Disney's the LITTLE MERMAID to Make a Splash at San Jose's Center for the Performing Arts September 26–October 1, 2017

Total Page:16

File Type:pdf, Size:1020Kb

Disney's the LITTLE MERMAID to Make a Splash at San Jose's Center for the Performing Arts September 26–October 1, 2017 FOR IMMEDIATE RELEASE Contact: Kevin Kopjak, Charles Zukow Associates [email protected] | 415.296.0677 Disney’s THE LITTLE MERMAID to make a splash at San Jose’s Center for the Performing Arts September 26–October 1, 2017 Single tickets available now! SAN JOSE, CA (July 31, 2017) – Disney’s THE LITTLE MERMAID will bring the beloved fairy tale to life onstage at San Jose’s Center for the Performing Arts (255 S. Almaden Blvd.) September 26–October 1, 2017. Audiences of all ages are sure to fall in love with this underwater spectacular! In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Based on one of Hans Christian Andersen’s most beloved stories, with music by eight-time Academy Award winner Alan Menken, it’s a hauntingly beautiful love story for the ages. Come fall in love with the magic for the first time—or all over again with classics such as “Under the Sea,” “Kiss the Girl, “Part of Your World” and more! Disney’s THE LITTLE MERMAID is produced by Pittsburgh CLO & Kansas City Starlight. Single tickets are available now online at www.ticketmaster.com, in-person at the City National Civic Box Office (150 W. San Carlos St., San Jose), or by calling 800-982-ARTS (2787). Ticket prices are subject to change without notice. The performance schedule for Disney’s THE LITTLE MERMAID is as follows: Tuesday, September 26 at 7:30 p.m. (press night); Wednesday, September 27 at 7:30 p.m.; Thursday, September 28 at 7:30 p.m.; Friday, September 29 at 8 p.m.; Saturday, September 30 at 2 p.m. & 8 p.m.; and Sunday, October 1 at 1 p.m. & 6:30 p.m. Disney’s THE LITTLE MERMAID is presented as part of the Broadway San Jose, a Nederlander Presentation, 2017–18 season. # # # Disney’s THE LITTLE MERMAID Creative Team: GLENN CASALE (Director) directed the Broadway production of Peter Pan starring Cathy Rigby (Tony Award nomination Best Revival) which was filmed by A&E and garnered two Emmy Awards. Off-Broadway: The Property Known as Garland starring Adrienne Barbeau and Dragapella at Studio 54 (Drama Desk and Lucille Lortel Award nominations for Best Production). International: Disney’s The Little Mermaid, Beauty and the Beast (Netherlands, Germany, Italy, Spain, Japan and Russia), The Wiz. Regional: Hunchback of Notre Dame, Disney’s The Little Mermaid; Ballroom; Camelot with Rachel York and Lou Diamond Phillips; Wrestlers starring Mark Harmon and George Clooney; Bingo!; From the Top starring Carol Burnett; Los Angeles Ovation Award-winning Best Musical Anything Goes starring Rachel York, Brent Barrett, Sally Struthers and Fred Willard; Camelot starring Michael York; The Prisoner of Second Avenue with Jason Alexander. Television: ABC TV’s The Faculty starring Meredith Baxter and The Wayans Brothers. Mr. Casale is the Artistic Consultant for the California Musical Theater in Sacramento. JOHN MACINNIS (Choreographer) is the choreographer of Disney’s The Little Mermaid in Tokyo, along with the new company that just opened in Nagoya, Japan in November 2016. He also choreographed Disney’s Beauty and the Beast which ran in five European countries. Mr. MacInnis is the associate choreographer of the new West End production of Dreamgirls and for the Broadway productions of Something Rotten!, Disney’s Aladdin and the 2011 Tony Award-winning musical The Book of Mormon. He directed and choreographed the Olympic Medals Ceremonies at the 2010 Olympics Winter Games in Whistler, B.C., Canada and the 2002 Olympic Winter Games in Salt Lake City, Utah. from 1999-2001 he directed and choreographed the out of town productions of The Radio City Christmas Spectacular, including the first international production in Mexico City, Mexico. Mr. MacInnis has choreographed at The Shaw festival, Goodspeed Opera House, Pittsburgh CLO, Theatre Under the Stars, Music Theatre Wichita, Sacramento Music Circus, The 5th Avenue Theatre and North Shore Music Theatre. COLIN R. FREEMAN (Musical Director/ Conductor) has served as the musical director for the regional productions of (partial list): Annie, Annie Get Your Gun, The Andrews Brothers, Assassins, Anything Goes, Guys and Dolls (1992 U.S. National Tour), Grease, Gypsy, Harmony, Disney’s The Little Mermaid, My Fair Lady, Jesus Christ Superstar, The Wizard of Oz. London/West End: Chess, Cats, Fame, Children of Eden, Matador, Me and My Girl. Mr. freeman has conducted many of the country’s leading symphony orchestras, as well as recorded for the BBC. He has worked with artists such as Michael feinstein, Barry Manilow, Mitzi Gaynor and Rod Stewart. Mr. freeman has an LA Alliance Ovation Stage Award for Best Musical Direction (2003). PAUL RUBIN (Flying Sequence Choreographer) enjoys a career of choreographing flying sequences that has spanned four decades. Rubin is a member of The Academy of Magical Arts at The Magic Castle. Broadway: Wicked; Curtains with David Hyde Pierce; Frozen; The Pirate Queen; Cathy Rigby as Peter Pan; Kiss Me, Kate; Doctor Zhivago; The Green Bird; Dance of the Vampires; Fiddler on the Roof and Saturday Night Fever. International/Touring Productions: Disney’s The Little Mermaid (Holland, Moscow, Tokyo, U.S.), Tori Amos’ The Light Princess (National Theatre, London), Evolution touring China, Aladdin, West Coast Premiere of Carrie the Musical, 9 to 5 the Musical, Spamalot, Dora the Explorer LIVE, SpongeBob SquarePants the Musical, Seussical the Musical and Scooby-Doo. TheflyGuycom. Twitter: @theflyguy. KENNETH FOY (Scenic Designer) has a multitude of Broadway credits, including: Candida starring Joanne Woodward, Macbeth with Nicol Williamson, Annie, An Evening with Jerry Herman, Gypsy (dir. Arthur Laurents) and more. National/International: My Fair Lady, Bombay Dreams, Doctor Dolittle, White Christmas, The Sound of Music, The King and I, Disney’s High School Musical and High School Musical 2.Additional credits include: Metropolitan Opera, Houston Grand Opera, La Scala, Radio City, Six flags, Busch Gardens, Ringling Bros. and Barnum & Bailey Circus. AMY CLARK (Costume Designer) designed for the productions of Chaplin (Broadway, Barrymore), On Your Toes (City Center Encores!), Other Desert Cities (Pittsburgh Public Theater), Lord of the Flies (Barrington Stage), The North Pool (Barrington Stage), Show Boat (Goodspeed) and Monster at the Door (Alley Theatre). Ms. Clark was awarded the 2012 Theater Hall of Fame Emerging Artists Fellowship. She is currently designing Ringling Bros. and Barnum & Bailey Circus. MARK KOSS (Costume Designer) designed at Sacramento Music Circus for La Cage aux Folles in 2014, Chicago in 2013, Disney’s The Little Mermaid and Fiddler on the Roof in 2012 and The Producers and Camelot in 2011. He is the associate costume designer for Ringling Bros. and Barnum & Bailey presents Circus XTREME and Marvel Universe LIVE! produced by feld Entertainment. His other credits include Paper Mill Playhouse’s production of Disney’s The Little Mermaid, directed by Glenn Casale, co-designed with Amy Clark; San francisco Playhouse’s Animals Out of Paper and Dead Man’s Cell Phone; Shotgun Players’ The Threepenny Opera; San Francisco Shakespeare Festival’s Pericles; Ray of Light Theatre’s The Who’s Tommy (Bay Area Theatre Critics Circle Award). M.f.A., NYU Tisch. CHARLIE MORRISON (Lighting Designer) has a multitude of National/International tour credits, including: Disney’s The Little Mermaid, How the Grinch Stole Christmas (NYC/Tour), Chitty Chitty Bang Bang, Miss Saigon and Aida (US, Taiwan and China), The Producers, Man of La Mancha, Guys and Dolls, Groovaloo (NYC, LA, foxwoods and US Tour), Hello, Dolly!, My Fair Lady, The King and I (US Tour and Korea), The 25th Annual Putnam County Spelling Bee, Gypsy, 42nd Street (US and Japan), Smokey Joe’s Café, The Who’s Tommy (Europe & Japan), Titanic, The Music Man and many others. Regional: Paper Mill Playhouse, Shakespeare Theatre Company (DC), Goodspeed Musicals, Seattle Rep, Theatre Under the Stars, Dallas Summer Musicals, California Music Circus, Kansas City Starlight, Pittsburgh CLO, George Street Playhouse, North Carolina Theatre, Playmaker’s Rep, Tulsa Opera, many others. Mr. Morrison is the recipient of two Helen Hayes Awards for Outstanding Lighting Design and has been nominated for seven Helen Hayes Awards. Website: cmlighting.com ED CHAPMAN (Sound Designer) worked on the recent touring productions of A Christmas Story, How the Grinch Stole Christmas, Guys and Dolls, The Producers and Disney’s The Little Mermaid (co-design with Randy Hansen). Other notable projects: Pirates of Penzance (dir. John Rando at Barrington Stage), The Wizard of Oz (Walnut Street Theatre), over 20 productions at The Weston Playhouse, The Joker’s Game (World Premiere in China), Bedbugs (Off-Broadway), Rocky Horror Show (dir. Hunter foster), American Pops Orchestra in Tokyo. LEAH J. LOUKAS (Hair & Wig Design) has many Broadway credits, including: Natasha, Pierre & The Great Comet of 1812, Oh, Hello, The Heidi Chronicles, On The Town, A Night With Janis Joplin, Vanya and Sonia and Masha and Spike, American Idiot and Irena’s Vow. Off-Broadway: The Royale (Lincoln Center); The Robber Bridegroom (Roundabout); Barbecue, Fortress of Solitude and Plenty (The Public Theater); Taming of the Shrew, Love’s Labour’s Lost, Into the Woods (Shakespeare in the Park); Heathers: The Musical (Signature Theatre); Jelly’s Last Jam (Signature Theatre Company); Butler (59E59). Regional: The 5th Avenue Theatre, Paper Mill Playhouse, Barrington Stage Company, McCarter Theatre, Long Wharf Theatre. Education: University of Cincinnati’s CCM, BFA, Theater Design and Production/Makeup and Wig Design. .
Recommended publications
  • 033101 Roa Insert.Indd
    2010) and an Arty Award for Intimate Apparel (Solano and performed in NY, LA, and at festivals in India and ABOUT CENTER REPERTORY COMPANY College Theatre, 2008) In addition to her design Morocco. In his career as a performer he has also danced Center REP is the resident, professional theatre company work, Rebecca teaches costume and theatre classes with the Erick Hawkins Dance Company, portrayed the of the Lesher Center for the Arts. Our season consists of CENTER REPERTORY COMPANY at Solano Community College and has worked at The villainous Pierre LeChance on “The Guiding Light”, and six productions a year – a variety of musicals, dramas and Utah Shakespeare Festival, Cincinnati Playhouse in the played guitar and harmonica in many rock, blues, and comedies, both classic and contemporary, that continually Michael Butler, Artistic Director Scott Denison, Managing Director Park and The University of Michigan. Rebecca was the country western bands at all the notable dives in NYC. strive to reach new levels of artistic excellence and costume shop manager for The Solano College Theatre professional standards. presents Association from 2005 to 2014. She holds a BA in SCOTT DENISON (Managing Director) has been a Theatre with an emphasis in technical theatre from The leader in the arts for 40 years for Walnut Creek and Our mission is to celebrate the power of the human University of California, Santa Cruz (1991) and a MFA in the surrounding communities. For the last 24 years he imagination by producing emotionally engaging, costume design from the University of Michigan (1995). has been the General Manager of the Lesher Center intellectually involving, and visually astonishing live and oversees over 850 public events each year.
    [Show full text]
  • Directing and Assisting Credits American Theatre
    917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White.
    [Show full text]
  • Broadway the BROAD Way”
    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
    [Show full text]
  • EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021
    Founded 1936 EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021 Early Morning Clubs start at 8am After School Clubs finish at 4.15pm Clubs will commence on Wednesday 21st April and finish on Thursday 1st July 2021 The online booking system will open on Monday 15th March at 9.30am and close on Friday 19th March 2021 at 4pm after this no further changes can be accommodated. If your child wishes to attend Early Morning or After School Clubs for the Summer Term 2021, please book online via the SchoolBase portal https://schoolbase.online Please note that all Clubs need a minimum number of 6 children attending to make them viable and are limited to a maximum number of children. Once the Clubs are full you will be placed on a waiting list. Parents will be informed as soon as possible if a Club is not able to go ahead. Bookings for AM Sports Academy clubs (AMSA) (Chess, Cricket, Football, Gymnastics and Multi- Sports) are made direct with them via their website: (www.amsportsacademy.co.uk/Clubs). If you have any questions please email them direct at: [email protected] Bookings for Sean McInnes Early Morning Clubs (Cricket, Football, and Tennis) are to be made direct through his website: https://seanmcinnessportscoaching.com/book-now If you have any questions please email Sean direct at: [email protected] Bookings for Mandarin are to be made direct by contacting Jing You at: [email protected] or by telephone: 07738696965 Piano & Violin Lessons Piano and Violin lessons are available during the week on a rotational basis, so that your child will not miss the same school lesson each week.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Survey: Both Democrats and GOP Love 'This Is Us,' 'Game of Thrones'
    Survey: Both Democrats and GOP love 'This Is Us,' 'Game of Thrones' BY JUDY KURTZ - 03/03/20 © Courtesy of HBO The country may be more politically polarized than ever, but there are at least a couple things that both Democrats and Republicans agree on: They dig "This is Us" and "Game of Thrones." The NBC drama and former HBO fantasy series were some of the top picks on both sides of the aisle, according to a recent survey from E-Poll Market Research. Fifty-five percent of Democrats counted "This is Us" as their fave broadcast TV show, along with 68 percent of Republicans. Fifty-two percent of Democrats and 47 percent of Republicans surveyed also listed "Chicago Med" as one of their top TV picks. Other popular choices among Democrats included "Supernatural," Fox's "9-1-1" and "The Rookie," while Republicans said they delighted in "Grey's Anatomy," "Last Man Standing" and Chicago PD." The two parties had more than half of the top 20 TV shows in common, but there were a few notable differences among their boob tube choices. The results show that, of the Americans surveyed, Democrats prefer getting more laughs from their small screen fare, picking seven sitcoms as their favorites, compared to the GOP respondents' three comedy shows. A separate survey of top streaming and cable shows found that Democrats preferred Starz's "Power," with 63 percent of those surveyed naming it as their favored show, and "Game of Thrones," with 51 percent. Sixty-seven percent of Republicans named "Game of Thrones" — which ended its eight-season run last year — as their No.
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • One Night with Fanny Brice
    The American Century Theater presents About The American Century Theater The American Century Theater The American Century Theater was founded in 1994. We are a professional presents nonprofit theater company dedicated to presenting great, important, and worthy American plays of the twentieth century—what Henry Luce called “the American Century.” A Robert M. McElwaine American Reflections Project production of The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender the moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins, and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. The Robert M. McElwaine American Reflections Project with Esther Covington as Fanny One Night with Fanny Brice Honorary Producers November 5–27, 2010 Andrew Scott McElwaine Ann Marie Plubell Rosslyn Spectrum Theatre Harry and Lucille Stanford 1611 North Kent Street, Arlington VA Anonymous Director Musical Director Producers Ellen Dempsey Tom Fuller Rip Claassen About the Robert M. McElwaine American Reflections Project Rhonda Hill “Reflections” is an American Century Theater initiative designed to inspire and produce new and original stage works that compliment the company’s Stage Manager Scenic Design Lighting Design repertoire of important American plays and musicals from the 20th century. Arthur Rodger Patrick Lord Steven L.
    [Show full text]
  • Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
    Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
    [Show full text]
  • West Side Story
    West Side Story West Side Story is an American musical with a book rary musical adaptation of Romeo and Juliet . He prpro-o- byby Arthur Laurents, mmususiic bbyy Leonard Bernstein,, posed that the plot focus on the conflict between an Irish libretto/lyrics by Stephen Sondheim, and conception and Catholic family and a Jewish family living on the Lower choreography byby Jerome Robbins..[1] It was inspired by East Side ofof Manhattan,,[6] during the Easter–Passover William Shakespeare's play Romeo and Juliet .. season. The girl has survivvived the Holocaust and emi- The story is set in the Upper West Side neighborhood grated from Israel; the conflict was to be centered around in New York City in the mid-1950s, an ethnic, blue- anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as collar ne neighighborhood. (In the early 1960s much of thethe [7] neineighborhood would be clecleared in anan urban renewal a reference). Eager to write his first musical, Laurents project for the Lincoln Center, changing the neighbor- immediately agreed. Bernstein wanted to present the ma- hood’s character.)[2][3] The musical explores the rivalry terial in operatic form, but Robbins and Laurents resisted between the Jets and the Sharks, two teenage street gangs the suggestion. They described the project as “lyric the- of different ethnic backgrounds. The members of the ater”, and Laurents wrote a first draft he called East Side Sharks, from Puerto Rico, are taunted by the Jets, a Story. Only after he completed it did the group realize it white gang.[4] The young protagonist, Tony, a former was little more than a musicalization of themes that had member of the Jets and best friend of the gang leader, alreadybeencoveredinin plaplaysys liklikee Abie’s Irish Rose.
    [Show full text]
  • URINETOWN Music & Lyrics by Mark Hollmann Book & Lyrics by Greg Kotis
    So if you’ve got to go, you’ve got to go through me! URINETOWN music & lyrics by Mark Hollmann book & lyrics by Greg Kotis Managing Artistic Director Caleb Marshall Director ofInterim Education Director & Programming of Education Heather Alana Hibbert Burns NKPG Services Ltd. is honoured to be a sponsor of the Canadian College of Performing Arts! We look forward to watching and supporting the CCPA’s upcoming performances and programs. NKPG Specializes in Canadian and US taxes. We provide tax planning and accounting services to individuals and corporations. CONTACT US Derrold Norgaard, FCPA [email protected] Grant Kratofil, CPA [email protected] 202-4400 Chatterton Way T: 250-598-6998 Victoria, BC V8X 5J2 F: 778-265-6155 From the College Directors Since March of 2020, we have all had to forge a way forward. Our work changed overnight, and we could look back at our own naivete in the ‘before time’ with a longing nostalgia. Perhaps once in a generation there is an event that so deeply impacts the very nature of life on this planet that it becomes their defining moment. As a society we have had to forge a way forward. As educators we have had to forge a way forward, as education is essential to our future. As live performers, we are working to forge a way forward in an industry that was the first to close and will be the last to fully return; and yet ‘live performance’ is so crucial and necessary to expressing our very soul and the struggles we confront. Our season theme is not rebuilding or reshaping our world.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]