Eumir Deodato – Deodato 2 – CTI Records/Speakers Corner
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Marcelo Martins | Bio
Marcelo Martins | bio. Saxophonist, flutist, composer and arranger. Born on February 23rd, 1969 in the city of Niteroi (Rio de Janeiro, Brazil) Marcelo Martins has a consolidated career that began in childhood. At just eight years old, the musician began his studies at the Orquestra Tipica La Salle. The artist also studied with saxophonist and flutist, Renato Franco, music theory at the Conservatory of Music of the State of Rio de Janeiro, harmony and improvisation with Sérgio Benevenuto, Blas Rivera and later, harmony and arrangement with the conductor and trombonist Vittor Santos. He has already recorded and worked with several personalities of brazilian music, among them, Djavan (since 1990), Antonio Adolfo, Cesar Camargo Mariano, Eumir Deodato, Airto Moreira & Flora Purim, Ed Motta, Gilberto Gil, João Bosco, Leila Pinheiro, Moacir Santos, Marcos Valle and Ivan Lins. Marcelo released his first solo CD, "Do Outro Lado", which was chosen by the critic Carlos Calado as one of the 10 best CDs of 2013. For some years, he has also participated as a teacher in saxophone workshops at several music festivals. Currently is also a member of the Atlantic Orchestra as co- founder alongside Jesse Sadoc, Aldivas Ayres and Danilo Sinna, where he works as an arranger, composer and saxophonist. The Orchestra has performed in concerts throughout Brazil, and recorded “Altlantic Orchestra”, its first CD (contemplated by the FUNARTE 2012 Instrumental Music Award), and its second CD “Antônio Adolfo - Encontros - Orquestra Atlântica” alongside the pianist and composer Antonio Adolfo. The last album was released in USA (2018) by the AA Music label, and was nominated for the Latin Grammy Awards (2019) in the sound engineering category. -
Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
Deodato Whirlwinds Mp3, Flac, Wma
Deodato Whirlwinds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Whirlwinds Country: US Released: 1980 Style: Fusion, Jazz-Funk, Funk MP3 version RAR size: 1564 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1419 mb Rating: 4.7 Votes: 615 Other Formats: RA DXD WAV DTS ASF ADX MPC Tracklist Hide Credits Moonlight Serenade A1 8:27 Bass [Center Section], Soloist, Bass – Tony LevinWritten-By – Glenn Miller Ave Maria A2 5:18 Arranged By, Adapted By – Eumir DeodatoDrums – Nick RemoWritten-By – Franz Schubert Do It Again A3 4:09 Written-By – Donald Fagen, Walter Becker West 42nd Street B1 5:50 Written-By – Eumir Deodato Havana Strut B2 4:41 Trombone, Soloist – Sam BurtisWritten-By – Eumir Deodato Whirlwinds B3 8:09 Written-By – Eumir Deodato, John Tropea Companies, etc. Manufactured By – MCA Records, Inc. Pressed By – MCA Pressing Plant, Gloversville Produced For – Kenya Music, Inc. Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Published By – Kenya Music, Inc. Published By – Robbins Music Corp. Published By – American Broadcasting Music, Inc. Published By – Red Giant Music, Inc. Recorded At – Record Plant, N.Y.C. Credits Arco Bass – Alvin Brehm, Russel Savakus* Bass – John Giulino Cello – Alan Shulman, Charles McCracken, Gloria Lanzarone Congas, Bongos – Rubens Bassini Drums – Billy Cobham Engineer – Carmine Rubino Engineer [Assistant] – Kevin Herron, Richard Apuzzo Flute, Saxophone – Artie Kaplan, George Marge, Joe Temperley, Phil Bodner, Romeo Penque French Horn – Brooks -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
Londonjazz: LP REVIEW: George Benson – Beyond the Blue Horizon 14.01.15 13:45
LondonJazz: LP REVIEW: George Benson – Beyond the Blue Horizon 14.01.15 13:45 Diese Website verwendet Cookies, um die Bereitstellung von Diensten zu verbessern. Durch die Nutzung dieser Website erklären Sie sich mit der Verwendung von Cookies einverstanden. Home Venues Can We Help? Team LondonJazz - Facebook THE WEEKLY NEWSLETTER LP REVIEW: George Benson To subscribe for our weekly newsletter, Just email the Editor (in 'Team' – Beyond the Blue Horizon above) George Benson – Beyond the Blue Horizon (Speakers Corner/CTI 6009. LP review by Andrew Cartmel) Beyond the Blue Horizon, recorded by Rudy Van Gelder in 1971, was George Follow Benson’s debut on CTI records and sees the guitar prodigy moving out of the Tweets Follow shadow of Wes Montgomery and towards the sort of funky territory exemplified by Hippodrome 11 Jan Body Talk(reviewed here). That album featured Benson playing in the context of Casino Pete Cater Big Band what was virtually a big band, but here he is accompanied by an admirably stripped- @HippodromeLDN down small group of top players. It makes for a striking sound, and there is an We've got @LouiseGolbey agreeable hit of psychedelia to the proceedings, which points the way towards & very special guest @omarlyefookMBE live records like White Rabbit, which would be Benson’s next album for CTI. this Thursday. Don’t miss out! Tickets here: Miles Davis’s So What? introduces us to the keyboard work of Clarence Palmer. He bit.ly/1HNgPmS opens the tune with an ecclesiastical electric organ sound that rapidly becomes Retweeted by secular. Which is to say, he brings home the funk. -
JOX YOX Not 301 KERSHAW (Sheffield Ebeneezen) 53 65 HUSTLE BUS STOP, Mastermind CBS Happening INT 558)
Sword Mirror, June 1G. 1978 A OF HONEYt 'Rosen Ongee Oag4' (LF art Taste Of Haney lamer P.8? HOT VINYL 11754), Forget the 40, here's GRAHAM CANTER (Mayfair Gunner.) import ups Ratty the funky DJ - favoured MU Wright 'Clean Up Woman (Live)' (Aletoe LP). Special I length 5.87 duce mix or the C 'Get Up And Express (retread J/P H/. Delivery Yourself' LP), love rldleulously catchy hit Committee 'Saw And Order' (Shield LPG Hues (locomotion bound girlie group hot flier! ' //e/tell 'Get Up Off Your Backside' (Warner Bros LP), G ham LOLEATTA 1101.LON AI': Central Station 'POW / 'My Radio Sure Rounds Good To 1111 And Rum (Mind II Me' (Warner Bros LP), Patti LaBelle 'Save The last Dance 450E lnx), Finally eel here For Me' (Epic LP), Low Klrterl New York City' (Aiston) on dynamite hull 11:00 121n, Nate Branch 'Midnight Dream' (La Fay). Teddy last year's US disco hit a Pendergrass 'Dose The Door' (Phil Ent), Etta Janes 'Deep develops Into a powerhouse In The Night' (Warner Bros LP), and revives ~achy Jr hypnotically chugging goo Walker A Thelma Houston 'I Need TOO Right Now' (Motown peI-type wailer with an 'Hot Sho1' LP), exciting Intensity that's totally lacking on7 tn. MF.LODIANR: 'Rivers Of DISCO NEWS Roby ion' (Island WW 8447), NI(hIT SANDS of Power Exchange, 474 Harrow Road, Hurrah It's the far inset London W9, needs more Top Rank / Mecca -type jocks for subtle reggae original , - hie nulling 1st, but they must be working at leant 11 nights a and about time, teal week, Polydor's Theo Loyla wants to know It earn. -
Deodato Best of Deodato Mp3, Flac, Wma
Deodato Best Of Deodato mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Best Of Deodato Country: Germany Released: 1984 Style: Jazz-Funk, Fusion MP3 version RAR size: 1704 mb FLAC version RAR size: 1258 mb WMA version RAR size: 1904 mb Rating: 4.1 Votes: 352 Other Formats: MP4 ADX MP2 DMF AAC DXD VOC Tracklist Hide Credits Also Sprach Zarathustra 1 9:00 Arranged By, Adapted By – E. Deodato*Written-By – R. Strauss* Prelude To Afternoon Of A Faun 2 5:13 Arranged By, Adapted By – E. Deodato*Written-By – Ch. Debussy* Nights In White Satin 3 6:00 Written-By – Justin Hayward Rhapsody In Blue 4 8:50 Written-By – George Gershwin Pavane For A Dead Princess 5 4:30 Arranged By, Adapted By – E. Deodato*Written-By – M. Ravel* Do It Again 6 6:29 Written-By – Fagin*, Becker* Companies, etc. Made By – Metronome Musik GmbH Distributed By – Metronome Phonographic Copyright (p) – Creed Taylor, Inc. Credits Arranged By, Conductor – Eumir Deodato Design [Cover-Design] – Roland Schmidt Photography By [Cover] – Werner Plotzki Producer – Creed Taylor Notes Total Time 39:56 Black label issue Im Vertrieb der Metronome, Überseering 21, 2000 Hamburg 60 Made in W.-Germany Barcode and Other Identifiers Rights Society: GEMA Label Code: LC 1969 Other versions Category Artist Title (Format) Label Category Country Year 63.022, CTI Records, 63.022, Deodato* Best Of Deodato (LP, Comp) Germany 1977 0063.022 CTI Records 0063.022 Best Of Deodato (LP, Comp, 65 329 5 Deodato* CTI Records 65 329 5 Germany 1977 clu) Best Of Deodato = Лучшие С60 22149 С60 22149 Деодато* -
Flows at Radio
VOL. LIX, NO. 29 Newspaper $3.95 Inside: Grammys Move To New York City THE ENTERTAINMENT TRADE MAGAZINE Decca’s Frazier River Flows at Radio o 82791 19360 4 37 VOL. LIX, NO. 29 MARCH 30, 1996 STAFF rcwi«i;aawmga GEORGE ALBERT President and Publisher KEITH ALBERT POP SINGLE THE ENTERTAINMENT TRADE MAGAZINE Exec. V.PJGeneral Manager Always Be My Baby M.R. MARTINEZ Managing Editor Mariah Carey EDITORIAL (Columbia) Los Angeles JOHN GOFF GIL ROBERTSON IV DAINA DARZIN HECTOR RESENDEZ. Latin Edtor URBAN SINGLE Nashville Cover Story WENDY NEWCOMER All Things... The New York Joe The Frazier River Flows J.S. GAER CHART RESEARCH (Island) Angeles Frazier River frontman Danny Frazier had a plan for his group of eclectic Los BRIAN PARMELLY musicians. He’d turn a saloon band into an act that would get signed to a major ZIV TONY RUIZ label. Doesn’t sound terribly original or uncommon, but the Decca recording act RAP SINGLE PETER FIRESTONE went from the River Saloon in Cincinnati, OH to a spot on the Cosh Box Country Nashville \A£>o-Hah! Got You... GAIL FRANCESCHI Singles chart and has been traveling the nation making folks at country radio spin MARKETING/ADVERTISING Busta Rhymes Nashville editor the single “She Got What She Deserves.” Wendy Newcomer Los Angeles (Elektra) talks with Frazier about the odyssey and the group’s prospects. FFiANK HIGGINBOTHAM JOHN RHYS —see page 5 BOB CASSELL Nashville COUNTRY SINGLE TED RANDALL Take A Stroll Near Hollywood And Vine New York You Can Feel Bad NOEL ALBERT Capitol New Media has, well, reinvented the famous intersection of Hollywood CIRCULATION Patty Loveless Arid Vine. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Storie Di Blues. La Rappresentazione Della Musica Blues Nel Cinema Americano
Storie di Blues. La rappresentazione della musica blues nel cinema americano Facoltà di Lettere e Filosofia Dipartimento di Storia Antropologia Religioni Arte Spettacolo Corso di laurea in Spettacolo, Moda e Arti Digitali Stefano Palma Matricola 1697098 Relatore Correlatore Damiano Garofalo Emanuele Senici A.A. 2020-2021 INDICE Storie di Blues. La rappresentazione della musica blues nel cinema americano 3 INTRODUZIONE CAPITOLO I Breve storia del blues 11 Il blues nelle piantagioni. La voce nera degli schiavi. 13 I ministrel show. Prime forme di spettacolo 14 Una nuova apparente condizione sociale. Il viaggio ed i medicine show. 15 I luoghi del blues ed i suoi principali interpreti CAPITOLO II La musica blues nel cinema di finizione americano 41 The Blues Brothers 51 The Blues Brothers: Il Mito Continua 55 Mississippi Adventures 60 Black Snake Moan 63 Cadillac Records CAPITOLO III The Blues. Una serie di sette documentari prodotta da Martin Scorsese 72 Dal Mali Al Mississippi 76 L’Anima Di Un Uomo 82 The Road To Memphis 85 Warming By The Devil’s Fire 88 Godfathers and Sons 94 Red, White And Blues 100 Piano Blues 104 Conclusioni 107 Bibliografia 110 Filmografia 111 Sitografia 112 Discografia INTRODUZIONE In questo lavoro di tesi, ho voluto prendere in analisi il modo in cui il cinema americano ha trasferito sullo schermo le tematiche della musica blues. E’ stato scelto di prendere in considerazione solamente alcuni film e alcuni documentari di produzione statunitense, questo per avere una maggiore coerenza semantica con il genere musicale nato appunto negli Stati Uniti come forma musicale popolare e poi sviluppatosi fino ad arrivare in Europa. -
1 Miles Davis Quintet, Live in Europe 1967: the Bootleg Series, Vol. 1
77TH ANNUAL READERS POLL HISTORICAL ALBUM OF THE YEAR 1 Miles Davis Quintet, Live In Europe 1967: The Bootleg Series, Vol. 1 (COLUMBIA/LEGACY) 2,619 votes The trumpeter and his second great quintet were in their prime while touring with George Wein’s Newport Jazz Festival in October and November 1967. 2 Wes Montgomery, Echoes 5 Stan Getz, Stan Getz 8 Fela Kuti, Vinyl Box Set I Of Indiana Avenue Quintets: The Clef & (KNITTING FACTORY/ (RESONANCE) 1,270 Norgran Studio Albums LABEL MAISON) 465 (HIP-O SELECT) 642 Newly dis- This package of covered live This three-disc remastered Fela recordings made collection, which Kuti albums—the in Indianapolis concentrates on first in a series sometime in Getz’s earliest sin- of vinyl box sets 1957 or ’58 gles and albums covering the shed light on the early work of (1952–1955) for work of the world-renown Afro- one of jazz’s greatest guitarists Norman Granz, elegantly fills a gap beat vocalist—was curated by during a pivotal point in his career. in the saxophonist’s discography. Ahmir “Questlove” Thompson. 3 The Dave Brubeck Quartet, 6 The Dave Brubeck Quartet, 9 Howlin’ Wolf, Smokestack The Columbia Studio Their Last Time Out Lightning:The Complete Albums Collection: 1955– (COLUMBIA/LEGACY) 596 Chess Masters, 1951–1960 (HIP-O SELECT/GEFFEN) 464 1966 (COLUMBIA/LEGACY) 1,001 Brubeck’s quar- tet of 17 years Perhaps the most Containing about with Paul Des- unique and power- 12 hours of mond, Eugene ful performer in music, this box Wright and Joe the history of the set covers all 19 Morello played blues, How- studio albums their last concert lin’ Wolf cre- that Brubeck together in Pittsburgh on Dec. -
Noodle Trivia
Noodle Trivia The Slippery Noodle Inn was originally founded in 1850 as the Tremont House. At that time it was a roadhouse (predecessor to the Holiday Inn) and a bar. It has traditionally been owned by people of German descent and it was one of the first German clubs in Indianapolis. The Noodle has been through several name changes over the years. In the 1860's the name was changed to the Concordia House. This name came from the first German Lutheran immigrant ship to land in the new world (the Concord). As a side note, there is a cemetery on south Meridian Street named Concordia. In later years the name was changed to the Germania House. It remained the Germania House until the start of World War I at which time German associations were to be avoided: so the owner, Louis Beck, changed the name to Beck's Saloon. Prior to Prohibition, Walter Moore purchased the saloon and named it Moore's Beer Tavern. During Prohibition it was renamed Moore's Restaurant (although beer was still made in the basement.) After Prohibition ended in 1935, it was renamed Moore's Beer Tavern. In the late 1940's Boris Petercheff purchased the saloon. Another side note, Boris's son piloted the helicopter for President Lyndon B. Johnson when he came to town for the ground breaking of the downtown Post Office. He was killed shortly thereafter while test piloting an experimental jet. Boris ran the tavern until early 1963 when Emelia Finehout, the property owner took over. She found out all too quickly that she did not enjoy running a tavern, and promptly put the business up for sale.