DOCSLIB.ORG

Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) Online

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) Online dwWOx [Free read ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) Online [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) Pdf Free Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #578207 in eBooks 2013-04-30 2015-03-03File Name: B00CHVLULI | File size: 60.Mb Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein : Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) before purchasing it in order to gage whether or not it would be worth my time, and all praised Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)): 4 of 4 people found the following review helpful. The best of the bestBy 99andrewNeal Adams is the best ever to illustrate Batman - and these are the best stories he ever did. I would have preferred the original coloring - but it still looks great. Also, it worked great on the ipad..0 of 0 people found the following review helpful. Great artist!!!By Garry TaylorBeen a fan of Adams work since the 60/70 s. If I knew then what I know now, I would have kept all of those comics like the holy comic scrolls they are.0 of 0 people found the following review helpful. Classic BatmanBy BrianSome of the stories are juvenile but any Batman stories drawn by Neal Adams are an absolute must. Cheap way to own these classics. Over the years, many artists have contributed to the look of one of the most iconic characters in popular culture: Batman. The most influential and popular may be Neal Adams, who in the late 1960s put the Dark Knight back in the shadows and updatedhis image for a new generation of fans. Now, for the first time, all of Neal Adams's Batman work, covers and stories, will be chronologically collected. This second volume, featuring Adams's contributions from 1967- 1969, shows the process ofintroduction, adaptation, and innovation that the young artist brought to this legendary crime fighter. Along the way, Adams also displays his interpretations of many other DC fixtures, including Enemy Ace and the House of Mystery, as well as hissignature character, Deadman. Collects BATMAN #217, #220-222, #224- 227, #229-231, THE BRAVE AND THE BOLD #86, #88-90, #93, #95, DETECTIVE COMICS #394-403, #405-411 and WORLD'S FINEST #199, #200, #202. About the AuthorConsidered the groundbreaking artist of the 1960s, Neal Adams was born June 6, 1941 in New York City. He attended Manhattan's High School of Industrial Art and, while still a student, found work ghosting the Bat Masterson syndicated newspaper strip and drawing gag cartoons for Archie Comics. Neal received his own comic strip, based on the popular TV series Ben Casey, in 1962. The strip ran until 1965 at which time Neal made the move to comics for Warren Publishing and DC Comics. Neal's realistic style on such strips as DEADMAN and GREEN LANTERN/GREEN ARROW, at odds with the more cartoony comics of the day, made him an immediate star. He became DC's premier cover artist, contributing radical and dynamic illustrations to virtually the company's entire line. Neal's work has also appeared in Marvel's X-Men, the Avengers and Thor, on paperback book covers, and on stage, as the art director for the Broadway science fiction play, Warp. In the 1970s, Neal and partner (and frequent inker) Dick Giordano started the art agency Continuity Associates out of which came, in the 1980s, Continuity Comics. Neal is the winner of several Alley, Shazam and Inkpot Awards, and was inducted into the Harvey Awards' Jack Kirby Hall of Fame in 1999. [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) By Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein PDF [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) By Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein Epub [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) By Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein Ebook [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) By Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein Rar [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) By Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein Zip [dwWOx.ebook] Batman: Illustrated by Neal Adams Vol. 2 (Batman (1940-2011)) By Neal Adams, Dennis O'Neil, Marv Wolfman, Len Wein Read Online.
Load more

Recommended publications
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Batman Takes Parade by Storm (Thesis by Jared Goodrich)
    Jared Goodrich Batman Takes Parade By Storm (How Comic Book Culture Shaped a Small City’s Halloween parade) History Research Seminar Spring 2020 1 On Saturday, October 26th, 2019, the participants lined up to begin of the Rutland Halloween Parade. 10,000 people came to the small city of Rutland to view the famed Halloween parade for its 60th year. Over 72 floats had participated and 1700 people led by the Skelly Dancers. School floats with specific themes to the Star Wars non-profit organization the 501st Legion to droves and rows of different Batman themed floats marched throughout the city to celebrate this joyous occasion. There have been many narratives told about this historic Halloween parade. One specific example can be found on the Rutland Historical Society’s website, which is the documentary called Rutland Halloween Parade Hijinks and History by B. Burge. The standard narrative told is that on Halloween night in 1959, the Rutland area was host to its first Halloween parade, and it was a grand show in its first year. The story continues that a man by the name of Tom Fagan loved what he saw and went to his friend John Cioffredi, who was the superintendent of the Rutland Recreation Department, and offered to make the parade better the next year. When planning for the next year, Fagan suggested that Batman be a part of the parade. By Halloween of 1961, Batman was running the parade in Rutland, and this would be the start to exciting times for the Rutland Halloween parade.1 Five years into the parade, the parade was the most popular it had ever been, and by 1970 had been featured in Marvel comics Avengers Number 83, which would start a major event later in comic book history.
    [Show full text]
  • Michael Tierney
    Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting
    [Show full text]
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Simonson's Thor Bronze Age Thor New Gods • Eternals
    201 1 December .53 No 5 SIMONSON’S THOR $ 8 . 9 BRONZE AGE THOR NEW GODS • ETERNALS “PRO2PRO” interview with DeFALCO & FRENZ HERCULES • MOONDRAGON exclusive MOORCOCK interview! 1 1 1 82658 27762 8 Volume 1, Number 53 December 2011 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks . COVER ARTIST c n I , s Walter Simonson r e t c a r a COVER COLORIST h C l Glenn Whitmore e v r a BACK SEAT DRIVER: Editorial by Michael Eury . .2 M COVER DESIGNERS 1 1 0 2 Michael Kronenberg and John Morrow FLASHBACK: The Old Order Changeth! Thor in the Early Bronze Age . .3 © . Stan Lee, Roy Thomas, and Gerry Conway remember their time in Asgard s n o i PROOFREADER t c u OFF MY CHEST: Three Ways to End the New Gods Saga . .11 A Rob Smentek s c The Eternals, Captain Victory, and Hunger Dogs—how Jack Kirby’s gods continued with i m SPECIAL THANKS o C and without the King e g Jack Abramowitz Brian K. Morris a t i r FLASHBACK: Moondragon: Goddess in Her Own Mind . .19 e Matt Adler Luigi Novi H f Getting inside the head of this Avenger/Defender o Roger Ash Alan J. Porter y s e t Bob Budiansky Jason Shayer r FLASHBACK: The Tapestry of Walter Simonson’s Thor . .25 u o C Sal Buscema Walter Simonson Nearly 30 years later, we’re still talking about Simonson’s Thor —and the visionary and .
    [Show full text]
  • Dragon-Con-2019-Comics-Pop-Art
    FOR IMMEDIATE RELEASE: Contact: Dan Carroll, Director, Media Engagement Phone: 404 692 1958 Email: [email protected] URL: www.dragoncon.org DRAGON CON’S COMICS & POP ART TRACK EXPANDS TO WELCOME FANS OF ALL AGES. Comic & Pop Artist Alley Boasts a Guest Roster of Industry Veterans and New Talent, Workshops for Children and Adults, and Amplified Kids Programming at Dragon Con. ATLANTA – July 24, 2019 – Dragon Con, Atlanta’s internaonally-known pop culture, fantasy, science ficon, and gaming convenon, will be broadening its Comics & Pop Art programming to encourage art and comic enthusiasts of all ages. In addion to a dream team of Bronze Age and Modern Age comics writers and arsts, the convenon’s tradional strength, the convenon has added workshops and other programming designed to help aspiring comics creators and to encourage greater interest from today’s younger generaons. Marv Wolfman, Roy Thomas, and Fabien Nicieza lead this year’s guest list. Thomas, a legendary writer and editor in his own right, is best recognized as Stan Lee’s first successor as editor-in-chief of Marvel Comics. Nicieza's work includes wring and eding for Marvel, DC, and Dark Horse comics, but fans will also know him as the co-creator of Deadpool. Writer and co-creator of The New Teen Titans , Wolfman also joins George Pérez, his work partner of over 40 years, at this year’s convenon. Other top guests include Colleen Doran, Jill Thompson, and Afua Richardson. Doran, an Eisner, Harvey, and Internaonal Horror Guild Award-winning illustrator, is a New York Times bestselling arst for her work on Neil Gaiman’s graphic novel Troll Bridge and Stan Lee’s autobiography A mazing, Fantastic, Incredible Stan Lee.
    [Show full text]
  • BERNARD BAILY Vol
    Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” .
    [Show full text]
  • "Captain America Must Die": How a Super Soldier Became a Patriot
    Author Biography Mackenna is a fourth-year history major, with minors in German and Asian studies. Her research interests include the history of popular culture and the Cold War. In her free time, she enjoys reading comic books and binge-watch- ing Survivor and The Amazing Race. After graduation, she hopes to work as an editor in the comic book industry. Johnson “Captain America Must Die”: How a Super Soldier Became a Patriot by Mackenna Johnson Abstract This paper analyzes the character of Captain America in the midst of the Cold War, and particularly asks how and to what extent the character reflects his con- temporary sociopolitical atmosphere. To achieve this end, I first establish the vital role of popular culture, especially comic books, in modern historical research. I then discuss the history of Captain America, the sociopolitical situation of the 1970s, and, finally, introduce the Secret Empire and Nomad storylines of the 1970s, which form the basis of my argument. The most valuable primary source in this paper is not the comic books themselves, but an interview that I recently conducted with the former author of Captain America, Steve Englehart. Ulti- mately, I argue that Englehart redefined Captain America’s version of patriotism and created a character that was more effectively able to reflect on and respond to social and political events. In bold letters: “The Death of a Hero,” next to the lifeless figure of Cap- tain America tied to a chimney, slumped and bleeding. Two figures stood behind the slain man with bowed heads, one African American with high- tech wings strapped to his back, the other blonde-haired and clad mostly in black.
    [Show full text]
  • The Silver Age of DC Comics Ebook Free Download
    THE SILVER AGE OF DC COMICS PDF, EPUB, EBOOK Paul Levitz | 400 pages | 15 Jul 2013 | Taschen GmbH | 9783836535762 | English | Cologne, Germany The Silver Age of DC Comics PDF Book Unsourced material may be challenged and removed. Archived from the original on January 9, Retrieved May 7, The first appearance also introduces Carol Ferris , the love interest for Hal Jordan, but she rebuffs him, with her being his boss. Garguax and General Immortus have discovered Agamemno's plans as well as a cache of weapons belonging to Luthor that are designed to destroy the JLA. DC's " Page Super- Spectacular" titles and later page and "Giant" issues published from to featured a logo exclusive to these editions: the letters "DC" in a simple sans- serif typeface within a circle. It wasn't long before dealers were September 7, The November DC titles introduced an updated logo. Superman' Fallout: Warner Bros. Wheeler-Nicholson's next and final title, Detective Comics , advertised with a cover illustration dated December , eventually premiered three months late with a March cover date. The Avengers 1. Fawcett Warner v. Thanks for telling us about the problem. January 30, First appearance of Green Lantern Hal Jordan. The Comics Journal. This article is about the US publisher of comics. Chris Oliveria rated it really liked it Jan 20, Cover art by Carmine Infantino and Joe Kubert. There is an interesting interview with Neal Adams and snippets from other DC creators. Justice League International. The Silver Age of DC Comics Writer It is considered to be the first comic book to feature the new character archetype—soon known as "superheroes" and was a sales hit bringing to life a new age of comic books with the credit going to the first appearance of Superman both being featured on the cover and within the issue.
    [Show full text]
  • Dec. 2012 $10.95
    D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist .
    [Show full text]
  • Comics and Graphic Novels Prerequisite(S): Third-Year Standing Or Permission of the Department
    1 Carleton University Fall 2018 Department of English ENGL 3011A: Comics and Graphic Novels Prerequisite(s): third-year standing or permission of the department Wednesday and Friday / 2:35 p.m.-3:55pm Location: 280 University Center *confirm meeting place on Carleton Central prior to the first class* Instructor: B. Johnson Email: [email protected] Office: 1917 Dunton Tower Phone: (613) 520-2600 ext. 2331 Office Hours: Tuesdays 1:30 p.m.-3:00 p.m. Course Description This course has several broad goals, foremost among them is to guide students towards a fuller, richer, more pleasurable, more knowledgeable, and more intellectually stimulating experience of reading comics. To this end, the course will begin with a substantial introduction to the formal and technical dimensions of comics as a medium of expression. We will learn about how elements like the comic panel and the comic page function as systems of meaning and how visual and verbal systems of signification converge and interact within graphic space. We will develop our skills in visual literacy and examine some of the ways that comic narratives have shaped but also challenged the conventions of the medium across a very broad range of visual styles, genres, and aesthetic projects. Once we have developed some preliminary facility with the formal elements and technical language of comics, we will begin to pursue the secondary goals of the course in greater detail: (1) developing a sense of the material and cultural history of North American comics and (2) developing a sense of the emergent academic field of comic studies.
    [Show full text]