In Your Hands Grain of Hope

Total Page:16

File Type:pdf, Size:1020Kb

In Your Hands Grain of Hope Grain of hope Agriculture minister’s report backs belief in a In your bumper wheat harvest Access> CHINA denied A8 Voices on the web AccessTee off deniedtime Voices on the web Tee-off time 400,000 HK gamers will be left Check out the views posted from SonyAfter won’ta year reopen without HK sponsors, online Checkhands out the views posted from After a year without sponsors, out in the cold as Sony won’t cage homes to rising food prices network,casino money leaving is set400,000 to bankroll cageInspired homes to to use rising their food own prices skills, casino money is set to bankroll reopen network due to probe gamersthe return in the of thecold Macau Open homeowners opt to DIY the return of the Macau Open > PROPERTY P4 > CITY C3 > OPINION A14 >> CITYSPORT C3 C10 > OPINION A14 > SPORT C10 PUBLISHED SINCE 1903 / VOLUME LXVII / NO 150 Wednesday, June 1, 2011 / See live updates at www.scmp.com SUBSCRIPTION COPY ONLY – NOT FOR SALE Unrest in Inner Mongolia HOUSING DIGEST Sepp Blatter ‘in denial’ over Fifa crisis Embattled Fifa president Sepp LEADERS TOLD TO Blatter was in denial over the corruption allegations plaguing soccer’s ruling body, an Australian senator said yesterday, as British newspapers declared that Blatter’s expected re-election today would be CLARIFY LAW ON a travesty. An ill-tempered Blatter denied Fifa was in crisis, at a press conference in Zurich. > SPORT C8 ILLEGAL BUILDING Minister’s ultimatum to textbook ‘monopolies’ Government is urged to draft clear buildings policy streets in protest at the government’s An angry education minister “forced demolition” of their illegal threatened Hong Kong’s textbook after Chief Executive Donald Tsang’s Mid-Levels structures. “monopolies” with competition home is embroiled in row over illegal structures The members, mostly from Yuen from a government publisher if they Long, went as far as demanding com- did not act now to split the sale of ...................................................... pensation if any unauthorised struc- textbooks and teaching materials. not be tolerated, no matter where tures were removed. The publishers, who last year were Olga Wong and Gary Cheung they are located and even if owners An official said the problem had given a year to do so, say it will take [email protected] are willing to pay for them.” far-reaching implications and that a three more years. > CITY C1 Tsang’s flat in MacDonnell Road thorough study was vital. The government was urged yester- was reported to have a balcony en- Tsang defended himself yester- day to devise a clear policy on illegal closed without permission. Secretary day and said he was under the im- structures and take action against for Constitutional Affairs Stephen pression the flat in question did not any that posed an immediate danger. Lam Sui-lung and Education Bureau have illegal structures. Some inde- With Chief Executive Donald Secretary Michael Suen Ming-yeung pendent experts backed his claim. Tsang Yam-kuen now caught up in have already been found to have un- “My understanding is that adding the widening controversy, the presi- authorised structures on properties. glass windows on a balcony is not dent of the Hong Kong Institute of Business leaders and politicians have necessarily an offence … I was not in- Surveyors, Wong Bay, said the crack- been similarly exposed. formed by the Buildings Department down should be a priority in both ur- Meanwhile, some members of that I have an illegal structure other ban and rural areas. the Heung Yee Kuk, the powerful than two which were removed within “We must not leave the public any rural body, threatened to take to the 20 days.” impression that they can get away He said he was not above the law First cash offer to a victim with breaching the law,” Wong said. and would make any changes de- Lawmaker Lee Wing-tat of the manded by the Buildings Depart- of Tiananmen crackdown Democratic Party said he had called ment. The department did not reply for an urgent legislative meeting on to the Post’s inquiries. In a move hailed by some as a first June 14 to discuss the issue. The case is nevertheless politically step by Beijing to break a political “The development chief [Carrie embarrassing for Tsang, who just six taboo, the central government has Lam Cheng Yuet-ngor] should come days ago reminded government offi- offered cash to a victim of the Street sweepers. Police detain a protester during a demonstration in Hohhot , Inner Mongolia up with a clear policy as soon as pos- cials to ensure their properties were Tiananmen Square crackdown, . About 100 people gathered in the city on Monday to express their anger at the death of a herder who sible. She has been evading the fact free of illegal structures. according to an open letter from the was trying to block coal trucks driven by Han Chinese. There were a number of arrests. It followed a week of that structures like enclosed balco- Tiananmen Mothers Support demonstrations that have rattled the authorities. Photo: The New York Times > MONGOLIANS ‘SIDELINED’ A6 nies and rooftop glasshouses should Tsang’s balcony on MacDonnell Road > ‘PAY US TO REMOVE STRUCTURES’ C1 Group. > LEADING THE NEWS A3 Communist ART propaganda Cheng Dai-chien art sells pushes out Hollywood for a record HK$191m Amid a boom in market for Chinese art, late master’s which fetched a total of HK$680 Mainland cinema million during the 90-minute auction works confirmed as being among the most valuable yesterday. schedules are cleared of ...................................................... It showed the growing fever in the Bids for Lotus and Mandarin Chinese art market. US blockbusters to make Amy Nip, Priscilla Jiao Ducks – a 1947 piece – started at Last week, a painting by Qi – a and Zuleika Sedgley way for party’s new film HK$10 million but it eventually sold contemporary of Chang – set a record for nearly 20 times that amount after for modern art and calligraphy at a ...................................................... A painting by the late Chang Dai- 30 rounds of bidding at the Hong mainland auction after it sold for chien fetched HK$191 million at an Kong sale. The price was more than 425.5 million yuan (HK$508.5 Priscilla Jiao auction yesterday, setting a world nine times Sotheby’s estimate of million). [email protected] record for his works and offering fur- HK$20 million. The work was bought Bian Yiwen, general manager of ther evidence of the remarkable by an Asian private collector. an auction firm in Beijing, said: Hollywood blockbusters including boom in the Chinese art market. The sale price smashed the previ- “China’s economy is expanding fast. Transformers 3 and Cars 2 have been ous record for Chang’s works, set in People’s appreciation for art is pushed back on mainland cinema May last year for his painting Ai Hen growing and they also can afford [to schedules to make way for the Com- Hu in Beijing, which was sold for 100 spend] more. It is not surprising to munist Party’s latest propaganda million yuan (HK$120 million). see this fever building for Chinese film. The Founding of a Party, set to It also makes the canvases of paintings.” premiere across the mainland on Chang – who died in 1983 at the age of Meilin Wang, the head of Chinese June 15, marks the 90th anniversary $ 84 – among the most valuable paint- painting, 20th century and contem- of the Communist Party on July 1. 140 m ings in the world, exceeded in value porary Asian art at Bonhams Asia, The new film boasts 107 cast only by those from the likes of Pablo said the market for Chinese art had members, including Hong Kong’s The price, in US dollars, for the Picasso, Qi Baishi and Andy Warhol, seen a huge boom in the past two Chow Yun-fat and John Woo. world’s most expensive painting, some of whose work sold for more years. Last year, the total auction pro- The 70 million yuan (HK$83.9 No 5, 1948 by Jackson Pollock, than Chang’s at last year’s auction. ceeds from sales of Chinese art million) film is expected to rake in sold in 2006 by David Lotus was one of the 25 pieces reached 57.3 billion yuan (HK$68.6 nearly 800 million yuan – a record for Geffen featured in the Mei Yun Tang Collec- billion), an increase of 150 per cent a mainland film – but it will not be tion of Paintings by Chang Dai-chien over the previous year. challenged by the usual summer in- vasion of US blockbusters, according to Gao Jun , spokesman for the New Film Association, one of the BUSINESS WORLD mainland’s main cinema chains. FOCUS “The cinemas are confident that the movie will set a new box office record because Hollywood block- Pay rises A CURE FOR Hooked on busters have been scheduled for screening in late July,” Gao said. HEALTH The film has become a national ‘no threat the myth event, with nearly 20 provincial and municipal propaganda departments SYSTEM’S involved in making it, he said. to China’ of hookahs Other screening slots this month ILLS will be filled by other propaganda films and a smattering of overseas Li & Fung chief sees no Young flock to water pipe, movies that will not be popular serious challenge to thinking it’s safer than enough to threaten the box office > CONTINUED ON A3 world’s factory PAGE B1 PAGE A4 cigarettes PAGE A13.
Recommended publications
  • INSCRIPTIONS on CHINESE PAINTINGS and SCHOLAR OBJECTS EXHIBITION DATES: SEPTEMBER 10 - 17, 2010 GALLERY HOURS: MONDAY – FRIDAY, 11 – 5 Or by APPOINTMENT
    CHINA 2 0 0 0 F I N E A R T LITERATI MUSING: INSCRIPTIONS ON CHINESE PAINTINGS AND SCHOLAR OBJECTS EXHIBITION DATES: SEPTEMBER 10 - 17, 2010 GALLERY HOURS: MONDAY – FRIDAY, 11 – 5 or BY APPOINTMENT China 2000 Fine Art takes great pleasure in presenting “Literati Musing: Inscriptions on Chinese Paintings and Scholar Objects” which will be shown in the gallery at 434A East 75th Street in Manhattan and in an online exhibition on our website at China2000FineArt.com. Like the contemporary twitter, ancient inscriptions on Chinese art were the momentary (and now art historically monumental) thoughts about society, relationships, politics, and aesthetics of the literati. For our exhibition, we have gathered together objects for the scholar’s desk and Chinese paintings that bear inscriptions by eminent scholars and calligraphers of Chinese history. Their words literally etched in stone or wood or written with indelible ink on paper provide clues to where they were at particular times in their lives and offer their knowledge about the object or the painting upon which they inscribe their thoughts. Just to illustrate a few of the exhibits, Deng Shiru, a very important calligrapher and seal carver from the 18th century, has carved a Ming dynasty poem on a soapstone seal-paste box, Ding Jing, another important 18th century calligrapher, has carved a Tang dynasty poem on an Anhui inkstone, Chang Dai-chien, the great 20th century painter, has inscribed a painting by a wonderful artist whose works are not generally known but who was with him in Dunhuang in 1941, Lu Yanshao, another famous name in 20th century Chinese art, has inscribed his thoughts on a western style painting of his contemporary, Wu Hufan has given authentication to a painting by Xiao Junxian, and Pu Ru, a great artist and member of the Manchu imperial family, has inscribed a poem on a masterpiece painting by his student, An Ho.
    [Show full text]
  • Qi Baishi: a Master of Many Arts
    QI BAISHI: A MASTER OF MANY ARTS Qi Baishi was equally renowned for his achievements in seal carving as for his contributions to modernizing traditional literati painting; he was also a master calligrapher and poet. He was born to a poor farming family in Xiangtan, Hunan Province, and learned Chinese characters from his grandfather, who used a stick to trace them in the dirt. Physically unsuited to farming tasks, he was apprenticed to a woodcarver, but at nineteen he came across a book that would change his life: the Mustard Seed Garden Manual, a classic early Qing dynasty (1644–1911) treatise illustrating traditional techniques of literati painting. Qi taught himself to paint from it, refining his skills and studying the arts of seal cutting, poetry, and calligraphy with the many teachers he met as an itinerant woodcarver. His life spanned a period of great upheaval and reform in Chinese culture, but his unique style and politically neutral subjects allowed him to remain in favor through different regimes and cultural shifts. At the end of his life, he was lauded as the “People’s Artist,” elected honorary Chairman of the National Association of Fine Arts, and given the International Peace Award by the World Peace Council. With the resurgence of interest in ink painting in contemporary China, Qi Baishi, sometimes referred to as “China’s Picasso,” is celebrated as one of the leading artists of the twentieth century and his paintings are highly sought after by collectors and museums. Qi Baishi China, 1864–1957 Crabs circa 1930 Album leaf, ink on paper Gift of Katsuizumi Sotokichi, University of Michigan Museum of Art, 1949/1.199 inscribed: To Mr.
    [Show full text]
  • The Wisdom of Emptiness: Selected Works from the Xubaizhai Collection Audio Guide Script
    The Wisdom of Emptiness: Selected Works from the Xubaizhai Collection Audio guide script 400 Exhibition overview Welcome to “The Wisdom of Emptiness: Selected Works from the Xubaizhai Collection” exhibition. Xubaizhai was designated by the late collector of Chinese painting and calligraphy, Mr Low Chuck-tiew. A particular strength of the collection lies in the Ming and Qing dynasties works by masters of the “Wu School”, “Songjiang School”, “Four Monks”, “Orthodox School” and “Eight Eccentrics of Yangzhou”. This exhibition features more than 30 representative works from the Ming and Qing dynasties to the twentieth century. This audio guide will take you through highlighted pieces in the exhibition, as well as the artistic characteristics of different schools of painting and individual artists. 401.Exhibit no. 1 Shen Zhou (1427 – 1509) Farewell by a stream at the end of the year 1486 Hanging scroll, ink and colour on paper 143 x 62.5 cm Xubaizhai Collection Shen Zhou, courtesy name Qinan, was a native of Suzhou in Jiangsu province. He excelled in painting and poetry as well as calligraphy, in which he followed the style of Huang Tingjian (1045 – 1105), while his students included Wen Zhengming (1470 – 1559) and Tang Yin (1470 – 1524). Shen was hailed as the most prominent master of the Wu School of Painting and one of the Four Masters of the Ming dynasty (1368 – 1644). Studying under Chen Kuan (ca. 1393 – 1473), Du Qiong (1396 – 1474) and Liu Jue (1410 – 1472), Shen modelled his paintings on the styles of Wang Fu (1362 – 1416) and the Four Masters of the Yuan dynasty (1279 – 1368), but he also extended his interest to the works of the Zhe School and incorporated its techniques into his art.
    [Show full text]
  • Global Chinese Art Auction Mar
    G L O B A L C H I N E S E A R T A U C T I O N MA R K E T R E P O R T 2 0 1 5 Table of Contents Foreword . 4 About artnet . 5 About the China Association of Auctioneers (CAA) . 6 Key Findings . 7 1 The Chinese Art Market in 2015 . 11 1 .1 Market Overview . 12 1 .2 Mainland China Market . 13 1 .3 Overseas Market . 16 1 .4 Market Structure . 19 2 Lot Composition and Price Distribution . 21 2 .1 Performance by Sector . 22 2 .2 Performance by Price Segments . 26 Appendix 1: 2015 List of Global Chinese Antiques and Art Auction Houses . 29 Appendix 2: 2015 List of Lots Sold for Over 10 Million RMB . 70 Notes . 127 Contact . 130 4 Global Chinese Art Auction Market Report 2015 Foreword artnet and the China Association of Auctioneers (CAA) Over the past 10 years, the Chinese art market has seen are pleased to present the fourth edition of the Global both tremendous growth and volatilities, reaching a size Chinese Art Auction Market Report, offering together an large enough to majorly impact the global auction market . in-depth look at the market for Chinese art in 2015 . At the same time, the overseas sales of Chinese art has also more than quadrupled since 2009, with an unexpect- In a continued effort to present the most accurate repre- edly strong growth in 2015 even as the mainland market sentation of the auction market in China, artnet has again went through a cooling period .
    [Show full text]
  • Fine Chinese Classical Paintings & Calligraphy & Fine Chinese Modern Paintings Sales
    PRESS RELEASE | H O N G K O N G | 14 NOVEMBER 2012 FOR IMMEDIATE RELEASE CHRISTIE’ S HONG KONG AUTUMN 2012 AUCTIONS PRESENTS FINE CHINESE CLASSICAL PAINTINGS & CALLIGRAPHY & FINE CHINESE MODERN PAINTINGS SALES HIGHLIGHTED BY WORKS FROM OVER 60 INTERNATIONAL PRIVATE COLLECTIONS │Fine Chinese Classical Paintings & Calligraphy, November 26, 10:00am, Sale 2960│ │Fine Chinese Modern Paintings, Part I, 3:00pm, Sale 2961│ │Fine Chinese Modern Paintings, Part II, 10:30am & 2:30pm, Sale 2961│ Hong Kong – This autumn, Christie’s will present select works from seasoned international collectors at its upcoming sales of Fine Chinese Classical Paintings & Calligraphy and Fine Chinese Modern Paintings on November 26 and 27, 2012 at the Hong Kong Convention and Exhibition Centre. Offering over 700 works from more than 60 private collections, the sales will feature classical masters including Wang Duo, Lan Ying, Wang Jian and Chen Chun, as well as works by celebrated modern artists such as Qi Baishi, Xu Beihong, and Zhang Daqian. Estimated to realize in excess of HK$290 million/US$37 million, the sale will offer collectors around the world the opportunity to acquire choice works by masters of the category. Nearly half of the works have been sourced from renowned private collections all over the world. The autumn sales will bring together important works from the collections of Mr. Luo Jialun and Mr. Tang Siyao, as well as rare pieces from several overseas collectors. From Ming and Qing pieces collected by Chinese connoisseurs in North America, to Qi Baishi’s masterpiece consigned by an Italian artist, the sales reflect the continual cultural dialogue between the East and the West.
    [Show full text]
  • CHINESE ARTISTS Pinyin-Wade-Giles Concordance Wade-Giles Romanization of Artist's Name Dates R Pinyin Romanization of Artist's
    CHINESE ARTISTS Pinyin-Wade-Giles Concordance Wade-Giles Romanization of Artist's name ❍ Dates ❍ Pinyin Romanization of Artist's name Artists are listed alphabetically by Wade-Giles. This list is not comprehensive; it reflects the catalogue of visual resource materials offered by AAPD. Searches are possible in either form of Romanization. To search for a specific artist, use the find mode (under Edit) from the pull-down menu. Lady Ai-lien ❍ (late 19th c.) ❍ Lady Ailian Cha Shih-piao ❍ (1615-1698) ❍ Zha Shibiao Chai Ta-K'un ❍ (d.1804) ❍ Zhai Dakun Chan Ching-feng ❍ (1520-1602) ❍ Zhan Jingfeng Chang Feng ❍ (active ca.1636-1662) ❍ Zhang Feng Chang Feng-i ❍ (1527-1613) ❍ Zhang Fengyi Chang Fu ❍ (1546-1631) ❍ Zhang Fu Chang Jui-t'u ❍ (1570-1641) ❍ Zhang Ruitu Chang Jo-ai ❍ (1713-1746) ❍ Zhang Ruoai Chang Jo-ch'eng ❍ (1722-1770) ❍ Zhang Ruocheng Chang Ning ❍ (1427-ca.1495) ❍ Zhang Ning Chang P'ei-tun ❍ (1772-1842) ❍ Zhang Peitun Chang Pi ❍ (1425-1487) ❍ Zhang Bi Chang Ta-ch'ien [Chang Dai-chien] ❍ (1899-1983) ❍ Zhang Daqian Chang Tao-wu ❍ (active late 18th c.) ❍ Zhang Daowu Chang Wu ❍ (active ca.1360) ❍ Zhang Wu Chang Yü [Chang T'ien-yu] ❍ (1283-1350, Yüan Dynasty) ❍ Zhang Yu [Zhang Tianyu] Chang Yü ❍ (1333-1385, Yüan Dynasty) ❍ Zhang Yu Chang Yu ❍ (active 15th c., Ming Dynasty) ❍ Zhang You Chang Yü-ts'ai ❍ (died 1316) ❍ Zhang Yucai Chao Chung ❍ (active 2nd half 14th c.) ❍ Zhao Zhong Chao Kuang-fu ❍ (active ca. 960-975) ❍ Zhao Guangfu Chao Ch'i ❍ (active ca.1488-1505) ❍ Zhao Qi Chao Lin ❍ (14th century) ❍ Zhao Lin Chao Ling-jang [Chao Ta-nien] ❍ (active ca.
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 310 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019) The Philosophical Thoughts of the Five Elements and the Expression Techniques of Chinese Painting* Yi Li City College, Wuhan University of Science and Technology Wuhan, China Abstract—The traditional Chinese painting art has a long line drawing and ink painting. If the properties of “metal, history and is prosperous. After thousands of years, it still has wood, water, fire and soil” in the theory of the five elements a unique artistic charm. The reason why Chinese painting has are corresponding to the characteristics of the “technique of such a shocking and moving charm is because of its rich expression” in Chinese painting, the corresponding internal cultural connotation and the unique external form relationship can be as follows: means. There is a close connection between traditional Chinese philosophical thoughts and Chinese painting arts, and these “Wood”: corresponds to “boneless painting”; connections have always been the ideological orientation of “Fire”: corresponds to “freehand brushwork”; Chinese painting theory, and they have dominated the thinking mode and aesthetic concepts of Chinese painting. It can be said “Soil”: corresponds to “line drawing”; that Chinese five elements philosophy makes Chinese painting form its own unique Performance measures and expressive “Metal”: corresponds to “gongbi”; technique. We can talk about the expression techniques of “Water”: corresponds to “ink painting”. traditional Chinese painting from the perspective of China’s Five Elements Philosophy. In the following, the corresponding relationship between the attribute of “metal, wood, water, fire and soil” and the Keywords—philosophical thinking; Chinese painting; five “technique of expression” of Chinese painting is elaborated elements philosophy; the expression techniques with their mutual connection: I.
    [Show full text]
  • OCN Vol 20. No. 2
    Saturday, February 1, 2020 OCN Page 23 grams. Come to the library to register series, with the second session on Feb. required. and when to see them. Participants will or register online and print your read- 13. Registration is required for each. The Monument Library Spinning then create a northern lights art project ing log at home. This program is for Life Circles will meet from 9:30 to Group will meet from 1:30 to 3:45 on using chalk pastels. Please call 481- ages 18 and up. 11:30 on Monday, Feb. 3. This group Thursday, Feb. 27. Join a group of hand 2587 to register. See above for descriptions of All writes about memories of life events. spinners. No registration required. Kidsmake Art: Story Art: Hooray for Ages Knitting, Valentine’s Day Card Join a supportive circle, which will help Palmer Lake Library Events Fish, on Saturday, Feb. 15 from 10:30 to Creations, and Paper Tigers Origami. you to be motivated and productive. ThePalmer Lake Book Group meets at 9 11:30 will begin with a reading of Hoo- Regularly occurring adult pro- No registration required. a.m. on the first Friday of each month. ray for Fish by Lucy Cousins. Using grams include Senior Chats on The Monumental Bookworms will For the current selection, please call crayons and tempera paint to outline Wednesdays from 10 to noon and yoga meet from 7 to 8 on Tuesday, Feb. 11 481-2587. and decorate fish of all types, attendees on Thursdays from noon to 1. Both are to discuss The Hate You Give by An- Family Story Time at Palmer Lake will practice drawing shapes, mixing open to all and require no registration.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction k dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversee materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WU CHANGSHI AND THE SHANGHAI ART WORLD IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Kuiyi Shen, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor John C.
    [Show full text]
  • From Art to Cure: the Three Stages of Theoretical Development of Ancient Chinese Painting from Pre-Qin to Qing Dynasty
    International Journal of Literature and Arts 2020; 8(2): 39-45 http://www.sciencepublishinggroup.com/j/ijla doi: 10.11648/j.ijla.20200802.12 ISSN: 2331-0553 (Print); ISSN: 2331-057X (Online) From Art to Cure: The Three Stages of Theoretical Development of Ancient Chinese Painting from Pre-Qin to Qing Dynasty Na Luo School of English for International Business, Guangdong University of Foreign Studies, Guangzhou, China Email address: To cite this article: Na Luo. From Art to Cure: The Three Stages of Theoretical Development of Ancient Chinese Painting from Pre-Qin to Qing Dynasty. International Journal of Literature and Arts . Special Issue: Humanity and Science: China’s Intercultural Communication with the Outside World in the New Era . Vol. 8, No. 2, 2020, pp. 39-45. doi: 10.11648/j.ijla.20200802.12 Received : February 27, 2020; Accepted : March 11, 2020; Published : March 31, 2020 Abstract: Ancient Chinese paintings, compared with traditional Western oil paintings that featured realistic depiction, seem mysterious enough to go beyond comprehension to Westerners. It could be traced back to one of the fundamental divergences in history when ancient Chinese painters and critics took a path not taken by their Western counterparts at the theoretical development crossroad over a thousand years ago: the former started to strive not for realistic drawing skills improvement but for the spiritual connection between the object and the painting. In the theoretical development of ancient Chinese painting, it marks the critical turning point from the first imitation stage of pursuing xingsi (formal likeness) to the intermediate second stage of seeking shensi (spiritual resemblance); and eventually in its third stage, painting became a constitutional part of Chinese ancients' lifestyle when it switched for a breakthrough from figure painting to landscape painting that laid more emphasis on subjective xieyi (intent-expression) which, by taking on a form of catharsis, played an extremely important role in the life of ancient painters and painting-lovers.
    [Show full text]
  • Forging an Art Market in China
    AUTHENTICATION IN ART Art News Service Forging an Art Market in China By David Barboza, Graham Bowley and Amanda Cox October 28, 2013 When the hammer came down at an evening auction during China Guardian’s spring sale in May 2011, “Eagle Standing on a Pine Tree,” a 1946 ink painting by Qi Baishi, one of China’s 20th-century masters, had drawn a startling price: $65.4 million. No Chinese painting had ever fetched so much at auction, and, by the end of the year, the sale appeared to have global implications, helping China surpass the United States as the world’s biggest art and auction market. But two years after the auction, Qi Baishi’s masterpiece is still languishing in a warehouse in Beijing. The winning bidder has refused to pay for the piece since doubts were raised about its authenticity. “The market is in a very dubious stage,” said Alexander Zacke, an expert in Asian art who runs Auctionata, an international online auction house. “No one will take results in mainland China very seriously.” Indeed, even as the art world marvels at China’s booming market, a six-month review by The New York Times found that many of the sales Qi Baishi, an often imitated modern master of traditional Chinese — transactions reported to have produced as painting, who died in 1957. much as a third of the country’s auction revenue in recent years — did not actually take place. Just as problematic, the market is flooded with forgeries, often mass-produced, and has become a breeding ground for corruption, as business executives curry favor with officials by bribing them with art.
    [Show full text]
  • Isamu Noguchi and Qi Baishi: Beijing 1930
    ISAMU NOGUCHI AND QI BAISHI: BEIJING 1930 ISAMU NOGUCHI AND QI BAISHI: BEIJING 1930 5 Continents Editions The Isamu Noguchi Foundation and Garden Museum This publication is produced in conjunction with the exhibition Isamu Noguchi and Qi Baishi: Beijing 1930 Editorial Coordination Editorial Coordination Laura Maggioni Amy Hau Tour dates Art Direction and Production Editing University of Michigan Museum of Art Annarita De Sanctis Heidi Coleman and Amy Hau May 18 – September 1, 2013 Layout Copy Editing The Noguchi Museum Daniela Meda Kathleen Baxter, Stephanie Salomon September 24, 2013 – January 24, 2014 Editing Translation Frye Art Museum Timothy Stroud Lynn Zhang February 22 – May 25, 2014 Colour Separation Studio Pixel, Milan, Italy This publication is produced in conjunction with the Printed and bound in Italy in March 2013 exhibition Isamu Noguchi and Qi Baishi: Beijing 1930, organized by Gra!che Flaminia, Foligno (PG) by the University of Michigan Museum of Art in collaboration with for 5 Continents Editions, Milan The Isamu Noguchi Foundation and Garden Museum, New York. Lead support for the exhibition and publication is provided by the Terra Foundation for American Art, the National Endowment for the Arts, the W.L.S. Spencer Foundation, and The Freeman Foundation, with additional generous support from the University of Michigan Center for Chinese Studies. All rights reserved Distributed in the United States and Canada The Isamu Noguchi Foundation and Garden Museum by Harry N. Abrams, Inc., New York Distributed outside the United States and Canada, excluding © Copyright 2013 by 5 Continents Editions for the present edition France and Italy, by Abrams & Chronicle Books Ltd UK, London No part of this book may be reproduced or utilized in any form The Isamu Noguchi Foundation or by any means, electronic or mechanical, including and Garden Museum photocopying, recording, or any information storage and retrieval 32-37 Vernon Blvd.
    [Show full text]