Requirements 01 Introduction 02 the Maltese Falcon 03 Casablanca 04

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Requirements 01 Introduction 02 the Maltese Falcon 03 Casablanca 04

Spring 2012 American Noir 1 Noir...is the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad. — James Ellroy Professor: William Howarth ([email protected]) Classes: Thu 1:30-4:20 pm, 207 Frist Campus Center Web site: http://www.princeton.edu/~howarth/302 Office Hours: by appointment, Thu 11:00 am-1:00 pm Requirements Readings: required (30-200 pp); optional for extra credit/higher grades. Films: view weekly in your web browser; see also Archive for extra credit. Journals: 12 weekly entries (500-1,000 words), your thoughts on course content. Final: an original project of your choice, related to course content. 01 Introduction Origins of noir: gothic, expressionism, photojournalism, pulp fiction, studios. Links to online sites and files, distributed in advance. 02 The Maltese Falcon Hallmarks of noir style: cynical, erotic, political, morally complex. Novel: Dashiell Hammett (1930); Script/film: Hammett & John Houston (1941) 03 Casablanca Hollywood goes to war; noir and Fascism; anti-hero and femme fatale. Play: Murray Burnett (1938); Script/film: J/P Epstein, Michael Curtiz (1942) 04 Murder, My Sweet (Farewell, My Lovely) Violence, crime, alienation: the studio system as cultural gatekeeper, 1933-45. Novel: Raymond Chandler (1940); Script/film: J. Paxton, Edward Dymtryk (1944) Journal entries 1-4 due on March 2 at 5:00 pm. 05 The Postman Always Rings Twice Noir in popular cinema: obsession; gender/sexuality; nihilism. Novel: James Cain (1934); Script/film: H. Ruskin, N. Busch, Tay Garnett (1946) 06 Out of the Past (Build My Gallows High) Culture wars, 1946-50: noir and the Hollywood blacklist. Novel: "Geoffrey Homes" (1946), Script/film: Homes, Jacques Tourneur (1947) Spring Break, March 17-25 Spring 2012 American Noir 2 07 The Naked City Postwar influences: documentary and European neo-realism. Story: Malvin Wald (1947); Script/film: A. Maltz, M. Wald, Jules Dassin (1948) 08 The Asphalt Jungle Postwar caper/crime films; the capitalist critique; noir mainstreamed. Novel: W. R. Burnett (1949) Script/film: B. Maddow, John Huston (1950) [reserves] Journal entries 5-8 due on 6 April at 5:00 pm 09 Rear Window Narrative experiments; psychological thrillers; feminism. Story: Cornell Woolrich (1942); Script/film: J. Hayes, Alfred Hitchcock (1954) 10 Bad Day at Black Rock Noir as social commentary; adaptation to Western landscape. Story: Howard Breslin (1953); Script/film: D. McGuire, John Sturges (1955) 11 Chinatown Neo-Noir 1: Reinvention, homage, original screenplays. Script: Robert Towne (1973); film Roman Polanski (1974) 12 L. A. Confidential Neo-Noir 2: Celebrity culture, organized crime, tabloid journalism. Novel: James Ellroy (1990); Script/film, Curtis Hanson (1997) Journal Entries 9-12 due on May 4 at 5:00 pm Final Project due on May 21 at 5:00 pm Using your Journal entries as a guide, create an original project of your choice. Possibilities include an essay, critical reviews, interviews, slide show, script, short film.... Tip: use the resources listed in the Archive Advice to the right is from famed crime author, Leonard Elmore.

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Classic Noir Pdf, Epub, Ebook
LA CONFIDENTIAL: CLASSIC NOIR PDF, EPUB, EBOOK James Ellroy | 496 pages | 02 Jun 2011 | Cornerstone | 9780099537885 | English | London, United Kingdom La Confidential: Classic Noir PDF Book Both work for Pierce Patchett, whose Fleur-de-Lis service runs prostitutes altered by plastic surgery to resemble film stars. It's paradise on Earth Best Sound. And while Mickey Cohen was certainly a major player in the LA underworld, the bigger, though less famous, boss was Jack Dragna , who took over mob business after the murder of Bugsy Siegel in Confidential is a film-noir-inspired mystery in vivid colour. Exclusive Features. When for example, did film noir evolve into neo-noir, and what exactly constitutes neo-noir? The film's look suggests how deep the tradition of police corruption runs. The tortured relationship between the ambitious straight-arrow Det. The title refers to the s scandal magazine Confidential , portrayed in the film as Hush-Hush. Confidential Milchan was against casting "two Australians" in the American period piece Pearce wryly noted in a later interview that while he and Crowe grew up in Australia, he is British by birth, while Crowe is a New Zealander. Director Vincente Minnelli. For Myers, that meant working one-on-one with actors to find looks that both evoked the era and allowed audiences to form a meaningful connection with the characters. One of the film's backers, Peter Dennett, was worried about the lack of established stars in the lead roles, but supported Hanson's casting decisions, and the director had the confidence also to recruit Kevin Spacey , Kim Basinger and Danny DeVito.
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