To Benefit Raising Malawi
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Malawi's Orphans
CHAPTER FOURTEEN MALAWI’S ORPHANS: CHILDREN’S RIGHTS IN RELATION TO HUMANITARIANISM, COMPASSION, AND CHILDCARE Andrea Freidus1 My first reaction is the feeling of helplessness, and hopelessness. Seeing so many eyes of the orphans, innocent and pure makes me feel a little over- whelmed…Poverty and HIV/AIDS, malaria, are now all over southern Africa… Without a heart of compassion and love, without a true passion in helping and offering Madonna could not do this. So I give more credit to her now than before, and I see this as a gift to Malawi rather than a tool of celebrity propaganda. —MSU undergraduate after viewing Madonna’s documentary on Malawi. As an assignment for a women’s studies undergraduate course, students viewed the film “I am Because We Are.” Produced by Madonna to raise awareness about her organization, Raising Malawi, it focuses on the situa- tion of orphans and AIDS in Malawi. Students were asked to respond to the content of the documentary including their perceptions of orphans in Malawi, their overall reaction, and the film’s impact on their desire to be connected or involved with these issues. The above quote is one of many that captures the ability of humanitarians and the organizations they sup- port to use the media to foster an emotional response. This response is based on the recognition of a common humanity and the need to address suffering. The student’s reaction highlights the power of the image of the orphan to bring about a sense of compassion drawing on the innocence of children. -
Undergraduate Prospectus 2020/21 WORKS IT HOW STUDY BA BEYOND SCHOOLS LABS US ABOUT CONTENTS
SCHOOL OF ARTS + MEDIA SCHOOL OF DESIGN + COMMUNICA- 1 TION SCHOOL OF CRITICAL + CULTURAL STUDIES MAKING AN APPLICATION A bursary that you won’t have to pay back: Your accommodation guaranteed: If you’re a home (UK) student, you’ll be As a first year student you are guaranteed eligible to receive financial support from Halls of Residence accommodation within the us throughout your studies to help cover city, close to our campus. We work with Host programme and travel costs. As it’s a and Clever Student Lets to ensure you can bursary, you won’t have to pay it back choose suitable accommodation close to our and you’ll still have access to other funds campus that suits your budget. and bursaries if you need them. For more information please see our website. OPEN DAYS AND INTERVIEWS Our Open Days are a chance for you and your to attend in January and February, but we friends or family to visit Plymouth, meet and can see you whenever you feel ready. For chat with our friendly programme leaders advice on what we are looking for in terms of and admissions staff, tour our studios and motivation and creative potential, see p4 in facilities, visit student accommodation and our How It Works guide. discuss the best study options for you. Worried about travel costs or already attended Book your place at plymouthart.ac.uk/opendays an Open Day? We can also set up an online and we’ll send travel offers, recommendations or telephone interview. You’ll always be for hotels, and details of workshops and alumni interviewed by a subject expert who will speakers in advance. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Dialogues: Modern & Contemporary Art
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE: 26 JUNE 2 0 2 0 DIALOGUES: MODERN & CONTEMPORARY ART ONLINE-ONLY FROM 26 JUNE TO 14 JULY 2020 PART OF THE AUCTION PROGRAMME TO ACCOMPANY ONE: A GLOBAL SALE OF THE 20TH CENTURY Tamara de Lempicka, La couronne de fleurs II (c. 1932/c. 1950, estimate: £300,000-500,000), Glenn Ligon Figure #96 (2011, estimate: £280,000-350,000) and Peter Blake The National Gallery Madonna (1994-2000, estimate: £120,000-180,000) London – As part of the expanded online programme to accompany ONE: A Global Sale of the 20th Century, Christie’s presents Dialogues: Modern & Contemporary Art, an online auction running from 26 June to 14 July 2020, featuring painting, sculpture, works on paper and photography. Constructivism, Fauvism, Art Brut, Surrealism, Abstract Expressionism, Pop: the past century of Western art has been a period of vast change. As artists responded to events happening around them and the evolution of artistic practice, they also engaged with the work of other artists past and present. Dialogues: Modern & Contemporary Art highlights a selection of these conversations. Some dialogues are formal, as in the sharp, flat hues of Walter Dexel’s Constructivism and Josef Albers’ post-Bauhaus Homage to the Square: Oracle (1961, estimate: £220,000-320,000). Others are more visceral: an early work, Kallmünz – Regentag (1903, estimate: £150,000-200,000) by Wassily Kandinsky, from before his own revolutionary turn to abstraction, emits a sunny energy that echoes in Jack Butler Yeats’ bright, fluid California (1937, estimate: £500,000-800,000). Jean Dubuffet’s Art Brut figures share the totemic power of sculptures by Eduardo Paolozzi and Henri Laurens. -
Lempicka Page 4: Self-Portrait in the Green Bugatti, 1929 Oil on Panel, 35 X 27 Cm Private Collection
Lempicka Page 4: Self-Portrait in the Green Bugatti, 1929 Oil on panel, 35 x 27 cm Private Collection Designed by: Baseline Co Ltd 19-25 Nguyen Hue Bitexco Building, Floor 11th District 1, Ho Chi Minh City Vietnam © Sirrocco, London, UK (English version) © Confidential Concepts, worldwide, USA © de Lempicka Estate / Artists Rights Society, New York, USA / ADAGP, Paris All rights reserved No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case we would appreciate notification. ISBN 978-1-78042-030-1 2 It can be argued that the Art Deco spirit expressed itself more naturally through portraiture than through any other kind of painting. The quintessential Art Deco portraitist is undoubtedly Tamara de Lempicka. The Fashionable society of the 1920s and 30s is now perceived very largely through her eyes. — Edward Lucie-Smith 3 Biography 1898 Born Tamara Gurwik-Gorska in Warsaw to wealthy, upper-class Polish parents. Her father, Bolris Gorski, was a lawyer with a French firm. Her mother was Malvina Decler. 1911 A trip to Italy with her grandmother helps Tamara discover her passion for art. 1914 Tamara moves in with her aunt Stephanie in St Petersburg, resenting her mother’s decision to remarry. She meets her future husband, Tadeusz Lempicki, a handsome lawyer from a wealthy Russian family. 1916 Tamara and Tadeusz marry in Petrograd in the chapel of the Knights of Malta. -
Beefs, Diss Tracks E a Repercussão Do Discurso Do Rap E Do Hip- Hop Na Imprensa Norte-Americana
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO TOO AGGRESSIVE – BEEFS, DISS TRACKS E A REPERCUSSÃO DO DISCURSO DO RAP E DO HIP- HOP NA IMPRENSA NORTE-AMERICANA WENNY MIOZZO BELFORT SANTOS RIO DE JANEIRO 2017 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO TOO AGGRESSIVE – BEEFS, DISS TRACKS E A REPERCUSSÃO DO DISCURSO DO RAP E DO HIP- HOP NA IMPRENSA NORTE-AMERICANA Monografia submetida à Banca de Graduação como requisito para obtenção do diploma de Comunicação Social/ Jornalismo. WENNY MIOZZO BELFORT SANTOS Orientador: Prof. Dr. Micael Herschmann RIO DE JANEIRO 2017 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO TERMO DE APROVAÇÃO A Comissão Examinadora, abaixo assinada, avalia a Monografia Too Aggressive – Beefs, Diss Tracks e a Repercussão do Discurso do Rap e do Hip-Hop na Imprensa Norte-Americana, elaborada por Wenny Miozzo Belfort Santos. Monografia examinada: Rio de Janeiro, no dia ........./........./.......... Comissão Examinadora: Orientador: Prof. Dr. Micael Herschmann Doutor em Comunicação pela Escola de Comunicação - UFRJ Departamento de Comunicação - UFRJ Prof. Igor Sacramento Doutor em Comunicação pela Escola de Comunicação - UFRJ Departamento de Comunicação -. UFRJ Profa. Marialva Barbosa Doutora em História pela Universidade Federal Fluminense - UFF Departamento de Comunicação -. UFRJ RIO DE JANEIRO 2017 FICHA CATALOGRÁFICA SANTOS, Wenny Miozzo Belfort. Too Aggressive – Beefs, Diss Tracks e a Repercussão do Discurso do Rap e do Hip-Hop na Imprensa Norte-Americana. Monografia (Graduação em Comunicação Social/ Jornalismo) – Universidade Federal do Rio de Janeiro – UFRJ, Escola de Comunicação – ECO. Orientador: Micael Maiolino Herschmann SANTOS, Wenny Miozzo Belfort. -
The Life of Pablo Album Download Kanye Is Finally Giving People 'The Life of Pablo' Download They Paid For
the life of pablo album download Kanye Is Finally Giving People 'The Life of Pablo' Download They Paid For. Honestly, I'm feeling pretty TIDAL-ed out, and I think most of you are too. Believe me, I didn't want to spend the last two months covering the worst album release in music history. I would have much rather just written about The Life of Pablo as a collection of music and called it a day. But after TIDAL and Kanye West took hundreds of thousands of dollars from people who paid for a download of The Life of Pablo —either in the brief window it was available for downloadable purchase or as part of their live-stream ticket purchase—without actually delivering the album I felt like I had to help hold them accountable. It had nothing to do with Kanye as an artist or changing the idea of an album as a fixed collection of music and everything to do with not looking the other way while corporations and millionaire artists took ordinary's people's hard-earned money without giving them the product they paid for. "The latest version of The Life of Pablo is now being delivered to the individuals that purchased it originally, as well as to those who in some cases did not receive a download link at the time of the album's release. Customers that received a refund will also receive a download link as a courtesy from Tidal.com." —TIDAL spokesperson. Was that really so hard? People pay for something, you give them what they paid for, it's not a difficult concept. -
Madonna Denies Malawi Adoption
Lifestyle FRIDAY, JANUARY 27, 2017 Former Baghdad conductor's music is his message for unity hen a bomb tore through a restaurant the start of the Egyptian Revolution that over- or business in Baghdad, Karim Wasfi threw President Hosni Mubarak - the "Arab Wand his cello would often appear with Spring" that sparked a wave of self-determina- the urgency of a medic to promote his message tion across the region. "It created lots of change, of healing through music. The former conductor not only in Egypt but in the Middle East," he of the Baghdad Symphony often drew a crowd recalled, acknowledging that the struggle con- of curious onlookers as he played - others des- tinues today. "The experience I also have from perate for peace and unity. On Wednesday, Iraq is creating calmness, creating tranquility Wasfi brought that message to the White House, and creating better ways to prevent tension or This file photo shows Co-founder and drew a similar crowd of onlookers facing radicalization, to help people to find better ways and President of Tibet House New their own challenges. to convey and to interact," he said York, Philip Glass. — AFP The half-Iraqi, half-Egyptian cellist and Wasfi himself immigrated to the US in 1995 founder of the organization Peace Through Arts and as a dual citizen divides his time between played serene classical tunes in Lafayette Park in the US and Iraq. He acknowledged the impor- Carnegie Hall plans Washington, across the street from the new tance of addressing the global refugee crisis home of President Donald Trump. -
Holly Trostle Brigham Myths, Portraits, and the Self Holly Trostle Brigham Myths, Portraits, and the Self
Holly Trostle Brigham Myths, Portraits, and the Self Holly Trostle Brigham Myths, Portraits, and the Self August 5 - September 27, 2013 Mary H. Dana Women Artists Series / Douglass Library Guest Curators: Judith K. Brodsky and Ferris Olin Copyright: Institute for Women and Art, Rutgers, The State University of New Jersey, 2013 INSTITUTE FOR WOMEN AND ART Programs Mary H. Dana Women Artist Series At the Douglass Library Galleries and in partnership with Rutgers University Libraries, this exhibition series was founded in 1971 by Joan Snyder and is the oldest continuously running venue for women visual artists in the US. Estelle Lebowitz Visiting Artist-in-Residence Lectureship Brings to the Rutgers University community and general public the work of a renowned contemporary woman artist through exhibitions, classes and public lectures. The Feminist Art Project (TFAP) A collaborative international initiative promoting and documenting diverse feminist art events and publications celebrating the feminist art movement and the aesthetic, intellectual and political impact of women on the visual arts, art history, and art practice, past and present. IWA Exhibition Series Exhibitions curated by the IWA and presented at selected venues. Miriam Schapiro Archives This archival collection contains files related to women artists and art organizations and is housed in Rutgers University Libraries Special Collections and University Archives. In addition to the files for the Mary H. Dana Women Artists Series, the Schapiro archives also contain the Contemporary Women Artists Files (CWAF) of emerging and established contemporary women artists. On-Line Education E-courses about women artists, their achievements, and impact on culture and society; race and contemporary art; homosexuality and visual culture. -
Facultad De Comunicación Rev. Mayo 10
UDEP - FACULTAD DE COMUNICACIÓN REV. MAYO 10, 2021 ERIC SALVADOR MAYORGA GUTIÉRREZ “Lo que llevas es la manera de presentarte al mundo, sobre todo en la actualidad, cuando los contactos humanos son tan efímeros. La moda es un lenguaje instantáneo”.1 “Cuando alguien me pregunta cómo puede ser elegante, vestir bien, le digo que estudie. Que estudie la moda, las películas, el arte y después, que se estudie a sí mismo”.2 ANTECEDENTES Luana Llosa estaba interesada en la moda desde muy joven porque le encantaban los diseños y los colores. Cuando estaba en el colegio seguía con mucho entusiamo las pocas revistas que llegaban a la ciudad de Piura y que las amigas de su mamá le prestaban con mucho entusiamo. Universidad de Piura. Caso de Marketing “Prada, el precio de la moda”. Los casos desarrollados en la Universidad de Piura se realizan únicamente para su discusión durante las clases. No es objetivo servir de fuentes de datos o de ejemplo de una buena o mala gestión administrativa, comercial o de otro tipo. Copyrigth 2021. No se permitirá la reproducción, almacén, uso o transmisión en forma alguna. 1 10 Frases icónicas de Miuccia Prada. http://vein.es/10-frases-iconicas-de-miuccia-prada/ visto el 11 de mayo a las 11:30 a.m. 2 . IDEM. 1 Su carrera profesional en una empresa internacional le dio la oportunidad de viajar con frecuencia a la ciudad de Milán, sede principal de la corporación donde laboraba, y de estar en contacto directo con las tendencias de la moda en el mundo ejecutivo. -
Prada Rong Zhai
1 THE PROJECT Episodes: #EXCELLENCE Prada Group Remix is a series of dynamic contents to discover the Group’s DNA in a new #RESTORATIONWORKS unexpected way. This multichannel project develops through a set of episodes, each one described with an engaging #RETAILSTORIES storytelling, created by the combination of a kaleidoscope of images and stories. The project is based on the Group’s values stated in our Manifesto and it is divided in five episodes. #SUSTAINABILITY CLICK HERE TO DISCOVER MORE #ARCHIVES 2 Did you know? The production of a pair of Church’s requires approximately twelve weeks of work and over 300 accurate and skillful steps. #EXCELLENCE Excellence is one of Prada Group’s primary objectives. It is a mental Our Know-How attitude which leads people to seek perfection in their daily work, refining and surpassing the results previously achieved. Excellence of our artisans’ hand skills: passion, quality and attention to detail are reflected in every product we make. Excellence can also be discovered in our production sites, designed for the well-being of our people as in Prada Group’s “garden factories”, buildings expressing a delicate balance between architecture and nature. CLICK HERE TO DISCOVER MORE #EXCELLENCE 3 Did you know? With nearly 14,000 people, the Prada Group is represented all over the world by a mixed universe of cultures, skills and nationalities. #EXCELLENCE 4 Montegranaro, Italy Did you know? In Valvigna’s gardens there are 297 trees, 29,000 bushes and 74,000 ground cover and grassy plants. Valvigna, Italy Prada Group “Garden Factories” Montevarchi, Italy #EXCELLENCE 5 PRADA GREEN CONCEPT STORE The “Green Concept” of Prada’s stores, which accompanies the brand’s aesthetics all over the world, is paired with the typical black and white checkered marble floor and creates the perfect scenario for the brand’s collections.