DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 25,1905

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 25,1905 MASSEY MUSIC HALL, TORONTO. FIRST APPEARANCE IN TORONTO OF THE Bos ton Symphony Orchestra WILHELM GERICKE, Conductor. Twenty-fifth Season, J905-1906. PROGRAMME OF GRAND CONCERT TUESDAY EVENING, OCTOBER 3, AT 8,15 PRECISELY. With Historical and Descriptive Notes by Philip Hale. Published by C. A. ELLIS, Manager. l "A PIANO FOR THE MUSICALLY INTELLIGENT" pianos Pianos divide into two classes, artists' Tf and popular pianos. The proportion of the first the proportion class to the second class is precisely of cultivated music lovers to the rest of society. index A piano, as much as a music library, is the of the musical taste of its owner. you are among the musically intelligent, the ]f If PIANO is worth your study. You will appreciate the " theory and practice of its makers : Let us have an artist's piano ; therefore let us employ the sci- ence, secure the skill, use the materials, and de- vote the time necessary to this end. Then let us count the cost and regulate the price" If In this case hearing, not seeing, is believing. Let us send you a list of our branch houses and sales agents (located in all important cities), at whose warerooms our pianos may be heard. Boston, Mass., 492 Boylston Street New York, 139 Fifth Avenue Chicago, Wabash Avenue and Jackson Boulevard Boston Symphony Orchestra. Personnel of October Trip. Twenty =fifth Season, 1905=1906. WILHELM GERICKE, Conductor. First Violins. Hess, Willy, Concertmeister. Adamowski, T. Moldauer, A. Hoffmann, J. Eichheim, H. Roth, O. Ondricek, K. Strube, G. Fiedler, E. Kuntz, D. Krafft, W. Mahn, F. Rissland, K. Second Violins. Barleben, C. Swornsbourne, W. W. Marble, E. B. Berger, H. Akeroyd, J. Schuchman, F. E. Kurth, R. Eichler, J. Edw. Fiumara, P. Tischer-Zeitz, H. Goldstein, S. Kuntz, A. Violas. Zach, M. Sauer, G. F. Zahn, F. Kluge, M. Heindl, H. Kolster, A. Hoyer, H. Krauss, O. H. Violoncellos. Warnke, H. LoefHer, E. Heberlein, H. Heindl, A. Keller, J. Nagel, R. Barth, C. Basses. Keller, K. Bareither, G. Gerhardt, G, Kunze, M. Seydel, T. Schurig, R. Flutes. Piccolo. Oboes. Maquarre, A. Brooke, A. Fox, Paul Longy, G. Sautet, A. Engl. Horn. Clarinets. Bass Clarinet. Muller, F. Grisez, G. Vannini, A. Fritzsche, O. Bassoons. Contra-bassoon. Debuchy, A. Sadony, P. Helleberg, J. Horns. Hess, M. Hein, Fr. Lorbeer, H. Schumann, C Tru MPETS. Trombones. Hampe, C. Mausebach, A. Kloepfel, L. Mann. J. F. Han Brenton, H. E. Merrill, C. Kenfield, L. S. Harp. Tuba. Tympani. Drums. Ludwig, C. R. Schuecker, H. Dworak, J. F. Rettberg, A Triangle, etc. Tambour. Librarian. Burkhardt, H. Senia, T. Sauerquell, J. 3 Established Established 1823 1823 PIANOFORTE MAKERS RECIPIENTS OF One Hundred and Twenty-Nine FIRST MEDALS AND AWARDS These Celebrated Instruments are To-day better than ever Toronto, H. W. Burnett Company, Ltd. " Boston r^r. I MASSEY MUSIC HALL, Symphony S Toronto. Orf!llPQtl*J1 Twenty-fifth Season, J905-1906. WILHELM GERICKE, Conductor. GRAND CONCERT, TUESDAY EVENING, OCTOBER 3, AT 8.15 PRECISELY. PROGRAMME. Schumann .... Symphony No. 2, in C major, Op. 61 I. Sostenuto assai ; Allegro ma non troppo. II. Scherzo : Allegro vivace. Trio I. and Trio II. III. Adagio espressivo. IV. Allegro molto vivace. L. Spohr ..... Concerto for Violin, in D minor, No. 9 I. Allegro. II. Adagio. III. Allegretto. Weber . " Invitation to the Dance," Rondo Brilliant (Orchestrated by Hector Berlioz.) Tschaikowsky ........ Italian Caprice Wagner .* Overture to " Tannhauser SOLOIST : Professor WILLY HESS. There will be an intermission of ten minutes after the concerto. 5 Seventy Scottish Songs Edited with Accompaniments by HELEN HOPEKIRK student of folk-music Scotland has ever been one of the €J To the most fruitful and interesting of countries. The origin of Scottish folk-music is very remote, some of it dating from the time when the most primitive scale forms were in use. CJ Mention of Scottish music recalls to many merely a few such songs as " Auld Lang Syne," " The Blue Bells of Scotland," "Annie Laurie," etc. These, however, are not the most signifi- cant ; in fact, the most beautiful songs are often the ones that are least known. The music of the Gael is most interesting on ac- count of its weird, emotional quality. Their melodies are full of the long, tender, melancholy northern twilights. f]j In her interesting prefatory essay on Scottish music the com- piler of this collection has endeavored to explain the misconception that has arisen from the association of two racially different peoples, the Celtic Scot and the Saxon Scot, so as to help to a better appreciation of their music. The translations from the Gaelic have been made with the greatest care or selected from sources less calculated to rob either words or music of their haunt- ing beauty. The banal " arrangements " found in most editions are conspicuously absent, for artistic accompaniments for each song have been written by Mme. Hopekirk,— written, too, with the deep sympathy and understanding of a Scot and with the artistry of an accomplished musician. These «J Seventy Songs have been gathered from the Lowlands, the Highlands, the remote mountainous regions, and from the Western Isles, and are loved and sung wherever there beats a Scottish heart. Published €J in The Musicians Library in two edi- tions, for high voice and for low voice. CJ Price in heavy paper, cloth back, $i. 5 o; in cloth, VQi^p^ full gilt, $2.50, postpaid. OLIVER DIT50N COflPANY, Boston C. H. D.TSON CO.. * NewTO, X ^D.TSON & CO., REAL Phi,adelpWa Order L of your home dealer or the above houses — in C major, No. Symphony 2, Op. 61 ... Robert Schumann (Born at Zwickau, June 8, 18 10; died at Endenich, July 29, 1856.) In October, 1844, Schumann left Leipsic, where he had lived for about years. fourteen He had given up the editorship of the Neue Zeitschri t in July. He had been a professor of pianoforte playing and composition at the Leipsic Conservatory from April, 1843; but he was a singularly reserved man, hardly fitted for the duties of a teacher, and he was without disciples. He was in a highly nervous condition, so that his physician said he must not hear too much music. A change of scene might do him good. Schumann therefore moved to Dresden. "Here," he wrote in 1844, "one can get back the old lost longing for music; there is so little to hear. This suits my condition, for I still suffer very much from my nerves, and everything affects and exhausts me directly." He lived a secluded life. He saw few, and he talked little. In the early eighties they still showed in Dresden a restaurant frequented by him, where he would sit alone hours at a time, dreaming day-dreams. He tried sea-baths. In 1846 he was exceedingly sick, mentally and bodily. "He observed that he was unable to remember the melodies that oc- curred to him when composing, the effort of invention fatiguing his mind tcrsuch a degree as to impair his memory." When he did work, he applied himself to contrapuntal problems. The Symphony in C major, known as No. 2, but really the third, for the one in D minor, first written, was withdrawn after perform- ance, remodelled, and finally published as No. 4,—was composed in the years 1845 and 1846. Other works of those years are four fugues for pianoforte, studies and sketches for pedal piano, six fugues on the name of Bach for organ, intermezzo, rondo, and finale to "Fantasie" (published as Concerto, Op. 54), five songs by Burns for mixed chorus, four songs for mixed chorus, Op. 59, and a canon from Op. 124. The symphony was first played at the Gewandhaus, Leipsic, under Mendels- MINIATVBE ORCHESTRAL SCODES LATEST ADDITIONS HAYDN. Symphony in G, " The Surprise." " Symphony, " The Oxford." CHERUBINI. Overture, " Anacreon." " Overture, " Die Abenceragen." " Overture, " Der Wassertrager." " Overture, " Medea." GLINKA. Overture, " La Vie pour le Czar." " Overture, " Ruslan and Ludmila." CORNELIUS. Overture, " The Barber of Bagbad." " Overture, " Der Cid." SCHUMANN. Overture, " Genoveva." " Overture, " Manfred." MOZART. Fifth Concerto for Violin and Orchestra. " Sixth Concerto for Violin and Orchestra. " Twenty-sixth Piano Concerto (Coronation). TO BE HAD OF ALL LEADING DEALERS OR BOOSEY & COMPANY, 9 East 17th Street, NEW YORK sohn's direction, on November 5, 1846.* The first performance in Boston was at a concert of the Harvard Musical Association, March 1, 1866. The Philharmonic Society of New York performed it as early as January 14, 1854. There is a dominating motive, or motto, which appears more or less prominently in three of the movements. This motto is proclaimed at the very beginning, Sostenuto assai, 6-4, by horns, trumpets, alto trombone, pianissimo, against flowing counterpoint in the strings. This motto is heard again in the finale of the following allegro, near the end of the scherzo, and in the concluding section of the finale. (It may also be said here that relationship of the several movements is further founded by a later use of other fragments of the introduction and by the appearance of the theme of the adagio in the finale.) This motto is not developed: its appearance is episodic. It is said by one of Schumann's biographers that the introduction was composed before the symphony was written, and that it was originally designed for another work. The string figure is soon given to the wood -wind in- struments. There is a crescendo of emotion and an acceleration of the pace until a cadenza for the first violins brings in the allegro, ma non troppo, 3-4. The first theme of this allegro is exposed frankly and piano by full orchestra with the exception of trumpets and trombones.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season
    MUSIC HALL, BOSTON. BOSTON SYMPHONY ORCHESTRA, ARTHUR NIKISCH, Conductor. Ninth Season, 1889-90. PROGRAMME OF THE Tenth Rehearsal and Concert FRIDAY AFTERNOON, DECEMBER 13, AT 2.30. SATURDAY EVENING, DECEMBER 14, AT 8.00. WITH HISTORICAL AND ANALYTICAL NOTES PREPARED BY G. H. WILSON. PUBLISHED BY C. A. ELLIS, Manager. (289) NEW LINE TO WASHINGTON BALTIMORE & OHIO R.R. FOR BALTIMORE, CHICAGO, WASHINGTON, ST. LOUIS, CINCINNATI, INDIANAPOLIS, COLUMBUS, PITTSBURG. Only Line via Washington to the West. Two Through Trains Daily to Chicago, Cincinnati, and St. Louis Without Change. Seven Fast Trains Daily to Washington. Magnificent Pullman Palace, Drawing and Sleeping Cars ON ALL TRAINS. CHAS. O. SCULL, Gen'l Pass'r Agt., A.J. SIMMONS, New Eng. Pass'r Agt., Baltimore, Md. 211 Washington St., Boston, Mass. C. P. CRAIG, Gen'l Eastern Pass'r Agent, New York. * \krwv (sH^t-JLLxi/rzcj\ AND 1 59 Tremont Street. (21W) TENTH REHEARSAL and CONCERT. Friday Afternoon, December 13, at 2.30. Saturday Evening, December 14, at 8.00. PROGRAMME. Goldmark _-__-_ Overture, "fakuntala"- Litolff - - Concerto for Pianoforte and Orchestra, "Symphonie National Hollandaise," No, 3, in E-flat, Op. 45 (First time in Boston.) Maestoso. Presto ; Allegro ; Presto. Andante. : Allegro vivace un poco piu lento ; tempo vivace. Wagner ----- Prelude, ^ Tristan and Isolde" Schumann _ _ _ Overture, Scherzo and Finale, Op. 52 Soloist, Mrs. FANNY BLOOMFIELD-ZEISLER. THE PIANOFORTE IS A STEINWAY. The Programme for the next Public Rehearsal and Concert will be found on sage 315. (291) SHORE LINE BOSTON NEW YORK NEW YORK TOU BOSTON THROUGH TRAIN SERVICE FROM EITHER CITY.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 49,1929
    oj^MUilUUtyty ?<<,- "^w. ** BOSTON SYAPMONY ORCHESTRA INC. FORTY-NINTH SEASON 1929-1930 m PRSGRKttftE (MONDAY) "J£ ^ ^ The PLAZA, New York Fred Sterry John D. Owen President Manager (The Savoy-Plaza The Copley-Plaza HenryA.Rost NeW York Arthur L. Race Boston President Managing Director Motels of ^Distinction Unrivalled as to location. Distin* guished throughout the World for their appointments and service. & 71 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 istra INC. Dr. SERGE KOUSSEVITZKY, Conductor FORTY-NINTH SEASON, 1929-1930 MONDAY EVENING, DECEMBER 2, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1929, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 — It will outlast three ordinary pianos The Steinway's astonishing length of life is not the result of chance. It is built in buy a Steinway • There is a slowly, carefully, by skilled wide range of sizes and prices. craftsmen using the finest ma- Make your visit to the nearest terials. It is as much a part of Steinway dealer today. a Steinway as its lovely tone • For 30, 40, or even 50 years A new Steinway Upright and more the Steinway will piano can be bought for 875 and up—plus serve you well.
    [Show full text]
  • Riccardo Muti Conductor Michele Campanella Piano Eric Cutler Tenor Men of the Chicago Symphony Chorus Duain Wolfe Director Wagne
    Program ONE huNdrEd TwENTy-FirST SEASON Chicago Symphony orchestra riccardo muti Music director Pierre Boulez helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 30, 2011, at 8:00 Saturday, October 1, 2011, at 8:00 Tuesday, October 4, 2011, at 7:30 riccardo muti conductor michele Campanella piano Eric Cutler tenor men of the Chicago Symphony Chorus Duain Wolfe director Wagner Huldigungsmarsch Liszt Piano Concerto No. 1 in E-flat Major Allegro maestoso Quasi adagio— Allegretto vivace— Allegro marziale animato MiChElE CampanellA IntErmISSIon Liszt A Faust Symphony Faust: lento assai—Allegro impetuoso Gretchen: Andante soave Mephistopheles: Allegro vivace, ironico EriC CuTlEr MEN OF ThE Chicago SyMPhONy ChOruS This concert series is generously made possible by Mr. & Mrs. Dietrich M. Gross. The Chicago Symphony Orchestra thanks Mr. & Mrs. John Giura for their leadership support in partially sponsoring Friday evening’s performance. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PhilliP huSChEr ne hundred years ago, the Chicago Symphony paid tribute Oto the centenary of the birth of Franz Liszt with the pro- gram of music Riccardo Muti conducts this week to honor the bicentennial of the composer’s birth. Today, Liszt’s stature in the music world seems diminished—his music is not all that regularly performed, aside from a few works, such as the B minor piano sonata, that have never gone out of favor; and he is more a name in the history books than an indispensable part of our concert life.
    [Show full text]
  • Symphony Shopping
    Table of Contents | Week 1 7 bso news 15 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a message from andris nelsons 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Dmitri Shostakovich 33 Pyotr Ilyich Tchaikovsky 41 Sergei Rachmaninoff 49 To Read and Hear More… Guest Artist 55 Evgeny Kissin 58 sponsors and donors 78 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on october 2 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Chris Lee cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 18, 1898-1899, Subscription
    NEW STYLE A A. A prophet may be without honor in his own country, but the litem&l)smlm PIANOS, on the contrary, are held in the highest esteem by all who know them. Mr. George W. Chadwick, Director of the New England Conserva- tory of Music, says of these pianos: " I wish to express my great satisfac- tion with the Grand Pianos of your manufacture, which I am now using. The tone is very musical, and seems to improve with use. The action is particularly even and firm, and I have never had a piano which stood so well in tune. The piano seems to combine power and beauty of tone to a remarkable extent, and I congratulate you on the production of so fine an instrument." This is praise, indeed ; but that it is fully merited will be at once dis- covered by every who gives his attention to the subject. Illustrated Catalogue mailed on application. 146 Boylston Street. Boston Symphony Orchestra* MUSIC HALL, BOSTON. EIGHTEENTH SEASON, J> & & 1898-99. J> J> J> WILHELM GERICKE, Conductor. PROGRAMME OF THE TWENTY-FOURTH REHEARSAL and CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP.^^e FRIDAY AFTERNOON, APRIL 28, AT 2.30 O'CLOCK. SATURDAY EVENING, APRIL 29, AT 8.00 O'CLOCK. PUBLISHED BY C. A. ELLIS, MANAGER. (889) Steinway & Sons, rianufacturers I | A l^k m V ^Z Grand and J of PIANOS/\1^W^ Upright Beg to announce that they have been officially appointed by patents and diplomas, which are displayed for public inspection at their warerooms, manufacturers to His Hajesty, NICOLAS II., THE CZAR OF RUSSIA.
    [Show full text]
  • Tchaikovsky / Петр Ильич Чайковский (1840–1893) Первый
    NIS Eaikovs ch ky M DT no conc ia aler er A P v y G T insk e o ri y s a o r T M r G n c i o h e S s v e 1 s U & T r 2 a E V 2 Piano concerTos nos 1 & 2 Mariinsky PIOTR ILYICH TCHAIKOVSKY / ПЕтР ИЛьич Чайковский (1840–1893) ПЕРВЫЙ. ЛУЧШИЙ. И грандиозное русское фортепиано явилось в партитуре Piano Concerto No 1 in B-flat minor, Op. 23 / концерт № 1 для фортепиано с оркестром, си-бемоль минор, соч. 23 Леонид Гаккель Чайковского. Известно, что Петр Ильич не был профессиональным исполнителем, но в Первом концерте он силой своего 1 i. Allegro non troppo e molto maestoso – Allegro con spirito 22’02’’ Очевидность. Если в России на вопрос: «Кто величайший композиторского гения сотворил пианизм небывалого 2 ii. Andantino semplice – Prestissimo 6’35’’ национальный поэт?» десять человек из десяти ответят: разнообразия и блеска. В сегодняшнем мире очень мало 3 iii. Allegro con fuoco 6’50’’ «Пушкин», – и это будет не отговорка, а правда, то на вопрос публично выступающих пианистов, для которых Первый об известнейшем произведении русской симфонической классики концерт Чайковского не был бы желанным украшением The Orchestra of the Mariinsky Theatre / Симфонический оркестр Мариинского театра восемь из десяти назовут Первый фортепианный концерт репертуара, и вместе с тем не создавал бы интригующих Conductor / Дирижeр – Valery GERGIEV / Валерий ГергиеB Чайковского (если вообще дадут ответ), и это тоже будет целиком артистических проблем. Piano / Солист (фортепиано) – Denis MATSUEV / Денис МАЦУЕВ соответствовать истине. Странности и уроки. Но при жизни Чайковского многое В чем тут причины? Трудно назвать их все, но напрашиваются было по-другому.
    [Show full text]
  • The a Lis Auth Szt P Hen Pian Ntic No T Cho Trad Opin Diti N an on Nd
    THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION GERARD CARTER BEc LL B (Sydney) A Mus A (Piano Performing) WENSLEYDALE PRESS 1 2 THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION 3 4 THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION GERARD CARTER BEc LL B (Sydney) A Mus A (Piano Performing) WENSLEYDALE PRESS 5 Published in 2008 by Wensleydale Press ABN 30 628 090 446 165/137 Victoria Street, Ashfield NSW 2131 Tel +61 2 9799 4226 Email [email protected] Designed and printed in Australia by Wensleydale Press, Ashfield Copyright © Gerard Carter 2008 All rights reserved. This book is copyright. Except as permitted under the Copyright Act 1968 (for example, a fair dealing for the purposes of study, research, criticism or review) no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior permission. Enquiries should be made to the publisher. ISBN 978-0-9805441-2-1 This publication is sold and distributed on the understanding that the publisher and the author cannot guarantee that the contents of this publication are accurate, reliable, complete or up to date; they do not take responsibility for any loss or damage that happens as a result of using or relying on the contents of this publication and they are not giving advice in this publication. 6 7 8 CONTENTS Chapter 1: Introduction ... 11 Chapter 2: Chopin and Liszt as composers ...19 Chapter 3: Chopin and Liszt as pianists and teachers ... 29 Chapter 4: Chopin tradition through Mikuli ... 55 Chapter 5: Liszt tradition through Stavenhagen and Kellermann ..
    [Show full text]
  • PROGRAMME of the THIRTEENTH REHEARSAL and CONCERT
    7./ Boston Symphony Orchestra* SYMPHONY HALL, BOSTON, HUNTINGTON AND MASSACHUSETTS AVENUES. (Telephone, 1492 Back Bay.) TWENTY-THIRD SEASON, I903-I904. WILHELM GERICKE, CONDUCTOR. PROGRAMME OF THE THIRTEENTH REHEARSAL and CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE ^ ^ ^ ^ FRIDAY AFTERNOON, JANUARY 29, AT 2.30 O'CLOCK. SATURDAY EVENING, JANUARY 30, AT 8.00 O'CLOCK. Published by C A. ELLIS, Manager. 729 Established Established 1823 1823 PIANOFORTE MAKERS RECIPIENTS OF One Hundred and Twenty-Nine FIRST MEDALS AND AWARDS These Celebrated rnstruments are To-day better than ever Retail Warerooms^ 791 Tremont Street 730 1 TWENTY^THIRD SEASON, 1903-1904. Thirteenth Rehearsal and Concert* FRIDAY AFTERNOON, JANUARY 29, at 2.30 o'clock. SATURDAY EVENING, JANUARY 30, at 8.00 o'clock. PROGRAMME. Rubinstein .... Symphony No. 6, in A minor, Op. 1 1 I. Moderate con moto. II. Moderate assai. III. Allegro vivace. IV. Moderate assai. Presto. Liszt . Concerto No. i , in E-flat major, for Pianoforte and Orchestra " Hugo Kaun . Symphonic Poem, Minnehaha," Op. 43, No. i (First time.) " Smetana .... Overture to the Opera, " The Sold Bride SOLOIST: Mr. GEORGE PROCTOR. The Pianoforte is a Steinway. Tfiere will be an intermission of ten minatei after the Liszt concerto. The doors of the hall will he closed during the performance of each number on the programme. Those who wish to leave before the end of the concert are requested to do so in the interval be- tween the numbers. City of Boston, Revised Regulation of August 5, 1898.— Chapter 3, relatlnfir to the coverlngr of the head In places of public amusement.
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Americans at the Leipzig Conservatory (1843–1918) and Their Impact on AJoamnnae Perpipclean Musical Culture Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AMERICANS AT THE LEIPZIG CONSERVATORY (1843–1918) AND THEIR IMPACT ON AMERICAN MUSICAL CULTURE By JOANNA PEPPLE A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2019 Copyright © 2019 Joanna Pepple Joanna Pepple defended this dissertation on December 14, 2018. The members of the supervisory committee were: S. Douglass Seaton Professor Directing Dissertation George Williamson University Representative Sarah Eyerly Committee Member Iain Quinn Committee Member Denise Von Glahn Committee Member The Graduate School has verified and approved the above-named committee members and certifies that the dissertation has been approved in accordance with university requirements. ii Soli Deo gloria iii ACKNOWLEDGMENTS I am so grateful for many professors, mentors, family, and friends who contributed to the success of this dissertation project. Their support had a direct role in motiving me to strive for my best and to finish well. I owe great thanks to the following teachers, scholars, librarians and archivists, family and friends. To my dissertation committee, who helped in shaping my thoughts and challenging me with thoughtful questions: Dr. Eyerly for her encouragement and attention to detail, Dr. Quinn for his insight and parallel research of English students at the Leipzig Conservatory, Dr.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 20,1900
    CARNEGIE HALL, NEW YORK, Boston Symphony Orchestra. Mr. WILHELM GERICKE, Conductor. Fifteenth Season in New York. PROGRAMMES OF THE Fourth Concert THURSDAY EVENING, FEBRUARY 21, AT 8.15 PRECISELY, AND THE Fourth Matinee SATURDAY AFTERNOON, FEBRUARY 23, AT 2.30 PRECISELY. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C. A. ELLIS, MANAGER. (i) Established Established 1823 1823 <£f) tettertitg PIANOFORTE MAKERS RECIPIENTS OF One Hundred and Twenty-Nine FIRST MEDALS AND AWARDS These Celebrated Instruments are To-day better than ever R 1: PRESENTED B Y JOHN WANAMAKER, New York, N.Y. (2) BOStOn . CARNEGIE HALL, Symphony i <. 7 Twentieth Season, 1900-1901. Fifteenth Season in New York. fir. WILHELH GERICKE, Conductor. FOURTH CONCERT, THURSDAY EVENING, FEBRUARY 21, AT 8.15. PROGRAMME. u Ludwig van Beethoven Overture to Fidelio," in E major, Op* 72 Franz Liszt - - Concerto for Pianoforte, No* I, in E-flat major u Charles Martin Loeffler The Death of Tintagiles " (suggested by the Drama by Maurice Maeterlinck), Symphonic Poem for Orchestra and two Violes d'Amour obbligate* (The Violes d* Amour by Mr. FRANZ KNEISBL and Mr. C. M. LOEFFLER.) Hector Berlioz Fantastic Symphony, No* J, in C major, Op* \6 A I. DREAMS-PASSIONS: Largo (O minor) ------ 4-4 Allegro agitato e appassionato assai (C major) 4-4 (2-2) II. A BALL: Waltz : Allegro non troppo (A major) - - 3-8 III. SCENE IN THE FIELDS: Adagio (F major) - - 6-8 IV. MARCH TO THE SCAFFOLD: Allegretto non troppo (G minor and B-flat major) 4-4(2-2) V. WALPURGISNIGHT'S DREAM: Larghetto (C major) - 4-4 Allegro (E-flat major, C minor, and C major) 6-8 The Pianoforte is a Steinway.
    [Show full text]
  • Volontè & Co. Catalogo Edizioni 2021
    2021 EDIZIONI CAT2021E Bastien edizione italiana 2021 CATALOGO EDIZIONI Gruppo Editoriale Volontè & Co. viene fondato nel 2008 per iniziativa di Marco Volontè, con l’intento di sviluppare una didattica musicale aggiornata e innovativa, e repertorio di qualità, ricercando e valorizzando autori italiani, portando sul mercato il meglio della didattica internazionale attraverso accurate edizioni in lingua italiana. Ad oggi, Volontè & Co. pubblica i propri prodotti editoriali (spartiti, manuali di didattica, tecniche musicali e raccolte di repertorio) in italiano, spagnolo, francese e inglese e li vende in 20 paesi nel mondo. Collabora con le migliori scuole di musica italiane e internazionali quali Musicians Institute, Berklee College of Music, National Guitar Workshop, RGA e MMI. Dal 2014 Volontè & Co., dopo aver rilevato il ramo distributivo Italia di Carisch, è entrato anche nel mercato della distribuzione della musica stampata, strumenti musicali e accessori; nel 2015, ha acquisito la società editoriale Rugginenti e nel 2019 Casa Musicale Eco e Accademia Lanaro. Nel 2020 acquisisce anche la storica Edizioni Carrara. INDICE 4 Armonica 43 Tastiera 82 Canto e animazione per bambini 4 Arpa 44 Tecnologia musicale 83 Body Percussion 4 Balalaika 44 Teoria 83 Fiabe e storie musicali Saggistica: 4 Banjo 51 Teoria Jazz 85 Musica e DSA - La didattica inclusiva 4 Basso - Contrabbasso 53 Collana Aebersold 87 Saggistica: didattica concorsi 6 Batteria - Percussioni 55 Tromba - Trombone 88 Saggistica: pianoforte - tastiere 11 Canto - Coro 55 Ukulele
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 50,1930-1931, Subscription Series
    a* .% w*v J H BOSTON SYMPHONY OROIESTRS INC. FIFTIETH SEASON J930-193J prsgrtwie 3M . A RADIO Worthy of the Name And now—Out of the "House of Magic' conies the crowning achievement— a new type receiving set—radio as never before . GENERAL ELECTRIC RADIO In it, masters of radio have combined the unexcelled selectivity of the super-heter- odyne circuit wilh the unequalled power of screen-grid tubes—a station at every hairline . astonishing distance . elimi- nation of hum . full range tone, natural as though you are in the studio! This set embodies every quality radio science can impart ... a typical General Electric product. Priced from $U2.50up LesgTube9 Convenient Terms CCHarvey© "The Music Center of Boston" PIANOS RADIOS PHONOGRAPHS 144 Boylston Street Tel. UANcsek 5180 _TL SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 Boston Symph. lestra INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTIETH SEASON, 1930-1931 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1930, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT ......... President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 433 THE PIANO OF PADEREWSKI/ OF HOFMANN IS WELL WITHIN YOUR REAC No matter what the size of your living-room or the decoration of your music- room, there is a Steinway model that will be appro- priate.
    [Show full text]