The Bridge Contributors

Total Page:16

File Type:pdf, Size:1020Kb

The Bridge Contributors The Bridge Volume 29 Number 2 Article 4 2006 Contributors Follow this and additional works at: https://scholarsarchive.byu.edu/thebridge Part of the European History Commons, European Languages and Societies Commons, and the Regional Sociology Commons Recommended Citation (2006) "Contributors," The Bridge: Vol. 29 : No. 2 , Article 4. Available at: https://scholarsarchive.byu.edu/thebridge/vol29/iss2/4 This Front Matter is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in The Bridge by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Contributors to This Issue Kristine J. Anderson is a librarian at Purdue University and holds a Ph.D. in comparative literature from SUNY-Bingharnton. She has authored the entries on "Danish" and "Norwegian" in the Encyclopedia of Literary Translation into English as well as articles and conference presentations on Danish writers such as Isak Dinesen and Dorrit Willumsen. George Bailey is a graduate student in Teaching English to Speakers of Other Languages at Brigham Young University. He is currently studying issues related to immigration and family literacy. He taught first-year Danish at BYU and received his BA in Chinese Aase Bak holds a "magisterkonferens" in art history from Aarhus Universitet, 1979. She worked as archival assistant at The Danish Emigration Archives in Aalborg, Denmark, from 1978-83 and did graduate studies in art history at the University of Minnesota, Minneapolis, 1985-87, earning a Ph.D. in 1994, with a dissertation titled Images and Ethnicity: Visual Arts Among Danish-Americans 1868- 1934. She has worked as a curator of modem art at Nordjyllands Kunstrnuseum in Aalborg, Denmark, since 1988. Erik M. Christensen holds a mag.art. and Ph.D. in comparative literary history and a gold medal from Aarhus University, Denmark. From 1973 he was professor at the Freie Universitat Berlin and Humboldt-Universitat zu Berlin. He has authored numerous books and articles on Danish writers, for example, Johannes Ewald, Martin A. Hansen, Sten Stensen Blicher, Georg Brandes, and Johannes V. Jensen. Along with four colleagues from Aarhus University, he is preparing a critical edition of the collected poems of the Danish Nobel Prize winner Johannes V. Jensen. Jean Christensen received her Ph.D. from UCLA in 1979 and is currently Head of the Division of Music History and Director of Graduate Studies, School of Music, at the University of Louisville, specializing in music composed since 1900. Her publications treat 5 topics in Danish music, Schoenberg studies, jazz, and, more recently, music by Bulgarian composers. Christensen was a Fulbright scholar in Denmark and Sweden (1988) and in Bulgaria (2002, 2003). Peter G. Christensen received a Ph.D. in comparative literature from the State University of New York at Binghamton. At Cardinal Stritch University he currently teaches English literature to 1800, Shakespeare, non-Western literature, literary theory, and science fiction/fantasy. He has also been investigating films and novels about the life of Jesus. John R. Christianson joined the faculty of Luther College in 1967. He has written, edited, or translated twelve books and more than 100 articles on various aspects of Scandinavian and Scandinavian­ American history. From 1999-2002, he was editor of The Bridge: Journal of the Danish American Heritage Society. Lea Rosson Delong is an independent curator and art historian focusing on American art of the Depression era and contemporary art. She is the author of Grant Wood's Main Street, Christian Petersen: Sculptor, Shifting Visions: 0 'Keeffe, Gus ton, Richter, and numerous other exhibition catalogues and publications. She is currently guest curator for the Brunnier Art Museum, organizing an exhibition and publication on Grant Wood's murals for the library at Iowa State University. Linda Donelson is the author of the bestselling biography Out of Isak Dinesen in Africa and is creator of the Karen Blixen - Isak Dinesen Information Site, karenblixen.com. Together with Marianne Stecher­ Hansen, she authored the article Karen Blixen for the Dictionary of Literary Biography: Twentieth-Century Danish Writers . Joakim Garff received a cand.theol. degree (1986) and a lic.theol. degree (1991) from the University of Copenhagen. He has been a board member of the Kierkegaard Society, co-editor and co­ publisher of Kierkegaardiana, and of Kredsen and fonix. He has been Research Professor at the S0ren Kierkegaard Forskningscenter (SK 6 Research Center) and co-editor of SRJren Kierkegaard's Skrifter (SK's Writings) since 1994. His books include: Den SRJvnlRJse [The Insomniac]; Kierkegaard lcest cestetisklbiografisk (1995), [Kierkegaard from an Aesthetic/Biographical Perspective]; Kierkegaards cestetik [Kierkegaard's Aesthetics] (with Poul Erik T0jner and J0rgen Dehs, 1996); Skriftbilleder; SRJren Kiekerkegaards journaler, notesbRJger, hcefter, ark, Zapper og strimler [Written Images: SRJren Kierkegaard's Journals, Notebooks, Booklets, Sheets, Scraps, and Slips of Paper] (with Niels J0rgen Cappel0m and Johnny Kondrup, 1996; trans. Bruce Kirmmse, Princeton and Oxford, 2002) and, most recently, SAK. SRJren Aabye Kierkegaard. En biografi (2000; English translation by Bruce Kirmmse: SRJren Kierkegaard: A Biography [Princeton, 2004]). His work in progress is a monograph about the concept of education in Kierkegaard's thought. Barbara George gained an appreciation for the qualitative aspects of history and social systems, including their interactions in achieving outcomes, while completing graduate studies in liberal arts and clinical social work. Further studies of the work of Carl Jung, system theories, and pattern recognition, along with Assisi Seminars, added these concepts to the tapestry of her understanding of communities and human interactions. Four years ago, while conducting genealogy and family history research in Indianapolis, Barbara uncovered the faded and untold story of First Trinity Danish Church. In her presentation she honors the legacy of this small group of Danish Immigrants and pioneers in the Danish Church movement in the United States. Mikael Engelstoft Hansen is a computer programmer at the University of California at Berkeley. He describes himself as a "modem day Danish immigrant and casual writer." Thorvald Hansen was born in Troy, New York, and educated in the public schools of that city. He came to Des Moines in 1941 and graduated from Grand View College and Seminary in 1946. He earned a B.A. from Drake University in 1951 and an M.A. from the University of South Dakota in 1965. He has served Danish 7 communities and Grand View College in various capacities. He has written five books on immigrant subjects and translated two. He is now retired and lives in Des Moines, where he continues to edit Church and Life. Lynn Henrichsen, a descendant of Danish immigrants to Utah, is chair of Brigham Young University's Linguistics and English Language Department and a professor of Teaching English to Speakers of Other Languages (TESOL). He received his Ed.D. from the University of Hawaii. Poul Houe was born in Denmark and educated at Arhus University. He taught at Uppsala University from 1973-79 and since 1979 has taught at the University of Minnesota, where he is professor of Scandinavian languages and literature. Among his many publications on nineteenth and twentieth century Scandinavian literature and culture are several on Andersen, Kierkegaard, and Brandes. Jake Huckaby is an undergraduate student in electrical engineering at Brigham Young University, where he taught first-year Danish and is currently involved in several research projects. Joy Ibsen is a Danish-American writer, composer, piano teacher, and lay minister. She recently compiled and published Songs of Denmark: Sange for Danskere. A graduate of Grand View College and Shimer College, Joy studied religion and literature at the University of Chicago and has served as president of the Danish Immigrant Museum. Anne Ipsen is a Danish-American writer and a member of the DAHS Board of Trustees. Her research on Fan0 for the just­ published historical novel, Karen from the Mill, inspired her conference talk. lpsen's other books include two memoirs: A Child's Tapestry of War and Teenage Immigrant, first published in The Bridge. 8 David Iversen is the Cataloging Librarian at Gordon B. Olson Library at Minot State University in Minot, North Dakota, home of the Norsk Hostfest, which takes place the second week in October. He first translated_ short stories by Carl Hansen when he was a senior at Dana College in Blair, Nebraska, and has dabbled in reading and translating his tales ever since. James Iversen is Professor Emeritus of Aerospace Engineering, Iowa State University. He attended Dana College, Blair, Nebraska, and received a PhD at Iowa State University. He has served as Visiting Scientist at the Marine Research Laboratory in Lyngby, Denmark and as Guest Professor at the University of Aarhus. He is President of the Danish American Heritage Society. Rudolf Jensen received a B.A. from Carleton College, an M.A. from the University of Minnesota, and a Ph.D. from the University of Wisconsin, Madison; both graduate degrees were in Scandinavian studies. He has taught at Grand View College for twenty years. Kristi Planck Johnson, a graduate of Dana College, has an M.A. from the University of Minnesota in Scandinavian literature and language and a Ph.D. in international education from the University of Maryland. She is currently Associate Professor of Education at Marymount University in Arlington, Virginia. Avis E. Jorgenson, who holds an Ed.D., retired from university teaching and now lives in Tucson, AZ. She spends her time writing Vol. V of the family history, exercising at the pool, cooking, entertaining, reading, and attending theater or Arizona Historical Society programs. Her interest in Danish history and culture never wanes. Lisa Kramme was born and raised in Cordova, Nebraska, home to Danish immigrants and their descendants. She heard the stories of Hans Christian Andersen as they were told to her by her father and storyteller, Darrol Larsen.
Recommended publications
  • Fund Og Forskning I Det Kongelige Biblioteks Samlinger
    Særtryk af FUND OG FORSKNING I DET KONGELIGE BIBLIOTEKS SAMLINGER Bind 50 2011 With summaries KØBENHAVN 2011 UDGIVET AF DET KONGELIGE BIBLIOTEK Om billedet på papiromslaget se s. 169. Det kronede monogram på kartonomslaget er tegnet af Erik Ellegaard Frederiksen efter et bind fra Frederik III’s bibliotek Om titelvignetten se s. 178. © Forfatterne og Det Kongelige Bibliotek Redaktion: John T. Lauridsen med tak til Ivan Boserup Redaktionsråd: Ivan Boserup, Grethe Jacobsen, Else Marie Kofod, Erland Kolding Nielsen, Anne Ørbæk Jensen, Stig T. Rasmussen, Marie Vest Fund og Forskning er et peer-reviewed tidsskrift. Papir: Lessebo Design Smooth Ivory 115 gr. Dette papir overholder de i ISO 9706:1994 fastsatte krav til langtidsholdbart papir. Grafisk tilrettelæggelse: Jakob Kyril Meile Nodesats: Niels Bo Foltmann Tryk og indbinding: SpecialTrykkeriet, Viborg ISSN 0060-9896 ISBN 978-87-7023-085-8 JOHANN ADOLPH SCHEIBE (1708–76) and Copenhagen1 by Peter Hauge ohann Adolph Scheibe, a proponent of the galant style and indeed Jan influential music critic in the late eighteenth century, was a writer on aesthetics, music theory and performance practice, a translator and a composer. Though he wrote a vast amount of music this part of his creative production has to a large extent been neglected by mod- ern scholarship. His reputation today is mainly focused on his famous critique of J.S. Bach’s compositional style which he characterised as ‘bombastic and confused’, and his assertion that Bach darkened the beauty of the music ‘by an excess of art’ (that is, writing and making use of excessive ornamentation) and difficult to perform.2 It should be kept in mind, however, that though Scheibe admired the music of compos- ers such as G.Ph.
    [Show full text]
  • Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
    Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality.
    [Show full text]
  • Bakalářská Práce
    Univerzita Karlova v Praze Filozofická fakulta Ústav germánských studií Bakalářská práce Barbora Hlavatá Konkrétní projevy preromantismu v díle Johannese Ewalda (Levnet og Meeninger) a Laurence Sterna (The Life and Opinions of Tristram Shandy, Gentleman) Specific manifestations of pre-Romanticism in the works of Johannes Ewald (Levnet og Meeninger) and Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman) Praha 2015 Vedoucí práce: Mgr. Helena Březinová, Ph.D. Velmi ráda bych poděkovala vedoucí mé bakalářské práce Mgr. Heleně Březinové, Ph.D. za cenné rady, připomínky a její vstřícný přístup. Prohlášení: Prohlašuji, že jsem bakalářskou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze, dne 25. srpna 2015 ………………………….. Klíčová slova: Johannes Ewald, Laurence Sterne, preromantismus, dánská literatura, anglická literatura, román, autobiografie Klíčová slova (anglicky): Johannes Ewald, Laurence Sterne, pre-Romanticism, Danish literature, English literature, novel, autobiography Abstrakt Tato práce se zaměřuje na rozbor autobiografického románu Johannese Ewalda Levnet og Meeninger (Život a názory, 1774-1778) s ohledem na otázku, do jaké míry je tato kniha preromantickým dílem. V románu lze nalézt množství prvků, které jsou typickými projevy preromantismu, jako například zkoumání vlastního nitra, důraz na vyjádření citů, individualizace vypravěče i umělce či nové pojetí role přírody v umění. To vše činí Levnet og Meeninger originálním dílem, a jeho autora tak lze označit za prvního dánského preromantického autora. Jeho román je také často srovnáván s dílem zástupce preromantismu v britské literatuře Laurence Sterna, The Life and Opinions of Tristram Shandy, Gentleman (Život a názory blahorodého pana Tristrama Shandyho, 1759-1767); v této práci se pokusíme případné podobnosti popsat konkrétně.
    [Show full text]
  • Around Caspar Wesse L and the Geometric Representation of Complex Numbers
    Around Caspar Wesse l and the Geometric Representation of Complex Numbers Proceedings of the Wessel Symposiu m at The Royal Danish Academy of Sciences and Letter s Copenhagen, August 1145 1998 Invited Papers Edited by Jesper Lützen Matematisk-fysiske Meddelelser 46:2 Det Kongelige Danske Videnskabernes Selska b The Royal Danish Academy of Sciences and Letters Commission Agent: C .A. Reitzels Forlag Copenhagen 2001 Abstract On March 10 1797 the Norwegian surveyor Caspar Wessel presented an essay On the Analytical Representation of Direction to The Royal Danish Academy of Sciences and Letters in which he described the geometric representa- tion of complex numbers that has since become standard . The paper was printed in the Academy's Journal two years later. In order to celebrate the 200th anniversary of this event the Academy arranged a Wessel Symposiu m on August 11-15 1998 . The contributions to the present volume are based on invited papers presented on that occasion . Their subjects range over a variety of historical themes related to Wessel and his family, to Wessel's wor k as a surveyor, to the geometric representation of complex numbers, and to the emergence of hyper-complex numbers . JESPER LÜTZEN Department of Mathematic s University of Copenhagen Universitetsparken 5 DK 2100 Copenhagen Ø lutzen©math .ku .dk © Det Kongelige Danske Videnskabernes Selskab 200 1 Printed in Denmark by Special-Trykkeriet Viborg a-s ISSN 0023-3323 . ISBN 87-7876-236-7 MflVI 46:2 1 Contents Preface 3 The Wessel family The naval hero Peter Tordenskiold & the Wessel famil y by Hans Christian Bjerg 5 Johan Herman Wesse l by Bjorn Linnestad 1 9 Technology Transfer to Denmark Thomas Bugge's journal of a voyage through Germany, Holland an d England, 1777 by Kurt Moller Pedersen 29 English instrument makers observed by predatory Dane s by Dan Ch.
    [Show full text]
  • Johannes Ewald - Poems
    Classic Poetry Series Johannes Ewald - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Johannes Ewald(1743-1781) Johannes Ewald (18 November 1743 – 17 March 1781) was a Danish national dramatist and poet. Ewald, normally regarded as the most important Danish poet of the 2nd half of the 18th Century, led a short and troubled life, marked by alcoholism and poor health. The son of a Copenhagen pietist vicar and fatherless from an early age, he was educated as a theologian, but his real interest was in literature. An unhappy love for a girl, Arendse, inspired his later poetry deeply (his description of this love is the first “modern” Danish poetic treatment of the subject). After a time as a soldier and war hero in the Prussian Seven Years’ War he was 1760 brought back seriously weakened. The following years were spent living as a bohemian and writing poetry in Copenhagen; they were also a time of alcoholism and conflicts with his mother and stepfather (for most of his life he was under their tutelage and he never took up a profession). His lifestyle had much in common with his contemporary Johan Herman Wessel, but, as writers they differed greatly. From 1773-75 he had a rather happy convalescence at Rungstedlund (later the home of Karen Blixen). Ewald wrote some of his best verses during this time, but a conflict with his family led to his removal to the small North Zealand town of Humlebæk (1775-77), which depressed him and worsened his alcoholism. Finally, friends brought him to Søbækshus, near Helsingør, and where he lived for some years under growing public interest and literary fame, until his early death, caused by drinking and rheumatism.
    [Show full text]
  • Ashgate.Com/Isbn/9780754668206
    Volume 5, Tome III: Kierkegaard and the Renaissance and Modern Traditions - Literature, Drama and Music Edited by Jon Stewart, Søren Kierkegaard Research Centre, University of Copenhagen, Denmark Kierkegaard Research: Sources, Reception and Resources August 2009 234 x 156 mm 250 pages Hardback 978-0-7546-6820-6 £60.00 The long period from the Renaissance to the nineteenth century supplied numerous sources for Kierkegaard's thought in any number of different fields. The present, rather heterogeneous volume covers the long period from the birth of Savonarola in 1452 through the beginning of the nineteenth century and into Kierkegaard's own time. The Danish thinker read authors representing vastly different traditions and time periods. Moreover, he also read a diverse range of genres. His interests concerned not just philosophy, theology and literature but also drama and music. The present volume consists of three tomes that are intended to cover Kierkegaard's sources in these different fields of thought. Tome III covers the sources that are relevant for literature, drama and music. Kierkegaard was well read in the European literature of the seventeenth and eighteenth century. He was captivated by the figure of Cervantes' Don Quixote, who is used as a model for humor and irony. He also enjoyed French literature, represented here by articles on Chateaubriand, Lamartine, and Mérimée. French dramatists were popular on the Danish stage, and Kierkegaard demonstrated an interest in, among others, Moliére and Scribe. Although he never possessed strong English skills, this did not prevent him from familiarizing himself with English literature, primarily with the help of German translations.
    [Show full text]
  • Monarchism, Religion, and Moral Philosophy Ludvig Holberg and the Early Northern Enlightenment
    Monarchism, Religion, and Moral Philosophy Ludvig Holberg and the Early Northern Enlightenment Brian Kjær Olesen Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 22 April 2016 ii European University Institute Department of History and Civilization Monarchism, Religion, and Moral Philosophy Ludvig Holberg and the Early Northern Enlightenment Brian Kjær Olesen Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Martin van Gelderen (EUI/ Lichtenberg-Kolleg, The Göttingen Institute for Advanced Studies, Supervisor) Prof. Ann Thomson (EUI, Second reader) Prof. Knud Haakonssen (University of Erfurt) Dr. Timothy Stanton (University of York) © Brian Kjær Olesen, 2016 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Brian Kjær Olesen certify that I am the author of the work Monarchism, Religion, and Moral Philosophy: Ludvig Holberg and the Early Northern Enlightenment I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297).
    [Show full text]
  • 12. Concepts of Freedom Reflected in Danish Literature 1754-1802
    Northern Antiquities and National Identities 251 12. Concepts of Freedom Reflected in Danish Literature 1754-1802 Flemming Lundgreen-Nielsen In his memorial speech for king Frederik IV, given in Latin to the Sen­ ate of the LTniversity of Copenhagen on 12 December 1730, Ludvig Holberg (1684-1754), professor, historian, essayist, poet and play­ wright, remembered the reign of the deceased monarch for its liberal atmosphere: “We spoke as if we were living in a free state, we joked and jested, we vied in cheerfulness without fear. For he would not be angered by free speech and indiscreet expression, and if by chance he was offended, his anger subsided without the lash”.572 The king’s subjects could behave as //they lived in a free state, not in an abso­ lute monarchy without legal protection of such liberties. During the enlightened form of hereditary absolutism introduced in 1660, no crime was punished harder than lese-majesty (Crimen læsæ majestatis'). The codification Danish Law (Danske Lot’) of Christian V from 1683 de­ tails the obligations and duties of the subjects to the King, but not-or much less-vice versa. Drawing on a philosophy purportedly borrowed from ancient pre-republican Rome, it was stated that the people had handed over power to the king and his dynasty. It should be noted that many sections of Dan ish Law had been taken directly from the new con­ stitution, The Royal Law (Kongeloven) of Frederik III from 1665, which was not published in full until a de luxe edition with limited circula­ tion appeared in 1709.
    [Show full text]
  • Catalogue of Rare Books
    Catalogue of rare books Adams, Richard The Girl in a Swing, Allen Lane, London, 1980. First edition, second state with main character as Karin. Book is in near fine condition throughout. Clean and fresh throughout with no marks or inscriptions. Bound in the publisher’s original green cloth boards with gilt title lettering to spine. DJ very good with insignificant wear. Aga Khan The Memoirs of…, Cassell & Company, Ltd., London, 1954. Hardcover. Book Condition: Very Good+. No dust jacket. First edition. First printing. Very good+ or better copy in black cloth. Andersen H.C. Vignetter til danske Digtere. Cph: Reitzel 1832. Small 8vo. 1st ed. Old book plate, old inscription on fly leaf. Nicely bound in pale half-calf with marbled boards. A tidy, fresh edition. Andersen, H.C Contes, translated by P. Leyssac. Librairie Stock. Book condition: good. 1924. 12th ed. In broché. 270 pp. Andersen, Hans Chr. Samlede Skrifter – Supplement til ‘Mit Livs Eventyr’ – Fortsættelse (1855-1867), Reitzels Forlag, Kjøbenhavn, 1877. First edition. Published by Jonas Collin, Andersen’s lifelong friend. A supplement to Andersen’s autobiographical writings. 8vo in original green boards with cloth spine. Worn and with loose boards. Text relatively fresh with minor foxing and stains. Front cover has a contemporary label with author, title, dates and the letters DEABC(?). Anouilh, Jean 4-volume set published by La Table Ronde. Pièces Noires,1961, Nouvelles Pièces Noires, 1961, Pièces Roses, 1958, Pièces Costumées, 1960. Condition, fine. Bindings tight and text fresh and clean. Protective slips. Covers slightly discoloured at edges and spines. A handsome set. Anon Portraitligheder imellem Mennesker og Dyr, Humoristiske Billeder med Tekst, Fr.
    [Show full text]