Under the Presidency of H.S.H Prince Albert II
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Name Index to Photograph Collection
Name Index to Photograph Collection What follows is a name index only to the Finnish American Historical Archives' Historic Photograph Collection (Old Topical File). See Archival Finding Aids for a complete listing of this collection. When more than one surname was indicated concerning one photo, the entry with the first surname lists all of the individuals, while each additional surname is also listed individually. The metadata concerning each photograph is limited to whatever information is available on the object, often revealing limitations to the information about each object (for example, a mounted card photo that simply states "Mrs. Maki," or an group photo that only includes surnames). Another limitation is the legibility and clarity of the handwriting. This name index was created by Larissa Poyhonen in the summer of 2010, while performing preservation work on this collection. Megan Ott transcribed the Knights of Kaleva Convention Photograph in November, 2010. The index was edited and prepared for the Internet by Kent Randell. This index also includes the Knights of Kaleva Convention Photograph, August, 1910 The index also includes the pictures included in the book Tervehdys Suomelle, published in Brooklyn, N.Y. in 1920. Folder name Name Notes 002 Indvid – A- Aartila, Toivo Rudyard Am 062- Orgs.- Temperance- Aartilla, Toivo Marquette, Mich; 1917 Michigan Tervehdys Suomelle book Aatila, Julle p. 37 (1920) 021- Postcards- Finland- Imig. & Abbot, Mr & Mrs. Robert Collection Folkways 002 Indvid – A- Grand Marais, Mich., 50th Abramson, Axel and Helga Am Anniversary 1964, #12997 002 Indvid – A- Ahlman, Mrs; Hakola, Maria; Ahlman, Newberry, Mich. Am Pastor Lauri. Tervehdys Suomelle book Aho, Antti p. -
Cinema and Politics
Cinema and Politics Cinema and Politics: Turkish Cinema and The New Europe Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy Cinema and Politics: Turkish Cinema and The New Europe, Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Deniz Bayrakdar and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0343-X, ISBN (13): 978-1-4438-0343-4 TABLE OF CONTENTS List of Images and Tables ......................................................................... viii Acknowledgements .................................................................................... ix Preface ........................................................................................................ xi Introduction ............................................................................................. xvii ‘Son of Turks’ claim: ‘I’m a child of European Cinema’ Deniz Bayrakdar Part I: Politics of Text and Image Chapter One ................................................................................................ -
January 13, 2009 (XVIII:1) Carl Theodor Dreyer VAMPYR—DER TRAUM DES ALLAN GREY (1932, 75 Min)
January 13, 2009 (XVIII:1) Carl Theodor Dreyer VAMPYR—DER TRAUM DES ALLAN GREY (1932, 75 min) Directed by Carl Theodor Dreyer Produced by Carl Theodor Dreyer and Julian West Cinematography by Rudolph Maté and Louis Née Original music by Wolfgang Zeller Film editing by Tonka Taldy Art direction by Hermann Warm Special effects by Henri Armand Allan Grey…Julian West Der Schlossherr (Lord of the Manor)…Maurice Schutz Gisèle…Rena Mandel Léone…Sybille Schmitz Village Doctor…Jan Heironimko The Woman from the Cemetery…Henriette Gérard Old Servant…Albert Bras Foreign Correspondent (1940). Some of the other films he shot His Wife….N. Barbanini were The Lady from Shanghai (1947), It Had to Be You (1947), Down to Earth (1947), Gilda (1946), They Got Me Covered CARL THEODOR DREYER (February 3, 1889, Copenhagen, (1943), To Be or Not to Be (1942), It Started with Eve (1941), Denmark—March 20, 1968, Copenhagen, Denmark) has 23 Love Affair (1939), The Adventures of Marco Polo (1938), Stella Directing credits, among them Gertrud (1964), Ordet/The Word Dallas (1937), Come and Get It (1936), Dodsworth (1936), A (1955), Et Slot i et slot/The Castle Within the Castle (1955), Message to Garcia (1936), Charlie Chan's Secret (1936), Storstrømsbroen/The Storstrom Bridge (1950), Thorvaldsen Metropolitan (1935), Dressed to Thrill (1935), Dante's Inferno (1949), De nåede færgen/They Caught the Ferry (1948), (1935), Le Dernier milliardaire/The Last Billionaire/The Last Landsbykirken/The Danish Church (1947), Kampen mod Millionaire (1934), Liliom (1934), Paprika (1933), -
7 Mp 1937 1929
FREE WEEKLY SUPPLEMENT TO OUR REVIEW NO. 127 (1937) MAY 10, 1929 IN WARSAW. (ISSN 2544-0187) CHILDREN’S AND YOUTH PAPER EDITED BY JANUSZ KORCZAK PUBLISHED EVERY FRIDAY MORNING CORRESPONDENCE AND MATERIALS SHOULD BE SENT TO THE LITTLE REVIEW NEWSROOM WARSAW, NO. 7 NOWOLIPKI STREET MY IMPORTANT MOMENTS (A page) Every person has many important play, because if someone’s ten, they your colors – red and scarlet, blue I found many new friends, and they heard some kind of a through in her moments in their lifetimes. Every are not nine or eight anymore.” and purple, green and aquamarine. all gave me many beautiful and great throat, through which she passed single one of them is important in its I started thinking about organizing I want to see you all, my moments. moments. When we walked together, her voice – “Altwark!” – with the own way, every single one is differ- my life and how it was going to turn out. I call all of you beautiful, both the bad we talked about one interesting matter. same tone, unchanged even after ent, and there are no identical ones. I had my hair tied with a wide red and good ones, sad and happy, grey The evening was cold and windy. We several years, still hoarse, deep Some of them are changes or spiritual ribbon; I wore a green wool dress with and emerald… Every single one of got to a corner and said our goodbyes, and monotonous voice with its own transformations. a red pattern on it, high boots and you left a deep mark on my soul. -
A Film by Catherine BREILLAT Jean-François Lepetit Présents
a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”. -
9781447201182.Pdf
1: BORDERLANDS Perhaps appropriately for a secret agent, the deceptions and confu- sions that surround Christine’s life start with her birth.* One story has it that Christine was born at the Skarbek family estate on a stormy spring evening in 1915, and that her arrival coincided with the appearance of Venus, the evening star, in the sky. As a result she was nicknamed ‘Vesperale’. In an even more romantic version of events, she was born ‘in the wild borderlands between Poland and Russia’, to a family that was noble, ‘tough, used to invasions, warfare, Cossacks, bandits and wolves’.1 In fact Christine arrived in the world on Friday 1 May 1908. One of her father’s childhood nicknames for her was ‘little star’, but she was born at her mother’s family house on Zielna Street, in central Warsaw, now the capital of Poland. Then, however, Warsaw was technically in Russia. Poland as we know it today was not a recognized country: apart from a brief reappearance, courtesy of Napoleon, for more than a century Poland had been partitioned into three sections, each of them subsumed into the empires of Russia, Austro-Hungary and Prussia. Christine was born into a family of aristocratic patriots, loyal to a country that would not officially exist again until she was ten years old. She was a small and seemingly frail baby, so frail in fact that her parents feared for her life, and she was hastily baptized Maria Krystyna Janina Skarbek by a local priest less than two weeks after her birth. -
Europe and Social Democracy SOCIAL DEMOCRACY READER 4 SOCIAL DEMOCRACYREADER4 Social Democracy and Europe Etal
Europe and Social Democracy SOCIAL DEMOCRACY READER 4 SOCIAL DEMOCRACYREADER4 Social Democracy Social Europe and Cäcilie Schildberg etal. ISBN 978-3-86498-844-8 2nd, updated edition, 1st English edition Published by Friedrich-Ebert-Stiftung German edition: Political Academy, Bonn, February 2014 English edition: Division for International Cooperation, Berlin, May 2014 The fi rst (German) edition was supported fi nancially by the Erich-Brost-Schenkung. »One of the advantages of democracy that no other form of state can substitute is discussion; only that enables the voters to take their bearings. That alone forces them to take a position.« (Erich Brost 1951) Editing: Jochen Dahm, Tobias Gombert, Christian Krell, Cäcilie Schildberg, Martin Timpe, Anne Wagenführ Contact: [email protected] / [email protected] / [email protected] Printing: Mauser + Tröster GbR, Mössingen Layout and typesetting: DIE.PROJEKTOREN, Berlin Title photo: Sven Hopp, fotolia.com The authors of the individual sections of this publication are responsible for the views it contains. The opinions expressed are not necessarily those of the Friedrich-Ebert-Stiftung in all instances. SOCIAL DEMOCRACY READER 4 Cäcilie Schildberg et al. Europe and Social Democracy CONTENTS Foreword to the First English-language Edition 4 1. Introduction 6 2. Social Democracy – A Compass for Europe 10 2.1. Basic Values 12 2.2. Fundamental Rights 16 2.3. Europe and Social Democracy: Three Connections 20 2.4. Five Principles of Policy on Europe 24 2.5. Social Europe 32 3. Europe Today: How It Came into Being – What It Is 40 3.1. Democracy: Institutional Construction of the EU 48 3.2. -
Love Letters
Love Letters De Albert Ramsdell Gurney Mise en scène Sandrine Dumas Avec Anouk Aimée Jacques Weber Adaptation Anne Tognetti et Claude Baignères Décors Antoine Platteau Lumières Marie Nicolas Son Frédéric Sanchez Production : Théâtre de la Madeleine, Théâtre de la Porte Saint-Martin du 6 au 18 février 2007 GRANDE SALLE Renseignements / Réservations (du mardi au samedi, de 12h15 à 18h45) Tél. 04 72 77 40 00 - fax 04 78 42 87 05 Retrouvez toutes nos informations sur notre site : www.celestins-lyon.org Contact presse Magali Folléa 04 72 77 48 83 [email protected] Secrétaire Générale Chantal Kirchner Note d’intention Phrases griffonnées sur des coins de cahier d'écolier, lettres d'amour d'adolescents, appels au secours d'adultes en proie au cours journalier des événements : Alexa et Thomas relisent les lettres qu'ils se sont écrites tout au long de leur vie. Ils nous révèlent ainsi leur intimité et la complexité de leurs sentiments. Tout le monde à un jour ou l'autre écrit une lettre d'amour. Dictée par une espérance ou un désir vte comblés ou éphémères. Le génie de Gurney est d'avoir inventé entre ses deux personnages, Alexa et Thomas, une correspondance qui va durer toute leur vie, c'est-à-dire que pour eux, l'espérance comme le désir se perpétuent, s'enrichissent et se transforment. Bref, une vie à travers une correspondance qui devient une pièce parfaite, car pure. Sans un mot de trop. Et qui fourmille de signes négligemment jetés dont on découvre un peu plus loin la raison et la nécessité. -
Let It Rain (Parlez-Moi De La Pluie)
LET IT RAIN (PARLEZ-MOI DE LA PLUIE) A FILM DIRECTED BY AGNÈS JAOUI StudioCanal International Marketing 1, place du Spectacle 92863 Issy-les-Moulineaux Cedex 09 Tel. : 33 1 71 35 11 13 Fax : 33 1 71 35 11 86 Les films A4 presents JEAN-PIERRE BACRI JAMEL DEBBOUZE AGNÈS JAOUI LET IT RAIN (PARLEZ-MOI DE LA PLUIE) A FILM WRITTEN BY AGNÈS JAOUI AND JEAN-PIERRE BACRI AND DIRECTED BY AGNÈS JAOUI French release 17 september 2008 98 minutes synopsis Agathe Villanova is a feminist and recent entrant to the political scene. She returns to her childhood home in the South of France to spend ten days helping her sister Florence sort out their mother’s affairs following her death a year earlier. Agathe doesn’t like the region and left it as soon as she could, but for reasons of gender balance in electoral lists, she’s been parachuted back there for the next elections. The house is home to Florence, her husband and her children. There is also Mimouna, the housekeeper whom the Villanovas brought back from Algeria when it became independent. Mimouna’s son, Karim, and his friend Michel Ronsard decide to make a documentary about Agathe Villanova, for a collection of programs on “Successful Women”. It’s August. It’s grey and it’s raining. It’s not normal. But then again, nothing is normal.... interview with agnès jaoui and jean-pierre bacri LET IT RAIN is your third feature film. Did you approach it to make it well up within a sequence shot, so you’re not differently to the first two? aware of the camera’s presence, but at the same it’s still Agnès Jaoui: Yes and no. -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. -
Jacques Weber : « La Sensation De Parfaire Mon Métier »
Jacques Weber : « La sensation de parfaire mon métier » http://abonnes.lemonde.fr/scenes/article/2016/11/03/jacques-weber-la-... Jacques Weber : « La sensation de parfaire mon métier » Le comédien, qui joue dans « Le Temps et la Chambre », de Botho Strauss, dit aborder ses rôles de manière « apaisée ». LE MONDE | 03.11.2016 à 08h26 • Mis à jour le 03.11.2016 à 13h07 | Propos recueillis par Brigitte Salino (/journaliste/brigitte- salino/) 1 sur 3 07/11/2016 11:08 Jacques Weber : « La sensation de parfaire mon métier » http://abonnes.lemonde.fr/scenes/article/2016/11/03/jacques-weber-la-... Jacques Weber. MARCO CASTRO POUR « LE MONDE » Jacques Weber a bâti sa carrière en jouant des premiers rôles, Cyrano, Alceste, Tartuffe ou Dom Juan, dans des spectacles qui reposaient sur lui. Il a aussi dirigé deux centres dramatiques nationaux, à Lyon, de 1979 à 1985, puis à Nice, de 1986 à 2001. Depuis quelques années, il privilégie le travail avec de grands metteurs en scène. Après Peter Stein – qui l’a dirigé en 2013 dans Le Prix Martin, d’Eugène Labiche, à l’Odéon-Théâtre de l’Europe, et ce printemps dans La Dernière Bande, de Samuel Beckett, à l’Œuvre –, il joue, sous la direction d’Alain Françon, Le Temps et la Chambre, de Botho Strauss, créé au Théâtre national de Strasbourg, avant de partir en tournée. Dans cette pièce chorale, Jacques Weber se glisse au milieu d’une distribution magnifique, qui réunit en particulier Dominique Valadié, Georgia Scalliet, Wladimir Yordanoff et Gilles Privat. Retour sur le trajet d’un comédien qui peu à peu quitte ses habits de héros. -
7 Ans De Réflexion Guillaume De Tonquédec, Alice Dufour 10 > 13 Fév
7 ans de réflexion Guillaume de Tonquédec, Alice Dufour 10 > 13 fév. Direction : Richard CAILLAT, Stéphane HILLEL Parisiens, CinéFrance et Arts Live Ente Bouffes rtainmen tre des t prése e théâ ntent L Guillaume de Tonquedec Alice DUFOUR ans dE AXELROD DE GEORGE ADAPTATION GÉRALD SIBLEYRAS MISE EN SCÈNE STÉPHANE HILLEL AVEC 7 JACQUES FONTANEL AGATHE DRONNE © Photo : Bernard Richebé © Photo : FRANÇOIS BURELOUP CLÉMENT KOCH ASSISTANTE MISE EN SCÈNE : BRIGITTE VILLANUEVA SCÉNOGRAPHE : EDOUARD LAUG - CRÉATEUR LUMIÈRE : LAURENT BÉAL CRÉATRICE COSTUMES : ANNE SCHOTTE - CRÉATEUR SON : FRANÇOIS PEYRONY VIDÉO : LÉONARD - ACCESSOIRISTE : PAULINE GALLOT Licence N°1-1118331 / 2-1118329 3-1118330 David Gauquié LOCATION : 01 42 96 92 42 Julien Deris Etienne Mallet www.bouffesparisiens.com 4 rue Monsigny - 75 002 Paris - M° : 4 Septembre ou Pyramides - Parkings : Bourse, Pyramides DOSSIER DE PRESSE BOUFFES PARISIENS 7 ans de reFLEXION à partir dU 17 septembre 2019 De : georges axelrod adaptateur : gérald sibleyras Mise en scène : Stéphane hillel AVEC guillaume de tonquédec, Richard Sherman ALICE DUFOUR , la Jeune Femme Agathe dronne, Hélène Sherman jacques fontanel , docteur Baker François bureloup, Aristote clement koch, Tom MacKenzie Assisante mise en scène, Brigitte Villanueva scénographie, Edouard Laug costumes, Anne Schotte lumières, Laurent Béal MUSIQUE, François Peyrony Video, Léonard accessoiriste, Pauline Gallot Une soirée brûlante de juillet, sur un balcon de Manhattan. Un pot de fleurs en fonte pulvérise la chaise sur laquelle Richard Sherman était assis quelques secondes auparavant. La voisine de l’étage au-dessus vient de faire accidentellement tomber son tomatier. Cet incident, qui aurait pu être fatal à Richard, est la plus belle chose qui pouvait lui arriver.