artists will be on hand to chat with visitors and demonstrate their crafts dur­ ing the openjng today and Saturday of a new Gallery Americana exhibit meant to OF THE herald the approach of _autumn. Gallery officials say their Fall Is in the Fair show • • • • • • • • • will feature works ranging from Halloween characters carved from gnarled tree branches to tin pumpkins and turkeys. The visiting artists will be Wisconsin carver Tony Costanza, Pennsylvania potter Ned ' Foltz, Massachusetts rug-maker Leslie Roe McCabe, North Carolina tin artists Mary and Steve Petlitz, and Jennifer Schneeman, who works with fabric. • 10 a.m.-5 p.m. today and Saturday at Gallery Americana, 3941 San Felipe. Ad­ HERE'S WHAT'S WORTH CHECKING OUT mission is free. Call 622-6225. AT MILLER OUTDOOR THEATER: The Austin-based Sharir Dance Company will perform tonight and Saturday evening. Lone Star dances Be there tonight or Saturday evening to catch "A Weekend of Texas Contemporary Dance" at Hermann Park's Miller Outdoor Theater. The program will feature world premieres by Texas choreographers Michele Brangwen, Sarah Irwin and Kathy Wood, as well as performances by Austin's Sharir Dance Company. Brangwen's work is Amelia, while Irwin's is Ashes, Ashes, created in collaboration with poet/per­ former Niobe Ngozi. Wood and Koro, a Houston-based dance ensemble, will present the new work Snicker Snack. The Sharir company will perfonn More About Love by Yacov Sharir and Dervishing by Jose Luis Bustamante. • 8:30 tonight and Saturday evening at Hermann Park's Miller Outdoor The­ ater.
    [Show full text]
  • Pete Kelly's Blues See Pages 8, 35 HALLMARK Will Pay
    DOWN RECORDS HIGH-FIDELITY INSTRUMENTS FILMLAND UP BEAT RADIO Pete Kelly's Blues See Pages 8, 35 HALLMARK will pay to LES BAXTER'S Song Moró&a * AN ALL-EXPENSE TRIP TO HOLLYWOOD and * CO-COMPOSER'S FUTURE ROYALTIES! CAN YOU tell the story of “Monika"—a bad girl — in |ust so many words, to fit LES BAXTER'S music? The music is already on a CAPITOL disc! It's already published by STARLIGHT SONGS! But — without words! HALLMARK wants lyrics — good lyrics, for “Monika". HALLMARK will pay an all-time record price for them! TEN THOU­ SAND in cash, plus co-composer'$ royalties which could reach $40,000 or $50,000 more, plus an all-expense trip to Hollywood and appearance on a national TV network show. Open to profession­ als and amateurs alike Lyrics must be postmarked by midnight, Nov. 1, 1956. Winner announced during December, 1956. Get busy, get rich! The PHONE YOUR LOCAL THEATRE MANAGERS TODAY! GET FULL particulars from your local theatre which shows “MON­ IKA". Telephone your leading theatres right now. Ask for THE MANAGER! Learn if and when he expects to show HALLMARK'S sensational Swedish story of a bad girl, “MONIKA". Keep calling them for the play-date. See the HALLMARK movie, “MONIKA". Hear Les Baxter's brilliant musical score and title song. Get a copy of the sheet music, to guide you. Get a CAPITOL record to aid you. Fit lyrics that describe this bad girl to Baxter's music. JUDGES — Let Baxter, Hollywood; Dr. Cleo Dawson, U. of Kentucky, Lexington; Steve Allen, New York City MAIL 4 YOUR LYRICS toi MONIKA Song Contest Dept., care — HALLMARK PRODUCTIONS, Inc.
    [Show full text]
  • Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 3 July Aug Sept 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU TWO GREAT BRAZILIAN JAZZ RELEASES BY AAM MUSIC CAROL SABOYA “CAROLINA” On her second solo release for the U.S. market, Carol Saboya presents “Carolina”. a suite of exquisite compositions by master composers such as Antonio Carlos Jobim, Pixinguinha, Joao Bosco, Edu Lobo, Djavan, Lennon and McCartney, and Sting. Her new CD is sure to become a classic. ANTONIO ADOLFO “TROPICAL INFINITO" On the heels of two consecutive Latin Grammy nominations in 2014 and 2015 for Best Instrumental Album, Antonio Adolfo pres- ents his latest work, “Tropical Infinito.” Continuing to mine the authentic samba jazz vein that is his specialty, Antonio offers his unique take on pieces by Benny Golson, Oliver Nelson and Horace Silver, and works in four of his own compositions. On this release, Antonio and his octet work to recreate the energy and intensity of "gafieiras" -- dance parties that were a prominent feature of Rio de Janeiro nightlife in the 1960s. CDs available at ITunes, Amazon, CDBaby and more… AAM music www.aammusic.com NICK FRASER QUARTET STARER Nick Fraser: drums, compositions Tony Malaby: saxophones Andrew Downing: cello Rob Clutton: bass "Nick Fraser's drumming is like a tide rushing in, its momentum surging and receding with engulfing force and polyrhythmic spray, cradling and upending its accompanying voices as it pours out into sonic space.
    [Show full text]