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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Keycon 2009 Program Book
Keycon 26 2 Welcome! 3 Registration 4 Operations 5 Volunteers 6 WINSFA 7 Guests 14 Art Show & Auction 16 Masquerade 18 Hospitality 21 Programming 31 Video Room 32 Dealer's Room 33 Gaming Welcome! In 2002 I bid and won the right to host my first convention in 2004. It was a good learning experience and some three years later I bid to run my second con in well 2009. This year’s convention was far more chal- lenging for us in the way of volunteers and busy personal lives as both Brian and I had ever growing responsibili- ties outside of the convention. I am happy to say though here we are with all our problems and mistakes getting ready to see the fruits of our labors. I must admit that this year’s dinner is something that I have planned and I am looking forward to. We have fantastic guests in Katherine Kurtz, Kelley Armstrong, Red and Ed, Liana K and Ed the sock, (AKA Steven Kerzner) and our two entertainment guests Luke Ski and Shoe Box. In the years to come we will need new blood and people to run the convention. I am encouraging every- one to attend the future of Keycon panel this year to discuss where we are going and what we want to see for the future. With my last breath I wish to thank my partner and the convention staff that stuck to it through trying times, economic crisis and more government regulations then I wish to discuss. Brian and I, as with any partner- ship, had our ups and downs over the past two years, but as a good team we came together to get things done. -
Long, Tall Stacia - the Six-Foot Lady with the Two-Way Sex Life Penthouse 1974
Long, Tall Stacia - The Six-Foot Lady with the Two-Way Sex Life Penthouse 1974 What makes Hawkwind concerts rather different from those offered by the current crop of rock bands is the fact that they possess a 42-28-39 asset called Stacia. At the magic moment when the music really starts getting under your skin, Stacia makes her entrance - dancing, miming and generally interpreting the sounds in her own, very unique fashion; usually wearing little but greasepaint. With the above-mentioned statistics and standing six feet tall, Stacia is an impressive lady: as she so rightly says, "If I could get my waist down to 18 I'd have the same shape as Sabrina." Though she is now an indispensable member of Hawkwind, her onstage gyrations started very informally. "I saw the band in Exeter," she recalls, "and got invited to a rehearsal. Then I went with them to a concert in Redruth. We were all bombed out of our heads and I asked if I could dance onstage. So we found some greasepaint, I made up and on I went." Stacia joined Hawkwind full time in 1971 but she insists that she has had no formal dance training. "I was kicked out of ballet school when I was 10 because I was too tall. Besides, if you enjoy expressing yourself, training schools can ruin whatever talent you may have." Her dancing used to be "strictly acid freak stuff" but now Stacia - no surname forthcoming, incidentally- is making it her business to establish a rapport with her audience. -
THESIS Gender and Sexuality in Hard Rock
GGeennddeerr aanndd SSeexxuuaalliittyy iinn HHaarrdd RRoocckk aanndd iittss SSuubb GGeennrreess An analysis of image, queerness and the femme fatale idea in glam, sleaze, hair metal and related genres Vanessa Floréal Promoter: Prof. Dr. Gert Buelens Master English 2009-2010 Ghent University The image above represents the much talked-of American hard rock band KISS in the company of their so beloved women. Acknowledgements I would like to show my gratitude to professor Gert Buelens for his interest in my subject matter, his suggestions and the very useful feedback that I have got over the last few months. Without his support this dissertation would not have been possible. I also want to thank Ruben De Baerdemaeker for sharing his thoughts on my ‘pretty glam boys’ and discussing Butler’s Gender Trouble with me. ‘Tack så mycket’ to Lisbeth Hellman for helping me out with Freudian and Lacanian theories. I also want to thank Bob Ruysschaert from the KULeuven and Aurora Van Hamme for their comments and advice . Many thanks also go to librarian Mario Floryn from the department of Art, Music and Theatre Sciences at the UGent. I want to thank my friends Sjar and Staffan for their support, and Jon for transcribing some song lyrics for me. Last but not least I thank Liz from Leaded Fuel and Autostrada Outlaws, G.A. Sinn from Cyanide 4, Lizzy from Lizzy Borden and all the guys from Frenchkiss for talking about their music with me. You guys rock hard! 2 Table of Contents: 0. Introduction 4 1. Gender and Normativity 8 a. -
DKT/MC5 Sonic Revolution
Listen mister, back in my day, blotter was 25 cents a hit and we had to walk two miles uphill to get it! And we liked it! Wayne Kramer is not someone who normally seems into beaming—his image is a little more ferocious than that. But onstage during the second night of the DKT-MC5 tour in Chicago, Kramer busted loose a big fat grin and started jumping up and down at one point. Back in the MC5 days, the band was known for its energetic, physical shows. Having never seen them live, I don't know if they ever jumped for pure joy back then, but that's clearly what Kramer was doing that night. The reunion of the surviving members of the MC5 (guitarist Kramer, bassist Michael Davis and drummer Dennis Thompson)—along with resurrections of the Stooges and the New York Dolls—is showing a renewed interest in these progenitors of punk rock. "It's surprising to me and it should be surprising to Iggy and those guys how much influence and affect our two bands have had on music now," Davis said. "I'm kind of in awe of it. We've had this kind of effect. And it's one thing to do something that people DKT/MC5 admire a lot, and go, 'That was really cool Sonic Revolution: Live At London's 100 stuff,' but to have this much influence is really Club [DVD] surprising to me." 2004 Image He continued: "I thought it was great, but I The DKT/MC5 gig at London's 100 Club never thought it was so foundational to the was the first salvo in what has become a future. -
NAZARETH Wild Dogz (Hard Rock)
NAZARETH Wild dogz (Hard Rock) Année de sortie : 2011 Nombre de pistes : 11 Durée : 55' Support : CD Provenance : Reçu du label Débutons cette chronique par un coup de gueule : proposer un nouvel album de NAZARETH muni d’un visuel aussi désastreux, repoussant et approximatif relève d’un manque de respect pour cette formation de vétérans. C’est à se demander si le label espère réellement vendre quelques exemplaires de Big Dogz ! Cela étant dit, il serait dommage de passer à côté de cet album. Les plus jeunes d’entre vous ne connaisse peut-être pas NAZARETH, groupe écossais qui connut une heure de gloire dans les années 70. Au cours de sa longue carrière, le groupe est toujours resté ancré dans une formule du Hard Rock gavé de Blues, de Boogie, quand bien même il eut des périodes plus Pop, plus West Coast. On se permettra de recommander chaleureusement l’écoute d’oeuvres comme Razamanaz (1973), Loud’n’Proud (1974), Rampant (1974), Hair Of The Dog (1975), Expect No Mercy (1977), No Mean City (1978) ainsi que le live Snaz (1981). Les amateurs de Hard Rock’n’Roll bien chaud y trouveront leur compte. Aujourd’hui, il ne reste plus de la formation d’origine que le bassiste Pete AGNEW et le chanteur Dan McCAFFERTY, dont le timbre erraillé est à rapprocher de celui d’un Brian JOHNSON, pas moins. Au menu, on trouve un Hard Rock classique, parfaitement maîtrisé, même si évidemment la formule est archi-connue. L’approche du groupe est dorénavant moins frénétique qu’à ses débuts puisque le tempo général des compositions oscille entre le médium (le très carré Sleeptalker, le chaloupé Watch Your Back, No Mean Monster, Lifeboat, le Boogie The Toast) et le lent (le menaçant et lourd Big Dog’s Gonna Howl en ouverture, le bluesy When Jesus Comes To Save The World Again). -
Hã©Ctor Lavoe Hector Lavoe Live Songs Download Album Free HéCtor Lavoe Greatest Hits Download Album Free RAR
héctor lavoe hector lavoe live songs download album free Héctor lavoe Greatest Hits Download Album Free RAR. 2020/05/29 Download sheet music for Héctor Lavoe. Choose from Héctor Lavoe sheet music for such popular songs as Che Che Colé, Mi Gente, and Aguanile. Print instantly, or sync to our free PC, web and mobile apps. Download sheet music for Héctor Lavoe. Choose from Héctor Lavoe sheet music for such popular songs as Che Che Colé, Mi Gente, and Aguanile. Print instantly, or sync to our free PC, web and mobile apps. LPCatalog: Linkin Park collection guide What's In The Eye / CD / United States, LVR01014 Amends / CD / Austria, 00888072158993, Limited Edition Mediabook Amends / CD / European Union, 00888072155404 Amends / Vinyl / United States, LVR00984, Picturedisc #1 Grey Daze Amends / Vinyl / United States, LVR00983, Picturedisc #2 Amends … 2018/03/22 OCLC Number: 502058248 Language Note: Sung in Spanish. Notes: Selections originally released 1967-1976. Compact disc. Program notes in English and Spanish ([14] p. : ill. (some col.)) inserted in container. Performer(s): Héctor 2017/08/07 New Album Releases – download full albums, daily updates! Artist: Belle And Sebastian Album: Days Of The Bagnold Summer Released: 2019 Style: Indie Pop Format: MP3 320Kbps Size: 106 Mb Tracklist and Download links » 2020/07/01. New Album Releases – download full albums, daily updates! Artist: Belle And Sebastian Album: Days Of The Bagnold Summer Released: 2019 Style: Indie Pop Format: MP3 320Kbps Size: 106 Mb Tracklist and Download links » Greatest Hits [Full Album] Jaime Del Baron 38 videos 4,055 views Last updated on Dec 15, 2013 Play all Share Loading Save Sign in to YouTube Sign in [Deleted video] [Deleted video] [Deleted video] Air Supply by by 43:43 Archive: RAR Description EXILE TRIBE launched the ambitious HiGH & LOW project which encompasses various creative productions including a film, a TV drama, a live tour and an album involving different artists from the label. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
MC5's Wayne Kramer, Motorhead and the Sex Pistols Modernize Iconic Sound with Re- Recorded Tracks for Guitar Hero(R) World Tour
MC5's Wayne Kramer, Motorhead and The Sex Pistols Modernize Iconic Sound With Re- Recorded Tracks for Guitar Hero(R) World Tour 40 Years Later, Wayne Kramer, Joined By Jerry Cantrell of Alice and Chains and Gilby Clark Formerly of Guns 'N' Roses, Brings Back 'Kick Out the Jams' for Guitar Hero World Tour SANTA MONICA, Calif., Sept 03, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Guitar Hero(R) fans will have a unique opportunity to unleash their inner rockstar as they come together and kick out some jams with exclusive re-records by MC5's Wayne Kramer, Motorhead and The Sex Pistols in Activision Publishing, Inc.'s (Nasdaq: ATVI) Guitar Hero(R) World Tour. Just shy of the 40th anniversary of the seminal performance in October 1968 when "Kick Out the Jams" was originally recorded, founder and lead guitarist Wayne Kramer went back into the recording studio with original producer Bruce Botnick to re-record the track exclusively for Guitar Hero World Tour. Featuring the vocals recorded by Rob Tyner in 1968, Wayne Kramer was joined by friends Jerry Cantrell of Alice and Chains and Gilby Clark formerly of Guns 'N' Roses -- at The Woodshed Recorder, studio of composer and ex-Oingo Boingo keyboardist Richard Gibbs -- to update and modernize the sound without taking away from the original visceral garage sound that made MC5 famous and helped start the Punk Rock revolution. Last year when they re-recorded "Anarchy in the U.K." as a Guitar Hero exclusive, fellow Punk Rock band The Sex Pistols - with original members John Lydon on vocals, guitarist Steve Jones, drummer Paul Cook and producer Chris Thomas - also re- recorded "Pretty Vacant" utilizing the original analog sound board (circa 1969) that was built for George Martin at Air Studios, London, England in order to maintain the classic sound.