April 28 - 30, 2016 Hilbert Circle Theatre
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PRESS RELEASE – 2018 Proteus Festival Headliners Announced
PRESS RELEASE Press Contact: James Bryan, Marketing Director [email protected] 757-650-9925 FOR IMMEDIATE RELEASE 2018 Proteus Festival Headliners Announced Kishi Bashi and The Hunts to Headline First Proteus Festival. Virginia Beach - Zeiders American Dream Theater (The Z) in Town Center under the lead- ership of Artistic Director Bart Kuebler and Executive Director Terry Flint, is pleased to present the first Proteus Festival which coincides with brand new facility opening. Zeiders American Dream Theater’s new 309 seat Main Stage Theater and 120 seat Studio Theater will open its doors the same weekend as Proteus Festival. Proteus Festival begins Oc- tober 5 through October 7, 2018 with 3 Day Standard Badges ($75) and 3 Day Gold Badges ($150) going on sale July 30, 2018 at 10am. Single Day Admission Wristbands and Special Ho- tel Packages will also be available on July 30, 2018. “I am thrilled to be bringing in both The Hunts and Kishi Bashi as featured artists during the inaugural Proteus Festival. We started Proteus Festival to spread our vision of building a vibrant creative community, and we could find no better examples of what that means than these two artists.” says Bart Kuebler, Artistic Director. The Hunts are an indie-alternative-folk band comprised of seven brothers and sisters. Born and raised in the south lands of Chesapeake, Virginia, the siblings grew up in a musical home and fell in love with composing their own music. With over 10 million listens on Spotify and tours with X Ambassadors and The Fray, The Hunts will headline the Friday Night Studio Theater Premier Performance on October 5 which is sponsored by Clark Nexsen. -
NPR's 2012 SXSW Best Musical Discoveries
SXSW 2012 Best Bands - NPR's 2012 SXSW Best Musical Discoverie... http://www.esquire.com/the-side/style-guides/sxsw-2012-best-bands-n... ADVERTISEMENT Subscribe Give a Gift Customer Service Promotions Digital Edition Win MILA KUNIS /// HALLOWEEN /// FOOTBALL /// BEST NEW RESTAURANTS HOME / WEB-ONLY / ONLINE-EXCLUSIVE STYLE GUIDES March 19, 2012, 2:27 AM Possibly Life-Changing Musical Discoveries from SXSW 2012 While Esquire was busy checking out some new favorites of our own — the guys from NPR Music were even busier, listening to absolutely everything again . Herein, the artists they considered worth sharing from Austin just now. BY BOB BOILEN, ROBIN HILTON, ANN POWERS, AND STEPHEN THOMPSON More from this author Like 50 Tweet 2 From Bob Boilen: CHECK THESE OUT Patrick Watson Okay, easy prediction here, since the best show I saw at SXSW was Patrick Watson: I predict Patrick Watson will release one of the best albums of 2012. Unlike the brilliant 2009 release Wooden Arms , this new record Adventures in Your Own Backyard is going to be a hit. Watson is going on the road opening for Andrew Bird, and Bird’s audience will appreciate his story songs — tales wrapped in finely arranged swatches of piano melodies perfect percussion and the right does of guitar and violin. CLICK HERE TO DOWNLOAD A SONG FROM NPR. Polica It's singer Channy Leneagh’s voice and live performance that drew me into this music. On record, the production is king and, in fact, producer Ryan WOMEN Olson is best thought of as the creator of this band — not just the sound- sculptor. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 11/4/2015 Elliot Moss “Best Light” The first single from his debut album Highspeeds, edit on PlayMPE, full cd in stores and in the mail to radio now New at KBAC, KCLC, KVNA and WXRY Already on WFIV, WCBE and KSLU “Moss was one of the festival’s youngest artists, but he showed rare maturity and dedication by letting his songs transcend normal genre constraints.” - Billboard (on his Eaux Claires Festival set) “Foggy, melancholy fuzzed-out folk with traces of brass and wobly electronics fraying the edges outward.” - Sterogum On tour now with Wild Child Ben Caplan “I Got Me A Woman” From Birds With Broken Wings, on your desk now, in stores 11/20 New: WKZE, WUSM, WERU Already on WJCU, WFIV, WCBE, WYCE, KUNC, WUKY, KVNA, WHRV, KSLU “Full of rousing choruses, eclectic instrumentation and dramatic and spooky lyricism. The songs are distant cousins to both Tom Waits and Gogol Bordello.” - CBC Music Watch two great live performances on our site US tour dates now: 11/4 Los Angeles, 11/5 Phoenix, 11/6 El Paso, 11/7 Dallas, 11/10 Nashville, 11/11 Charlotte... Liz Vice “Empty Me Out” From her debut There’s A Light, in stores now New at WVMP Already on WXPN, WYMS, Music Choice, WJCU, WYCE, WFIV, WCBE, WNRN, WUMB, World Cafe, WUKY, KDHX, KAXE, KVNF, MSPR, MPR, WERU and KSLU “The connection between gospel and 60s soul is reaffirmed on There’s A Light.” - NY Times Great press: NPR Weekend Edition, NBC News and much more Video premiered on WSJ’s Speakeasy blog NPR “Songs We Love” and World Cafe Next National tour going on now Vanessa Carlton “Operator” The first single from Liberman, in stores now New at WVMP and WERU Already on WEZZ, KFLY, WYCE, WZLO, WCBE, WNCW, KSLU, KDEC, KRCC, KSNO, KZYR, WFIV, Music Choice.. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
Big Hassle Media
Big Hassle Media For Immediate Release BEN FOLDS TO RELEASE NEW ALBUM, SO THERE, SEPTEMBER 11 ON NEW WEST RECORDS NPR PREMIERES “CAPABLE OF ANYTHING” PRE-ORDERS BEGIN JULY 17 (New York, NY – June 5, 2015) – Ben Folds has announced the release of his landmark new album, So There. Hitting stores on September 11, the album is the multi-platinum selling singer/songwriter/producer’s first for his new label New West Records, and showcases eight new pop songs recorded and arranged in collaboration with yMusic — a critically acclaimed NYC- based sextet — along with the debut recording of Folds’ 21-minute “Concerto For Piano and Orchestra,” with the Nashville Symphony conducted by Giancarlo Guerrero. Recorded in New York, Los Angeles, Chicago and his own historic Grand Victor Sound (aka RCA Studio A) in Nashville, the album is marked by its forward-thinking studio craft and creative spontaneity. NPR premiered the first song, “Capable of Anything,” from the album earlier today. Bob Boilen at NPR said: “Ben Folds’ music has taken another turn, firmly embracing strings and chamber music yet still maintaining a passion for his love of pop… I find this to be the most lovable piece of music I’ve ever heard from Ben Folds.” “I don’t recall ever being quite so excited about an album I’m making,” Folds said. “I’ll let you decide if that’s a good thing or not. It’s just that we don’t often get to make a record that we’ve never heard before. The arrangements you will hear on this record are straight up rock – not ornamentation. -
Stages Vol. 2
STAGESOfficial Magazine of the Englert Theatre Spring 2015 Featuring The Sound of Things to Social Brand Mission Creek Come from the Past Forum Festival SAVING MUSIC HISTORY ONE A PEEK INTO THE MIDWEST’S FATHER JOHN MISTY & MORE TO RECORD AT A TIME PREMIER DIGITAL MARKETING EVENT PLAY THE ENGLERT STAGE PAGE 10 PAGE 18 PAGE 28 M Y L A G O S M Y WAY CAVIAR COLLECTIONS 110 East Washington Street Iowa City, IA 52240 319.351.1700 www.mcginsberg.com lagos_coleco_bscene_8-5x11.indd 1 1/29/2015 2:06:05 PM Welcome to The Englert Theatre Dear Friends & Patrons, I am writing this letter as we face the long tunnel of winter. After a few quiet weeks around the holidays, winter is always a remarkably busy time at the theater as we prepare for Mission Creek Festival (full disclosure: I am a co-founder but many people have their hands in making this event work). This year marks the tenth installment of Mission Creek Festival in Iowa City, and we at the Englert are proud to be the producer of the festival. The lineup often reminds me of the programmatic vision that drives my work at the theater: to present the known and unknown side-by-side, to find a balance between the traditional and the experimental, to be reminded of a familiar feeling and to be rewarded by a new experience. Indeed, part of my job is to bring old favorites like Joan Baez, hot new bands like Lake Street Dive, or an institution of comedy like The Second City. -
Ben Folds Five Youtube
Ben folds five youtube Ben Folds Five's official music video for 'Brick'. As featured on Whatever And Ever Amen. isn't this. TRACK LIST n Cannery ophy ne 's Summer B? 5. Music video by Ben Folds Five performing Battle Of Who Could Care Less. Ben Folds Five wrote a song. Music video by Ben Folds Five performing Jackson Cannery. (C) Ben Folds / Distributed by Sony Music Entertainment Originally broadcast on AXS TV on. Music video by Ben Folds Five performing Brick. (C) Ben Folds / Distributed by Sony Music Entertainment. Music video by Ben Folds Five performing Landed. (C) Ben Folds / Distributed by Sony Music. Just a slideshow i made with Ben Fold's new single. Rockin' the Suburbs (Epic, ). Category. Music. License. Standard YouTube License. Music. "The. Cranking this song a lot again lately. Used to play it when it came out. Just got dumped a month ago and last. Music video by Ben Folds Five performing Army. (C) SONY BMG MUSIC ENTERTAINMENT. Ben Folds Five- Brick with lyrics.:) Subscribe and comment:) Thanks for watching:). Track 4 on the album 'Way To Normal' by Ben Folds. Full Album. Music video by Ben Folds Five performing One Angry Dwarf And Solemn Faces. (C) SONY BMG. Ben Folds Five's official music video for 'Song For The Dumped'. Click to listen to Ben Folds Five on. Ben Folds - Capable Of Anything [So There Full Album]. New West . this song would be pretty good if ben. Music video by Ben Folds Five performing Underground. How do only people like this song including me? Ben Folds Five is one of the most underrated bands of. -
Kishi Bashi String Quartet Live!
kishi bashi String Quartet Live! release date : November 13, 2015 catalog # : JNR168 available formats : CD / digital genre : Indie CD UPC: 714270689277 box lot quantity : 25 CD packaging : wallet track listing : overview : 1. Manchester 3:40 Kishi Bashi is the pseudonym for violin virtuoso, singer, and composer K 2. Bittersweet Genesis for Him AND Her 3:29 Ishibashi, who has recorded, toured, and collaborated with artists such as 3. Atticus, In The Desert 5:52 Regina Spektor, Sondre Lerche, and of Montreal. In 2011, he launched what 4. Carry on Phenomenon 4:07 would become a successful and celebrated solo career, releasing his debut 5. I Am The Antichrist to You 5:46 album, “151a”, to praise from the likes of Stereogum, SPIN, and the Huffing- 6. This Must Be The Place (Naive Melody) 3:23 ton Post, earning the title of NPR's "Best New Artist Of The Year" in 2012, 7. The Ballad of Mr. Steak 3:24 and gaining critical acclaim for his 2014 sophomore release, “Lighght”. 8. Conversations at the End of the World 4:56 9. In Fantasia 7:29 Though he studied classical composition and considers the violin his primary muse, Kishi Bashi's songs feature a diverse mix of instrumentation HOMETOWN: currently Athens, GA. Past: Norfolk, VA, and NYC and unconventional songwriting, resulting in a unique and experimental sound that defies genre. He flits from bright chamber-pop with frantic, RELATED DISTRIBUTED BACK CATALOG TITLES: JNR149 “Lighght” JNR092 “151a” dizzying melodies to soft but emotionally-charged ballads, looping bits and pieces to create complex layers of sound. -
Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
Carmina Burana' Casts Spell in Dance, Music CATE MARQUIS Editor-In-Chief
UMSL's independent student news February 25, 2013 Vol. 46 Issue 1400 Dance St. Louis presented Nashville Ballets "Carm il18 Burana" at the Touhill Periarming Afts Center ou Feb 22-24. Photo: Heather Thorne 'Carmina Burana' casts spell in dance, music CATE MARQUIS Editor-in-Chief The stirring music is familiar The program opened with a provided translations of the poems dressed in light-colored medieval the form of an abbott. The segment from countless films, but Nashville dance piece by Johann Sebastian for interested audience. members. cowls and hoods surrounded it, portrayed lust, drinking, gambling Ballet's "Carmina Burana" blended Bach. Cantata Number 10 .vas "Carmina Burana" is a long work, paying homage to fate by dancing and other indulgences of excess dance, choir and symphony into the danced by members of MADCO, with 25 pieces, but the addition in unison, commanded by a stern through dances titled "Burning perfect intoxicating cocktail at the the university's artists-in-residence of dance transformed it into an Fortuna at the cen ter, while the Inside," "The Roasting Swan," "The Blanche M. TouhUl Performing Arts dance troupe, with choreography exuavaganza so entrancing one was powerful m u.sic washed over the Bad Abbott" and '<Drinking Song." Center this weekend. by Dance St. Louis's artisti£ and simply swept along for the ride. audience. The most striking part of this - The dance presenting executive direCtOr, Michael Uthoff, Because the music is rhythrilic and The stage was bracketed by risers and another visual highlight - was organization , Dance St. Louis, and accompanied by music from the energetic, it makes a great choice draped in black, upon which stood "The Roasting Swan." The Swan which has made the Touhlll a base University Symphony and Singers . -
North Carolina Museum of Art Announces Summer Concert and Movie Schedule
FOR IMMEDIATE RELEASE May 10, 2018 MEDIA CONTACT Kat Harding | (919) 664-6795 | [email protected] North Carolina Museum of Art Announces Summer Concert and Movie Schedule The summer season features Americana, pop, and indie rock performers, Oscar-nominated movies, and more Raleigh, N.C.—The North Carolina Museum of Art (NCMA) announces the 2018 summer schedule of outdoor concerts and movies. The 21st annual performing arts summer season includes concerts from recording artists ranging from local favorites Mandolin Orange and Brooklyn-based quartet Lake Street Dive to New Orleans’s Trombone Shorty and Swedish indie rockers First Aid Kit. The summer movies include Oscar nominees Lady Bird, The Shape of Water, and the blockbuster hit Black Panther. See the full schedule of summer concerts, movies, and more below. Outdoor Concert Series First Aid Kit with Jade Bird, presented with Cat’s Cradle Friday, June 8, 8 pm $27–40 Celebrated for soaring, exquisite harmonies, the duo’s live performances moved Patti Smith and Emmylou Harris to tears. First Aid Kit now returns to the U.S. to debut an acclaimed fourth album, Ruins, which features REM guitarist Peter Buck and Wilco drummer Glenn Kotche. Backed by pedal steel, bass, keyboards, and guitar, First Aid Kit’s live shows transfix audiences with everything from lilting ballads to a head-banging Black Sabbath cover—and their tribute to the #MeToo Movement, “You Are the Problem Here.” Shovels and Rope with Son Volt, presented with Cat’s Cradle Saturday, June 16, 8 pm $27–40 Son Volt will open the June 16 Shovels and Rope show, presented with Cat’s Cradle. -
Web Historic Theatres Library Database 6-12-2016.Xlsx 1 STG Historical Library Database Last Update 6-12-2016
STG Historical Library Database Last Update 6-12-2016 STG Library Database Title Description Theater Subject Event Pub Call Call Content Date Date Numb Letters Type 100 Years at the Moore DVD 100 year celebration Moore History - 2007 792.09er MOO DVD Modern 100th Anniversary - The The contest was in the Seattle Times Moore Theater 2007 792.09 100 MOO Newspaper Moore Theatre My Newspaper and was sponsored by STG. This is History - USA Memories Contest a collection of the entries returned to STG on 12 Angry Men "12 Angry Men" focuses on a jury's Paramount Tragedy / 2007 792.1 AAA - FZZ Binder deliberations in a capital murder case. A 12- Drama man jury is sent to begin deliberations in the first-degree murder trial of an 18-year-old Latino accused in the stabbing death of his father - where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut: The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming - saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis) casts a not guilty vote. At first Mr. Davis' bases his vote more so for the sake of discussion after all - the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold - the story quickly becomes a study of the jurors' complex personalities (which range from wise - bright 1928 Shot of Seattle Large black and white photograph printed on Paramount Theater 1928 792.09 Photograph Theatre During stretched canvas.