Hammer Museum Fall 2006
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Classic Noir Pdf, Epub, Ebook
LA CONFIDENTIAL: CLASSIC NOIR PDF, EPUB, EBOOK James Ellroy | 496 pages | 02 Jun 2011 | Cornerstone | 9780099537885 | English | London, United Kingdom La Confidential: Classic Noir PDF Book Both work for Pierce Patchett, whose Fleur-de-Lis service runs prostitutes altered by plastic surgery to resemble film stars. It's paradise on Earth Best Sound. And while Mickey Cohen was certainly a major player in the LA underworld, the bigger, though less famous, boss was Jack Dragna , who took over mob business after the murder of Bugsy Siegel in Confidential is a film-noir-inspired mystery in vivid colour. Exclusive Features. When for example, did film noir evolve into neo-noir, and what exactly constitutes neo-noir? The film's look suggests how deep the tradition of police corruption runs. The tortured relationship between the ambitious straight-arrow Det. The title refers to the s scandal magazine Confidential , portrayed in the film as Hush-Hush. Confidential Milchan was against casting "two Australians" in the American period piece Pearce wryly noted in a later interview that while he and Crowe grew up in Australia, he is British by birth, while Crowe is a New Zealander. Director Vincente Minnelli. For Myers, that meant working one-on-one with actors to find looks that both evoked the era and allowed audiences to form a meaningful connection with the characters. One of the film's backers, Peter Dennett, was worried about the lack of established stars in the lead roles, but supported Hanson's casting decisions, and the director had the confidence also to recruit Kevin Spacey , Kim Basinger and Danny DeVito. -
Extended Sensibilities Homosexual Presence in Contemporary Art
CHARLEY BROWN SCOTT BURTON CRAIG CARVER ARCH CONNELLY JANET COOLING BETSY DAMON NANCY FRIED EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART JEDD GARET GILBERT & GEORGE LEE GORDON HARMONY HAMMOND JOHN HENNINGER JERRY JANOSCO LILI LAKICH LES PETITES BONBONS ROSS PAXTON JODY PINTO CARLA TARDI THE NEW MUSEUM FRAN WINANT EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART CHARLEY BROWN HARMONY HAMMOND SCOTT BURTON JOHN HENNINGER CRAIG CARVER JERRY JANOSCO ARCH CONNELLY LILI LAKICH JANET COOLING LES PETITES BONBONS BETSY DAMON ROSS PAXTON NANCY FRIED JODY PINTO JEDD GARET CARLA TARDI GILBERT & GEORGE FRAN WINANT LE.E GORDON Daniel J. Cameron Guest Curator The New Museum EXTENDED SENSIBILITIES STAFF ACTIVITIES COUNCJT . Robin Dodds Isabel Berley HOMOSEXUAL PRESENCE IN CONTEMPORARY ART Nina Garfinkel Marilyn Butler N Lynn Gumpert Arlene Doft ::;·z17 John Jacobs Elliot Leonard October 16-December 30, 1982 Bonnie Johnson Lola Goldring .H6 Ed Jones Nanette Laitman C:35 Dieter Morris Kearse Dorothy Sahn Maria Reidelbach Laura Skoler Rosemary Ricchio Jock Truman Ned Rifkin Charles A. Schwefel INTERNS Maureen Stewart Konrad Kaletsch Marcia Thcker Thorn Middlebrook GALLERY ATTENDANTS VOLUNTEERS Joanne Brockley Connie Bangs Anne Glusker Bill Black Marcia Landsman Carl Blumberg Sam Robinson Jeanne Breitbart Jennifer Q. Smith Mary Campbell Melissa Wolf Marvin Coats Jody Cremin This exhibition is supported by a grant from the National Endowment for BOARD OF TRUSTEES Joanna Dawe the Arts in Washington, D.C., a Federal Agency, and is made possible in Jack Boulton Mensa Dente part by public funds from the New York State Council on the Arts. Elaine Dannheisser Gary Gale Library of Congress Catalog Number: 82-61279 John Fitting, Jr. -
Museum of Arts and Design
SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry. -
Museum Show May 12–August 26, 2018
5216 Montrose Boulevard Houston, Texas 77006 CAMH.ORG | #atCAMH Press Release Exhibition Cary Leibowitz: Museum Show May 12–August 26, 2018 Installation view of Cary Leibowitz: Museum Show (January 26–June 25, 2017) at The Contemporary Jewish Museum, San Francisco, California. Image courtesy The Contemporary Jewish Museum. Photo by JKA Photography. HOUSTON, TX (April 4, 2018)—The Contemporary Arts Museum Houston (CAMH) is #CaryLeibowitzCAMH pleased to present Cary Leibowitz: Museum Show, the first comprehensive career survey #atCAMH and solo museum exhibition of Leibowitz’s work. The exhibition features nearly 350 original @camhouston artworks from 1987 to the present, including paintings, fabric works, multiples, installations, documentation, photography, and ephemera. Cary Leibowitz: Museum Show has an opening reception on the evening of May 11 and will remain on view through August 26, 2018. New York–based artist Cary Leibowitz (b. 1963) creates bold, brightly colored, and comically self-effacing text-based works which draw on both a gay and Jewish perspective in order to address issues of identity, kitsch, modernist critique, and queer politics. Included in the exhibition are paintings that read, “Here I am please don’t be mean” and “I just got a pair of Gucci for Bergdorfs loafers for 50% off and I really do feel better.” A white porcelain fish- shaped dish reads, “Fucked up homo bar-mitzvah gay boy worries too much about what 1 5216 Montrose Boulevard Houston, Texas 77006 CAMH.ORG | #atCAMH Press Release his mother will wear.” Additionally, -
Bridging the Voices of Hard-Boiled Detective and Noir Crime Fiction
Christopher Mallon TEXT Vol 19 No 2 Swinburne University of Technology Christopher Mallon Crossing shadows: Bridging the voices of hard-boiled detective and noir crime fiction Abstract This paper discusses the notion of Voice. It attempts to articulate the nature of voice in hard-boiled detective fiction and noir crime fiction. In doing so, it examines discusses how these narrative styles, particularly found within private eye novels, explores aspects of the subjectivity as the narrator- investigator; and, thus crossing and bridging a cynical, hard-boiled style and an alienated, reflective voice within a noir world. Keywords: hard-boiled detective fiction, noir fiction, voice, authenticity Introduction In crime fiction, voice is an integral aspect of the narrative. While plot, characters, and setting are, of course, also instrumental in providing a sense of authenticity to the text, voice brings a sense of verisimilitude and truth to the fiction the author employs. Thus, this paper discusses the nature of voice within the tradition of the crime fiction subgenres of noir and hard-boiled detective literature. In doing so, it examines how voice positions the protagonist; his subjectivity as the narrator-investigator; and, the nature of the hardboiled voice within a noir world. Establishing authenticity The artistic, literary, and aesthetic movement of Modernism, during the late 19th and early 20th Centuries, describes a consciousness of despair, disorder, and anarchy, through ‘the intellectual conventions of plight, alienation, and nihilism’ -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Sunday Morning Grid 3/1/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 3/1/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Bull Riding College Basketball 4 NBC News (N) Å Meet the Press (N) Å Snowboarding U.S. Grand Prix: Slopestyle. (Taped) Red Bull Series PGA Tour Golf 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Explore This Week News (N) NBA Basketball Clippers at Chicago Bulls. (N) Å Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday NASCAR Racing Sprint Cup Series: Folds of Honor QuikTrip 500. (N) 13 MyNet Paid Program Swimfan › (2002) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Local Local Local Local Local Local Local Local Transfor. Transfor. 24 KVCR T’ai Chi, Health JJ Virgin’s Sugar Impact Secret (TVG) Deepak Chopra MD Suze Orman’s Financial Solutions for You (TVG) 28 KCET Raggs New. Space Travel-Kids Biz Kid$ News Asia Biz Rick Steves’ Europe: A Cultural Carnival Over Hawai’i (TVG) Å 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly Uncle Buck ›› (1989) 34 KMEX Conexión Paid Al Punto (N) Fútbol Central (N) Mexico Primera Division Soccer: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written B. -
You Mentioned That Some Scenes from James Ellroy's LA CONFIDENTIAL
89 FAQ 6 6.1 Q: You mentioned that some scenes from James Ellroy’s L.A. CONFIDENTIAL were filmed inside the Hodel/Franklin House. I didn’t see any. Which ones? Yes, two separate scenes were filmed inside the Franklin House, but if you blink you miss them. George Hodel 1949 David Strathairn as “Pierce Patchett” 90 L.A. CONFIDENTIAL FRANKLIN HOUSE SCENE 1 Scene between Kevin Spacey and James Cromwell (Capt. Dudley Smith) This 1996-7 scene filmed in Hodel-Franklin House kitchen five years before residential interior renovation in 2002 L.A. CONFIDENTIAL FRANKLIN HOUSE SCENE 2 Scene at Franklin House with partygoers (Hookers and tricks) This scene filmed in Hodel-Franklin House living-room in 1996-7 91 Kevin Spacey as detective Sgt. Jack Vincennes holding Pierce Patchett’s Fleur dy Lis business card George Hodel’s “Whatever You Desire” Fleur dy Lis photo album As in CHINATOWN, there are some fascinating coincidences related to the real life George Hodel and the characters in the fictional Ellroy novel, masterfully adapted to film in 1997 by director, Curtis Hanson. First is the character, Pierce Patchett, who not only resembles George Hodel in physical appearance and voice, but is presented in the film as a powerful L.A. behind-the-scenes shadow figure, running a vice operation and working with corrupt cops. Pimp Patchett has high class prostitutes going to cocktail parties and entertaining wealthy and connected businessmen AT THE FRANKLIN HOUSE. (See above clips) Incredibly, this is something that Dr. George Hodel did in real life, at the same location, in the very same room! Patchett’s logo is the Fluer dy Lis, which we see on George Hodel’s private, personal album of loved ones. -
James Ellroy Demon Dog of Crime Fiction
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fic- tion. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME -
Nostalgic Masculinity: Homosocial Desire and Homosexual Panic In
Nostalgic Masculinity: Homosocial Desire and Homosexual Panic in James Ellroy’s This Storm Nathan Ashman, University of East Anglia Abstract: The second volume in James Ellroy’s ‘Second LA Quartet’, This Storm (2019) offers a complex miscellany of war profiteering, fifth column sabotage, and institutional corruption, all of which is starkly projected against the sobering backdrop of the internment of Japanese- Americans. Whilst presenting Ellroy’s most diverse assemblage of characters to date, the narrative is, nonetheless, principally centred on the intersecting bonds between men. Although the prevalence of destructive masculine authority in Ellroy’s works has been widely discussed, what has often been overlooked are the specifically ‘homosocial’ dimensions of these relationships. Whilst these homosocial bonds are frequently energised and solidified by homophobic violence (both physical and rhetorical), this paper will argue that they are simultaneously wrought by ‘homosexual panic’; the anxiety deriving for the indeterminate boundaries between homosocial and homosexual desire. This panic is expressed most profoundly in This Storm in the form of corrupt policeman Dudley Smith. Haunted by a repressed homosexual encounter, Smith’s paranoid behaviour and increasingly punitive violence derives from his inability to establish clear boundaries between his intense homosocial bonds and latent homosexual desires. Thus, whilst Ellroy’s ‘nostalgic masculinity’ attempts to circumscribe the dimensions and inviolability of male identity, the paranoia and violence that underscores the various machinations of Ellroy’s crooked cops ultimately exposes the fragility of such constructions. Key Words: James Ellroy, Masculinity, Homosocial, Panic, Homosexual The punitive brutality that underlies James Ellroy’s codifications of masculinity has long been a cause of critical contention. -
Mother Night EMILY GORDON
Mother Night EMILY GORDON posed, to hide. Ellroy’s father, he Writes, MY DRRR PLRCES: An L.R. Crime Memoir. “never told me that sitting in the dark was By James Ellroy. a strange thing to do.” Ellroy spent his life Knopf. 351 pp. $25. doing exactly that. Well known for genre-mixing and efore dhwn on June 22, 1958, James -bending, Ellroy here makes his biggest Ellroy’s mother, Jean, a IC a Geneva leap yet: atrue-crime detective story, an OdeIia Hilliker, was raped, strangled to L.A.’ social history and a kind of romance. death and dumped on an empty road The result is a twisted literary memoir, the in El Monte, California. Ellroy was 10. white-hot spinning of a loner and autodi- what does it mean for a best-selling crime dact. “My father was a liar. My mother was novelist when his mother is a case-a num- a fabricator”; being a Writer, Ellroy’s a liar ber filed in a dusty archive labeled “un- too. For years he set fictional characters in solved”? My Dark Places, a memoir as the historical past, then re-wrote history. much about Ellroy’ s evolution as a writer Confined to the forms of real life, cold facts as it is about his mother and the search for and un-outlinable characters, in My Dark her murderer, takes the sustained anguish Places Ellroy is more powerful than ever. of that experience and builds a monument. Nearly all narratives of our parents It’s as The Redhead that Ellroy imagined his are patchy; we spend our lives assembling connections and explanations. -
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