NAC-2 annual report eng. 3/2/99 2:11 PM Page 1

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1997-98 Annual Report NAC-2 annual report eng. 3/2/99 2:11 PM Page 2 Mandate The National Arts Centre Corporation was message from the establishedfinanciafinancial by an Actl of the Parliament of r Canadahighlightsfinancial in 1966. The National Arts Centre chaichair (NAC) opened its doors in 1969. The NAC’s chair Centre on which we base our decisions and plan challenges facing the Centre at this time. The NAC is > The Corporation experienced an operating loss of $3,055,429, including approximately our activities. an essential institution in the country’s cultural fabric. mandate is to play a leadership role in fostering > The current $3.1 million deficit can be attrib- We must devote all our efforts to stabilizing the $2 million resulting from artistic programming cost over-runs and disappointing sales. artistic excellence in all of the performing arts uted to many factors, but most clearly the NAC Centre’s finances and ensuring that it adopts more rig- $1 million dollars of the operating loss was due to the Festival Canada deficit, which the must improve its financial controls to ensure a orous management practices, while remaining constant disciplines.Department of Canadian Heritage Specifically, has agreed to offset in fiscal year 1998-99. it is charged with the more rigorous adherence to budgets. to its artistic raison d’être. > As a regular feature of the NAC’s evaluative > We will continue to forge new partnerships with cor-

> While contributions from commercial activities were somewhat better than expected, photo: Beverley Rockett following responsibilities: processes, the Board of Trustees requested that porate sponsors and the local community. The institu- Jean Thérèse Riley > To administrativeoperate and information technology and costs were maintain higher than anticipated. In part, the National Arts the Auditor General’s office conduct a Special tion’s future depends heavily on this kind of support, Examination. Submitted in June, 1998, the and the Board of Trustees is committed to protecting this was due to the expense of addressing the Year 2000 Issue (Y2K) and problems table of contents > The past year has seen both promise report indicated several key issues with which the integrity and vitality of the NAC. Centre; message from the chair 1 associated with hardware and software components of the Corporation’s informa- message from senior management 2 and disappointment. the NAC must contend. The report stated that > In 1999, the NAC will be celebrating its 30th > To develop the performing arts instatistics the 4 > The NAC has been bustling with the Centre needs to improve its systems and prac- anniversary. This milestone is an occasion for us to tion technology systems. > National Capital Region; music 5 activity, on stage and off. The NAC’s tices, particularly those related to decision making reflect on the original vision which gave birth to this > Working capital declined to a negative $439,378 resulting from the operating loss english theatre 6 artistic team was completed with the on programming, the quality of market research wonderful performing arts centre and on ways to con- french theatre 7 > To assistand capital investments the of $2,036,464. Canada It is expected to be restored Council in 1998-99. in the develop- appointment of Pinchas Zukerman as and analysis, staffing mechanisms and the sult with our communities to ensure it continues to dance 8 Music Director for the National Arts empowerment of members of management, the thrive in an ever-changing environment. > Systems and processes were put in place late in the year to improve the youth programmes 9 ment of the performing arts elsewhere in organization of work, the planning of develop- special events 10 Centre Orchestra in the Spring of Canada.Corporation’s fiscal effectiveness and efficiency. The restructuring of the festival canada 10 1998. Our successful music, theatre ment activities and the compliance of its sys- management responsibilities 11 financial and purchasing systems with the acquisition of new equipment and dance seasons, as well as the tems with Year 2000 requirements. auditor’s report 12 exhibits and special events, combined > The Board and Management have estab- balance sheet 13 will ensure that management information requirements are met within excellence and energy, and generated lished a course of action to address many of Mission statement of operations 14 Jean Thérèse Riley required time frames. statement of equity 14 excitement throughout the community. the recommendations, such as the prepara- To develop and promote the performingstatement of cash flows arts 15 > Unfortunately, this high level of activ- tion of an accountability framework, as Chair, Board of Trustees notes to financial statements 16 ity was not matched by an increase in well as other means with which to run the by: schedules 19 attendance. Whether this is the result institution’s daily operations more effi- institutional information 21 of too many artistic activities for the ciently and effectively. Also, the NAC is > Partnering with the National Capitalchronological listingRegion, of events 22 National Capital Region market, insuffi- committed to implementing a corporate listing of patrons & sponsors 24 regional and national community and artists cient resources for proper marketing, or plan in 1998/99 which considers the lack of focus in some of our programming, report’s findings. > Seeking out excellence in the arts of the stage we concluded that we need to give serious > My colleagues on the Board of Trustees Front cover photo: Hans Bjurling attention to the mechanisms in place at the and I are fully aware of the formidable > FosteringConcept and Design: Schumacher Design new talent > MakingPrinting: Imprimerie l’Empreinte the NAC a world-class gathering 3 NAC-2 annual report eng. 3/2/99 2:11 PM Page 4 4 ly state the corporate objectives and goals as they > The list of accomplishments, activities and projects message from senior relate to the mandate, as well as performance would be incomplete without mentioning the dedica- measures for all of the Centre’s activities. The tion and professionalism of NAC employees—a team Special Examination also provided management committed to the tradition of artistic excellence. This with clear and useful recommendations on various commitment speaks volumes to the institution’s capac- management issues such as accountability, risk management, cor- ity to meet the many issues it is facing in the future. managementmanagement porate stewardship and governance. > We know it will not be easy. It will require leader- > In 1998/99, the NAC will continue to do what ship, energy and talent. We believe that the Centre it does best – high quality, exciting artistic pro- has the necessary tools to rise to these challenges, gramming. Despite our current setbacks, our and with our partners’ strong support, we will > Over the last few years the Centre has expe- > Overall, support for the NAC increased dramatically commitment to excellence is stronger than ever. secure the National Arts Centre’s future. rienced significant change, and 1997/98 was in 1997/98. Partnerships with patrons, sponsors, volun- However, we must now apply ourselves to devel- Presentation of $1 million donation to the NAC by Alexei no exception. teers and artists were forged or renewed. This spirit of oping a strong management base and an account- Yashin- The Honourable Sheila Copps, Minister of > Canadian Heritage, Denise M. Perrier, Deputy CEO, John > The artistic team was strengthened with the participation fortified the Centre’s presence at the ability framework that will enable the Centre to Cripton, Director and CEO and Alexei Yashin. arrival of Music Director, Maestro Pinchas regional and national levels, and signals a positive trend thrive while focusing on our core artistic activities. mandate Zukerman who immediately applied his cre- for the future. However, much more needs to be done > Greater accessibility and awareness of the NAC The National Arts Centre Corporation was established by an ative mind and energy to programming upcom- if the NAC is to continue to successfully meet its man- is key to our relevance. New technologies bring Act of the Parliament of Canada in 1966. The National Arts ing orchestra seasons and summer activities. date and contribute to the development of Canada’s new audiences. With the successful launch of the Centre (NAC) opened its doors in 1969. The NAC’s mandate > For the first time in Canada’s philanthropic cultural identity. The institution must be able to rely website, www.nac-cna.ca, the Centre transcended is to play a leadership role in fostering artistic excellence in history, an important bridge was built between on stable and adequate funding and support from all its the limitations of geography and resources, and all of the performing arts disciplines. Specifically, it is arts and sports when the Centre received a $1 partners and the community. We have established plans opened its doors to millions of visitors around the charged with the following responsibilities: million pledge from Alexei Yashin, a Russian- to provide the corporation with stronger ties to the world. We will continue exploring this technology > To operate and maintain the National Arts Centre; born hockey player with the Ottawa Senators. community it primarily serves. to further our outreach and educational activities. > To develop the performing arts in the National Capital His gift to the NAC sent an inspiring message > Conscious of its mandate in the context of Canada’s > In 1997/98, the NAC developed a plan to respond Region; across the country that the arts constitute a cor- cultural development, the NAC seized the opportunity to the Year 2000 Issue (Y2K). Critical information > To assist the Canada Council in the development of the nerstone of a thriving and healthy society. offered by the 50th anniversary of the Universal systems have either already been corrected or are in performing arts elsewhere in Canada. Yashin’s generous gesture also triggered an Declaration of Human Rights. Developed in collabora- the process of being addressed. The Centre’s goal is increase in individual donations to the NAC. tion with the University of Ottawa’s Human Rights to minimize the potential for disruptions to our cus- Indeed, the number of patron donors was up Research and Education Centre, the Centre organized tomers, suppliers and other third parties. mission 50%, from 2000 to over 3000. and hosted an international Symposium On The Artist > In light of the Centre’s financial position at the end To develop and promote the performing arts by: > Vigorously pursuing its fundraising activities, the and Human Rights. This well-attended conference was of 1997/98, Management moved quickly to ensure > Partnering with the National Capital Region, regional Centre created an annual gala in October, which broadcast around the globe through the worldwide web. balanced budgets and that activities are planned based and national community and artists featured acclaimed soprano Jessye Norman. The > As a result of the Auditor General’s Special Exami- on realistic revenue projections. The Centre will > Seeking out excellence in the arts of the stage public’s enthusiastic response to the fundraising nation, the NAC immediately began developing an action review its operations to determine opportunities to re- > Fostering new talent effort further underlined the NAC’s relevance as a plan to address the identified weaknesses. Work has start- engineer its non-core business services and use the > Making the NAC a world-class gathering place catalyst for the performing arts. ed on the articulation of a corporate plan which will clear- related savings to augment artistic programming. Photo: John Hryniuk John Photo: 5 NAC-2 annual report eng. 3/2/99 2:11 PM Page 6

6 NAC Web Site 119,253

On average, we have 270 visits per day. 2,822,858 106,059 72% of the visitors are Canadian, 60% from Ontario, 6% from 2,595,563 Quebec, 20% from USA and 8% from the rest of the world with 79 156,290 151,389

the UK being highest at 1.5%. 68 80 s 79 of performances

stat . statsstats Welcome to www.nac-cna.ca No Revenues*

Restaurant Sales Attendance English theatre Co-productions* ercentage Capacity P 96/97 97/98 96/97 97/98 96/97 97/98 164 2,900,000 2,800,000 109,258 2,700,000 96/97 97/98 96/97 97/98 135 151,127 2,300,000 72 59 98,177 58,013 (in thousands) (percentage of total)

Photo: Miv of performances

Le Café . ercentage P Attendance Capacity No Catering Le Café music 96/97 97/98 96/97 97/98 96/97 97/98 96/97 97/98 96/97 97/98 96/97 97/98 Rentals and Other Programming music Photo: Stille Pictures Pinchas Zukerman, Music Director * French Theatre Co-productions Designate of NACO 185 310,070 305,518 209,997 192,821

149 > The 1997/98 season featured six concert series that 383 117,759 68 62

86 responded to the diverse musical tastes of a discern- 80 137,714

80,990 ing public: the Premier Series, the Baroque Series, performed. As well, conductor Helmuth Rilling, pianist 255 > Light Classics, the Pops Series, the Recital Series, Krystian Zimerman, violinist Gil Shaham, cellist Lynn 100,862 (in thousands) of performances 1,109,921 998,353 (percentage of total) . as well as Young People’s Concerts. Harrell, and jazz pianists Oliver Jones and George ercentage P Net Revenues Attendance Capacity No > The NAC continued its presentation of a Shearing performed on the NAC stages. Also note- Fundraising of performances .

ercentage vibrant array of new Canadian music, including worthy was an all-Canadian Messiah led by Mario 96/97 97/98 96/97 97/98 96/97 97/98 96/97 97/98 96/97 97/98 P Attendance Capacity No works by José Evangelista, Malcolm Forsyth, Bernardi, the return of former Music Director 96/97 97/98 96/97 97/98 96/97 97/98 96/97 97/98 National Arts Centre Orchestra Jacques Hétu, Peter Paul Koprowski, Kelly Gabriel Chmura, the reunion of Trevor Pinnock and 1,656,800 Marie Murphy, John Oliver, Howard Shore, pianist Grigory Sokolov, and a rare performance of * Refers to performances outside the NAC and André Villeneuve. the complete Peer Gynt led by Principal Guest Pianist, Jon Kimura Parker and 540,554 Neil Bregman, President of > The 1997/98 season saw the reintroduc- Conductor Franz-Paul Decker. otal Revenues Sound Venture Productions Photo: David Seidner T Sound Venture Productions tion of the Recital Series and appearances > The successful fund-raising gala which featured NAC Fundraising Gala Whole Notes (six-part TV series) Photo: Stille Pictures on the NAC stage by some of the world’s soprano Jessye Norman also represented an impor- with Jessye Norman 96/97 97/98 NACO and NACO greatest performers: Pinchas Zukerman, tant first for the Centre, and is expected to become Pinchas Zukerman, conductor who was appointed in 1997/98 to a four- a valuable event in annual fund-raising efforts. To be aired in January 1999 year term as Music Director, conducted and

Photo: John Hryniuk

* Total revenues in Music, Theatre and Dance and Variety refer only to Box Office revenues 7 NAC-2 annual report eng. 3/2/99 2:11 PM Page 8 8 Studio Stage Series New Play Development Thompson’s L’Été dernier... à Golden Pond. Directed by 130 > Patrick McDonald directed Vancouver playwright > The NAC continued its long-standing commit- Dominic Champagne, Théâtre du Nouveau Monde’s 96 Morris Panych’s Vigil. Bryden MacDonald wrote and ment to the development of new Canadian plays (Montréal) co-production of Wajdi Mouawad’s adap- 46,802

directed the première of Divinity Bash, an NAC/Neptune through its programme of staged readings, work- 38,045 tation of Cervantes’ epic comedy Don Quichotte of performances . Theatre (Halifax) co-production and Calgary’s Ronnie shops and commissions. The annual spring festival won several awards. The series finale was No Capacity Burkett elevated adult puppetry in his new one-man of staged readings “On the Verge” featured six Beaumarchais’ Le Mariage de Figaro, co-produced

Photo: David Cooper Photography

triumph, Street of Blood. new plays from across Canada, as well as eight 96/97 97/98 96/97 97/98 Othello with Théâtre du Rideau Vert (Montréal) and

plays from the NAC/Great Canadian Theatre 86 directed by Guillermo de Andrea. 78 > Under the theme Get Into Character, the English Family Theatre Series Company (GCTC) Playwrights Unit. The NAC Theatre season treated audiences to 11 plays in three dif- > Produced by professional Canadian youth theatre also collaborated with GCTC to develop profes- Migrations ferent series: Theatre Stage, Studio Stage, and Family companies, this series featured three plays created espe- sional artists in the National Capital Region 36,518 > This series presented three contemporary > 32,650

Theatre. From classic drama to suspense and comedy, cially for young children: Roseneath Theatre’s (Toronto) through a joint initiative called The Next Stage. 500,535 454,381 works: Création Axe Sud’s (Guadeloupe) pro-

English Theatre presented a wide variety of works by some The Book of Miracles; from Carousel Players (St. ercentage Attendance Revenues P duction of Derek Walcott’s Vendredi Crusoë, of the finest playwrights from Canada and abroad, includ- Catharines) came an adaptation by Pierre Tétrault and translated and adapted by Greg Germain; 96/97 97/98 96/97 97/98 ing a special presentation of Robert Lepage’s Elsinore. John Lazarus of Hans Christian Andersen’s fairy tale french 96/97 97/98 Motel Hélène from Serge Boucher’s Théâtre Wingfield Unbound The Nightingale; and Young People’s Theatre (Toronto) Petit à Petit (Montréal); and Robert Marinier’s The Theatre Stage Series brought Marion de Vries and Columpa Bobb’s enchant- Narcisse produced by the NAC’s French > Gil Osborne, former Artistic Advisor of NAC English ing tale Jumping Mouse to NAC audiences. Charlebois yne Theatre. 168 Theatre, directed Master Class by Terrence McNally, in an > The Cycle Corneille presented staged 137 theatree L Photo: NAC/Manitoba Theatre Centre (Winnipeg) co-production Don Quichotte readings of the Corneille trilogy Horace,

99,278 theatr

86,021 theatre of the Tony Award-winning play about Maria Callas. theatre Rodogune and La Place Royale, co-produced Michael Langham, one of the world’s leading directors of > Under the theme Tout jeu tout flamme, the NAC with Tibor Egervari’s Compagnie Histrions of performances Shakespeare, staged Othello, a co-production with . French Theatre presented an ambitious season of nine (Ottawa-Hull). No Capacity Edmonton’s Citadel Theatre. Bob Baker, Artistic Director plays: six classic and contemporary plays in La Grande of The Canadian Stage Company, directed the world pre-

96/97 97/98 > 96/97 97/98 Envolée Series and three in the Migrations Series. As Family Series mière of the NAC co-production of Tom Wood’s Claptrap. well, the Cycle Corneille offered theatrical readings and > The French Theatre offered three plays Rod Beattie returned to Ottawa as Walt Wingfield in Dan six plays were presented for youths in the Family Series. in each of its two Family Series: Petits- 87 Needles’ Wingfield Unbound. The season closed with the Trots (3-7 years) and Grands-Galops (7-12 Motel Hélène 64 hit from Toronto, High Life, by Lee MacDougall, directed 74,890 La Grande Envolée years). Among the season’s many successes 1,639,027 64,034

by Jim Millan in a Crow’s Theatre production. 1,357,504 > The season opened with Leitmotiv, a musical drama by were Théâtre de Sable’s (Québec) Le Rêve ves Dubé Michel Robidoux, produced by Théâtre des Deux de Pinocchio and Mathieu trop court, Mondes (Montréal) and continued with Corneille’s clas- François trop long, a co-production with les Photo: Y ercentage Revenues Attendance english P sic, Le Cid, co-produced with Théâtre Denise-Pelletier Coups de Théâtre (Montréal). (Montréal). France’s Philippe Avron wrote and starred in 96/97 97/98 96/97 97/98 96/97 97/98 the one-man show Ma Cour d’honneur. The NAC and Théâtre les gens d’en bas (Le Bic) co-produced Ernest

ttheatrePhoto: Bruce Stotesbury theatreheatrtheatree 9 NAC-2 annual report eng. 3/2/99 2:11 PM Page 10 10 ed Khôra by Rui Horta for S.O.A.P. Dance Theatre Frankfurt, and The Rite of Spring by Japanese choreographer Sakiko programmes Ohshima for H•Art•Chaos. In Series C, works were present- Class programme in the schools also provided 50 ed by four emerging choreographers: Vancouver’s The Holy Photo: David Cooper David Photo: middle and high school students with profes-

48,301 apiero

68,858 Body Tattoo, Montreal’s Brouhaha Dance, Sweden’s Virpi 39,694 sional training and experience in playing 52,374 48

35 Pahkinen and Amsterdam’s Leine and Roebana. of performances technique and musical interpretation, .

> Programming expanded in 1997/98 to include a co-pre- Photo: Ari T Capacity Attendance No as well as first-hand knowledge of sentation of the See and Hear the World series with the the music profession. 96/97 97/98 96/97 97/98 96/97 97/98 Canadian Museum of Civilization. This collaboration > Youth are tomorrow’s artists and audiences. > The English Theatre Department enabled audiences to be introduced to culturally rich and Experiencing art is an essential element of a also went into the community diverse dance troupes, notably Urban Bush Women from child’s development, and the NAC implemented with The Skill Shop, a pro- New York and Koffi Kôkô from Benin. > a number of programmes in 1997/98 to promote gramme of in-school profession- 76

71 > As co-producer, the NAC also celebrated the seventh bi- the performing arts and Canada’s cultural her- al theatre workshops. It also annual Canada Dance Festival at the NAC and in the 1,508,509 itage to young people in the National Capital hosted the annual Canadian

1,135,985 streets of the National Capital Region. The week-long festi- Region and across the country. Improv Games for the 11th val brought new Canadian choreographic works to the fore

> The NAC’s Student Matinée programmes 120 consecutive year, bringing 102

ercentage and featured both established and emerging artists. P Revenues enabled young people to enjoy performances in more than 300 high school 44,387 > Variety performances at the NAC included Howie 41,693 every discipline. The French and English Theatre 54,399 students from across Canada to 49,541 96/97 97/98 96/97 97/98

Mandel, Jane Siberry and Holly Cole. of performances*

Departments provided extensive programmes fea- . the NAC to compete in this Attendance* No turing a full range of plays appealing specifically to Capacity* national improvisation event. children as young as four and up to the early teens. 96/97 97/98 96/97 97/98 96/97 97/98 > In addition to the French and English Theatre

series, Dance staged The Nutcracker and Romeo and 84 82 The Parsons Dance Company dance Juliet, and the NAC Orchestra presented some dance of Vivaldi’s most popular works in the Great Ballet British Columbia dancedance Composer Series. & variety > For the first time, the NAC offered Master Classes 340,982 294,310

with NAC Orchestra guest soloists for selected senior ercentage* Revenues* > Continuing a strong desire to foster Canadian talent, Dance Season appealed to the public with four distinc- P high school and university students in 1997/98. the NAC Dance Department co-produced five works tive series. The Classical Ballet Series showcased 96/97 97/98 Featuring Pinchas Zukerman on viola and violin, and 96/97 97/98 in 1997/98, including Discordantia by Le Carré des three celebrated full-length works by The Royal > Canadian master guitarist Norbert Kraft, these Master Lombes, Giselle by Brouhaha Danse; our brief eternity Winnipeg Ballet, the National Ballet of Canada, Classes involved 500 participating and auditing stu- by The Holy Body Tattoo, Pôles by PPS Danse, and Sex and the Moscow Classical Ballet. Series A, the dents. The programme was produced in co-operation Is My Religion, created by John Alleyne for Ballet Contemporary Classical, highlighted four lead-

with the University of Ottawa and the Conservatoire apiero British Columbia. ing artistic directors, including Ginette Laurin’s de musique du Québec à Hull. An extensive Master > In keeping with the NAC’s tradition of playing a piv- Le Funambule, a new work by Les Grands

Photo: Ari T Ari Photo: otal role in the development of new audiences, the Ballets Canadiens. In Series B, the NAC present- Greenfield Lois Photo: * Numbers presented are the sum total of youth programming from all disciplines. 11 NAC-2 annual report eng. 3/2/99 2:11 PM Page 12

12 National Arts Centre Corporation 97-98 > With the support of the Departments of Canadian Heritage and Foreign Affairs and >International Trade, Bell Canada and many management other partners, Festival Canada celebrated the responsibilities role of the artist in the promotion and protec- tion of human rights. > Highlights of the month-long Festival included a new staging of Brian Macdonald’s acclaimed production of Gilbert and Sullivan’s > The Board of Trustees, which is responsible for, among other things, the financial statements of the Corporation, dele- The Mikado, special performances by the gates to Management the responsibility for the preparation of the financial statements and the annual report. NAC Orchestra, as well as the family enter- Responsibility for their review is that of the Audit Committee of the Board of Trustees. The financial statements were

Photo: John Hryniuk John Photo: prepared by Management in accordance with generally accepted accounting principles and include estimates based on specialevents Judging of Kids Art contest tainment of Montreal’s Cirque Parasol. > Attendance at Festival Canada’s 90 perfor- Management’s experience and judgement. The financial statements have been approved by the Board of Trustees on the recommendation of the Audit Committee. Other financial and operating information appearing in this annual > The Annual Kids Art contest received more than 700 entries from mances of 22 different events was up 60% report is consistent with that contained in the financial statements. young people (6-18 years) living in the National Capital Region. The over the 1997 Festival, but revenues > Management maintains books and records, financial and management control and information systems designed in specialImagine You’re An Artist contest drawings expressed the thoughts and feel- remained below expectations. The NAC > such a manner as to provide reasonable assurance that reliable and accurate information is produced on a timely ings of young people on the importance of human rights. undertook a market research study to basis and that transactions are in accordance with the National Arts Centre Act and by-laws of the Corporation. Drawing: Lisa McVicar > As part of Festival Canada, the NAC and the McGill University Archives, analyse audience reaction to the program- > The Board of Trustees of the Corporation is responsible for ensuring that Management fulfils its responsibilities for with the support of the Canadian International Development Agency (CIDA), mounted an exhi- ming and marketing to ensure that poten- financial reporting and internal control, and exercises this responsibility through the Audit Committee. The Audit bition paying tribute to Canadian Dr. John P. Humphrey, draftsman of the Universal Declaration tial future summer programming is Committee discharges the responsibilities conferred upon it by the Board of Trustees, and meets on a regular basis of Human Rights. supported by ticket sales and provides Photo: John Hryniuk with Management, and with the Auditor General of Canada, who has unrestricted access to the Committee. > The NAC entered into an agreement with Ottawa-based Sound Ventures Productions to John Humphrey greater audience appeal. > The Auditor General of Canada conducts an independent audit of the financial statements of the Corporation in co-produce a television series on the lives of great composers. Exhibition - The accordance with generally accepted auditing standards and reports on the results of that audit on an annual basis. > Ottawa native Peter Jennings made his “operatic” debut as the special guest narrator for a Honourable Diane Marleau, benefit concert in support of Opera Lyra Ottawa and the National Arts Centre Orchestra. Minister for The event raised $140,000 shared by the two organizations. International Cooperation, canada Exhibits/Rentals Dr. Margaret Kunstler > The NAC mounted ten exhibits in 1997/98 including The Hunstein Variations, photographs Humphrey and of Glenn Gould courtesy of the Glenn Gould Foundation; Visions of Europe, an exhibition of John Hobbins, Denise M. Perrier C.A. (Cy) Cook photographs presented by the European Commission; War through the Eyes of Children, from McGill Deputy Chief Executive Officer Chief Financial Officer the International Committee of the Red Cross; and Returning the Gaze, a photographic repre- University sentation of the First Nations. October 30, 1998 October 30, 1998 Rentals > Rent, Broue, the Unique Lives and Experiences lecture series, Jann Arden, and the 20th anniver- sary production of Annie are among the many productions that happened at the NAC in 1997/98. 13 NAC-2 annual report eng. 3/2/99 2:11 PM Page 14

14 National Arts Centre Corporation 97-98 National Arts Centre Corporation 97-98

balance sheet As at August 31, 1998

1998 1997 (Restated- Note 3) 1998 1997 ASSETS (Restated- Current Note 3) LIABILITIES Cash and short-term auditor’s Current report investments (Note 4) $ 4,115,569 $ 6,507,631 Accounts payable and Accounts receivable (Note 5) 2,874,919 1,883,349 accrued liabilities $ 4,964,673 $ 4,685,626 Restricted cash and investments To the Chair of the Board of Trustees Deferred revenue 4,825,379 4,356,555 (Note 6) 128,243 131,762 National Arts Centre Corporation 9,790,052 9,042,181 Parliamentary appropriation receivable 195,686 199,353 Deferred contributions (Note 9) 894,968 98,487 > I have audited the balance sheet of the National Arts Centre Corporation as at August 31, 1998 and the statements of Inventories 284,041 271,724 Deferred capital funding (Note 10) 7,664,998 7,773,305 Programmes in progress 1,551,388 1,069,397 operations, equity and cash flows for the year then ended. These financial statements are the responsibility of the Long-term portion of Prepaid expenses 200,828 1,494,747 Corporation’s management. My responsibility is to express an opinion on these financial statements based on my audit. provision for employee 9,350,674 11,557,963 > I conducted my audit in accordance with generally accepted auditing standards. Those standards require that I plan termination benefits 1,096,412 992,624 19,446,430 17,906,597 and perform an audit to obtain reasonable assurance whether the financial statements are free of material misstate- Contributions receivable (Note 7) 800,000 - ment. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial Capital assets (Note 8) 7,664,998 7,773,305 Endowment Fund (Note 11) 33,275 33,275 statements. An audit also includes assessing the accounting principles used and significant estimates made by manage- $ 17,815,672 $ 19,331,268 ment, as well as evaluating the overall financial statement presentation. > In my opinion, these financial statements present fairly, in all material respects, the financial position of the EQUITY OF CANADA Corporation as at August 31, 1998 and the results of its operations and its cash flows for the year then ended in accor- Accumulated (deficit) surplus (1,664,033) 1,391,396 dance with generally accepted accounting principles. $ 17,815,672 $ 19,331,268

Approved by Management: Approved by the Board of Trustees:

Richard Flageole, FCA Deputy Chief Executive Officer Chair Assistant Auditor General for the Auditor General of Canada

Ottawa, Canada October 30, 1998 Chief Financial Officer Member of Board & Chair of Audit Committee 15 NAC-2 annual report eng. 3/2/99 2:11 PM Page 16

16 statement of National Arts Centre Corporation 97-98 National Arts Centre Corporation 97-98 operations

For the year ended August 31, 1998 statement of 1998 1997 cash flows (Restated- Note 3) Revenue For the year ended August 31, 1998 Commercial operations (Schedule 1) $ 10,722,136 $ 10,794,579 1998 1997 Programming (Schedule 2) 8,272,066 6,892,733 (Restated- Donations and sponsorships 1,656,819 540,554 Note 3) Facility fees 601,567 192,761 Operating Other 302,332 268,808 Results of operations after government funding $ (3,055,429) $ 1,133,180 21,554,920 18,689,435 Items not affecting funds Amortization 2,144,771 2,645,617 Expenses (Schedule 3) Gain on disposal of capital assets - (33,181) Commercial operations (910,658) 3,745,616 (Schedule 1) 7,624,568 7,788,041 Programming (Schedule 2) 20,481,258 16,655,789 Changes in non-cash operating assets and liabilities 559,579 499,697 Fundraising 1,346,391 276,532 Changes in contributions receivable (800,000) - Building operations 10,619,019 7,973,699 Changes in deferred contributions 796,481 8,753 Administration 3,361,318 2,825,191 statement of Changes in deferred capital funding (108,307) (1,717,529) Information technology 1,452,386 984,677 Changes in long-term portion of provision for equity employee termination benefits 103,788 82,908 Bursaries, prizes and grants 23,000 24,458 44,907,940 36,528,387 For the year ended August 31, 1998 1998 1997 (359,117) 2,619,445 Results of operations before (Restated- Investing government funding (23,353,020) (17,838,952) Note 3) Additions to capital assets (2,036,464) (1,156,752) Accumulated surplus at beginning Proceeds on disposal of capital assets - 261,845 Parliamentary appropriation of year as previously stated $ 9,164,701 $ 9,749,050 (2,036,464) (894,907) for operating expenditures 18,152,820 16,097,851 Decrease due to the retroactive Amortization of deferred application of the change (Decrease) increase in cash position (2,395,581) 1,724,538 capital funding 2,144,771 2,874,281 in accounting policy (Note 3) (7,773,305) (9,490,834) 20,297,591 18,972,132 Cash position at beginning of year 6,639,393 4,914,855 Accumulated surplus at beginning Cash position at end of year $ 4,243,812 $ 6,639,393 Results of operations after of the year as restated 1,391,396 258,216 Composed of: government funding $ (3,055,429) $ 1,133,180 Results of operations after Cash and short-term investments $ 4,115,569 $ 6,507,631 government funding (3,055,429) 1,133,180 Restricted cash and investments 128,243 131,762 $ 4,243,812 $ 6,639,393 Accumulated (deficit) surplus at end of year $ (1,664,033) $ 1,391,396 17 NAC-2 annual report eng. 3/2/99 2:11 PM Page 18

18 National Arts Centre Corporation 97-98 National Arts Centre Corporation 97-98 notes to financial statements August 31, 1998

Employee termination benefits > Employees of the Corporation are entitled to specified benefits on termination as pro- respect of the Government of Canada’s fiscal year ending on March 31 of the following year. vided for under their respective contracts and conditions of employment. The liability for ended August 31, 1998 (3.46% in 1997). The fair value of short-term investments approximates Accordingly, the portion of the amount received to August 31, which is in excess of 5/12ths these benefits is recorded as the benefits accrue to the employees. the book value due to their impending maturity. of the appropriation, is deferred to the following year. Similarly, the portion of the amount Operating expenses received to August 31, which is less that 5/12ths of the appropriation, is recorded as a > Expenses relating to commercial operations and programming do not include costs 5. Accounts Receivable 1. Authority, objectives and operations receivable. relating to building and equipment maintenance, utilities and administrative services. > In the normal course of business, the Corporation sells its products to many customers. One > The National Arts Centre Corporation (the “Corporation” or the “Centre”) was established in > Differences in parliamentary appropriation received for payments in lieu of taxes to Pension plan account represents 29% of the year-end balance (49% in 1997). The fair value of accounts 1969 pursuant to the National Arts Centre Act and is not subject to the provisions of the Income municipalities and other taxing authorities and the related expense for the year are record- > Employees of the Corporation participate in the Public Service Superannuation Plan, receivable approximates the book value due to their impending maturity. Tax Act. Pursuant to Section 85 (1) of Part X of the Financial Administration Act, Divisions I to ed as either a deferred credit or an account receivable as appropriate. administered by the Government of Canada. Contributions to the Plan are required by IV of Part X do not apply to the Corporation. Inventories both the employees and the Corporation on an equal basis. The Corporation’s contri- 6. Restricted cash and investments > The objectives of the Corporation are to operate and maintain the National Arts Centre, to > Inventories are valued at cost for restaurant supplies, food and beverages. butions represent the total pension obligation of the Corporation. Contributions in > Restricted cash and investments arise from contributions received from individuals and cor- develop the performing arts in the National Capital Region, and to assist the Canada Council respect of current service are expensed during the year in which service is rendered. porate entities for a specified purpose. in the development of the performing arts elsewhere in Canada. Programmes in progress > The Corporation is not required under present legislation to make contributions with > In furtherance of its objectives, the Corporation may arrange for, and sponsor performing arts > Direct costs, including advances to performing companies and artists related to pro- 7. Contributions receivable grammes (shows) that will be held after year-end, are deferred, and are charged to respect to employees for actuarial deficiencies of the Public Service Superannuation activities at the Centre; encourage and assist in the development of performing arts companies > Contributions receivable represent the unpaid portion of the $1,000,000 pledge made by the expenses in the year in which the programmes take place. Account. resident at the Centre; arrange for, or sponsor radio, and television broadcasts and the showing Alexei Yashin Foundation in 1997-98. Related to this pledge, an amount of $200,000 was of films in the Centre; provide accommodation at the Centre, on such terms and conditions as Capital assets 3. Change in accounting policy received during the year. The remaining balance of the pledge is to be received in equal pay- the Corporation may fix, for national and local organizations whose objects include the devel- > Capital assets are recorded at cost net of accumulated amortization. Amortization is > Prior to 1998, the funding received from the Government of Canada was recorded as ments of $200,000 per year in each of the next four years. The fair value of contributions opment and encouragement of the performing arts in Canada; and, at the request of the calculated using the straight-line method, over the estimated useful lives of the assets equity. Effective September 1, 1997, the portion of the parliamentary appropriation receivable at year end is approximately $730,000. Government of Canada or the Canada Council, arrange for performances elsewhere in Canada as follows: used to purchase depreciable capital assets is now recorded as deferred capital funding by performing arts companies, whether resident or non-resident in Canada, and arrange for per- Equipment 2 to 10 years on the balance sheet, in order to conform to Canadian Institute of Chartered 8. Capital assets formances outside Canada by performing arts companies resident in Canada. Computer software and hardware 3 to 5 years Accountants (CICA) Public Sector Accounting and Auditing Board recommendations > With a view to achieving the objectives, the Government of Canada has leased without charge Leasehold improvements 10 years on Accounting for Government Assistance, and are amortized on the same basis and 1998 1997 the National Arts Centre building complex to the Corporation. The lease is being renewed on a Deferred revenue over the same periods as the related capital assets. This change in accounting policy has yearly basis. The Corporation is responsible for the operation and maintenance of the building. > Revenue from tickets sold related to programmes (shows) that will be held after year- been applied retroactively and the financial statements of prior years have been restat- Accumulated Net Net end are deferred, and are recognized as revenue in the year in which the programmes take ed. The effect of this change in accounting policy is a reduction in equity and an increase Cost amortization book value book value 2. Significant accounting policies place. in deferred capital funding on the balance sheet of $7,664,998 (1997 - $7,773,305), and Equipment $ 5,525,235 4,238,709 1,286,526 $ 869,155 Short-term investments Contributions an increase in results of operations after government funding for the year of $108,307 Computer software > Short-term investments are valued at the lower of cost and market value. > The Corporation follows the deferral method of accounting for contributions. (1997 - $1,717,529). and hardware 3,923,842 2,398,093 1,525,749 734,986 Parliamentary appropriation > Contributions externally restricted, and related investment income, are deferred and rec- Leasehold > The Government of Canada provides funding to the Corporation. The portion of the ognized as revenue in the year in which the related expenses are incurred. Unrestricted 4. Cash and short-term investments improvements 27,056,134 22,203,411 4,852,723 6,169,164 Parliamentary appropriation used to purchase depreciable capital assets is recorded as deferred contributions are recognized as revenue when received. > The Corporation’s policy is to invest temporary excess cash in short-term deposit cer- capital funding and amortized on the same basis and over the same periods as the related capi- > Volunteers contribute a significant number of hours per year. Because of the difficulty tificates, bonds, and commercial paper with Canadian financial institutions. As at August $ 36,505,211 28,840,213 7,664,998 $ 7,773,305 tal assets. The remaining portion of the appropriation is recorded on the statement of operations. of determining their fair value, contributed services are not recognized in these financial 31, 1998, cash and short-term investments include bonds and commercial paper of > The parliamentary appropriation approved for the period from April 1 to August 31, is in statements. $1,096,794 ($4,763,193 in 1997). The average yield of the portfolio was 4.25% for the year 19 NAC-2 annual report eng. 3/2/99 2:11 PM Page 20

20 Arts Centre CorporationNational 97-98 Arts Centre Corporation 97-98National

9. Deferred contributions 1998 1997

Pledge from Alexei Yashin Foundation $ 800,000 $ - scheduleschedule of 1revenue and expenses NACO Trust Fund 30,567 36,398 NACO Tour Fund 63,964 61,152 Commercial Operations for the year ended August 31, 1998 Trudie LeCaine Fund 437 937 $ 894,968 $ 98,487 1998 1997

Excess of Excess of Revenue Expenses revenue revenue > Changes in the deferred contributions balance are as follows: over expenses over expenses Restaurants $ 6,262,199 5,874,904 387,295 $ 306,162 1998 1997 Rental of halls 2,265,373 1,267,020 998,353 1,109,921 Garage 2,194,564 482,644 1,711,920 1,590,455 Balance at beginning of year $ 98,487 $ 89,734 Interest income 6,454 7,156 11. Endowment Fund Total $ 10,722,136 7,624,568 3,097,568 $ 3,006,538 Donations 800,527 10,097 > The initial capital of $33,275 for National Arts Centre Orchestra (NACO) Trust Fund is Amount recognized as revenue subject to externally imposed restriction stipulating that the original capital be maintained 15. Commitments on the statement of operations (10,500) (8,500) permanently. Interest earned during the year of $1,664 (1997 - $1,930) is included in > The Corporation is in the process of signing a Strategic Alliance Agreement with a poten- deferred contributions. tial supplier for a period of sixty eight (68) months effective as of the 1st day of January Balance at end of year $ 894,968 $ 98,487 1998. Under this agreement, the supplier will provide enterprise networked business solu- 12. Related party transactions tions, common information technology infrastructure and operations management services > In addition to those related party transactions disclosed elsewhere in these financial to optimize enterprise business performance to further expand the NAC’s business objec- statements , the Corporation is related in terms of common ownership to all Government tives. The estimated fee for the agreement is approximately $5 million. 10. Deferred capital funding of Canada created departments, agencies and Crown corporations. > Deferred capital funding represents the unamortized portion of parliamentary appropriations > During the year, in the normal course of business and on normal trade terms applicable 16. Uncertainty due to the Year 2000 used to purchase depreciable capital assets. to all individuals and enterprises, the Corporation incurred expenses totaling $593,533 > The Year 2000 Issue arises because many computerized systems use two digits rather > Changes in the deferred capital funding balance are as follows: (1997 - $620,440) for utility, facilities and telephone services provided by related parties than four to identify a year. Date-sensitive systems may recognize the year 2000 as 1900 and earned revenue totaling $1,325,377 (1997 - $833,818) from special grants from, and or some other date, resulting in errors when information using year 2000 dates is 1998 1997 restaurants’ sales to, other related parties. processed. In addition, similar problems may arise in some systems which use certain dates in 1999 to represent something other than a date. The effects of the Year 2000 Issue may Balance at beginning of year 13. Contingencies be experienced before, on or after 1 January 2000 and, if not addressed, the impact on as restated $ 7,773,305 $ 9,490,834 > The Corporation is the claimant or defendant in certain pending claims and lawsuits. In operations and financial reporting may range from minor errors to significant systems fail- Appropriations used to purchase Management’s opinion, the outcome of these actions is not likely to result in any material ure which could affect an entity’s ability to conduct normal business operations. It is not depreciable capital assets 2,036,464 1,156,752 liabilities. possible to be certain that all aspects of the Year 2000 Issue affecting the Corporation, Amortization (2,144,771) (2,874,281) including those related to the efforts of customers, suppliers or other third parties, will be 14. Fair value of financial instruments fully resolved. Balance at end of year $ 7,664,998 $ 7,773,305 > In addition to what was already described in Notes 4, 5 and 7, the fair value of parlia- mentary appropriation receivable, restricted cash and investments, and accounts payable and 17. Comparative figures accrued liabilities approximate the book value due to their impending maturity. > Certain figures for 1997 have been reclassified to conform to the presentation adopted this year. 21 NAC-2 annual report eng. 3/2/99 2:11 PM Page 22

22 National Arts Centre Corporation 97-98 National Arts Centre Corporation 97-98

scheduleschedule of 2revenue and expenses institutional information Performing Arts Programming for the year ended August 31, 1998

1998 1997 Board of Trustees Executive Artistic Direction Administration Revenue Chair Director and CEO Senior Artistic Advisor Managing Director, NACO Music $ 2,885,039 $ 2,724,731 Jean Thérèse Riley (1) (4) John Cripton Brian Macdonald, O.C. Christopher Deacon Theatre 1,747,169 1,999,015 Toronto, Ontario Variety and Touring 1,176,330 262,606 schedule 3 Deputy CEO and Director, Strategy Music Director Designate Administrator, English Theatre and Dance 1,148,884 838,687 schedule of expenses by category Vice-Chair and Communications Pinchas Zukerman Festival (1) (2) (4) Festival Canada 856,930 647,341 For the year ended August 31, 1998 David H. Hill, Q.C. Denise M. Perrier Victoria Steele Youth and Education 260,138 193,855 Ottawa, Ontario Principal Guest Conductor, NACO Outreach 19,420 16,194 Chief Financial Officer Franz-Paul Decker Administrator, French Theatre Programming Support 178,156 210,304 1998 1997 Lawrence A. Brenzel (until July 1998) (1) (3) C.A. (Cy) Cook Fernand Déry 8,272,066 6,892,733 Salaries and benefits $ 14,803,681 $ 13,269,103 Toronto, Ontario Conductor Laureate (1) (2) Artistic fees 7,056,130 5,577,558 Eric Charman (until April 1997) Senior Director, Human Resources Mario Bernardi, C.C. Archivist and Coordinator of Exhibits Vancouver, British Colombia Bernard Geneste Gerry Grace Expenses Property taxes 4,246,814 705,686 Rosemarie Landry, C.M. (1) Senior Festival Advisor Music 5,777,406 5,532,983 NACO fees 3,224,289 3,243,924 Caraquet, New Brunswick Senior Director, Operations Nicholas Goldschmidt, C.C. Director, Patron Services Theatre 3,716,467 2,869,972 Advertising 3,090,045 2,185,992 Carole McDougall Gilles Landry Robert Asselin Variety and Touring 1,764,710 408,673 Amortization 2,144,771 2,645,617 Halifax, Nova Scotia Artistic Director, English Theatre Dance 2,239,858 1,461,144 Cost of sales 2,102,053 2,094,952 Arliss Miller (until May 1997) (2) Senior Director, Marketing & Marti Maraden Director, Marketing Festival Canada 2,683,270 2,469,448 Contract fees 1,936,047 761,750 Edmonton, Alberta Development Heather Moore Youth and Education 492,780 403,735 Utilities 1,348,652 1,344,808 Andrew D.M. Ogaranko, Q.C. (1) (2) Kenneth McCuaig Artistic Advisor, French Theatre Outreach 441,779 395,818 Maintenance and repairs 1,251,590 2,220,563 Winnipeg, Manitoba Jean-Claude Marcus Director, Finance (2) (4) Programming Support 3,364,988 3,114,016 Production 576,302 392,583 Marianne Perry Assistant to the Director and CEO, Kik Sang Bong 20,481,258 16,655,789 Office expenses 507,772 355,387 Sault Ste Marie, Ontario Corporate Affairs Consultant-Producer, Dance Krystyna Chelminska Jack Udashkin Director, Security Promotion 504,726 152,418 Mayor of Ottawa Dave Smith Excess of expenses over revenue $ 12,209,192 $ 9,763,056 Financial charges 485,056 440,357 Jacquelin Holzman (until November 1997) (3) Associate Producer, Dance & Supplies 284,326 263,028 Jim Watson (3) Variety Director, Administrative Services Professional fees 260,570 123,072 Michel Dozois Richard Tremblay Staff travel 256,275 144,384 Mayor of Hull Telecommunications 181,327 145,586 Yves Ducharme (3) Producer, Touring & Special Director, Restaurants & Catering Equipment 118,257 106,237 Events Ashok Dhawan Board expenses 98,257 86,786 Michael Tabbitt Insurance 75,121 77,827 (1) Member of Executive Committee Executive Chef (2) Rental of facilities 68,383 56,072 Member of Finance Committee Production Director Kurt Waldele (3) Education and training 48,053 34,683 Member of Audit Committee Alex Gazalé (4) Member of Nominating and By-Laws Assistant Director, Communications Miscellaneous 239,443 100,014 Committee Kelly Ann Beaton

$ 44,907,940 $ 36,528,387 Assistant Director, Development Catherine Koprowski 23 NAC-2 annual report eng. 3/2/99 2:11 PM Page 24

24 chronological National Arts Centre Corporation 97-98 National Arts Centre Corporation 97-98 listing 30 R OP Ottawa Symphony Orchestra 24 M NG Music for a Sunday Afternoon – 04 F NG Noon-hour concerts: Three for the Fourth to artistic events 30-04 April ET TH Canadian Improv Games – Regional Alain Trudel 04-05 F Foyer Musaic, mini-performance September 1, 1997 to August 31, 1998 31 M SA Debut Series – Jean-François Latour 25-30 FT ST Narcisse 04-05 F CMC Musaic, mini-performance 26-27 D OP Dance Theatre of Harlem – NACO 06 F OP Imilonji KaNtu September 1997 24 D TH H . Art . Chaos – The Rite of Spring 27-07 Feb. ET ST Divinity Bash April 1998 27-31 ET EL On the Verge ... Theatre New Works 07-08 F OP NACO – Rita MacNeil 25-30 FT ST Le Porteur 30 M OP NACO Light Classics – Franz-Paul Decker Festival ‘98 07-11 F ST Natalie Choquette: La Diva II 02-13 R OP Showboat 01-02 M OP NACO Ovation Series – 26-27 M OP NACO Signature Series – Järvi/Haefliger 28-30 M OP NACO Pops Series – John McDermott 08 F NG Noon-hour concerts: Ensemble Zafiro 09-13 ET TH Elsinore Pehlivanian/Harrell 28 R OP Luce Dufault February 1998 31 M OP Recital: Gil Shaham 08-12 F SA How a Promise Made the Buffalo Jump 19 R OP Nana Mouskouri 04 M OP NACO Young People’s Concert – 29 M OP Recital Jennifer Larmore 09-11 F OP American Indian Dance Theatre 18-21 R TH Ottawa International Animation Festival 01 M NG Music for a Sunday Afternoon – Boris Brott 30 R OP Sharon, Lois & Bram June 1998 11 F OP NACO – Stabat Mater 22-04 Oct. ET ST Vigil Timothy Eddy 05 SP OP Howie Mandel 30 M NG Music for a Sunday Afternoon – 11 F NG Noon-hour concerts: Music for Trumpet 23-28 R OP Stomp 02-21 ET TH Claptrap 05-06 FT SA Reading – Cycle Corneille: La Place royale 02 R OP Unique Lives and Experiences – Andreas Haefliger and Piano 25 M TH NACO Glenn Gould Celebration 04-05 M OP NACO Signatures Series – 07-12 R OP Peter Pan Maya Angelou 12-16 F ST The Best of Queer Comics – From the 27 D TH Le Carré des Lombes - Discordantia Franz-Paul Decker/Ottawa Choral Society 08-11 ET TH Canadian Improv Games - Nationals 03-04 M OP NACO Signature Series – December 1997 Just for Laughs Festival 29 R OP The Chieftains 06-08 R OP Broue 09-10 FT ST Motel Hélène Chmura/Goodyear 15 F NG Noon-hour concerts: String Trio 02-07 FT ST Petits-Trots - Le Rêve de Pinocchio 10-11 D OP Royal Winnipeg Ballet/NACO – 14 M OP NACO Baroque Series – Harry Bicket 05 CDF TH Canada Dance Festival-Misrasena/ 16-18 F TH Elsewhereless October 1997 03-07 D OP The Kiev Ballet and the Ukrainian Romeo and Juliet 14-20 FT ST Grands-Galops – Mentire Roger Sinha 17-25 F OP The Mikado Shumka Dancers of Canada/NACO/ 11-12 SP ST See and Hear the World Series - Koffi Koko 15 R OP Sing Fest 98 06 CDF ST Canada Dance Festival-Compagnie Flak/ 01-02 M OP NACO Signature Series – Decker/Parker 17-26 F PK Cirque Parasol The Nutcracker 12-14 M OP NACO Pops Series – Oliver Jones/ 16-25 FT TH Le Mariage de Figaro José Navas 02-11 FT TH Leitmotiv 18 F NG Noon-hour concerts: Music for Flute 03-20 ET TH Othello George Shearing 17 M OP NACO Light Classics – Westerfield/Kraft 06 CDF TH Canada Dance Festival- 03 R OP Marc Dupré and Piano 08 R OP Anne Murray 14-15 ET ST Family Theatre Series - The Nightingale 21 R OP Unique Lives and Experiences – Toronto Dance Theatre 04 M OP Jessye Norman Gala 19 F CP NACO – Amram/T.S. Monk Sextet 09 M OP NACO Baroque Series – 18-19 M OP NACO Ovation Series – Helmuth Rilling/ Benazir Bhutto 07 CDF ST Canada Dance Festival-Compagnie Flak/ 06 R OP Ottawa Symphony Orchestra 19-26 R ST Late-Night Jazz Hogwood/G’froerer/Larkin Ottawa Choral Society 22-23 M OP NACO Signature Series – José Navas 08 SP TH See and Hear the World Series – 22 F NG Noon-hour concerts: Saxart 10 R OP Levesque – Turcotte 21 SP OP The Merry Widow in concert – Bamert/G’froerer 07 CDF TH Canada Dance Festival-Winnipeg’s Chandralekha Group 20-23 F TH Premiere Film Series 10-20 FT ST Ma Cour d’honneur Peter Jennings 24 M TO Cornwall run-out – Bamert/G’froerer Contemporary Dancers/Nagual Dance 08-09 M OP NACO Signature Series – Decker/Juillet 23 F CMM Inti-Illimani 11-13 M OP NACO Pops Series – Wally Harper 22-23 FT EL Readings - Cycle Corneille: Rodogune 24-25 D ST Virpi Pahkinen - Solos Theatre/Aboriginal Dance Program 10-11 D ST Leine & Roebana – The Circle Effect 23-25 F TH Symposium on the Role of the Artist in Barbara Cook in Concert: 23 R OP Unique Lives and Experiences: 25 D OP Les Grands Ballets Canadiens 08 CDF ST Canada Dance Festival-Heidi Latsky& 14 D TH S.O.A.P. Dance Theatre Frankfurt - Khôra Human Rights “Life on Broadway” Roberta Bondar 26 M NG Music for a Sunday Afternoon – Colin Carr Lawrence Goldhuber 17-18 FT ST Vendredi Crusoé 24 F TH Anton Kuerti in Recital 15 SP TH Jane Siberry 24 M OP NACO Baroque Series – 26 M OP Recital – Krystian Zimerman 08 CDF TH Canada Dance Festival-Peter Chin/ 18-25 R OP Opera Lyra – Aida 26 M OP National Youth Orchestra of Canada - 17-18 M OP NACO – The Messiah – Mario Bernardi Zukerman/Hamann 26 FT TH Henri Dès Exquisite Corpse 22- 08 Nov. ET TH Master Class Akiyama 19 M OP NACO – Holiday Fantasy - Mario Bernardi 24-25 D OP Ballet British Columbia 28 M SA Debut Series – Jasper Wood 09 CDF ML Canada Dance Festival-Saveeta Sharma 24 M OP NACO Light Classics – Keith Lockhart 28-01 Aug. F ST Accidental Death of an Anarchist 20-22 R OP Grease 24-01 March FT ST Grands-Galops - Mathieu trop court, 29-02 May D OP Moscow Classical Ballet/NACO – and Company 24-25 D ST The Holy Body Tattoo – Our brief eternity 30-23 Aug. R OP Rent 31 SP OP Holly Cole François trop long Cinderella 09 CDF ST Canada Dance Festival-Battery Opera/ 27 M OP Recital – Louis Lortie 31 M TH NACO – Zukerman – Whole Notes 27 M OP NACO Light Classics – Pinchas Zukerman Lee Su-Feh 30-01 Nov. M OP NACO Pops Series – The Robert Farnon January 1998 28-01 March R OP Alain Morisod & Sweet People May 1998 09 CDF TH Canada Dance Festival-O Vertigo Dance Legacy 10 CDF ML Canada Dance Festival-Mixed Program August 1998 01 M OP NACO – Salute to Vienna 01-02 SP TH Musical Box – Selling England by the Pound March 1998 10 CDF ST Canada Dance Festival-Le Groupe de la 6 M TH NACO – Bernardi – Music of November 1997 03 M TH Generations X,Y, Z New Music Festival – 01-16 ET ST Street of Blood Place Royale Alexina Louie High Pop/High Art 03 M SA Debut Series – Yegor Dyachkov 03 R OP Dr. Laura Schlessinger 02-03 FT SA Readings - Cycle Corneille: Horace 10 CDF OP Canada Dance Festival-Ballet BC/ 25 R OP Julio Iglesias 05 M TH Generations X,Y, Z New Music Festival – 04-05 M OP NACO Signature Series – 04 R OP Virsky Ukrainian Dance 08 SP OP Governor General’s Performing Arts Margie Gillis High Pop/High Art Pinchas Zukerman 05 R OP Kevin Parent Awards Gala 11 CDF ST Canada Dance Festival-David Pressault 06 M TH Generations X,Y, Z New Music Festival – 05-14 FT TH Don Quichotte 06-17 FT SA Petits-Trots - Pescetopococcodrillo 08-09 ET ST Family Theatre Series - The Book of 11 CDF TH Canada Dance Festival-Carbone 14 Nexus 08 M NG Music for a Sunday Afternoon – 07-09 M OP NACO Pops Series – Nexus – Boris Brott Miracles 12 CDF ST Canada Dance Festival-Dunn/Brochu 06-11 R OP Tap Dogs NACO Ensembles 09 SP TH Gala: The Stage for AIDS 3 09 R OP Penn & Teller 12 CDF TH Canada Dance Festival-Carbone 14 07 M TH Generations X,Y, Z New Music Festival – 10 R TH You Can’t Beat A Woman 09 M OP NACO Young People’s Concert – Nexus – 11 M OP NACO Baroque Series – Roy Goodman/ 13 CDF ST Canada Dance Festival- Webber & Bessette 10-15 FT ST Petits-Trots – L’Homme, Chopin et Boris Brott Hamann/Schtzman Pierre-Paul Savoie Dance 09 M TH Generations X,Y, Z New Music Festival – le petit tas de bois 11 R OP Ottawa Symphony Orchestra 13 R OP Jann Arden 13 CDF OP Canada Dance Festival-National Ballet Key Locations “Bowie meets Elvis” 14-21 R OP Opera Lyra - Barber of Seville 12 R OP Unique Lives and Experiences – 14 M OP NACO Light Classics – Lacombe/Chang of Canada 14 SP TH See and Hear the World Series - 18-04 April ET TH Wingfield Unbound Joan Rivers 14-15 D ST Brouhaha Danse – Giselle 15 R ST The School of Dance M Music OP Opera Urban Bush Woman 19 SP OP Stars of the Shanghai Acrobatic Theatre 13-14 M OP NACO Ovation Series – Pinnock/Sokolov 13-22 FT TH Le Cid 16 M SA Debut Series – Danièle Leblanc ET English Theatre TH Theatre 14-15 M OP NACO Ovation Series – Abel/Sweet 23 R OP Unique Lives and Experiences – 13-30 ET TH High Life 15 R OP Warren Miller Ski Film – Snowriders 2 16-21 R OP Annie FT French Theatre ST Studio 16 D OP The Parsons Dance Company Dr. Jane Goodall 16 R OP Alain Choquette 16 M NG Music for a Sunday Afternoon – 25 R OP Helmut Lotti D Dance EL Elgin Room 16-17 D TH PPS Danse – Pôles 24 SP OP Marcel Marceau – 50 years of genius! 17 M ST NACO Bursary - Finales Andrew Dawes 30 F Foyer Unisong ’98 Massed Choir F Festival Canada SA Salon 17 M OP NACO – Young People’s Concert – 24-25 M OP NACO Student Matinée Concerts – 19 M OP NACO Baroque Series – Pinnock/Petri – 21 SP OP Roger Whittaker 30-01 July F OP NACO – Beethoven Symphony No. 9 CDF Canada Danse Festival ML Main Lobby David/Quartango Boris Brott -Vivaldi Ottawa Regional Youth Choir – 22 R OP Daniel Lemire R Rental NG National Gallery 14-24 FT ST L’Été dernier ... à Golden Pond 24-25 FT ST Mon vieux tu m’as jeté sur une Cantata Singers of Ottawa 22 M OP NACO – Young People’s Concert – SP Special CMC Canadian Museum 19 R OP Ottawa Symphony Orchestra nouvelle planète 20-21 R OP Spirit of the Dance July 1998 Mario Duschenes RO Run-out of Civilization 21-23 D OP National Ballet of Canada/NACO - 26-28 M OP NACO Pops Series – Stephen Stein – 22 M OP NACO Light Classics – Feldbrill/O’Conor 19-20 M OP NACO Ovation Series – Stern/Hamelin 01-05 F ST Michel Lauzière PK Jacques Cartier Park The Merry Widow George Gershwin 23 R OP Michael Rancourt 24 R OP Ottawa Symphony Orchestra 03 F OP Musaic CP Confederation Park 27 M OP NACO Baroque Series – Franz-Paul Decker 28-29 ET ST Family Theatre Series – Jumping Mouse 04 F OP NACO – Bernardi/Graves 25 NAC-2 annual report eng. 3/2/99 2:11 PM Page 26

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Price Olive & Jim Pritchard Pritchard & Pamela Mme Marie-Anne Pronovost Mr & Mrs Proulx M & Mme Proulx J C Puddington Catherine Puddister Kit Pullen Dr Sheila Purcell Purcell James William Purdy & Lawrence Quan & Shungiu Fu Tom Lise Quenneville Donald Quiring & Ms D. A. Rabatich Simon Racine Racle Fernande Raina James Mr Ralph Rajaballey Jim & Louise Ralston Brian Ramsay Elizabeth Rankin Louise Rankin Mr A W Rathwell Street Studios Raven Andrew & Susan Raven Rosemarie Rawlins Richard & Ruth Raycraft Mr & Ms Raymond Ruth Raymond V C Rayne D Charles Rea & Read Lawrence Carmel A. Ready Reaume Trudy Arthur A. Redekopp Michael Reed Mr Roger F. Reens Heather Reid Reid Jack Reid Mr Patrick Thomas Relf Gregory Renaud & Renaud-Joly Sylvain Reynolds Pamela Martine Richard W. Mrs Grace Richardson Nancy E. Rickard Mrs Myrtle Rider Mrs Ridewood Naomi Ridout Leah Rines Gerry & Rosi Riopelle Henry Schultz Francine Page Francine Mr & Mrs Richard G. Page S. Page Pagnan Ms Jeanne Store General Pakenham Pallastio M & Mme John M Antonio Paluck Linda Paolozzi Parchelo Joseph Sylvie Paré Parent Audrey Elizabeth Ann Parent Monique Parisian Parisien Jean-Yves Mr & Mrs Parker Margaret L. Parkin & Brian Parnega Joyce Allen Parsons Mr & Mrs Charles Part Miss J. M. Parton Margaret Parups Marina & Norman Pascoe Andrew Pateman Dr & Mrs Brian Patenaude Pierrette Patenaude Mr Robert Paterson Patrick Tony Mr & Mrs Charles & Mary Patterson E.Flora Patterson Dr Inga Patterson Patterson Mr & Mrs Keith & Darlene Patterson William Paul-Carson Patricia Chirstel Paulun Derek Payne Mr William Peacock Scott M. Pegrum Ann Pennie Archie & Barbara Croombe Pensom & Pepall Jennifer Eliana & Mauricio Peres Mr & Mrs Stylianos Perrakis P. Perrier & Michel Perron Paula Mrs Elizabeth Perry Selwyn Persad Mary B. Peterkin Dale Peters J. M. & R. V. Peters Mr & Mrs G. Peterson Diana Pethick Robert & Margaret Pflug Marc Philippe Mr & Mrs Charles R. Phillips Phillips Jocelyne Theresa J. Phillips Dr Claire Picard Mme Monique Picard L. Piche Evelyn Pickles Pidhursky Joseph Kathy Piening Pillai Judy Pinhey Barbara Carol Pinhey Charles Pirie Donna Piscina Mr & Mrs Ronald Pittaway Mrs Erma Place Martin Plante Plouffe Jean-Pierre Mme Louise Plouffe Plourde Mme Lorraine Plowman Wendy Marguerite Archibald Rippstein Peter Ruckemann Aurora Mori-Hunter Aurora Anne Marie Morin Morin Joel Morin Mme Lorraine Robert Morin Theodore Morin Christine Morrison The Morrisons Morrow Mr David Moskos & Peter & Katherine Moss William Pierre Motut Claire Moulton Mountain View Motel M Pierre Mousseau Mr. Muffler Muise Mr Edward Lucille Muldoon Diane Mullaly Mullaly Mr Wayne Cheryl Munro A Munro Mrs H Phillip Munro R. Ruth Munro Alex Munter Elizabeth Murphy & Hallie Murphy William Ian Musgrave Dr H. Mussallem Elizabeth Mussells Robert Mustard Ms Beth Muth Nadeau,Associés & Fournier Harry Near Dr & Mrs Roger Needham Elisabeth S. Neelin Mr & Mrs Mounir Nesrallah Newell Barbara Lenore Newman Marguerite Newnham Gaston Nguyen Martha Nixon Noble Don & Judy Geoffrey Nokes Mrs Evelyn L. Noonan A.James Norris Robert Northey Stephen & Suzanne Nourse Merna Nugent & O’Brien Jacqueline Ms M. T. O’Connor O’Connor Mr Shawn Glenda O’Hara Ms Muriel O’Hara Lila O’Reilly Hani Obeid Obrazcova Dr Kira Mr Karldon Okruta Pierre Olivier Olthof Agnes & Fred Don & Elsie Onysko & Donna Orchard Pat Dr & Mrs K. Orlik- Edith Orton Mrs G.L. Osberg Cynthia Ostrom Inc. Trips Field Valley Ottawa Hans Ottens Ouimet-Scott Paule Oxley Mr & Mrs James Karen Paavila Mr & Mrs Page Steve Duncan Ouellette Dr Jean Janet McGee & Ted Pidgeon Ted McGee & Janet Susan McGee Doreen & Bruce McGibbon Mr & Mrs McGill & Shannon McGrail & Karen McGrath Kevin McGrath Patricia Lucille McGregor McGugan Jean Mary Ellen McGugan E. McGuinty Helen McGurrin Dr Nancy J. McIntyre Anne McKee Christine McKeen Iain McKellar Ms Ilene McKenna Mark McKennirey Mr & Mrs McKenzie Mr & Mrs E. J. McKhool J. H. McKibbon Mr K. D. McKibbon T. McKinney Mrs Beverley McKiver Katherine McLaren Mrs McLaughlin McLellan Barbara M. McMahon James Robert McMecahn The McMillens McNeal Janis Denyse & Harold McNeely Shirley McNicol McOuat & Wenda Mme Maureen McPhee Asalyn Meakin Donald & Arelis Medina-Recio Meehan Patricia Meilleur John Eldon Mellaney Adriana Mello Melson Mr & Mrs Jack Melvin Janet Mendel Gerald Mme Ginette Mercier Mercier Paul Bonnie & Chuck Merovitz Merritt Joanne Assoc. Metcalfe & Cecile R. Methot Methot Jocelyne Mr & Mrs Robert Milin Gwen Millar Mr Ralph Millar Andrew J. Miller Ms Carol E. Miller Miller & Laura John Mills Mr & Mrs Frank Mills Ms Julia Minaker John Miner Dr & Mrs John B. Minshall Elizabeth M. Minshall Catherine Mirsky & Sam Mitrovic Kuniko E.Joan Molson Maureen Monette Andree Mongeon Shirley Monsebraaten Thierry Montpetit D. Moore & B. Havrot Madeleine Nicole Moreau Mr & Mrs Guy Morency Howard Haglie Howard Suzan Wilson-Marjerris Mary Kennedy Pierre Bourgignon Mrs Patricia Macrae Mrs Patricia Dr E MacSween Andrea Madan Mr & Mrs Buck Madden Mrs L. Madsen Magnan Francine Mailhot Donna Fay Maingot Joseph Major Paulette Mrs Marjorie Malcolm & Heather Mallett John Margaret Maloney Michael Maloney V.Mr & Mrs Maloney Maloney William Adelheid Malowany Stefan & Manders Kerstin Brian Mann Manotick Hair Studio Manson Margaret & Paul Dolores Maples Mme Nicol Marchand Nathan-Marcus Barbara S. Marengere Phyllis Marinoff & Donald Marjerrison & Marko Victor Mr & Mrs Heather Martin Richard Martin Robert Martin & Steve & Sue Martin Martin & Fatima Timothy Dr W. Robert Martin Rejean Martineau Dr Kanta Marwah Brian Mason Catherine Mason Elizabeth Mason J. Matthews Mattila Mr Kerry Mr Stan Matwin Ms S. Maubach Maxted Julie Maybee Jack Nadia Mayer Mr Ed Mayhew Mays Jane Mazzarello Ms Milva Ed & Margaret Mcallister Mcaulay Dr David Mcausland Joyce Alison McBratney Robert McBride McBurney William Lee McCarthy & Terry McCaw Mr Vernon McCay Ms Yolande Susan McClelland Bill McCloskey Mr Robert McClure Catherine McConnell Mrs K. G. McCord Elizabeth McCowan Margaret McCully McDiarmid Janet Helen McDonald McDonald Mr John McEvoy John McEwen Elizabeth & John Russell McEwen Kay McGahern Mrs Marylin Letts Lévèsque Inc. Scène (L.I.S.) MacPherson Lucie Legault B & Ave Le Gîte Park Brian Legris Edward Katherine Lelievre Mlle Cecile Lemire Mrs Susan L. Lennox Marthe Lepine Lesley David Louise Letarte Louise Letourneau Dr Merv Letts & Dr & Mme Fernand Lévèsque Jean-Guy Mari Lou Levisky Dr Sean M. Lewis Myrla Lidstone Mr Alex Lileikis Lindsay Penelope Brian & Camille Lipsett Interprétation Littérature Livingston Joanne M & Mme Claude Lizotte Michiko Llaguno Goldie Lobel Antica Locker Maureen Lofthouse W Loftus Mr & Mrs M Adelmo Lombardi Lois Long Mr & Mrs Elijah Loomer Lord Dr Francine Mrs Diana Louis Louis Grace R. Love Jane Sean Lowrie Mr & Mrs Benjamin Lu Harold & Birdie Lubert Luckey Peter Ron Lunau Mrs Lund Mary Lunz A.John Lupton Charles A. Lussier Monique L. Lussier Lye Mrs Judith Lyman Mr Peter Lythgo Wilbur & Patricia Macauley Janice MacCallum Barbara Cindy MacCullough Edwina MacDonald MacDonald Winnifred Mr & Mrs MacDuff MacGregor Ms Joy Maker Violin Mach Peter Glennis Macintosh Elaine Mackay Mary Mackay Arch Mackenzie Mr & Mrs Marion E. Mackinnon G.James Maclaren Lindsay Macleod Norma J. Macleod Margaret Maclure Mr Richard Maclure Heather Macnab Nancy B. MacNider Mr & Mrs Donald MacPhail Donald M. MacPherson Laurie MacPherson Dr & Mrs Ronald

28 NAC-2 annual report eng. 3/2/99 2:11 PM Page 28 Corporate Sponsors Networks A&E Television Bell Canada BPI Mutual Funds Capital Hill Hotel & Suites Casino de Hull Dollco Printing EDS Canada Investors Group Ottawa Jaguar Kodak Citizen Ottawa Rogers Community 22 Canada Seagram Communications Shaw Productions Sound Venture Rail Canada Via Thea Herman Dan-Al Auto Ltd Dr Ernest P. Weeks Wienholz Ms Petra Wiles Don & Billy Playwright’s Circle Brett Michael & Laura Brown Penny Robert & Sylvie Clarke Mr & Mrs Coaker Emond Harnden Gilbert & Jean Frederick Lois M. Johnston Mrs Maryanne Kampouris Mrs Rose MacMillan Ms Annegret Nill Ohuiginn Dara Sampson Mr Kevin Urs & Maite Schenk & Lianne Smyth Patrick Corp. Software Texar Thompson Edward Circle Maestro’s Bower Carty Ross & Diane Craddock Dr & Mrs Gunther Ruth Honeyman Gregory P. King & Neilson Dairy Turner & Beryl Vernon Circle Director’s Midas Muffler Bank Street Mr Stefan Opalski Productions Sound Venture Rosemary Bender Wasserlauf Ms Sabina A.Dr Donald George Ingrid Levitz McDonald McSheffrey Mme Huguette Petruk Benefactors Claire Alasco M.Mrs Joan Allum L. Armstrong Paul Ms Alison Atkins Dr Ruth M. Bell & Mr & Mrs Paul Allan Bird Blair Patricia Neil Blaney & Shirley Carkner Mme Lelia Bousquet Carbonell Joan Brian Corbett Mme Diane Cousineau Andrée Crowe Elaine Daly Dorothy Davidson Faille M Jacques Fairbairn Wilma Foerster Frank Mme Marie-Louise Gauthier M.Deborah Gervais Roxanne Hayes Maureen E. Hazen Mrs Aline M. Herres Douglas R. Hill I.Dr John & Kershman Upholstering Ltd. Kessels Anita Kirk Lucie Alice Laliberté Dr Campbell Lamont R.Mrs June Landsburg & Mary Lennox Mr & Mrs Gerry Lewis John Roland Madou Mr Timothy Marc Ann Hector & Philippa A. Dr James McDonald I.Kenneth McKinlay William & Geraldine Dr Marianna McVey Meriton International Aline & Oliver Mersereau Christiane Millet Maureen & Henry Molot Robert Montague Florence A. Moore Scott Nisbert & Petruk William M Mr & Mrs E. C. Ridgen Micheline & Harry Rogers Mrs E. Rosteius Monty Roy Karl & Sheila Ruban Aylen Scott & Smith Heather & Ken Carol Stephenson Steward & Joan Tom Mrs Anne Stewart Elizabeth Stewart-Hessel Dr Susan Swiggum Dr Roderick Syme Vered & Zeev Sarah Volpi Daniel & Natalie Vrooman & Nancy Wallace Walter Christine & Richard Mrs Anne Stairs Martin Page Watson-Laird Mrs Eva Sitton Mrs Eva Catherine & Milne Skarzenski Miss Donna L. Sloan Marlies Sloot Linda Smiley Betty Ann Smith Donald & Melanie Smith H.Janet Smith & Eula Smith John Ralph Glendon Smith Scott J. Smith Smith Wade Smith Wendy Mary Snetsinger T.Mr & Mrs Donald Spencer Stanley J. Squires Christina St-John St-Onge Johanne Staines David Mr George Stairs & Neil Standen Lorrie Stark Holtom Sterne Ms Mary Jane Still Janet Stollery Ca,Howard Cfe Hans L. Stutz Mrs Catharine E. Sullivan Brian Sutherland Svetlana & George Swinimer Sylvain & John Yolande Dr & Mrs S. Tadros Taylor Ms Elizabeth Margaret Taylor Management Corp. Tempest Terroux Mrs Lynne Testerink Dirk & Shirley Mary Thomas Ms M. Thompson Thomson Dave Timleck Dr Derry Martina Todd Ralph Toombs Scientific Ltd Wind Trade L.Ms Frances Trant Ross Trimble Mrs Ellen J. Trott Tunis Edward Anne-Marie Turcotte Vachon M & Mme Gérard & Anastasia Valentine Berkel Van Janine Veillette Nina & Bob Edith Voelkoff Mr & Mrs Bernard J. Vriezen Chris Waller Walt Gordon & Heather Anne Ward Rosina E. Ward Mr & Mrs F. S. Warren Waserman Mr Philip Naomi & Richard Watt William Mr & Mrs Webster Joyce Robert Webster Ursula Wery-Neve Mrs L. D. Whillans Williams Brian & Celine Maggi Williams Williams Richard & Lynda Wilson Ms Alexandra Wilson Mrs Gillian Wudrich Mr Dalton Dr Alan Frank Thomas Minde Management Inc. Sauvé-Garand Zussman Mr David Corp. Technology Martha A. Perry Dr Suren Phansalker George Pike Thomas Place Mr & Mrs & Ms Carole Polnicky Charles & Malca Polowin Katalin M. Poor Post Miss Wendy Marie Potvin Wendy Darlene Powell Ms M. E. Power Renée Prince & Przybytek John Adele Quarrington Mr & Mrs Quinlan Margot Quinty Dr Lucy Rabb Pierre & Carolyn Racicot Sally Rafuse Sheila Rambeau W Read T H Recovery Rehabilitation Agnes Reed Roger Regimbal Reid Peggy Reinhardus Barbara Aileen Rennie Construction Inc. Renovatek Requadt Guenter & Pearl Louise Reynolds Richards Pauline F.John Richardson Betty Riddell Ritchie June Robblee James & Glenna Roberts Peter Mrs Sally Roberts Mr & Mrs C. D. Robertson Robinson & Mowat Jane Mr & Mrs Bruce Rodger Caroline Rodgers Roper Janet Hope Ross-Papezik Michael Rowland Diana M. Rowley Ruffo John Helen Ryan Lucille Saint Pierre Arlene Salmon Bob & Mr Go Sato & Berthe Gerard Dr Marianne Schenker Schnare Robert & Lynn Schreiner & Pamela Franz A. Mr Frederick Schwilgin Scott Vaughn Brian & Ms Sheridan Scott & Mr Rob Scrimger Secord Tim & Janet T. Mme Jeannine Séguin Mr Gordon Seiferling Beth Shepherd Michael Shepperd Dinah & Robert Showman Ann Gwyneth Sicotte Sidey Janet Silver Rapids Holdings M & Mme Claude Simoneau Information Sintrac John McMahon John Mr Yves Marcel Mrs Karen Mehmet Colleen Hughes Penner Keith Dr David M.Dr David Makow Mandax Ltd & Sue Mansson Torry Olivier Marengère Brenda Martin Ms Margot G. Martin Susan Martin Mason Sarah M Réjean Mathieu Miko Matsuo W.James Maxwell Georgette McArthur McDonald Ian & Joan Ms Gwen McEvoy Donald & Fiona McEwan Mrs W.R. McGillivray Bruce McIntyre Mr & Mrs McKelvie Olga McKenna Sylvia-Anne & E. Alma McNab McPeake Wendy Dr Ruth McPherson & Ms Margaret Mech Mr Ozay Mehmet & Gilles Melanson Anne Meloche Mr & Mrs Derek Mendham Ms Kim Miller Mr & Mrs Geoffrey Millington Mills Julie Stanley Mirecki Modise Yolisa Mr & Mrs Sam Monsour Brian & Susan Moore Eric & Louise Moore & Chris Morash Alan G. Mordy Gertrude Morin Brenda Morrissey & Elizabeth & Herbert Morrow Ronald Mortby Lee Mosley And Associates Mr & Mrs Louis Mrak Mueller Karen & Fred Mrs G. Muller Ms Mullins Imelda Mulvihill Mrs Marilyn Munroe Mikhaela Murphy & Catherine Nelms John Nelson James Nicholson Stan & Pat Mrs Lenore Nilson Christina O’duffy Gary & Phyllis O’neill Therese Ozorak Carlos Ozores Page Mme Josée Allan D. Palmer Mr & Mrs Ödön I. Panek Parsons Mr & Ms James Morna Paterson Paton Mrs Julia Patterson Janice Richard Payeur Michael Pearson & Mary Pearson Wayne Bert Pereboom Perkin Michael & Janis David Speck David Kirsten Carlson Kaluski Jeff Girouard Dr Pascale Marcella Patenaude Yves Ménard Michael Hooper Bouchard Houle Marie Jeanne Jim Howse & Sue Potter Andrew Huggett Hughes Shirley & David Richard & Marianne Hurley Hutchinson Tricha Serge & Mr Bernd Imken Mr Nasir Islam Jacobson Sara Doris H. Jelly & Marilyn Jenkins Henry & Lois Jensen Johns & Janet John Pierre Johnson Mary Johnston Joly M & Mme Jean-Marie Harold & Merle Jones Jonescu Jodi Malcolm Jordan Norma Joseph Huguette Jubinville Maria Kathmann-Jakubinek Lorene Kayser Keelty Maureen & David Sean Kennedy Matthew Kenny W.R. Kippen Reverend F. W. Kirby & Leslie Klein Vera Alan Knight & Anthony Koch Kovacs Tom Naomi Kuhn Liliane Kwofie Mme Kathleen Labelle T.D.Mr & Mrs Lafferty M Robert Lafleur M Armand Lamirande Lancaster Barbara Stephanie Lane & Lavigne Murray Hubert Leblanc Leblanc Mrs Wendy Yves Leduc & Mr Mrs Erica Lennox Hélène Lepage-Levert Collette L’Esperance Andre Letourneau & Location Eric Liberty Jean Lighthall Mr & Mrs John Noreen Linton Elsie Liota Thomas Lips & Justine Andrea Lockwood & Technologies Loran Mr & Mrs J. Lugsdin Ernest Mabley & Mabel Mann MacDonald Nora Berga MacGillivray Evelyn MacGregor George & Nancy MacGregor J.Tammy MacGregor Family The MacKenzie Andrew MacLean Ian & Muriel MacNaughton Camille Mageau Karen & Donald Maher

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