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Ghatam SANKARA VEDIC CULTURE & ARTS INC SAVECA Canada/SAVECA Music Academy a Popular Disciple of Sangeetha Ramana Indrakumar Started His Training Kalanidhi Dr
= ARVIND VENKATARAMAN - Mridangam RAMANA INDRAKUMAR - Ghatam SANKARA VEDIC CULTURE & ARTS INC SAVECA Canada/SAVECA Music Academy A popular disciple of Sangeetha Ramana Indrakumar started his training Kalanidhi Dr. Trichy Sri. Sankaran, in Mridangam at the age of 11 under (www.saveca.ca) Arvind has been under his tutelage for Vidwan Sri. Vasuthevan Rajalingam. A Not-for-profit organization the past 10 years, learning the Through his guru, Ramana has had intricacies and nuances of the advanced training from various percussive arts of the Pudukottai Laya mridangists such as Neyveli Sri. Bani. Arvind was initiated into Venkatesh, Sri. P. Satish Kumar, Carnatic Music by his mother at the Madipakkam Sri. Suresh and Poovalur Sri. age of 5 and underwent vocal training Sriji. Ramana pursued not just the mridangam, but also the for 10 years. He was then introduced to the art of secondary percussion instruments of ghatam and kanjira. A Mridangam playing in 1998 by Vidwan Pazhani. Sri. C. great feat by Ramana was the pursuit to learn the ghatam on Kumar and also had his initial training with Vidwan Sri. his own by watching great ghatam artists from today and Sriraam Subbaraman. yester years. His playing is appreciated for its rhythmical Arvind had his Arangetram on September 22nd, 2007 clarity and speed. Ramana has participated in various radio performing alongside his Guru, Sangeetha Kalanidhi Dr. and television recordings, and has performed in many Proudly Presents Trichy Sri. Sankaran in the concert of Padma Bhushan venues across North America. Sangeetha Kalanidhi Madurai Sri.T.N. Seshagopalan. The During the last 18 years, Ramana has performed alongside occasion marked the 52nd anniversary of his guru Prof. -
Concerts in Chennai
Concerts in Chennai Given below is a list of carnatic music concerts in Chennai. I will keep updating the list as frequently as possible. The list is as per information received from different sources. Some of the programs might change without my getting to know about the same, in which case, I will not be able to update this page with the changes. I have put a ? wherever I am not sure of the timings (mostly these concerts should be in the evening). A list of sabhas with address and phone no is given at the bottom of this page. {Source: Artist websites, newspapers (The Hindu), schedules released by sabhas, word of mouth etc} You can use Ctrl+F in your Internet Explorer/Mozilla Firefox window to search for a particular artist/ sabha Please refer to this link for directions to the venues (thanks to Bharath for the excellent work with the map) Please refer to this link for a list of concerts that happened in the past in Chennai. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= CHENNAI (DECEMBER) MUSIC SEASON 2011-12 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= DECEMBER 2011 2nd December 2011 (Friday) 10:00 AM – Rajini Hariharan (Vocal), Tiruvallur Parthasarathy (Violin), Hanumanthapuram J. Bhuvarahan (Mrudangam) @ Narada Gana Sabha Mini Hall, TTK Road, Alwarpet (Kartik Fine Arts) **Free** 10:30 AM – B. Suchitra (Harikatha) @ BharatiyaVidya Bhavan Main Hall, East Mada Street, Mylapore (Bharatiya Vidya Bhavan) **Free** 12:15 PM – Aswath Narayanan (Vocal), B. Sudha (Violin), Nellai V. Sreekrishnan (Mrudangam) @ Narada Gana Sabha Mini Hall, TTK Road, Alwarpet (Kartik Fine Arts) **Free** 2:00 PM – J.B. Keerthana (Vocal), J.B. Sruthi Sagar (Flute), Sudha R.S. -
A Boon for Physically Challenged
© 2019 JETIR May 2019, Volume 6, Issue 5 www.jetir.org (ISSN-2349-5162) Music and Dance: A boon for socially neglected differently able Dr.J.Sankar Ganesh , Assistant Professor ,Department of Performing Arts ,S .V.University Tirupati. 517502. ABSTRACT Socially neglected class of Indian society is physically and Gender challenged people of this country. Poverty eradication among this class is still a challenge for governments. This paper is highlight how the performing art forms music and dance help to the physically challenged and gender challenged people to come out of their difficulties. A fewto build examples are given only to develop self confidence among the socially neglected class Key words: Physically challenged, Gender challenged , Performing arts, Awards, Achievements…etc.. Introduction Music can change the world because it can change people. - Bono An art form which is suitable to perform on the stage in group or in solo, capable to stir a kind of emotion in the mind of the audience is called Performing arts. Performing art forms are the mirror of creativity and inheritance of a society. It has no boundaries and reflects the social and chronological enormity of a country. It is one of the most powerful medium capable to reach the mind of people without any discrimination. Performing art form includes dance, music, drama, mime, martial arts etc… is very much successful in manifesting the cultural and traditional strength of a nation it belongs to. Society and Performing arts are like two hearts with one beat. In the current societal system the physically challenged and visually challenged people are neglected or not given sufficient importance in the pace of advancement. -
List of Dance Teacher Thiruvanmiyur
Name: A.S. Murali Email: [email protected] Field: Carnatic Vocal Adress: H.A2/1,Breeze Apartments, Jayaram Street,Thiruvanmiyur,Chennai - 600041 Telephone: +914443042926/+919952990304 Misc. Info: Versatile and Multifaceted artiste in Carnatic Vocal,Mridangam,ghatam nattuvangam faculties - hails from family of musicians -disciple of renowned Guru Padmabhushan sri P.S.Narayanaswami and Ghatam Maestro sri. T,V.Vaasan -"A" graded artiste from A I R chennai- Awarded YUVA KALA JOTHI - Honoured as Asthana Vidwan of Sri Kanchi Kamakoti Peetam- Awarded as Best Guru of 2006 in Vocal by VDS arts academy chennai.- tavelled all over the world.Presently working as Vocal Lecturer in Kalakshetra Foundation, Chennai. Name: Aadal Kalaimani Guru Smt J.Vijayamohana Email: [email protected] Field: Bharatanatyam and natuvangam Address: 1/8. gowricolony nanganallur chennai;600061 Telephone: 044-22248374 mobile;+91 9445170248, Misc. Info: My music and tradtional dance institution Sri Sai Natyalayam [since 1950] I am teaching for more than 24 years, my husband, P.V.S.Jagath Eesan [musicologist] i am the desciple of my father Natyachelvam Natuvanaar, Mayavaram Guru M.S.Ramasamy Pillai who was the first desciple of the great Padmashree Vazhuvoor B.Ramiah Pillai, I am teaching more than 300 students presently. See our videos in youtube musicmohana site, thank you. Name: Shanthi Ashokkumar Email: [email protected] Field: Carnatic Vocal Music Address: Shanthi Ashokkumar, Flat # A/2, Ramleela Apartments, No.33, 3rd Street, Abiramapuram, Chennai-600018 Telephone: Hand Ph - 0091 9940539307 Land - 0091 44 42110339 Misc. Info: Post graduate in Music with a M.A. Degree from Chemmbai Government College of Music at Palghat-Kerala in India and having been guided by Masters like Professor Kedaranathan and Meera Kedaranathan, Principle Disciples Dr. -
2002 Chitra Chandran (215) 643-3352
SRUTI, The India Music & Dance Society Board of Directors President Viji Swaminathan (215) 643-2145 Vice President K. Prabhakar (215) 654-0527 Treasurer 2002 Chitra Chandran (215) 643-3352 Recording Secretary Rungun Ramanathan (610) 668-3691 Corresponding Secretary Vedamurthy Sarvothaman (610) 783-0349 Members at Large Mani Lakshminarayanan (610) 280-9437 Balu Balakrishnan (610) 358-1673 Resource Committee Akkaraju Sarma (Chairman) (215) 914-0236 Dinakar Subramanian (610) 630-1878 Library Committee Panchanadam Swaminathan (Chairman) (215) 643-2145 T. Sarada (215) 674-9573 Venkatraman Visweswaran (610) 918-6388 SRUTI The India Music & Dance Society Philadelphia, PA CONTENTS 42. N. Ramani (Flute) 1998(2) Thyagaraja Aradhana in North America 1 Srikant Venkataraman (Violin), Srimushnam Rajarao (Mridangam) P. Swaminathan 43. Lalgudi G.J.R. Krishnan (Violon) 1998(2) Sri Rama’s Smiling Countenance 2 Vellore Ramabhadran (Mridangam), V. Nagarajan(Kanjira) T. Sarada Ghana Raga Panchratna Kriti-s 4 44. Sanjay Subrahmanyam (Vocal) 1998(2) Library Committee A. Ananthakrishnan (Violin), Palghat Raghu (Mridangam) Ghana Raga Panchratna Kriti-s 6 (Sahithya & Meaning) 45. T.M. Krishna (Vocal) 1998(2) Differences between Western and Carnatic Music 16 Bombay Gayathri (Violin), K.Arun Prakash (Mridangam) Janani Prabhakar 46. N. Ravikiran (Chitravina) 1998(2) Ragas Galore 18 A. Ananthakrishnan (Violin), Master Anand (Mridangam) Chetan Ramamurthy Music Crossword 19 47. Neyveli Santhanagopalan (Vocal) 1999(2) Viji Swaminathan Delhi Sundararajan (Violin), Srimushnam Rajarao (Mridangam) Sruti Concert Tapes 22 48. Mysore Nagaraj and Manjunath (Violin) 1999(2) Thiruvarur Bhaktavatsalam (Mridangam) 49. Sikkil Mala Chandrasekhar (Flute) 1999(2) H.N. Bhaskar (Violin), M. Suresh (Mridangam) With the Best Compliments of 50. T .N. -
Sabha Artiste Date Time Venue Bharat Kalachar Subbu Arumugam and Party 14/12/2007 4:00 PM YGP Auditorium, T
DECEMBER SEASON 2007: Sabha-wise Schedule (Please note that this is not a complete listing of all Season 2007 programmes. It reflects only the information that we have received from various organizations. Please check daily newspaper listings for the latest updated schedules. Another useful source is Ram's Blog (http://ramsabode.wordpress.com/concerts-in-chennai/) Sabha Artiste Date Time Venue Bharat Kalachar Subbu Arumugam and party 14/12/2007 4:00 PM YGP Auditorium, T. Nagar Bharat Kalachar Padmini Krishnamurthy 14/12/2007 7:15 PM YGP Auditorium, T. Nagar Bharat Kalachar Master M. Balamuralikrishna 15/12/2007 10:30 AM YGP Auditorium, T. Nagar Bharat Kalachar T. V. Sankaranarayanan 15/12/2007 4:00 PM YGP Auditorium, T. Nagar Bharat Kalachar Alarmel Valli 15/12/2007 7:30 PM YGP Auditorium, T. Nagar Bharat Kalachar Dr. N. Hamsini 16/12/2007 10:30 AM YGP Auditorium, T. Nagar Bharat Kalachar Nithyasree Mahadevan 16/12/2007 4:00 PM YGP Auditorium, T. Nagar Bharat Kalachar Srinidhi Chidambaram 16/12/2007 7:30 PM YGP Auditorium, T. Nagar Bharat Kalachar U. Srinivas 17/12/2007 6:00 PM YGP Auditorium, T. Nagar Bharat Kalachar T. N. Seshagopalan 18/12/2007 6:00 PM YGP Auditorium, T. Nagar Bharat Kalachar T. M. Krishna 19/12/2007 6:00 PM YGP Auditorium, T. Nagar Bharat Kalachar Bombay Jayashree 20/12/2007 6:00 PM YGP Auditorium, T. Nagar Bharat Kalachar Y. Gee Melody Makers 21/12/2007 6:00 PM YGP Auditorium, T. Nagar Bharat Kalachar Madurai R. Sundar 22/12/2007 10:30 AM YGP Auditorium, T. -
Thyagaraja Aradhana
SRUTI The India Music and Dance Society 135 Brochant Dr., Blue Bell, PA 19422 • www.sruti.org Presents THYAGARAJA ARADHANA On February 19, 2005 (Saturday) at the Hindu Temple, 25 East Taunton Avenue, Berlin, NJ PROGRAM 8:30 AM Welcome 8:40 AM Group rendering of Utsava sampradaya keertanas and Pancharatna kritis 10:00 AM Individual participation starting with youth and followed by adults 1:00 PM Lunch 2:00 PM Individual participation (continued) 4:30 PM Snacks and coffee 5:00 PM Main concert of the day Savita Rao (Vocal) Sandhya Srinath (Violin) Srinath Balasubramanian (Mridangam) 7:00 PM Vote of Thanks and Mangalam A donation of $10 per person or $20 per family is appreciated. If you are interested in bringing food or volunteering otherwise, please contact Prabhakar Chitrapu at (215) 616-0486 or email [email protected]. To take part in individual participation, please register before 2-16-2005 at www.sruti.org or call after 6 PM Jeya Sankaran at 610-279-3655 or Ponnal Nambi (610-647-7235) or email [email protected]. All requests after that date can only be honored based on time availability. To take part in the group rendering of Pancharathna kritis, please contact Dr. Mani Subramaniam at (610) 313-1481 or email [email protected]. Recordings of the Pancharatna Kritis as rendered by the Sruti group are available for prac- tice at (http://www.sruti.org/pancha/index.asp) Email all inquiries to [email protected] or call 215-616-0486. Artist Profiles Sruti provides its members an opportunity to showcase their talents at the Thyagaraja Aradhana. -
List of Books on Music (Available in the Library)
List of Books on Music (Available in the Library) LIBRARY AVINASHILINGAM INSTITUTE FOR HOME SCIENCE AND HIGHER EDUCATION FOR WOMEN, COIMBATORE - 43 AVINASHILINGAM INSTITUTE FOR HOME SCIENCE AND HIGHER EDUCATION FOR WOMEN COIMBATORE - 43 LIBRARY LIST OF MUSIC BOOKS ACCNO AUTHOR TITLE PUBLISHER CALL NO PRICE in ' Composers Publications Division 17.00 89130 NR New Delhi , 1991 - Dikshitar : Kirtana Mala : Part Ii Sundaram Iyer 2.00 2877 NR Kallidarkurichi , 1954 - Souvenir 1975 3.00 57741 NRr - , 1975 - Sangitaraja of Maharana Kumba - 60.00 58943 NR , - Easy Ways to Enjoy Carnatic Music Abirami Printers 15.00 76117 NR44 Madras , --- Dikshitar : Kirtana Mala : Part I Sundaram Iyer 2.00 2876 NR Kallidarkurichi , 1952 ACCNO AUTHOR TITLE PUBLISHER CALL NO PRICE in ' Catalogue of Musical Institutments in Govt. Museum 7116 NR The Govt Museum Madras , 1955 - Souvenir 1978 Music Academy 3.00 57740 NR Madras , 1979 - Tamilisai Padalgal Annamalai University 2.00 59503 NR Annamalai Nagar , 1952 - Dikshitar : Kirtana Mala : Part Vii Sundaram Iyer 2.00 2882 NR Kallidarkurichi , 1954 - Gayaka Lochanam : Fourth Book in 5.00 2887 NR Music - , 1902 - Tamilisai Kalai Kalangiyam Bharathidasan 600.00 81196 NR(O31,1)k University Tiruchirapalli , 1992 - Sri Papanasam Sivan Kirthanamalai Part 15.00 54258 NR Ii - , 1980 Bajanutsava Manjari Sri Ramakrishna 20.00 63222 NR Bhajanai Sabha Udumalpet , 1984 ACCNO AUTHOR TITLE PUBLISHER CALL NO PRICE in ' Music Academy Diary 1988 - 1989 Music Academy 10.00 83008 NR Chennai , 1988 - Prarthanaip Paadalgal Avinashilingam -
SRI PARTHASARATHY SWAMI SABHA (Office : 100, T.P
Sriramajayam SRI PARTHASARATHY SWAMI SABHA (Office : 100, T.P. Koil Street, Chennai-5 ) Phone: 9444701446 Email: [email protected] ISAI VIZHA (16-12-2018 to 4-1-2019) At VIDYA BHARATHI, 55, Bheemasena Garden Road, Mylapore, Chennai - 4. Phone : 2499 7269 / 2499 1248. Inauguration on 16-12-2018 (Sunday) Pooja at 11.45 a.m. 4.00 p.m. Mangala Isai– Sri. T.P.N. RAMANATHAN & Sri Pandamangalam P.G. YUVARAJ Nadaswaram with MANNARGUDI VASUDEVAN – Special Thavil & Party 5.30 p.m. His Holiness Srimate Srivan Satakopa SRI RANGANATHA YATHEENDRA MAHA DESIKAN (46th Azhagiyasingar) Sri Ahobila Muth Consented to to grace the occasion and Confer the Awards "Sangeetha Kalasarathy" on Kum. A. KANYAKUMARI Presenting Palghat Mani Iyer Centenary award to Sri. V. KAMALAKAR RAO (Instituted by Dr. Nithyashree Mahadevan) Gottuvadyam Narayana Iyengar Award for Visesha Vadyam to Thanjavur Sri. T.R. GOVINDARAJAN ( Thavil ) ( Instituted by Chennai Fine Arts ) Dwaram Venkataswami Naidu Award to Sri. EMBAR S. KANNAN, ( Instituted by Sri. Mohan Parasaran) G. Ramanathan Award to Sri. RAJHESH VAIDHYA (Instituted by Sathanur Sri. V. Parthasarathy) Dr. M.L.V. Award to Kum. AMRUTHA VENKATESH ( Instituted by Smt. Sudha Ragunathan) Sangita Kalanidhi Dr. T.V. GOPALAKRISHNAN Dr. NALLI KUPPUSWAMI CHETTI - Presides ----------------------------------------------------------------------------------------------- 16-12-2018 6.45 p.m. Kum. A. KANYAKUMARI Embar Sri. S. Kannan – Violin duo Thanjavur Sri. T.R. Govindarajan – Special Thavil Nanjil Sri. A.R. Arul – Mrudangam ------------------------------------------------------------------------------------------------- 17-12-2018 ( Monday ) 8.30 a.m. A Live Session with Mrudangam Legend Dr. UMAYALPURAM K. SIVARAMAN 10.00 a.m. Mambalam Sisters - Dr. R. Hemalatha – Nellai Balaji – Alathur Rajaganesh 12.30 p.m. -
KALA MANJARI Fifty Years of Indian Classical Music and Dance in Singapore
KALA MANJARI Fifty Years of Indian Classical Music and Dance in Singapore Edited by Dr. Seshan Ramaswami Sarita Alurkar-Sriram Singapore Indian Fine Arts Society DEdicaTION Published by Sun Media Pte Ltd for the Singapore Indian Fine Arts Society Designed by Sun Media Pte Ltd Edited by Dr. Seshan Ramaswami and Sarita Alurkar-Sriram Kala Manjari Committee: Dr. Seshan Ramaswami, Sarita Alurkar-Sriram, Shankar Rajan, A. Sachithananthan and P.S. Somasekharan Printed in Singapore by Stamford Press Pte Ltd © Copyright 2015 by Singapore Indian Fine Arts Society. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior written permission of the Singapore Indian Fine Arts Society. ISBN 978-981-09-4443-8 The views of the Writers and Contributors do not reflect the views of the Singapore Memory Project (SMP), which is a national initiative of the Ministry of Communications and Information (MCI) and is managed by the National Library Board, Singapore (NLB). No part of this publication may be reproduced in any form or by any means without prior written permission from the relevant Copyright Owner(s), if any, and the NLB. Whilst reasonable care has been undertaken to ensure the accuracy of the information in this publication, the We dedicate this book to the pioneers of Indian classical music and dance in Singapore, Publisher, MCI and the NLB accept no legal liabilities whatsoever for the contents of this publication. the artistes, teachers and administrators, whose passion and untiring efforts have left us this legacy of a thriving Indian arts scene today, fifty years after Singapore’s independence. -
Ragas Are There? — P
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXII 1991 mimumHHmMjUUMmBimMlIBBBBBBBlIBBBBUIlllIHlBW" ■■nBBBBBBBBBBBflBBBBBBBflBBBBBBBBBBBBM 5n? * jiffitfro to* i tr^TT to nrafci to firoiftr n “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T. S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras-600 014 Annual Subscription - Inland Rs.40: Foreign $ 3-00 V OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewritten (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full.) The Editor of the Journal is not responsiblev«r for the views expressed by contributors in their articles. CONTENTS . PAGE y The 64th Madras Music Conference - Official Report — 1 Advisory Committee Meetings — 19 The Sadas — 52 Margadarsi Whom Swati Tirunal Followed — T.S. Parthasarathy — 72 Compositions of Ettayapuram Rulers -—Dr. Gowri Kuppuswamy & Dr. M. Hariharan — 82 Development of the Repertoire in Modern Bharata Natyam —-Annie-Marie Gaston (Anjali) — 95 Tana Varnam - Its Identity and Significance -—Lalita Ramakrishna — 135 How many Janya Ragas are there? — P. -
Ragamala Dance
RESOURCE GUIDE 2012-2013 RAGAMALA DANCE Wednesday, April 24, 2013 11 am – 12 Noon Power Center School Day Performance UMS YOUTH EDUCATION PROGRAM TABLE OF CONTENTS 04 ATTENDING THE PERFORMANCE 05 Being an Audience Member 06 The Details 08 Venue 10 Maps and Directions 1 1 Accessibility 12 THE ARTISTS 13 Ragamala Dance 14 Interview with Founder Ranee Ramaswamy 16 Company Members 20 CULTURAL CONTEXT: INDIA 21 Bharatnatyam 22 South Indian Arts Overview 24 Costumes + Make-Up 25 Gestures 26 ON STAGE 27 Sacred Earth 28 Visual Art 30 BIBLIOGRAPHY 32 UMS: BE PRESENT 33 About UMS 34 Thank You! ATTENDING THE PERFORMANCE WWW.UMS.ORG RG O . S 4 734.615.0122 WWW.UM 734.615.0122 ATTENDING THE PREFORMANCE BEING AN AUDIENCE MEMBER When preparing students for a live performing arts event, it is important to address the concept of “concert etiquette.” Aside from helping prevent disruptive behavior, a discussion of concert etiquette can also help students fully enjoy the unique and exciting live performance experience. The following considerations are listed to promote an ideal environment for all audience members. YOUR SURROUNDINGS • As an audience member, you are also part of the performance. Any enthusiasm you might have for the • Concert halls and performing arts venues are some of the performance may make the performers perform better. So, if most grand and beautiful buildings you might ever visit, so be you like what you are seeing make sure they know it! Maybe sure to look around while you follow an usher to your group’s clap, hoot and holler, or stand up and cheer.