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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh. -
Alun Raglan Shaftesbury Avenue London W1D 6LD
www.cam.co.uk Email [email protected] Address 55-59 Alun Raglan Shaftesbury Avenue London W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production DOCTORS Noah Levi Merlyn Rice BBC CORONATION STREET DS Thurstan Various ITV THE WORST WITCH (Series 4) Spike Various Netix / CBBC CURSED Commander Various Netix BAPTISTE Sam Jan Matthys Nine Street Production HOLBY CITY Martin Nigel Douglas BBC TV RILLINGTON PLACE Cornelius Craig Viveirs BBC TV 1066 Tostig Tim Dunn BBC TV BARBARIANS RISING Crixus Maurice Sweeney October Films THIRTEEN Robert Tarl Vanessa Caswill BBC TV DEATH IN PARADISE Robert Holt Roger Simonz BBC TV THE CORONER Terence Brooks Adrian Bean BBC TV THE BASTARD EXECUTIONER (PILOT) Jonas the Collector Paris Barclay Fox TV ARMADA Recalde Tim Dunn BBC TV GWAITH/CARTREF Mark Rhys Powys Fiction Factory CASUALTY Craig Rebecca Gatward BBC TV NEW TRICKS Ethan Beckett Keith Boak Wall to Wall for BBC WOLFBLOOD (3 SERIES) Alric Foz Allen (producer) BBC TV EASTENDERS Sgt. Stone Tim Mercier BBC TV CASUALTY Darren Matthew Evans BBC TV DOCTOR WHO Mo Northove Ashley Way DW Productions Ltd. ROYAL WEDDING Alan Garvey James Grifths Tiger Aspect DOCTORS Paul Sean Gleeson BBC TV BELONGING (REGULAR 2001-2008) Robbie Owen - BBC WALES MERLIN Cerdan Jeremy Webb Shine NO SIGNAL (Comedy) Various Pete Cain/ Lou Bogue FX DOCTORS Pete Tansley Jennie Darnell BBC SMALL FISH Andy Simon Curtis BBC Television CASUALTY Rick Brett Falis BBC Television DOCTORS Paul Matthews John Madens BBC Television M.I.T MURDER INVESTIGATION TEAM Peter -
Damian Myerscough
DAMIAN MYERSCOUGH Director: Christina M. Shepherd Licensed under the Employment Agencies Act 1973. Licence Number : 21726 Company Registration Number 2656873 VAT 563033857 Registered Office: 40 Stockwell Street, London SE10 8EY Page 1 of 3 3rd Floor, Joel House, 17-21 Garrick Street, London WC2E 9BL Tel: 0207 420 9350 Fax: 08432 905 796 Email: [email protected] DAMIAN MYERSCOUGH Height: 6' 0" [182.88 cm.] Eye Color: Brown Hair Color: Dark Brown THEATRE ROMEO & JULIET Friar Lawrence HOME, Manchester Dir. Walter Meierjohann A BUNCH OF AMATEURS Denis Dobbins Watermill Theatre Dir. Caroline Leslie MAMMA MIA Bill Austin International Tours Dir. Steven Paling A VIEW FROM THE BRIDGE Eddie Carbone Bolton Octagon Dir. Mark Babych THE PLAY WHAT I WROTE Himself/Eric Morecambe No. 1 Tour Dir. Hugh Borthwick ARSENIC & OLD LACE Jonathan Brews No. 1 Tours Dir. Robin Herford DRIVING MISS DAISY Boolie Oldham Coliseum Dir. Robin Herford NIGHT SWIMMING Nick the Leg Nuffield Theatre Dir. Patrick Sandford A CHRISTMAS CAROL Fred Nuffield Theatre Dir. Patrick Sandford OEDIPUS Kreon Nuffield Theatre Dir. Patrick Sandford TREASURE ISLAND Long John Silver Nuffield Theatre Dir. Patrick Sandford THE TEMPEST Sebastian Nuffield Theatre Dir. Patrick Sandford PERFECT DAYS Derby Playhouse Derby Playhouse Dir. Robin Herford BROKEN GLASS Stanton Case Palace, Watford & Salisbury Dir. Rupert Goold Playhouse THE COLONEL BIRD Col. Fetisov Gate Theatre Dir. Rupert Goold CORPSE Rupert Oldham Coliseum Dir. Alan Rothwell ABIGAIL'S PARTY Tony Nuffield Theatre Dir. Patrick Sandford ODYSSEUS THUMP Lennie W.Yorks Playhouse Dir. Jude Kelly WOMAN IN BLACK The Actor PW Prods. No1 Tour Dir. Robin Herford A GOING CONCERN Ray Scarborough & Nuffield Dir. -
Annual Review 2011- 2012
ANNUAL REVIEW2012 2012 was a phenomenal year for the Globe In an Olympic year packed with events throughout the capital, Globe to Globe, our contribution to the London 2012 Festival and the Cultural Olympiad, distinguished itself by its sheer scale, variety and creative ambition. It brought a huge new audience to the theatre and created a wonderfully festive multilingual showcase for Shakespeare, the Globe and London. The festival was recognised in January 2013 with a rare special award from the Critics’ Circle. Our main theatre season, which marked the triumphant return of Mark Rylance and of Original Practices to the Globe, garnered awards and achieved excellent attendance figures. But this was a big season for artistic activity beyond Bankside too, with two West End transfers, a much more extensive touring programme and international premieres of our productions on screen. All this earned us the ‘London Theatre of the Year’ award from The Stage. We are pleased to report that these achievements did nothing to compromise our educational and other activities. This was another ambitious year of teaching and public events and of developments in print and digital publishing. 2012 also brought enhancements to our exhibition and tour and saw the steady WELCOME! expansion of our retail, catering and hospitality operations. But perhaps most excitingly of all, following decades of planning and a period of intense fundraising, work began on the construction of our indoor theatre, now named the Sam Wanamaker Playhouse. All this was achieved without government funding and in a climate of financial austerity. ‘ The Globe to Globe season was a one-off, once-in-a- lifetime event that changed the cultural landscape of globe to globe London theatreland in every sense for six weeks last summer. -
Iain Robertson
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] IAIN ROBERTSON HEIGHT: 5’8 HAIR: Black EYES: Hazel VEHICLE LICENCES: Full Driving Licence Iain received a Scottish BAFTA for Gillies Mackinnon’s ‘Small Faces’. He has been nominated for the Ian Charleson Award twice, receiving a commendation for Bill Bryden’s ‘Mysteries’ trilogy, and third prize for Michael Grandage’s ‘The Tempest’. THEATRE LAST FERRY TO DUNOON ‘Johnaboy’ Dir. David Hayman Jr. [Òran Mór] ON THE SIDELINES ‘John’ Dir. Gilles MacKinnon (Òran Mór) VLAD THE IMPALER ‘Aga Carasol/Dragavei/Dan/Painter/Impaled Romanian’ Dir. Faynia Williams (Òran Mór) THE BRIDGE ‘Davy’ Dir. Donna Franceschild (Òran Mór) FRANK’S DEAD ‘Neil’ Dir. Graeme Maley (Òran Mór) SHANG-A-LANG ‘Carl’ Dir. Michael Emans (Rapture Theatre) THE GREAT TRAIN RACE ‘Cammie’ Dir. Rob Jones (Òran Mór and Lemon Tree, Aberdeen) BREAKER ‘Danny’ Dir. Graeme Maley (Sodid Svid Company at Underbelly, Edinburgh Festival) CLASSIC CUTS: THE TAMING OF THE SHREW ‘Petruchio’ Dir. Rosie Kellagher (Òran Mór) TAKIN’ OVER THE ASYLUM ‘Eddie’ Dir. Mark Thompson (Lyceum Edinburgh / Citizens Glasgow) Nominated Best Male Performance, Critics’ Awards for Theatre in Scotland 2012 - 2013 TAKE ME IF YOU NEED ME Dir. Graeme Maley (Òran Mór) ANGELS ‘Nick’ Dir: Graeme Maley (Oran Mor, Glasgow / Traverse, Edinburgh) THE HARD MAN ‘Johnstone/The Bandit’ Dir. Philip Breen (Edinburgh Festival Theatre) MY ROMANTIC HISTORY ‘Tom’ Dir. Lyndsey Turner (Bush Theatre/Sheffield Theatre/Traverse Theatre) LYSISTRATA ‘Cleonice’ Dir. David MacLennan (Òran Mór) CONFESSIONS OF A JUSTIFIED SINNER ‘Gill-Martin’ Dir. Mark Thomson (Royal Lyceum, Edinburgh) HOMECOMING SCOTLAND CELEBRATIONS ‘Robert Burns’ Dir. -
Don Warrington W1D 6LD
www.cam.co.uk Email [email protected] Address Don 55-59 Shaftesbury Avenue London Warrington W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production THE WORLD ACCORDING TO GRANDPA Grandpa Alexander James Jacob Milkshake! DEATH IN PARADISE- All series produced Selwyn Patterson Various BBC THE FIVE Ray Kenwood Mark Tonderai Sky THE ARK Paul Red Productions BBC CHASING SHADOWS CS Drayton Jim O'Hanlon ITV LAW AND ORDER Callaghan Andy Goddard ITV LEWIS Prof Woolf David O'Neill ITV THIS IS JINSY Chief Thinker Matt Lipsey BBC WAKING THE DEAD Adam Barclay Tim Fywell BBC GOING POSTAL Priest Jon Jones SKY CASUALTY Trevor- Semi Regular Various BBC LAW & ORDER Chief Commissioner Andy Goddard ITV COMET Futureshock Keith Boak Channel 5/ Darlow Smithson NEW STREET LAW Judge Ken Winyard Various BBC/Red Productions DIAMOND GEEZER Hector Paul Harrision YTV ALL STAR COMEDY SHOW - David Evans ITV THE CROUCHES Bailey Nick Wood BBC TO PLAY THE KING Graham Gaunt Paul Seed BBC ARABIAN KNIGHTS Hari Ben Karim Steve Barron Hallmark Productions CATS EYES Nigel Beaumont Various TVS MAN CHILD Patrick Various BBC THE ARMAND IANNUCCI Ivy Diner Channel 4 Talkback TRAIL & TRIBUTION Willard Pembroke Various ITV RISING DAMP Philip Smith Various ITV Theatre Title Role Director Production DEATH OF A SALESMAN Willy Loman Sarah Frankcom Royal Exchange GLENGARRY GLEN ROSS George Aaronow Sam Yates Playhouse Theatre KING LEAR King Lear Michael Buffong Talawa Theatre Company ALL MY SONS Joe Keller Michael Buffong Manchester Royal Exchange DRIVING MISS -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
WILLIAM DUTTON 1St Assistant Director
The Screen Talent Agency 020 7729 7477 WILLIAM DUTTON 1st Assistant Director Will has worked his way up through the AD channels as 3rdAD, 2nd then 1stAD, on returning dramas like ‘The Bill ‘, ‘Casualty’ and ‘Holby City’, to working on primetime dramas, with a bit of 2nd unit directing thrown in for good measure. His trajectory has been further propelled by work on features, including ‘Being Julia’ with Annette Benning, ‘A Different Loyalty’ with ‘Sharon Stone and Michael Winterbottom’s ‘Welcome to Sarajevo’ with Stephen Dillane. Selected credits date production director / producer/ production company television: 2021 THE SPLIT Series 3 / Sumrah Mohammed / Sister Pictures 2021 MIDSOMER MURDERS 22 Christine Lalla / Ian Strachan / Bentley Productions 2020 GRANCHESTER 6 various / Richard Cookson / Kudos Film and TV 2020 THE MALLORCA FILES 2 various / Dominic Barlow / Cosmopolitan Pictures 2019 GRANCHESTER 5 Gordon Anderson, Rob Evans / Richard Cookson Kudos Film and TV for ITV 2019 WILD BILL (2nd Unit) Charles Martin / Chris Thompson / 42 for ITV 2019 DEATH IN PARADISE 9 Ian Barber / Ella Kelly / Red Planet Pictures 2018 GRANTCHESTER 4 Tim Fywell / Richard Cookson / Kudos Film and TV for ITV 2018 DEATH IN PARADISE 7 (Ep 7 & 8) Sarah Walker / Sue Howells / Red Planet Pictures 2018 MIDSUMMER MURDERS 20 (Ep 2 & 4) Paul Harrison, Matt Carter / Guy Hescott / Company Pictures, Bentley Productions 2017 GRANTCHESTER 3 Christmas Special Ed Bennett / Emma Kingsman-Lloyd / Kudos Film & TV 2016 MIDSUMMER MURDERS 19 Block 2 Renny Rye / Ella Kelly / Bentley -
Annual Review. 2018
Annual Review. 2018 Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical 4 Chief Executive’s Welcome theatrical experiment. 6 Theatre Inspired and informed by the unique historic 6 The Globe playing conditions of two beautiful iconic 14 The Sam Wanamaker Playhouse theatres, our diverse programme of work harnesses the power of performance, 20 Beyond the Globe cultivates intellectual curiosity and excites 21 Learning for all learning to make Shakespeare accessible 25 Widening access for all. 26 Exhibition & Tour ‘And let us… on your imaginary 27 Behind the scenes forces work’ 28 How we made it Henry V, Prologue 29 How we spent it #Globe2018 30 Looking forward 020 7401 9919 32 Learning for all shakespearesglobe.com 34 Financial Stability 34 Project Prospero 36 Thanks, thanks and ever thanks 38 Staff 41 Trustees and Globe Councillors 42 Cast members and Creatives 2018 The Shakespeare Globe Trust. Registered in England and Wales No. 1152238. Registered charity No. 266916. 2 3 Welcome to this year’s Shakespeare’s Globe review, celebrating a few of the highlights from spring 2018 to spring 2019. Our cause is to celebrate and interrogate Shakespeare’s transformative impact on the world, while our two theatres allow us to experience the architectural playing conditions under which Shakespeare’s plays were originally performed. 2018 was a year of artistic leadership change and further strategic development. Our 2017 review looked forward to a new era of artistic endeavour on Bankside, one closely integrated with our other activities, but creatively distinct; historically aware, but radically contemporary.