Nazisploitaflon!

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Nazisploitaflon! The Nazi Image in Low-Brow Cinema and Culture Edited by DANIEL H. MAGILOW, ELIZABETH BRIDGES AND KRISTIN T. VANDER LUGT continuum Contents List of Figures vii Acknowledgments viii Introduction: Nazisploitation! The Nazi Image in Low-Brow Cinema and Culture by Daniel H. Magilow 1 I Origins, Histories and Genealogies 1 I Cinema beyond Good and Evil? Nazi Exploitation in the Cinema of the 1970s and its Heritage by Marcus Stiglegger 21 2 | Sexual Deviance and the Naked Body in Cinematic Representations of Nazis b\ Michael D. Richardson 38 3 | lisa and Elsa: Nazisploitation, Mainstream Film and Cinematic Transference by Alicia Kozma 55 4 | Reproducing the Fourth Reich: Cloning, Nazisploitation and Revival of the Repressed by Elizabeth Bridges 72 5 I Utterly without Redeeming Social Value? 'Nazi Science' Beyond Exploitation Cinema by James |. Ward 92 II Bitches, Whores and Dominatrices 6 I The Third Reich as Bordello and Pigsty: Between Neodecadence and Sexploitation in Tinto Brass's Salon Kitty by Robert von Dassanowsky 115 vi Contents 7 | Revisiting the Cruel Apparatus: Disability, Queerness and Taste in In a Glass Cage by David Church 134 8 I Eine Armee Gretchen: Nazisploitation Made in Switzerland by Benedikt Eppenberger 155 9 I Meshes of Power: The Concentration Camp as Pulp or Art House in Liliana Cavani's The Night Porter by Elissa Mailander 175 Hi Heroes, Villains and the Undead 10 I Digital Nazis: Genre, History and the Displacement of Evil in First-Person Shooters by Jeff Hayton 199 11 | Captain America Lives Again and So Do the Nazis: Nazisploitation in Comics after 9/11 by Craig This 219 121 A Past that Refuses to Die: Nazi Zombie Film and the Legacy of Occupation by Svenjungerkes and Christiane Wienand 238 13 | Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglourious Basterds by Minimi Woisnitza 258 14 | Of Blitzkriege and Hardcore BDSM: Revisiting Nazi Sexploitation Camps by Michael Fuchs 279 Bibliography 295 Selected Filmography 315 Notes on Contributors 321 Index 325.

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