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Yearbooks Are Going on Sale Who Consistently Lives Life to the Fullest
October 15, 2014 Volume XXI Hawk Issue 2 Happenings A Publication of Hamburg Area High School, Windsor Street, Hamburg, PA 19526 HAHS adopts Root Word of the Week Brooke Buckley Julian Warner - 12 is Hamburg’s Thorough consideration, the fall of the Hamburg Area High School Latin program, and untapped standardized testing potential has coalesced into an initiative to permeate the ancient Greek and Latin lexicons throughout the entire student body. It is known as the Outstanding Young “Root Word[s] of the Week”. The ostensible arbitrariness of the initiative has left students curious, indifferent, or sometimes dubious. Nevertheless, approbating administrative figures offer research-backed certitude that there is, indeed, method to the madness. Woman Since the 2012-2013 school year, elementary schools in the Hamburg Area School Sarah Hanlon – 12 District have embraced the Root Word of the Week System. Since doing so, the idea has spread throughout all of the levels of primary education in Hamburg, eventually arriving at On Saturday, October 4, Brooke Buckley HAHS. Teachers of varying subjects review the root words, along with their applications represented Hamburg Area High School in the Berks to modern English, with the students throughout the week. Typically, the words are County Outstanding Young Woman program. Brooke selected thematically from a larger list of pre-selected root words. During the Labor Day was one of 19 female high school seniors in Berks holiday, for example, oper- and erg- (both meaning “work”) were taught as root words. County who participated in the scholarship event. The The root word initiative is not exclusive to the Hamburg education system, contestants participated in a yearly competition that and it can be found in numerous schools throughout the United States, both focuses on academic and community service excellence, as well as performing arts and nearby and afar. -
The East River Project Song List
THE EAST RIVER PROJECT SONG LIST Contemporary Dance Music Beyonce - Single Ladies, Crazy In Love Lady Gaga - Just Dance, Love Game Katy Perry - California Girls, Hot N Cold Jay-Z - Empire State Of Mind Alicia Keys - If I Ain’t Got You, No One Taylor Swift- Shake It Off Robin Thicke- Blurred Lines Kesha - Don’t Stop Taio Cruz - Dynamite Outcast - Hey Yeah, The Way You Move, Hey Ya Gnarls Barkley - Crazy, F... You, Justin Timberlake - Rock Your Body, Sexy Back Black Eyed Peas - I Gotta Feeling, Let’s Get It Started Rihanna - Umbrella Usher - Yeah!, OMG, Closer, DJ Got Us Falling In Love Give Me Everything Bruno Mars - Just The Way You Are Christina Aguilera - Ain’t No Other Man, Beautiful Contemporary Justin- Suit & Tie, Sexyback, Rock Your Body Forget You - CeeLo Maroon Five- Moves Like Jagger, Get Lucky Black Eyed Peas- I Got A Feeling Montell Jordan- This Is How We Do It Blackstreet- No Diggity We Are Young Kanye- Hold On We’re Going Home, Say Aah I’m Glad You Came Calvin Harris- Feel So Close Bruno Mars- Loked Out Of Heaven Treasure [lowered] LMFAO- Party Rock Anthem Contemporary Rock and Pop Maroon Five -, This Love, Sunday Morning John Mayer - Waiting On The World To Change Kelly Clarkson - Since You’ve Been Gone MGMT - Electric Feel Vampire Weekend - A-Punk Neon Trees – Animal Motown, Oldies, Soul/R&B Al Green - Love and Happiness, Let’s Stay Together Stevie Wonder - Do I Do, Signed Sealed Delivered, Higher Ground, I Wish, Sir THE EAST RIVER PROJECT SONG LIST Duke, Boogie On Reggae Woman Aretha Franklin - Respect, Natural Woman Bill -
Mixing INXS in Surround Issue 33
Mixing INXS in 5.1 ‘I’m Only Looking’ is a comprehensive package of hits and rare footage that is soon to be released by INXS on DVD. Andy Stewart headed into the studio to hear how Mark Opitz and his ‘Best Seat in the House’ production team pulled together this labour of love. ’ve just come from Studios 301 in Sydney where I’ve been now? What had changed? These were great songs back then sure, listening to some new 5.1 mixes of well-known songs recorded but they had never meant anything to me in the past. In my head Iby one of Australia’s most popular and successful bands, INXS. at least, INXS had always been more of a ‘phenomenon’ than a In my car on the way over I found myself vacillating between group I could ‘relate’ to. the present and the past, wondering what the making of a Greatest It wasn’t the ‘80s fashion palette (which was far more ludicrous Hits DVD collection meant to those involved, but more impor- than I remember it being) that made me feel nostalgic, or the tantly, how any of this work was relevant to fans in 2004. Was this gobsmackingly self-conscious hairdos (which in hindsight should an attempt by the band to reclaim former glory, or was it a labour have seen far more hairdressers jailed), or even the multi-tiered of love motivated by the desire to bring the expansive history of keyboard stands, that made Andrew Farriss look like an aerobics INXS together under one roof, one format? I really had no idea. -
Creative Consultant Teller and Composer Sir John Tavener Help Make the Exorcist a Sensory Feast
CREATIVE CONSULTANT TELLER AND COMPOSER SIR JOHN TAVENER HELP MAKE THE EXORCIST A SENSORY FEAST Director John Doyle’s Creative Team Also Includes Tony Award Winning Scenic/Costume Designer Scott Pask, Lighting Designer Jane Cox and Sound Designer Dan Moses Schreier LOS ANGELES, May 29, 2012 — In addition to an accomplished cast, the Geffen Playhouse’s world premiere stage adaptation of The Exorcist showcases an award-winning design team – including world-renowned creative consultant Teller and internationally acclaimed spiritual composer Sir John Tavener – to bring playwright John Pielmeier’s script and Tony Award winning director John Doyle’s vision to life on stage. The team also includes Tony Award winning scenic/costume designer Scott Pask, lighting designer Jane Cox and sound designer Dan Moses Schreier. Working with Doyle, the design team will be tasked with creating a theatrical experience that engages the senses in a way that is unique to live performance. As the designers create ambiance and atmosphere, the actors taking center stage include Brooke Shields and Richard Chamberlain in the iconic roles of Chris MacNeil and Father Merrin, respectively, as well as Broadway actor David Wilson Barnes as the troubled young priest Father Damien Karras, Tony Award nominee Harry Groener takes on the role of Chris’ charismatic director Burke Dennings and UCLA School of Theater, Film and Television graduate Emily Yetter plays the young Regan MacNeil. The world premiere cast also includes Stephen Bogardus, Manoel Felciano, Tom Nelis and Roslyn Ruff. The Exorcist opens in the Gil Cates Theater at the Geffen Playhouse on July 11, 2012 and runs through August, 12, 2012. -
THE BARD OBSERVER Ltlilw."I May 3, 2006
N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate. -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward. -
Transmission 2009 Programme
2 0 0 9 PROGRAMME primary sponsors presenting sponsor of presenting sponsor of transmitLIVE showcase transmitTALKS major sponsor host province sponsor fulltone sponsors p a t r o n s affiliated trade organizations p r o d u c e r s hospitality partners We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Radio Broadcasters. Booklet design by Rocketday Arts (www.rocketday.com), sister festival featuring illustration on page 5 by Dushan Milic. n behalf of the team of people behind the program. Our response to this quandary has been this unique initiative, I wish to welcome the launch of an online magazine that presents ideas you to the 4th annual edition of TRANSMISSION. and perspectives well before scheduled roundtables so WeO are rolling out with new dates, new venues, a new that key themes at transmitTALKS would be fomented magazine, and a new programme. What is consistent out before we get together. Furthermore, participants WELCOMEare our valued sponsors and international advisory and other contributors are now able to continue these board, who have supported us each year in redefining important conversations long after the lights go down ways for people to connect on the subject of music. on the stage. The result? A relevant, multi-disciplinary dialogue that people can participate in 365 days a year. In terms of a programme, TRANSMISSION is easily more complex than most. It’s not disorganized and it’s This year we focus on three themes: Intellectual not confusing, but it is complex and it does require Property, Emerging Markets and Next Generation the active engagement of the old grey matter. -
2020 Polaris Music Prize Grand Jury Revealed / Dévoilement Du Grand
2020 POLARIS MUSIC PRIZE GRAND JURY REVEALED WINNER TO BE REVEALED OCTOBER 19 ON CBC GEM AND CBC MUSIC TORONTO, ON – Monday, September 14, 2020 The Polaris Music Prize, presented by CBC Music, has revealed its 2020 Grand Jury. The 11 members of the Grand Jury are: CHAD BRUNET (CJSR) RICKY CASTANEDO LAREDO (CJSF) BRUNO COULOMBE (Le Canal Auditif) CHAKA V. GRIER (Freelance journalist / Journaliste pigiste) KIMBERLEY DOOSHIMA JEV (Freelance journalist / Journaliste pigiste) LIISA LADOUCEUR (Freelance journalist / Journaliste pigiste) SARAH MACDONALD (Freelance journalist / Journaliste pigiste) SOFIE MIKHAYLOVA (DJ Sonja) CHAD PELLEY (Music Researcher / Chercheur en musique) ANUSKA SARKAR (Freelance journalist / Journaliste pigiste) IAN STEAMAN (Different Kitchen) The 11-member Grand Jury was chosen from the greater Polaris jury pool, which includes 201 music journalists, broadcasters and related music media from across Canada. The Grand Jury will convene virtually on October 19 to select a winner from the 10 albums on the 2020 Polaris Music Prize Short List. Those albums are: Backxwash - God Has Nothing To Do With This Leave Him Out Of It Caribou - Suddenly Junia-T - Studio Monk Kaytranada - Bubba nêhiyawak - nipiy Pantayo - Pantayo Lido Pimienta - Miss Colombia Jessie Reyez - BEFORE LOVE CAME TO KILL US U.S. Girls - Heavy Light Witch Prophet - DNA Activation Polaris will be celebrating the Short List with a special cinematic tribute hosted by CBC Music’s Angeline Tetteh-Wayoe, set to be broadcast in Canada on the free CBC Gem streaming service, CBC Music’s Facebook, Twitter and YouTube pages and around the globe at CBCMusic.ca/Polaris on October 19 at 8 p.m. -
Birth and Ruin: Ttte Devil Versus Social Codes in Rosemary's Baby, the Exorcist and Ttie Omen
BIRTH AND RUIN: TTTE DEVIL VERSUS SOCIAL CODES IN ROSEMARY'S BABY, THE EXORCIST AND TTIE OMEN BY NATASHA LOPUSINA A Thesis submitted to the Faculty of Graduate Studies In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department ofEnglish University of Manitoba Winnipeg, Manitoba @ Natasha Lopusina, March 2005 THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES COPYRIGHT PERMISSION BIRTH AND RUIN: THE DEVIL VERSUS SOCIAL CODES IN ROSEMARY'S BABY, THE EXORCIST AND THE OMEN BY NATASHA LOPUSINA A ThesisÆracticum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree MÄSTER Of ARTS NATASHA LOPUSINA O 2OO5 Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. Table of contents Abstract 2 Introduction J CHAPTER I. Rosemary's Baby - A Woman's Realþ Within a Lie t3 CHAPTER II. The Visual Terror of The Exorcist's Daughter 39 CHAPTER III. The Devil as The Omen of the American Family 66 Conclusion 94 Bibliography 103 Abstract In mv thesis Birth and Ruin: The Devil versus Social Codes in Rosemaryt's Bab\t. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
American Monsters: Tabloid Media and the Satanic Panic, 1970-2000
AMERICAN MONSTERS: TABLOID MEDIA AND THE SATANIC PANIC, 1970-2000 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sarah A. Hughes May 2015 Examining Committee Members: Kenneth L. Kusmer, Advisory Chair, History Carolyn Kitch, Journalism Susan E. Klepp, History Elaine Tyler May, External Member, University of Minnesota, American Studies © Copyright 2015 by Sarah A. Hughes All Rights Reserved iii ABSTRACT “American Monsters: Tabloid Media and the Satanic Panic, 1970-2000,” analyzes an episode of national hysteria that dominated the media throughout most of the 1980s. Its origins, however, go back much farther and its consequences for the media would extend into subsequent decades. Rooted in the decade’s increasingly influential conservative political ideology, the satanic panic involved hundreds of accusations that devil-worshipping pedophiles were operating America’s white middle-class suburban daycare centers. Communities around the country became embroiled in criminal trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. The longest and most expensive trial in the nation’s history, the McMartin case is an important focal point of this project. In the 1990s, judges overturned the life sentences of defendants in most major cases, and several prominent journalists and lawyers condemned the phenomenon as a witch-hunt. They accurately understood it to be a powerful delusion, or what contemporary cultural theorist Jean Baudrillard termed a “hyperreality,” in which audiences confuse the media universe for real life. Presented mainly through tabloid television, or “infotainment,” and integral to its development, influence, and success, the panic was a manifestation of the hyperreal. -
A Place for Us
A Place for Us A song cycle for amplified pop tenor and chamber ensemble by Glenn James B.Mus., Wilfrid Laurier University, 2007 M.Mus., University of Toronto, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Musical Arts in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Composition) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Glenn James, 2015 Abstract A Place for Us is a song cycle for amplified pop tenor and chamber ensemble (amplified string quintet, piano, electric bass, and drum set). It is approximately twenty minutes in duration and is divided into ten short sections. The text was written in collaboration with writer Tamara Chandon. It explores a love story using elements of an archetypal hero’s journey narrative. The music incorporates an eclectic array of styles and focuses on rhythmic attributes such as groove, syncopation, and backbeat. ii Preface This dissertation is an original, unpublished, and independent work by the author, Glenn James. iii Table of Contents Abstract....................................................................................................................... ii Preface......................................................................................................................... iii Table of Contents......................................................................................................... iv List of Figures.............................................................................................................