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www.annemarchand.com A N N E M A R C H A N D Washington, DC

Selected Solo Exhibitions 2022 International Museum of Art & Science (IMAS), McAllen, TX, “Anne Marchand” (forthcoming) 2021 Whittemore House, Woman’s National Democratic Club Museum & Gallery, Washington, DC, “Tellus/Caelus: Seeing Earth and Sky, Recent Work by Anne Marchand”, (, Claudia Rousseau) Cross Contemporary Partners, NY “Tellus/Caelus: Seeing Earth and Sky”, (3D Virtual Online Exhibition) 2020 Frostburg State University, MD, “Anne Marchand Recent Abstractions” (Covid interrupt) 2019 Missouri State University, Springfield, MO, “Abstractions: Anne Marchand” Hardin Center for Cultural Arts, Gadsden, AL, “Abstractions by Anne Marchand” Museum of Arts and Sciences, Macon, GA, “Abstractions: Anne Marchand” Morris Museum of Art, Augusta, GA, “Recent Abstractions by Anne Marchand”, (Traveling Exhibition) 2014 Green Chalk Contemporary, Monterey, CA, “Vision of Myth” 2013 Emerge , Cary, NC, “Illumination” Evolve Urban Arts Project, Washington, DC, “Anne Marchand at Evolve” 2012 ArtExpo, Pier 92, New York, NY 2011 Montgomery College, Silver Spring, MD, “Of Shining Worlds”, (Curator, Claudia Rousseau) 2010 Vornado/Charles E. Smith, Arlington, VA, “Luminous” 2006 Zenith Gallery, Washington, DC, “Ellipsis”

Selected Group Exhibitions 2021 Zenith Gallery, Washington, DC, “Herstory” Latela Curatorial x Artsy, Washington, DC, “Turning Blue, Part DEUX” (Virtual Exhibition) Cross Contemporary Partners, Saugerties, NY, “The Universe Makers”, (3D Virtual Exhibition) 2020 Cross Contemporary Partners, Saugerties, NY, “Inaugural Exhibition, Part II”, (3D Virtual Exhibition) Latela Curatorial x Artsy, Washington, DC, “Women in ,” (Virtual Exhibition) By the People x Monochrome Collective Virtual Art Fair, Halcyon, Washington, DC McLean Project for the Arts, McLean, VA, “Shift” (Jurors: Henry Thaggert, Sarah Tanguy) 2019 Italian Cultural Center of Maryland, Baltimore, MD, “Leonardo, When The Arts Reach The Sky” Zenith Gallery, Eleven Eleven Space, Wash., DC, “Organic: Nancy Frankel and Anne Marchand” No Kings Collective Pop-Up Exhibition, Washington, DC, “Umbrella, TagUp” 2018 Black Rock Center for the Arts, Germantown, MD, “Recollection” American University Museum, Washington, DC, “Latitude, Washington Women’s Arts Center 1975 – 1987” 2017 American University Museum, Washington, DC, “Radix, The Eternal Feminine” (Three-Person Exhibition) Blind Whino, Washington, DC, “Superfierce DC” Ralls Collection at historic Georgetown Theatre, Washington, DC, “The Art of Legacy” Touchstone Gallery, Washington, DC, “One House” Athica Juried Exhibition, Athens, GA (Juror: Harry H. DeLorme, Jr.) Hill Center Galleries, Washington, DC, “The Hill Rag’s Art and the City” Green Chalk Contemporary, Carmel-by-the-Sea, CA, “Awakening” 2016 Athenaeum Invitational, Alexandria, VA (2017, 2015) 2015 Gateway Arts Center, Brentwood, MD, “Looking Forward, Looking Back, 15 Years of Millennium Arts Salon” McLean Project for the Arts, McLean, VA, “Strictly 10” (Curator, Vesela Sretenovic) Cosmos Club, Washington, DC, “The Cosmos at the Cosmos” (Curator, Lenore Miller) 2014 Porter Contemporary, New York, NY, “Into the Void” (Four-Person Exhibition) Washington Project for the Arts, Artisphere, VA, “WPA Select” Boston International Fine Art Show, Emerge Fine Art, Boston, MA

2013 Capitol Arts Network, Rockville, MD, “Abstraction at its Best,” Affordable Art Fair, Alida Anderson Fine Arts, New York, NY (Three-Person Exhibition) (2014, 2015) Blackrock Center for the Arts, Germantown, MD, (Three-Person Exhibition) Porter Contemporary, New York, NY, “Drink to Me, a Tribute to Picasso” Max Gallery at Maxine Taylor Fine Arts, Baltimore, MD, “Artscape, Similar Differences” 2012 McLean Project for the Arts, VA, “Something and Nothing: Activating the Void” (Curator J.W. Mahoney) CCBC Dundalk, K Gallery, Baltimore, MD, “In the Arms of Morpheus” Dowd Gallery, SUNY, Cortland, NY, “Innovations” Heurich Gallery, Washington, DC, “Amy Lamb and Anne Marchand” 2011 Porter Contemporary, New York, NY, “Splash” Gallery 555dc, Washington, DC, “Edgy, Anne Marchand, & Sabri Ben-Achour: Ceramist” 2010 University of Mary Washington, Fredericksburg, VA, “Mid-Atlantic New Painting”, (Juror, William Dunlap)

Honors and Grants 2020 NEA/CAH Cares Act Grant Award, DC on the Arts and Humanities 2020 Arts and Humanities Grant recipient, DC Commission on the Arts and Humanities (2017, 2018, 2019) Art Bank Grant recipient, DC Commission on the Arts and Humanities (2012, 2015, 2019) 2019 Juror, Gertrude Herbert Institute of Art, A Sense of Place, Augusta, GA 2018 Conservation Grant recipient, DC Commission on the Arts and Humanities 2017 Artslant Showcase Winner, New York, NY (2011, 2014, 2015, 2016) 2014 Mural Conservation Grant recipient, DC Commission on the Arts and Humanities Juror, The Art League Gallery, Abstract Expressionism Revisited, Alexandria, VA 2013 Juror, BlackRock Center for the Arts, 2014 Exhibition Season, Germantown, MD 2008 Eastern Market Arts Restoration Project Grant recipient, DC Commission on the Arts and Humanities Mural Conservation Grant recipient, DC Commission on the Arts and Humanities 2006 Grant recipient, Takoma Community Center Mural, DC Commission on the Arts and Humanities 2004 Liquitex of the Month Award (November) Finalist, Longwood Community Center Mural Public Art Competition, Sandy Springs, MD 2003 Artist in Residence, Cap/Mex Ex Residency Grant, La Escuela de Artes Jose Limon, Culiacan, Mexico, DCCAH and Mid Atlantic Arts Foundation, Baltimore, MD Best in Show Award, Foundry Gallery, “DC Zone” Visions Award, Committee of 100 on the Federal City, Westminster Neighborhood Association, Playground Architect (Dhiru Thadani) and Muralist (Anne Marchand), Washington, DC 2003 Certificate of Congressional Recognition for Community Service/Congresswoman Eleanor Holmes Norton 2002 Public Art Grant recipient, Westminster Playground Mural, DC Commission on the Arts and Humanities Finalist, Mayor's Art Awards, Nominated for Excellence in Artistic Discipline, Washington, DC

Selected Bibliography 2021 You Tube, WNDC, “Tellus/Caelus: Seeing Earth and Sky,” Artist Zoom Talk (March 10) Art in America Guide, “Tellus/Caelus: Seeing Earth & Sky, Recent Work by Anne Marchand” (March) East City Art, “Woman’s National Democratic Club Presents Anne Marchand, Tellus/Caelus: Seeing Earth and Sky” (February 22) DART International Magazine, “The Universe-Makers”, by Dominique Nahas (March 14) Art Forum Guide, “Cross Contemporary Partners Inaugural Exhibition, Part II” (January) 2020 Art & Object, “9 New in Cross Contemporary Partners Exhibition” (September 29) 2019 DC Trending Magazine, "Anne Marchand / Organic / Zenith Gallery", by Cecila Mencia (Summer)

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Selected Bibliography (continued) 2019 Home & Design Magazine, “River Wild” by Charlotte Safavi, features three Marchand Paintings (July) Aiken Standard, “Artist's Recent Abstractions Showcased at the Morris”, by Tom Mack (February 21) ArtDaily, ‘Recent Abstractions by Anne Marchand’ opens at the Morris Museum of Art (January 26) 2018 Washington Post, “In the Galleries: Traveling Full Circle”, by Mark Jenkins, (December) Capitol File Magazine, “3 Artists Following in the Footsteps of Legendary Sam Gilliam“, by Michael Clements (December) ArtLIfe/LifeArt with Anne Marchand, Artist Video, by Lorenzo Wilkins (March 8) Island Press, “Walkable City Rules” by Jeff Speck, Westminster Mural reproduction (pg 19) 2017 Washington Post, “Show at American University invokes the ‘Eternal Feminine’, by Mark Jenkins (December 7) Hyperallergic, “A View From the Easel“, by Philip Hartigan (November 16) WUSA9 TV, “Superfierce: Empowering Female Artists”, Great Day Washington, by Andi Hauser (Oct. 9) ABC7, "Superfierce: empowering female artists nationwide", by Veronica Johnson (October 9) WTOP News, ‘You can’t find us’ A ‘super fierce’ exhibit exposes art’s disparity”, by Nania Rachel (Oct. 6) Washingtonian, “Superfierce Kicks Off Month-Long Interactive Exhibit of..Fearless Female Artists” (Oct) Georgetown Dish, “Short But Sweet: Art of Legacy Pop-Up”, by Claire Goldberg (April) 2016 The Hill Rag, Art and the City, “Artist Revisit: Anne Marchand”, by Jim Magner (September) 2015 CODA magazine, “Placemaking Art, Anne Marchand, Westminster Playground Mural” (May 27) Studio Visit Magazine, Open Studios Press, Juried by Chicago Curator, Michael Lash (Vol 29, pg 109) 2014 Schiffer Publishing, “Artists’ Homes and Studios,” by E. Ashley Rooney (December 28. pg 154 - 155) The Washington Post, “In the Galleries: Cheap Thrills”, by Mark Jenkins Progressive Pulse, Porter Contemporary, "New Exhibit, Into the Void” 2013 Art Voices Magazine, “Anne Marchand”, Cover and Interview by Emily Colucci (Winter 2013, pg 24-26) Celadon Arts, “Joseph Campbell, The Artists Way”, Catalogue, (pg 28-29) Washington Arts Museum, “Washington Art Matters: Art Life in the Capital 1940-1990”, by Jean Lawler Cohen, Sidney Lawrence, Elizabeth Tebow (June 9, pg 165) Gazette Post Community Media, "The Essentials of Painting Seen in Three Local Exhibits", by Claudia Rousseau (2013) The Washington Post, “BlackRock Exhibitions”, by Carrie Donovan (May 30-June 5) Blouin Artinfo, "Pablo Picasso, 40 Years Later" (April 5, at 54/55 sec.) WAMU Art Beat, “Acrylics, Wood Sculpture and Mixed Media at Blackrock”, by Lauren Landau The Washington Post, "Amy Lamb, Anne Marchand", by Mark Jenkins The Hill Rag, "Anne Marchand, Evolve Urban Arts Project", by Jim Magner (January) East City Arts, “Evolve Urban Arts Project Presents Paintings by Anne Marchand” (January 28) 2012 Studio Visit Magazine, Open Studios Press, Juried by Ian Berry, Skidmore College (Vol 16) American Art Collector, Alcove Books, Juried by Howard Eige, Jan Christensen Heller (October, pg 163) 2011 Maryland Gazette, "Paintings by Anne Marchand Explore Turning of the Universe", by Cody Calamaio (September 21) Schiffer Publishing, “100 Artists of the Mid-Atlantic”, by E. Ashley Rooney (pg 194-195) Rachel Ray Show, “Improvisation”, Featured Artwork (January 25) 2010 Rizzoli Publishing, “The Language of Towns & Cities: A Visual Dictionary”, by Dhiru A. Thadani, Westminster Playground Mural (November 16) 2009 Washington Post Magazine, "Of Bricks and Beauty, Feed the Urban Soul", By Deneen Brown (May)

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Corporate Collections Abacus International Trading Group, Washington, DC Akridge, Washington, DC American College of Trust & Estate Counsel, Washington, DC Alabama Power Company, Birmingham, AL Allfirst, Baltimore, MD AT&T Broadband, Washington, DC Beveridge and Diamond Law Firm, Washington, DC Butterfield Savings & Loan, Santa Ana, CA DocuPro, Bethesda, MD E. Bruce Harrison Company, Washington, DC IBM, Washington, DC Interdatum Corporation, San Francisco, California JBG Smith, Bethesda, DC Kaiser Permanente, Washington, DC Marriott Marquis DC Art Collection Media One, Washington, DC National Association of Homebuilders, Washington, DC National Association of Independent Schools, Washington, DC Newmark, Washington, DC Quadrangle Group, Washington, DC. Richards, Kibbe & Orbe LLP, Washington, DC Synergy Dance and Healing Arts Center, Washington, VA The Washington Post, Washington, DC US Trust Co. / Bank of America, Washington, DC Wendy Rosenblatt Law Firm, Washington, DC Wyatt & Bunson Interiors, Berkeley, California

Public Art Collections The Art Bank Collection, DC Commission on the Arts and Humanities Crystal City Business Improvement District, Arlington, VA DC Commission on the Arts and Humanities, Public Art Murals

Education 1975 University of Georgia, Athens, GA. MFA, Lamar Dodd School of Art 1971 Auburn University, Auburn, AL. BA, Painting and

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