Jenkins Sets Five Goals in Faculty Address
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Idea Xxviii/2 2016
Rada Redakcyjna: Mira Czarnawska (Warszawa), Zbigniew Kaźmierczak (Białystok), Andrzej Kisielewski (Białystok), Jerzy Kopania (Białystok), Małgorzata Kowalska (Białystok), Dariusz Kubok (Katowice) Rada Naukowa: Adam Drozdek, PhD Associate Professor, Duquesne University, Pittsburgh, USA Anna Grzegorczyk, prof. dr hab., UAM w Poznaniu Vladimír Leško, Prof. PhDr., Uniwersytet Pavla Jozefa Šafárika w Koszycach, Słowacja Marek Maciejczak, prof. dr hab., Wydział Administracji i Nauk Społecznych, Politechnika Warszawska David Ost, Joseph DiGangi Professor of Political Science, Hobart and William Smith Colleges, Geneva, New York, USA Teresa Pękala, prof. dr hab., UMCS w Lublinie Tahir Uluç, PhD Associate Professor, Necmettin Erbakan Üniversitesi Ilahiyat Fakultesi (Wydział Teologii), Konya, Turcja Recenzenci: Vladimír Leško, Prof. PhDr. Andrzej Niemczuk, dr hab. Andrzej Noras, prof. dr hab. Tahir Uluç, PhD Associate Professor Redakcja: dr hab. Sławomir Raube (redaktor naczelny) dr Agata Rozumko, mgr Karol Więch (sekretarze) dr hab. Dariusz Kulesza, prof. UwB (redaktor językowy) dr Kirk Palmer (redaktor językowy, native speaker) Korekta: Zespół Projekt okładki i strony tytułowej: Tomasz Czarnawski Redakcja techniczna: Ewa Frymus-Dąbrowska ADRES REDAKCJI: Uniwersytet w Białymstoku Plac Uniwersytecki 1 15-420 Białystok e-mail: [email protected] http://filologia.uwb.edu.pl/idea/idea.htm ISSN 0860–4487 © Copyright by Uniwersytet w Białymstoku, Białystok 2016 Wydawnictwo Uniwersytetu w Białymstoku 15–097 Białystok, ul. Marii Skłodowskiej-Curie 14, tel. 857457120 http://wydawnictwo.uwb.edu.pl, e-mail: [email protected] Skład, druk i oprawa: Wydawnictwo PRYMAT, Mariusz Śliwowski, ul. Kolejowa 19, 15-701 Białystok, tel. 602 766 304, 881 766 304, e-mail: [email protected] SPIS TREŚCI WOJCIECH JÓZEF BURSZTA: Homo Barbarus w świecie algorytmów ................................................................................................. 5 ZBIGNIEW KAŹMIERCZAK: Demoniczność Boga jako założenie ekskluzywistycznego i inkluzywistycznego teizmu .................................. -
Vigil Against Hate Brings Call for All to Stand Together by WILLIAM K
CYAN MAGENTA YELLOW BLACK » TODAY’S ISSUE U DAILY BRIEFING, A2 • TRIBUTES, A5 • WORLD, A6 • CLASSIFIEDS, B6 • PUZZLES, C3 COMING UP ACES IN VALLEY EVENT FINE-TUNING FOR SEASON PPluchPluPluchinsky,lu Rogner win Greatest titles Browns host Giants tonight on national TV SPORTS | B1 SPORTS | B1 50% OFF vouchers. SEE DETAILS, A2 8 M D ORE RVE THA S SE N 14,000 VALLEY GOLFER FOR DAILY & BREAKING NEWS LOCALLY OWNED SINCE 1869 MONDAY, AUGUST 21, 2017 U 75¢ Valley venues host viewing events today YOUNGSTOWN NIKOS FRAZIER | THE VINDICATOR The Rev. Neil C. Heller speaks during the Vigil Against Hate, hosted by Valley Voices United for Change at First Unitarian Universalist Church of Youngstown on Sunday. Vigil Against Hate brings call for all to stand together By WILLIAM K. ALCORN THIS IS NO TIME [email protected] TO STAND ON ECLIPSE YOUNGSTOWN With the backdrop of ra- THE SIDELINES. cially motivated violence I CHALLENGE YOU TO FIND in Charlottesville, Va., only YOUR TEAM AND GET TO a week ago, Sunday’s Vigil Against Hate at First Unitar- WORK CHANGING THE ian Universalist Church on WORLD.” the North Side was a call to action for everyone to stand Christopher Anderson, MANIA up against racism and in- Mahoning County By JORDYN GRZELEWSKI justice. Young Democrats [email protected] Three people died and YOUNGSTOWN SOLAR ECLIPSE EXPLAINED many were injured during a the violence. S THE MOON COVERS THE SUN white nationalist rally. Killed “What brought us togeth- today during the fi rst solar eclipse When the moon passes between the sun and Earth, the sun is masked and the sky ddarkenedarkened fforor viewers directldirectlyy behind the moon’s inner shadow or umbra. -
TÄYDELLINEN MYSTEERI - Mysteerin Anatomia Täydellisissä Naisissa
Opinnäytetyö (AMK) Viestintä Elokuva 2010 Tiina Tanskanen TÄYDELLINEN MYSTEERI - Mysteerin anatomia Täydellisissä naisissa OPINNÄYTETYÖ (AMK) | TIIVISTELMÄ TURUN AMMATTIKORKEAKOULU Viestintä | Elokuva 6. toukokuuta 2010 | 31 sivua Vesa Kankaanpää Tanskanen, Tiina TÄYDELLINEN MYSTEERI Tarkastelen tässä kirjallisessa opinnäytetyössä Täydellisten naisten (Desperate Houwewives) ensimmäisen tuotantokauden mysteerijuonta käsikirjoitukselliselta kantilta. Täydelliset naiset on Abc Studiosin ja Cherry Productionsin tuottama tv-sarja, jota on vuoteen 2010 mennessä tuotettu kuusi kautta. Sarjan on luonut Marc Cherry. Aluksi käyn lyhyesti läpi mysteeritarinoiden historiaa ja pureudun sen jälkeen tutkimaan Täydellisten naisten ensimmäisen kauden mysteeriä, joka liittyy sarjan hahmon Mary-Alice Youngin itsemurhan syyn selvittämiseen. Tarkastelen mysteerin rakennetta käyttämällä hyväksi Syd Fieldin esittelemää rakenneparadigmaa. Selvitän mysteerin luomiseen käytettäviä käsikirjoituksellisia elementtejä ja pohdin, minkälaisia ongelmia mysteerin venytys 23 jakson kaudelle saattaa aiheuttaa. Yhteenvetona listaan tekijöitä, jotka ovat olennaisessa osassa mysteeritarinan kirjoittamisessa. Lopuksi pohdiskelen mysteerin ratkaisun ja sen luoman jännityksen suhdetta ja vertailen Täydellisten naisten mysteeriä muutamiin muihin tv-sarjoihin, jotka käyttävät samantapaista rakennetta. ASIASANAT: käsikirjoittaminen, televisio-ohjelmat, mysteeri BACHELOR´S THESIS | ABSTRACT UNIVERSITY OF APPLIED SCIENCES Media arts | Film art 6.5.2010 | 31 pages Vesa Kankaanpää Tanskanen -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
'The Wall That Heals' Hits Nahant
MONDAY JULY 19, 2021 By Tréa Lavery Swampscott Conservancy ITEM STAFF SWAMPSCOTT — The Swampscott Conservancy is advocating for a ban on balloons in the town, saying that they have a detrimental effect on the airing out its case environment and on animals that may ingest them. In a post on the Conservancy’s website, President Toni Bandrowicz ac- knowledged that balloons are a bright and fun way of celebrating happy against balloons events, but asked residents to consider the negative impacts as well as the positive. “To protect nature in our neighborhood, perhaps it’s time for Swamp- scott to consider such a by-law — or at least a policy that bans balloons at town-sponsored events, on town-owned properties, or for any events requir- ing town approval,” Bandrowicz said. “The town should promote the use of non-disposable, reusable decorations for such events, not balloons and other single-use plastic decorations.” A handful of communities in Massachusetts have already enacted similar rules, including Chatham, Everett, Nantucket and Provincetown. In 2019, State Representative Sarah Peake of Provincetown introduced a bill that would ban “the sale, distribution and release of any type of balloon, includ- ing, but not limited to, plastic, latex or mylar, lled with any type of lighter BALLOONS, A3 Lynn, Revere and MBTA mapping out transit plan By Allysha Dunnigan ITEM STAFF The Massachusetts Bay Transporta- tion Authority (MBTA) announced its collaboration with municipal partners, including Revere and Lynn, for a series of bus priority projects that will construct up to 4.8 miles of bus lanes — and other pro-transit infrastructure upgrades — to improve bus speed and reliability as the region re-opens from COVID-19-related regulations. -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Dossiers Feministes 17
RECETAS E IDENTIDADES EN WISTERIA LANE. EL UNIVERSO CULINARIO DE BREE VAN DE KAMP1 RECIPES AND IDENTITIES IN WISTERIA LANE. THE CULINARY UNIVERSE OF BREE VAN DE KAMP Nieves Alberola Crespo Universitat Jaume I de Castellón RESUMEN Según Carole Counihan, «la comida es un prisma que absorbe y refleja un ejército de fenómenos culturales». Utilizando como eje central un personaje de la conocida serie televisiva Mujeres desesperadas, Bree Van de Kamp, examino en este ensayo como identidades y comidas se crean y se recrean, se funden y se confunden en el variopinto vecindario de Wisteria Lane dando como resultado una mezcla de culturas en un intento por subvertir/cuestionar lo establecido, lo heredado y abrazar una diversidad de difícil digestión ya que la sociedad estadounidense incongruentemente ha absorbido, digerido y aceptado como propios los platos típicos de diferentes culturas y al mismo tiempo todavía hoy encuentra indigesto más de un plato foráneo. Palabras clave: Mujeres desesperadas, comida, identidad, Bree Van de Kamp, postfeminismo. ABSTRACT According to Carole Counihan, «food is a prism that absorbs and reflects a host of cultural phenomena». Around a core character of Desperate Housewives, Bree Van de Kamp, this essay explores how identities and meals are born and re-born but fused and confused are turning out into a melting pot of cultures LA CULTURA E IDENTIDAD COMIDA DE LAS GÉNERO, COCINAS: within the suburban area of Wisteria Lane. There is an attempt to question whatever is old-established and inherited whilst coping with a diversity of hard digestion in as much as the U.S.A. -
Sunday Morning Grid 2/3/19 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/3/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) Pregame Road to the Super Bowl Tony Romo Sp. The Super Bowl Today (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Hockey Boston Bruins at Washington Capitals. (N) PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News NBA Basketball: Thunder at Celtics 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Jentzen Mike Webb Paid Program 1 1 FOX Paid Program Fox News Sunday News PBC Inside PBC Boxing (N) PBA Bowling CP3 Celebrity Invitational. (Taped) 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Martha Christina Suze Orman’s 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Feel Better Fast and Make It Last With Daniel Joni Mitchell Live at Isle 3 0 ION Jeremiah Youseff In Touch Ankerberg NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It is Written Jeffress K. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
Phantasies, Fake Realities and the Loss of Boundaries in Chuck Palahniuk's
1 CLAUDIO VESCIA ZANINI THE ORGY IS OVER: PHANTASIES, FAKE REALITIES AND THE LOSS OF BOUNDARIES IN CHUCK PALAHNIUK’S HAUNTED PORTO ALEGRE 2011 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS ESTRANGEIRAS MODERNAS LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA THE ORGY IS OVER: PHANTASIES, FAKE REALITIES AND THE LOSS OF BOUNDARIES IN CHUCK PALAHNIUK’S HAUNTED CLAUDIO VESCIA ZANINI ORIENTADORA: PROFª. DRª. SANDRA SIRANGELO MAGGIO Texto de Qualificação de Doutorado em Literaturas Estrangeiras Modernas submetido como requisito parcial para a obtenção do título de Doutor ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul. PORTO ALEGRE 2011 3 In loving memory of my father, José João Zanini, and of Professor Ana Maria Kessler Rocha, also known as Lady Bracknell. 4 “We like to imagine that something which we do not understand does not help us in any way. But that is not always so. Seldom does a man understand with his head alone, least of all when he is a primitive.” Carl Gustav Jung in Four Archetypes “We all die. The goal isn‟t to live forever, the goal is to create something that will.” Chuck Palahniuk in Diary "We live in a world where there is more and more information, and less and less meaning." Jean Baudrillard in Simulacra and Simulation “Welcome to prime time, bitch!” Freddy Krueger in A Nightmare on Elm Street – Dream Warriors, as he sticks a girl‟s head into a TV set. 5 Thank you, Sandra Maggio, for your guidance, friendship, trust, and guts. -
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Women’s Role in the Series Desperate Housewives: A Feminist Perspective Cholawat Prawalpatamakul, Khon Kaen University, Thailand Suban Keowkanya, Khon Kaen University, Thailand The Asian Conference on Education & International Development 2017 Official Conference Proceedings Abstract Desperate Housewives, created by Marc Cherry and aired on the ABC channel for eight seasons, is considered a representation of gender, specifically femininity, on the television (Bignell, 2008). Its plot focuses on the lives of four women (Bree Van De Kamp, Lynette Scavo, Gabriel Solis and Susan Delfino) who represent the internal struggles of the average woman, such as disempowerment, restrictions, and the confusing relationships of modern women in society (Coward, 2006; Sayeau, 2006; Morgan, 2007). With the emergence of the feminist movement, it is skeptical on how the series portray the four female protagonists when viewed through the lens of feminist perspective. Therefore, the purpose of this study is to critically analyze the women’s roles in the series by using feminist theory as a lens. The eighth season of the series was selected since this season is the latest and shows the conclusion of all the characters. The results of the analysis showed all aspects of women's roles which reflected feminist theory in many ways. The four female protagonists portray the roles of housewife, mother, and daughter. The oppression, the gender performance, the sexual pleasure, the female friendship, and the contradiction are found and presented which can reflect the feminist theory clearly. Keywords: women, role, feminism, Desperate Housewives iafor The International Academic Forum www.iafor.org Introduction Desperate Housewives was broadcasted on ABC Channel for eight seasons.