Architecture Program Report
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Mexico Movement Basel 2016.qxp_Layout 1 11/4/16 1:36 PM Page 290 MORETHAN Mexico continues to bask in the spotlight AMOMENT as one of the richest cultural creators of our time. Michael Slenske meets the artists, makers and machers defining the country’s creative renaissance at home and abroad. We always try to grow organically with the Hammer Museum and the Los Angeles artists, and aside from the wealth of local talent, the local public,” says Zélika García over mid- Nomadic Division—couldn’t agree more. there’s a long history of international stars coming afternoon splits of champagne while walking the “Right after Maco and Gallery Weekend we to Mexico to live and create art. This past year, booths of her budding Zona MACO Foto and Zona have Design Week and then the Grand Prix,” says Pritzker-winning architect Toyo Ito completed his MACO Salón del Anticuario fairs during Mexico Micha, noting Guadalajara’s pre-MACO weekend. fluted white concrete Museo Internacional del City’s rain-soaked Gallery Weekend in September. “So the calendar is getting very busy.” Barroco in Puebla; Andrea Fraser made her Over the past 12 years, that local-organic model When García launched her first fair, Muestra, museum debut in a Spanish-speaking country at has helped turn García’s fairs—and the city in Monterrey in 2002, it drew just 20 galleries and the Museo Universitario Arte Contemporáneo; the itself—into a must-visit hub on the international 3,000 visitors. “I was begging galleries to come,” Guggenheim retrospective for Peter Fischli and creative calendar. -
3A Entrega ENTREVISTAS a ESPECIALISTAS
3a Entrega ENTREVISTAS A ESPECIALISTAS 16 de diciembre de 2015 UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO INSTITUTO DE INVESTIGACIONES SOCIALES Título ETAPA 3. EntrevistasSubtítulo a Especialistas 3ª Entrega 16 de diciembre de 2015 INDICE Introducción .................................................................................................................................. 1 1. Metodología .............................................................................................................................. 3 1.1. Caracterización de los entrevistados ............................................................................. 3 1.2. Descripción de la metodología ........................................................................................ 5 2. Los grandes temas de la agenda del desarrollo urbano .................................................. 10 2.1. Planeación urbana con visión integral ......................................................................... 10 2.1.1. La planeación para definir la ciudad que se quiere ............................................ 10 2.1.2. Planeación integral y sustentable ......................................................................... 11 2.1.3. La planeación debe considerar la escala metropolitana .................................... 14 2.1.4. En quién deben recaer las atribuciones de planeación de la Ciudad .............. 16 2.2. Política de vivienda con reglas claras y con subsidio para la vivienda social ....... 19 2.2.1. Revisión de la Norma 26 ....................................................................................... -
Architectural League 2012-2013
ARCHITECTURAL LEAGUE 2012-2013 Programs and supporters T H E A R C H I T E C T U R A L L E A G U E N Y EVENTS 9.22.12 July 2012-June 2013 Beaux Arts Ball: Tender Program partners and co-sponsors are listed Environment by SOFTlab and Natasha Jen, parenthetically following event listings. Pentagram; sound installation by David Rife, Arup 7.12.12 Williamsburgh Savings Bank Reading Group: The Big Rethink The Architectural League 9.29.12 Annual Student Program 7.14.12 Panel with Mitch McEwen, Peter Pesce, and Opening of Folly 2012: Curtain by Stacie Wong; studio visits to Bernard Tschumi Jerome Haferd and K Brandt Knapp Architects, Foster + Partners, LTL Architects, Socrates Sculpture Park Perkins + Will, Rockwell Group, Rogers Marvel (Socrates) Architects, Snøhetta, SOM, and WORKac; reception at Rafael Viñoly Architects 7.17.12 Trespa Design Centre Group Tour: Lincoln Center Theater LCT3 and The Claire Tow Theater 10.5.12 Hugh Hardy and Ariel Fausto First Friday: Handel Architects Lincoln Center Office of Handel Architects 7.31.12 10.15.12 Roundtable of past winners of Current Work: Alberto Kalach, Emerging Voices, 1988-1993 Taller de Arquitectura X Moderated by Karen Stein Moderated by Brad Cloepfil The Architectural League The Cooper Union (Cooper) 8.2.12 Closing Party for the 2012 League 10.16.12 Prize exhibition: No Precedent Conversation with Alberto Kalach and Sheila C. Johnson Design Center, Adam Yarinsky Parsons the New School for Design Trespa Design Centre 9.6.12 10.24.12 Young Architects of Spain Current Work: Tod Williams and María -
The Third Generation: Distinctively Mexican in the 21'* Century?
The Third Generation: Distinctively Mexican in the 21’* Century? by Ana Lydia Brooks A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Architecture Carleton University Ottawa, Ontario © 2012, Ana Lydia Brooks Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-93522-4 Our file Notre reference ISBN: 978-0-494-93522-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Inspiration and Process in Architecture Moleskine Publishes New Series of Monographs Exploring the Design Process of International Architects
Inspiration and Process in Architecture Moleskine publishes new series of monographs exploring the design process of international architects. Moleskine, the legendary manufacturer of tools for creativity, introduces "Inspiration and Process in Architecture", a collection of cloth-bound monographs, curated and edited by Francesca Serrazanetti e Matteo Schubert, exploring the design process of architects. The first four books of the series have been released in December 2011 and feature interviews, writings, drawings and notes from four international architects: Zaha HADID, Giancarlo DE CARLO, BOLLES+WILSON, and Alberto KALACH. “Inspiration and Process in Architecture” is a series of monographs on key figures in modern and contemporary architecture. It offers a reading of the practice of design which emphasizes the value of freehand drawing as part of the creative process. Each volume provides a different perspective, revealing secrets and insights and showing the various observation techniques languages, characters, forms and means of communication. The "Inspiration and Process in Architecture " allows an intimate look into the creative process of the architect, and a celebration of the everlasting power of free hand sketching even in the AutoCAD® era. With this series Moleskine introduces a new clothbound format inspired by a classic clothbound style first used by typographer Giambattista Bodoni at the end of the 18th century to protect unbound books. The spine of each book is covered in cloth and front and back cover in raw grey cardboard while maintaining distinctive Moleskine features such as the elastic band, round corners, and inner pocket. Each book is designed to allow a 180 degrees flat opening so the reader can enjoy high- quality images on a warm matt paper.