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Brito, Miguel Ângelo Pintado De, 1985- Desconstrutivismo : Da Origem À Ação

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Brito, Miguel Ângelo Pintado De, 1985- Desconstrutivismo : Da Origem À Ação Universidades Lusíada Brito, Miguel Ângelo Pintado de, 1985- Desconstrutivismo : da origem à ação http://hdl.handle.net/11067/4366 Metadados Data de Publicação 2018 Resumo O intuito desta dissertação é entender o Desconstrutivismo como movimento, referindo a sua origem e influências. A pesquisa foi conduzida à Primeira Era da Máquina, marcada pela revolução industrial e pelo desenvolvimento científico e tecnológico. O Construtivismo Russo surgiu neste contexto como um movimento moderno para construir uma sociedade adequada ao seu tempo. Encontramos a génese do Desconstrutivismo nos trabalhos e na teoria de Malevich, Chernikov, Leonidov e El Lissitzky, que servira... The main goal of this dissertation is to understand Deconstructivism as a movement, tracing back his major influences and origin and conducting the research to the First Age of the Machine, that was setted by the industrial revolution. The technologic and scientific advances served as base to the Russian Constructivism: a modern movement designed to build a society that fits its time. The genesis of Deconstructivism is found on the works and theories of Malevich, Chernikov, Leonidov and El Liss... Palavras Chave Desconstrutivismo (Arquitectura), Construtivismo (Arquitectura), Arquitectura - Design assistido por computador, Arquitectura moderna - Filosofia - Século 20 Tipo masterThesis Revisão de Pares Não Coleções [ULL-FAA] Dissertações Esta página foi gerada automaticamente em 2021-10-10T23:02:50Z com informação proveniente do Repositório http://repositorio.ulusiada.pt UNIVERSIDADE LUSÍADA DE LISBOA F ACULDADE DE A RQUITETURA E A RTES Mestrado Integrado em Arquitetura Desconstrutivismo: da origem à ação Realizado por: Miguel Ângelo Pintado de Brito Orientado por: Prof. Doutor Arqt. Fernando Manuel Domingues Hipólito Constituição do Júri: Presidente: Prof. Doutor Horácio Manuel Pereira Bonifácio Orientador: Prof. Doutor Arqt. Fernando Manuel Domingues Hipólito Arguente: Prof. Doutor Arqt. Rui Manuel Reis Alves Dissertação aprovada em: 9 de novembro de 2018 Lisboa 2018 U NIVERSIDADE L USÍADA DE L ISBOA Faculdade de Arquitetura e Artes Mestrado Integrado em Arquitetura Desconstrutivismo: da origem à ação Miguel Ângelo Pintado de Brito Lisboa julho 2018 U NIVERSIDADE L USÍADA DE L ISBOA Faculdade de Arquitetura e Artes Mestrado Integrado em Arquitetura Desconstrutivismo: da origem à ação Miguel Ângelo Pintado de Brito Lisboa julho 2018 Miguel Ângelo Pintado de Brito Desconstrutivismo: da origem à ação Dissertação apresentada à Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa para a obtenção do grau de Mestre em Arquitetura. Orientador: Prof. Doutor Arqt. Fernando Manuel Domingues Hipólito Lisboa julho 2018 Ficha Técnica Autor Miguel Ângelo Pintado de Brito Orientador Prof. Doutor Arqt. Fernando Manuel Domingues Hipólito Título Desconstrutivismo: da origem à ação Local Lisboa Ano 2018 Mediateca da Universidade Lusíada de Lisboa - Catalogação na Publicação BRITO, Miguel Ângelo Pintado de, 1985- Desconstrutivismo : da origem à ação / Miguel Ângelo Pintado de Brito ; orientado por Fernando Manuel Domingues Hipólito. - Lisboa : [s.n.], 2018. - Dissertação de Mestrado Integrado em Arquitetura, Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. I - HIPÓLITO, Fernando Manuel Domingues, 1964- LCSH 1. Desconstrutivismo (Arquitetura) 2. Construtivismo (Arquitetura) 3. Arquitetura - Design assistido por computador 4. Arquitetura moderna - Filosofia - Século 20 5. Universidade Lusíada de Lisboa. Faculdade de Arquitetura e Artes - Teses 6. Teses - Portugal - Lisboa 1. Deconstructivism (Architecture) 2. Constructivism (Architecture) 3. Architecture - Computer-aided Design 4. Architecture, Modern - Philosophy - 20th century 5. Universidade Lusíada de Lisboa. Faculdade de Arquitetura e Artes - Dissertations 6. Dissertations, Academic - Portugal - Lisbon LCC 1. NA682.D43 B75 2018 Dedico esta dissertação à minha mãe e ao meu pai pela influência que tiveram na minha vida. AGRADECIMENTOS Agradeço à minha família por permitir a minha formação como indivíduo e por apoiar as minhas escolhas. A todas as pessoas que me influenciam e inspiram. Aos meus professores, em especial ao Prof. Doutor Arq. Fernando Manuel Domingues Hipólito, por me acompanhar nesta última fase do curso. A todos os meus colegas e amigos do curso, com os quais cresci e desenvolvi o meu pensamento crítico para a arquitetura e a vida, em especial Raul Coelho, Elder Pontes, Nuno Pinheiro, Hugo Branco, Sérgio Andrade e António Duarte. Agradeço especialmente à minha namorada, por todo o apoio e ajuda na concretização desta dissertação. Agradeço também ao meu falecido pai, arquiteto Carlos Fernando Vieira de Brito, pela inspiração que foi, desde tenra idade percebi, ao vê-lo a fazer maquetes e projetos, que era isto que eu gostava de fazer quando crescesse, e que sem nunca me pressionar para qualquer tipo de carreira sempre me proporcionou todos os recursos de aprendizagem de que necessitei. Por último quero agradecer à minha mãe, Dina Maria Chagas Pintado de Brito, graças a quem pude seguir os meus sonhos, por todo o apoio, amor e dedicação que me tem dado. APRESENTAÇÃO Desconstrutivismo: Da Origem à Ação Miguel Ângelo Pintado de Brito O intuito desta dissertação é entender o Desconstrutivismo como movimento, referindo a sua origem e influências. A pesquisa foi conduzida à Primeira Era da Máquina, marcada pela revolução industrial e pelo desenvolvimento cientifíco e tecnológico. O Construtivismo Russo surgiu neste contexto como um movimento moderno para construir uma sociedade adequada ao seu tempo. Encontramos a génese do Desconstrutivismo nos trabalhos e na teoria de Malevich, Chernikov, Leonidov e El Lissitzky, que serviram de base para muitos arquitetos percursores deste movimento, como Zaha Hadid, que admitiu a sua profunda ligação com as pinturas de Malevich, ou Rem Koolhaas com os estudos de Chernikov. Pretende-se também investigar as bases filosóficas e a sua aplicação na arquitetura. Compreende-se que o Desconstrutivismo está ligado a um momento marcante na evolução do Homem, especificamente no desenvolvimento científico e tecnológico que introduziu a física quântica e a filosofia da desconstrução literária legitimada por Jacques Derrida. É óbvio o paralelismo contextual com a Primeira Era da Máquina e o Construtivismo Russo. O Desconstrutivismo na arquitetura surge na Segunda Era da Máquina, nos anos 80 do século XX, e o seu impacto reflecte uma era de comunicações em que a distância passou a ser medida pelo tempo. As obras de Bernard Tschumi, Peter Eisenman, Zaha Hadid, Rem Koolhaas, Frank Gehry, Daniel Libeskind e Patrik Schumacher demonstram uma ruptura com o movimento pós-modernista: para além da mudança da estética, é apresentada uma nova metodologia e um novo entendimento da arquitetura. Posteriormente, e com a exponencial evolução tecnológica, instaurou-se um novo momento de mudança na História: a Era Digital trouxe novos meios e métodos de trabalho que fomentaram uma maior exploração e evolução do Desconstrutivismo, como por exemplo o Parametrismo. A linha orientadora desta dissertação será a procura de ligações entre os vários momentos da História e o desenvolvimento deste movimento, revelando uma filosofia, e uma metodologia que datam do início do século XX e que continuam a influenciar a arquitetura de hoje. Palavras-chave: Desconstrutivismo, Construtivismo Russo, Parametrismo. PRESENTATION Desconstrutivismo: Da Origem à Ação Miguel Ângelo Pintado de Brito The main goal of this dissertation is to understand Deconstructivism as a movement, tracing back his major influences and origin and conducting the research to the First Age of the Machine, that was setted by the industrial revolution. The technologic and scientific advances served as base to the Russian Constructivism: a modern movement designed to build a society that fits its time. The genesis of Deconstructivism is found on the works and theories of Malevich, Chernikov, Leonidov and El Lissitzky, and served as a base for its development. Zaha Hadid admitted a profund connection with Malevich paintings and Rem Koolhaas with Chernikov form studies. It is also important to investigate the philosophical basis and the application of this movement on architecture. It was understood that Deconstructivism is connected with a striking moment of human evolution, more precisely with scientific and technologic breakthroughs by quantum physics and the deconstruction philosophy developed by Jacques Derrida. Like the First Age of the Machine and the Russian Constructivism, Deconstructivism appears on the Second Age of the Machine, in the 80’s, which shows the impact of an era of communications in wich distance was measured by time. The study of Bernard Tschumi, Peter Eisenman, Zaha Hadid, Rem Koolhass, Frank Gehry, Daniel Libeskind and Patrik Schumacher shows a rupture with the post-modernist movement, whose aesthetical change is followed by a new methodology and understanding of architecture place. Nowadays, with the exponential evolution of technology, there is a new moment of change in History: The Digital Era brought even more means and work methods, wich pushed Deconstructivism to a new state of evolution, such as Parametricism. The guiding line of this thesis will be the consistent search of connections throughtout the History and its progress, trying to reveal its philosophy and methodology which come from the beginning of the 20th century and keep influencing the architecture of today. Keywords: Deconstrutivism,
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