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Just How Nasty Were the Video Nasties? Identifying Contributors of the Video Nasty Moral Panic
Stephen Gerard Doheny Just how nasty were the video nasties? Identifying contributors of the video nasty moral panic in the 1980s DIPLOMA THESIS submitted in fulfilment of the requirements for the degree of Magister der Philosophie Programme: Teacher Training Programme Subject: English Subject: Geography and Economics Alpen-Adria-Universität Klagenfurt Evaluator Univ.-Prof. Dr. Jörg Helbig, M.A. Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Klagenfurt, May 2019 i Affidavit I hereby declare in lieu of an oath that - the submitted academic paper is entirely my own work and that no auxiliary materials have been used other than those indicated, - I have fully disclosed all assistance received from third parties during the process of writing the thesis, including any significant advice from supervisors, - any contents taken from the works of third parties or my own works that have been included either literally or in spirit have been appropriately marked and the respective source of the information has been clearly identified with precise bibliographical references (e.g. in footnotes), - to date, I have not submitted this paper to an examining authority either in Austria or abroad and that - when passing on copies of the academic thesis (e.g. in bound, printed or digital form), I will ensure that each copy is fully consistent with the submitted digital version. I understand that the digital version of the academic thesis submitted will be used for the purpose of conducting a plagiarism assessment. I am aware that a declaration contrary to the facts will have legal consequences. Stephen G. Doheny “m.p.” Köttmannsdorf: 1st May 2019 Dedication I I would like to dedicate this work to my wife and children, for their support and understanding over the last six years. -
Italienischer Faschismus Und Deutscher Nationalsozialismus Im Italienischen Genrefilm Peter Scheinpflug Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) January 2010 Italienischer Faschismus und deutscher Nationalsozialismus im italienischen Genrefilm Peter Scheinpflug Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Scheinpflug, Peter, "Italienischer Faschismus und deutscher Nationalsozialismus im italienischen Genrefilm" (2010). All Theses and Dissertations (ETDs). 494. https://openscholarship.wustl.edu/etd/494 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department for Germanic Languages and Literatures ITALIENISCHER FASCHISMUS UND DEUTSCHER NATIONALSOZIALISMUS IM ITALIENISCHEN GENREFILM by Peter Scheinpflug A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements of the degree of Master of Arts May 2010 Saint Louis, Missouri INHALTSVERZEICHNIS: Kapitel Seite 1 Was die Deutschen schauten, als ihre neuen Klassiker filmten..................... 1 1.1 Papas Kino vs. Gramsci’s Cinema: populäre Genres in Deutschland und Italien..................................................................................9 1.2 Die historische Signifikanz von Genrezyklen............................................... -
Gendered Viewing Strategies: a Critique of Holocaust-Related Films That Eroticize, Monsterize and Fetishize the Female Body
Title: Gendered Viewing Strategies: A Critique of Holocaust-related Films that Eroticize, Monsterize and Fetishize the Female Body. First Author: Dr Stacy Banwell Co-author: Dr Michael Fiddler Introduction In her chapter ‘Patriarchy, Objectification, and Violence against Women in Schindler's List and Angry Harvest’, Shapiro considers Schweickart’s essay on ‘Reading Ourselves: Toward a Feminist Theory of Reading.’1 In this essay Schweickart talks about androcentric reading strategies. This approach identifies texts that reproduce gender hierarchies, ascribing agency to men while objectifying and immascualting women. Drawing upon this work, Shapiro apples this to two Holocaust-related films: Spielberg’s (1993) Schindler’s List and Holland’s (1985) Angry Harvest. In her analysis of these films, Shapiro comes to the conclusion that in Schindler’s List the feminization of the objectified female ‘Other’ is taken for granted and therefore rendered invisible.2 This is in contrast to Angry Harvest – where the audience is asked to consider how violence is caused by gender inequalities and the objectification of women. This process of objectification and immasculation is illustrated in a sequence in Schindler’s List, where the Commandant of the Plaszow Forced Labor Camp, Amon Goeth (as played by Ralph Fiennes), bare-chested, aims his rifle at his naked Jewish mistress whilst she lies on his bed. Horowitz suggests that this scene equates masculinity with killing. The rifle here represents the penis. Further, as Goeth does not discharge his rifle and shoot her, but rather he moves past and urinates, this “…sequence equalizes the acts of shooting, fornication, and urination.” It “asserts an equivalence among Jews, his mistress, and the toilet, all repositories of Nazi effluvia.” Here we witness “[a]trocity…enacted with semen, urine, or gunshot.” 3 It is possible to view this equation as a critique of Nazism, patriarchy and male sexuality. -
264 Julian Strube Until Quite Recently “Nazi Occultism”
264 book reviews Julian Strube Vril: Eine okkulte Urkraft in Theosophie und esoterischen Neonazismus, München: Wilhelm Fink 2013. 222 pp. isbn: 978-3-7705-5515-4. Until quite recently “Nazi occultism” has mainly been a topic confined to spec- tacular crypto-or pseudo-history and popular fiction, while serious scholarly research has been, to say the least, scarce. Almost 30 years after Goodrick- Clarke’s seminal The Occult Roots of Nazism it seems that academia is slowly beginning to acknowledge this as a field worthy of exploration. This is not because of its historical qualities—as the concept per se is highly question- able—but with regard to the substantial impact it has had on post-war popular culture and right-wing political movements, thereby also on collective memo- ries of the Nazi era. In fact, many—if not most—popular narratives of “Nazi occultism” are founded on dubious revisionist concepts of history, not only by falsifying and/or distorting well-documented historical facts. Although not revisionist in the sense of Holocaust deniers, several of them are certainly triv- ializing the Nazi crimes and racist ideology in an ethically highly questionable way by “explaining” this as basically being the evil deeds of black magicians. Consequently, the victims are reduced to commodities, mere objects used in human sacrifice, thus once again dehumanized and bereft of their dignity. The lack of serious scholarly attention has certainly contributed to the success of this Nazi exploitation genre, as one of its main arguments is precisely that academia is neglecting the occult aspects of Nazi Germany. -
Daily Iowan: Archive
Junior Loop Warmer All-Stars Shut Out IOWA: Warmer today and tomor service Nlhe row wUh scattered thunder 8ee Stor)' Oh Pa,e 4 THE DAILY IOWAN ltorms In weal porilon Iowa City', Morning Newspaper , = ., FiVE CENTS TH! A SSOC~T! D PAIS8 IOWA CITY. IOWA WEDNESDAY.1ULY 8.1942 THI A880C~T&D palss VOLUME XLD NUMBER 245 e t oVle 5 AIDING WOUNDED COMRADE IN THE EGYPTIAN DESERT Red Reverses Near Voronezh Rommel~ s Forces Threaten Vital Supply Route B f All· d Claim Enormous Losses Inflicted on Nazi Infantry; e 0 reie German Drive Now 60 Miles Beyond Farthest 1941 Advance Argentine Orders All Harried Axis ' MOSCOW, Wednesday (Ap)-'rbe red army has withdrawn again before the smashing German drive across the river Don aimed at Voronezh, on the vital Moseow·Rostov railway, the oviet midnight commupique Raid today. Ships. to Dock in Gulf Troops Move: The main fOI'ce of the nazi attack was "west of Voronezh" and around 'taryi Oskol, 65 milcli to the southwest, the communique BUENOS AIRES (AP) - The tina the right to penetrate the 80- said, iudicating thllt' the most progre 's had been made in the Argentine naval ministry has or called blockade zone. but Argen latter sector. dered aU Its merchant ships to tina did not want to accept this Further West ': After mentioning that fierce battle continued in both areas, avoid eastern United Slates ports "special status" because she would the communique refer!' d especially to heavy tank and infantry because ot the axis submarine appear to be acting in collusion attacks al'ound 'taryi Oskol. -
Dissertation After Crash 4-7-10
Roma De Profundis: Post-Economic Miracle Rome and the Films of Dario Argento (1970-1982) By Michael Loren Siegel B.A., University of Michigan, 2000 M.A., Brown University, 2003 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Modern Culture and Media at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Michael Loren Siegel This dissertation by Michael Loren Siegel is accepted in its present form by the Department of Modern Culture and Media as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date___________ ___________________________________ Professor Mary Ann Doane, Advisor Recommended to the Graduate Council Date___________ ___________________________________ Professor Philip Rosen, Reader Date___________ ___________________________________ Professor Massimo Riva, Reader Approved by the Graduate Council Date___________ ___________________________________ Professor Sheila Bonde, Dean of the Graduate School iii VITA Michael Loren Siegel was born on July 31, 1978 in Pittsburgh, Pennsylvania. He earned his B.A. in Film and Video Studies at the University of Michigan in Ann Arbor, Michigan in 2000, and his M.A. in Modern Culture and Media at Brown University in Providence, Rhode Island in 2003. His work on Italian cinema, television, urbanity, and visual culture has been published in the anthologies Cinematic Rome (ed. Richard Wrigley) and The Place of the Moving Image (eds. John David Rhodes and Elena Gorfinkel), and is forthcoming in A Companion to Italian Cinema (ed. Peter Brunette) and the British Film Institute’s centenary collection on Michelangelo Antonioni (ed. John David Rhodes). ! iv ACKNOWLEDGEMENTS Writing a dissertation can be an intensely isolating experience. -
Horror, Sexo E Explora~Ao No Cinema I Lucio De Franciscis Dos Reis Piedade
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado em Multimeios A CULTURA DO LIXO HORROR, SEXO E EXPLORA<;AO NO CINEMA LUCIO DE FRANCISCIS DOS REIS PIEDADE exemplar e a reda<;ao da dissertayao defendida pelo Sr/Lucio De Franciscis ~os Reis PiecJade . ' '~ova<\_a pela Disserta9ao apresentada ao Curso de Mestrado Com1ss.ral(i.·'!. <;~o·· .. file · /ll'/2002. em Multimeios do lnstituto de Artes da UN ICAMP i \! . i l: "\b'\ i \\ ' -------------t----\\Tf\- '!-1:; -*:.--------------- como requisito parcial para a obten9ao do grau 1 ,_ \~~ de Mestre em Multimeios sob a orienta9ao do ~~~~~.,;\~\ ~~~~~~----' Prof. Dr. Marcius Cesar Soares Freire. CAMPINAS- 2002 V EX ..,.,"'n"n"" TOMBO SCI 5 3:I16 PROC.c] A;;;_, l.f /0o[ll C PAE!;O $'"" -1,-'!P DATAs/nY roa: N'CPD_ 1. CM001821 i ~ .. FICHA CAT ALOGRAFICA ELABORADA PELA BffiLIOTECA DO IA. - UNICAMP Piedade, Lucio De F ranciscis dos Reis. P595c A cultura do lixo: horror, sexo e explora~ao no cinema I Lucio De Franciscis dos Reis Piedade. - Campinas,SP: [s.n.], 2002. Orientador: Marcius Cesar Soares Freire. Disserta~ao ( mestrado) - Universidade Estadi.Jal de Campinas, Institute de Artes. I . Cinema- hist6ria. 2. Sexo no cinema. 3. Filmes de horror. L Freire, Marcius Cesar Soares. II. Universidade Estadual de Campinas.Instituto de Artes. Ill. Titulo. Para Lucia, minha mulher, pelo apoio e pela paciencia. 3 Agradeqo a CAPES pelo apoio, atraves de balsa concedida entre os meses de novembro de 2001 e outubro de 2002. 4 Resumo: 0 presente trabalho e uma investigayao das relayoes entre o cinema de horror eo que se convencionou chamarfilmes exploitation- filao vasto e prolffico que se desenvolveu a mar gem da industria principaL Atraves de uma retrospectiva hist6rica, pretendemos estabelecer os pontes em que se cruzam essas tendencias, na explora9ao do horror explfcito - o assim chamado "sangue-e tripas" -, do sexo e da violencia. -
Curriculum Guide
CURRICULUM GUIDE Investigating the Holocaust Nuremberg: Its Lesson for Today INSIDE THIS GUIDE Using the Material in this Guide Section I Nuremberg: The Trial and the Film Section II The Lead Up Section III Blueprint for World Domination Section IV Crimes Against Humanity Section V Roosevelt Administration: Action and Inaction Section VI Essential Questions Surrounding Holocaust Themes and Concepts SCHULBERG at the Franklin D. Roosevelt Presidential Library PRODUCTIONS The Franklin D. Roosevelt Presidential Library and Museum is a part of the National Archives and Records Administration. This guide was made possible by support from the FDRLIBRARY.ORG New York Community Trust. Using the Material in this Guide his is curriculum material for teaching about the Holocaust and Nazi aggression during WWII. Developed by the Franklin D. Roosevelt Presidential Library & Museum, the guide uses historical materials drawn from the Library’s archives, and a recently remastered documentary first produced in 1946, Nuremburg: TIts Lesson for Today. The guide consists of six sections, each focused on a particular aspect of the Holocaust and Nazi aggression. The sections can be used with your students individually or collectively. The purpose of this guide is to introduce students to the Holocaust through primary sources so that they may better understand the forces and factors that led to this horrendous period in world history and still lurk in the world today. Only by learning the lessons of the Holocaust can we hope to prevent these dark forces and factors from rising up once more. Section I Nuremberg: The Trial and the Film The 1946 documentary Nurnberg is an important and compelling film created to document and chronicle the atrocities perpetrated by the Nazis leading up to, and during, the Second World War. -
Mcbastard's MAUSOLEUM: DVD Review: the JESUS
McBASTARD'S MAUSOLEUM: DVD Review: THE JESUS ... Page 1 of 46 Share Report Abuse Next Blog » Create Blog Sign In McBASTARD'S MAUSOLEUM the crypt of cult, horror and exploitation cinema TUESDAY, NOVEMBER 22, 2011 CONTRIBUTORS DVD Review: THE JESUS LIZARD: CLUB (2011) Christopher Kahler McBastard Root Rot CONTACT To submit materials for review please email me for the address. I am also willing to accept reviews, articles and other content for the site. email: [email protected] twitter: http://twitter.com/mcbastard2000 facebook: http://www.facebook.com/pages/mcBast ards-mausoleum/169440663073382 tumblr: http://mcbastardsmausoleum.tumblr.co m/ digg: http://digg.com/mcbastard2000 stumbleupon: http://www.stumbleupon.com/stumbler/ McBastard2000/reviews/ THE JESUS LIZARD - CLUB (2011) Label: MVD Visual THE CRYPT Region Code: 0 NTSC Duration: 65 mins ► 2012 (5) Video: 4:3 Fullscreen ▼ 2011 (327) Audio: Dolby Digital 5.1 Surround ► December (26) Director: Mathew Robinson ▼ November (26) Band: David Yow, Duane Dennison, David WM. Sims, Mac McNeily Blu-ray Review: THE EXTERMINATOR (1980) After a decade of inactivity seminal 90's noisemakers THE JESUS LIZARD returned Japanese spine-tingler GUROZUKA to the American stage at the Exit club it Nashville, TN on July 14th 2009. The coming to DVD from... performance captured here features the four members of the classic JL line-up, African zombie film THE DEAD on David Yow (SCRATCH ACID) on vocals, Duane Dennison (TOMAHAWK) on guitar, BD/DVD February 14... David WM. Sims (RAPEMAN) on bass and Mac McNeily (MULE) on the drums. Israel's first horror film RABIES out on DVD Febru.. -
Folk Songs, Youth, and Propaganda: Music of the Third Reich Patrick Scott Etp Erson Butler University
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 5-10-2014 Folk Songs, Youth, and Propaganda: Music of the Third Reich Patrick Scott etP erson Butler University Follow this and additional works at: http://digitalcommons.butler.edu/ugtheses Part of the Ethnomusicology Commons Recommended Citation Peterson, Patrick Scott, "Folk Songs, Youth, and Propaganda: Music of the Third Reich" (2014). Undergraduate Honors Thesis Collection. Paper 235. This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER UNIVERSITY HONORS PROGRAM Honors Thesis Certification Please type all information in this section: Applicant (Name as it is to appear on diploma) Thesis title Intended date of commencement fv1 0..\/ 10 201'1 I Thesis adviser(s) Lf--2Jl- f if Date Reader(s) Date Date For Honors Program LIse: Level of Honors conferred: University ClAM Lc..lA.cLe.. Departmental Folk Songs, Youth, and Propaganda: Music of the Third Reich A Thesis Presented to the Department of Music Jordan College of Arts and The Honors Program of Butler University In Partial Fulfillment of the Requirements for Graduation Honors Patrick Scott Peterson April 28,2014 Dr. Nicholas Johnson 1 Wir werden weiter marschieren Wenn alles in Scherbenfdllt, Denn heute erhort uns Deutschland Und morgen die ganze Welt. We will continue to march, Even if everything shatters; Because today Germany hears us, And tomorrow the whole World. -
How Occupied France Financed Its Own Exploitation in World War II
How Occupied France Financed its own Exploitation in World War II Filippo Occhino Rutgers University [email protected] Kim Oosterlinck Solvay Business School Université Libre de Bruxelles [email protected] Eugene N. White Rutgers University and NBER [email protected] Abstract Most studies of war finance have focused on how belligerent powers funded hostilities with their own resources. The collapse of the Third Republic in 1940 left Berlin in control of a nearly equally powerful industrial economy. This paper analyzes the policies employed by the German occupation and the collaborating government in Vichy to supply resources to the Nazi war machine. Vichy finance ministers eschewed inflation and promoted bond finance by imposing price and wages control and financial repression. They engineered a huge transfer of resources but at a very high cost. We assess the results of this policy with a neoclassical growth model and discuss the efficiency and sustainability of Nazi exploitation. October 2005 Preliminary—Please Do Not Quote or Cite The study of war finance is usually approached by examining how the available domestic resources were used by belligerents. Although incurring huge expenses, warring governments are usually assumed to attempt some optimization of revenue generation on behalf of their population. However, war finance in France during World War II was quite different. The collapse of the Third Republic left Berlin in control of a nearly equally powerful industrial economy. To finance its continuing war on other fronts, the German government sought and secured a massive and, perhaps, unparalleled extraction of resources from France. But, unlike belligerent powers that raise funds from their own population; the Nazis were known to have little interest in the long-term welfare of the countries they occupied. -
DVD Review: Night of the Living Dead: Reanimated (2010)
http://mcbastardsmausoleum.blogspot.com/2010/10/dvd-review-night-of-living- dead.html Thursday, October 21, 2010 DVD Review: Night of the Living Dead: Reanimated (2010) NIGHT OF THE LIVING DEAD: REANIMATED (2010) "Art is Dead... Yeah It's All messed Up" Wild Eye Releasing RATED: Unrated RUNNING TIME: 101 Min. ORIGINAL DIRECTOR: George A. Romero PROJECT CURATOR: Mike Schneider CAST: Duane Jones, Judith O'Dea, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Ridley SUMMARY: Night of the Living Dead: Reanimated is a mass collaborative artistic re-envisioning of George A. Romero's 1968 cult classic Night of the Living Dead. International artists and animators were invited to select scenes from the film and reinvent them through their artwork. Open to all styles, media and processes the results ran the gamut with scenes created in everything from puppet theater to CGI, hand drawn animation to flash, and oil paintings to tattoos. This cacophony of works was organized and curated across the original film's time line in order to create a completely original video track made entirely out of art. (from NOTLDR.Com) FILM: It's generally known that George A. Romero's Night of the Living Dead fell into the public domain immediately following it's theatrical release in 1968 due to a copyright snafu. So unfair, right? This is the man that created a seminal piece of cinema history. The visionary who ushered in the modem-age of the flesh-eating zombies to the masses. As the result of this unfortunate error pretty much anyone has been able to duplicate and distribute the film and profit from the Romero's labor.