Artist Retreat 2016
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North Carolina Museum of Art to Add Five Sculptures to Ann and Jim Goodnight Museum Park
FOR IMMEDIATE RELEASE August 23, 2018 MEDIA CONTACT Kat Harding | (919) 664-6795 | [email protected] North Carolina Museum of Art to Add Five Sculptures to Ann and Jim Goodnight Museum Park Additions include three loans from the Hirshhorn Museum and Sculpture Garden and a site-specific installation by North Carolina artist Daniel Johnston Raleigh, N.C.—The North Carolina Museum of Art (NCMA) will add to its outdoor art collection, installing five new works in the fall of 2018 and continuing through the spring of 2019. The works include site-specific temporary and permanent installations, as well as three works on long-term loan from the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Hirshhorn Sculpture Loans (now on view) Lunar Bird by Joan Miró, 1945, Wheeler Courtyard, West Building Three Red Lines by George Rickey, 1966, The Plaza Untitled by Ellsworth Kelly, 1986, South Lawn, West Building Three monumental sculptures by masters of 20th-century art—Joan Miró, George Rickey, and Ellsworth Kelly—arrived in August on long-term loan from the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Installed in various sites around West Building, including the entrance Plaza, front lawn, and North Garden, these works animate the NCMA landscape with a diverse array of artistic expression. Lunar Bird by Joan Miró resembles ancient votive sculptures and reflects his interest in the cosmos, with its crescent moon–shaped face and arms reaching toward the sky. A figure in the early-20th-century surrealist art movement, Miró saw art as a way for the subconscious mind to express itself. -
She's Come Undone at Book It Repertory Theatre-Encore Arts Seattle
Adapted and Directed by Kelly Kitchens SEPTEMBER 18 - OCTOBER 13, 2013 ES013 covers.indd 1 8/20/13 9:10 AM September 2013 RUFUS WAINWRIGHT Volume 10, No. 1 Monday | October 28 $52, $57 & $62, $15 youth/student Paul Heppner Sponsored by The Cheesemonger’s Table, Phill & Marni Muir Butler, and Alan Lawrence/Edward Jones Investments Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, JIM BRICKMAN: THE LOVE TOUR Robin Kessler, Kim Love Saturday | November 9 Design and Production Artists $42, $47 & $52, $15 youth/student Mike Hathaway Advertising Sales Director Sponsored by Anne Gittinger Marty Griswold, Seattle Sales Director Gwendolyn Fairbanks, TAKE 6 Ann Manning, Lenore Waldron Wednesday | December 11 Seattle Area Account Executives Staci Hyatt, Marilyn Kallins, $27, $32 & $37, $15 youth/student Tia Mignonne, Terri Reed Sponsored by Marla Miller & Al Huff, San Francisco/Bay Area Account Executives Terry Vehrs - Windermere, and Susan Dunn Denise Wong 10% discount for Seniors 62+ & Military on events presented by ECA! Executive Sales Coordinator Jonathan Shipley Ad Services Coordinator ec4arts.org | 425.275.9595 www.encoreartsseattle.com 410FOURTHAVENUENORTH EDMONDSWA98020 Paul Heppner Publisher 2013–2014 SEASON Leah Baltus presented by Editor-in-Chief Marty Griswold Sales Director Joey Chapman Account Executive Dan Paulus ECA 072913 rufus 1_3s.pdf Art Director Jonathan Zwickel See all four shows Senior Editor for just $72. Gemma Wilson Associate Editor The best theatre deal in town! Amanda Manitach Visual Arts Editor Amanda Townsend Events Coordinator Much Ado www.cityartsonline.com About Nothing Oct. 23–Nov.17, 2013 Paul Heppner Richard II President Jan. 8–Feb. -
10/19/20 Thesis I Exhibition of Interest Presentations I Went Yejidé
10/19/20 Thesis I Exhibition of interest presentations I went Yejidé June Lee’s Weight of a Human Knitting Meg Slavery: The Prison Industrial Complex Curated by Keith Calhoun and Chandra McCormick 2019 Traveling exhibition, saw at BMA Focus on the Angola State Prison “The Farm” Nia HAIRarchy Northwest Gallery of Art Detroit 2020 Curated by Asia Hamilton (also an artist in the exhibition) Lebohang Motaung Lia Zamor Julea Commonwealth ICA at VCU 2020 -> ongoing Curated by Stephanie Smith and ? (spelling?) What is commonwealth? Common + wealth Resiliency Garden By devon Chavez (spelling?) Commonwealth is a colonial term in Puerto Rico but a positive term in Virginia and Pennsylvania Great Force catalog Past Venues and Partners Presentation from José 2013-2020 2013 Evergreen Museum and Library Baltimore Lab School Maryland Developmental Disabilities Council Gallery CA City Arts Station North Arts & Entertainment District Creative Alliance Globe Collection & Press School 33 Baltimore Office of Promotion & The Arts (BOPA) James E. Lewis Museum of Art (JELMA) -> part of Morgan State Baltimore American Indian Center Wide Angle Youth Media Native American After School Art Program Baltimore Clay Works Refugee Youth Project Cylburn Arboretum Civic Works’ Clifton Mansion 2014 Broom Corn Building, currently the Institute for Integrative Health ICA El Tesoro Restaurant Latino Providers Network The Park School Gallery Baltimore Lab School BOPA Baltimore Sister Cities Organization KIN + CARGO Ashley Molese Gallery Q at Johns Hopkins part of Eisenhower Library Unravel the Code (MICA Course) Reginald F. Lewis Museum Refugee Youth Project 2015 and 2016 Baltimore Clayworks Walter Reed National Military Medical Center Project Plase VisArts Jubilee Arts Greater Baltimore Cultural Alliance Martha’s Place The Samaritan Women Gallery Q JHU Sustainability Network Baltimore Trash Talk Waterfront Partnership of Baltimore Baltimore Museum of Industry Top of the World Observation Level BOPA Rawlings Conservatory Spin Cycle Coin Laundry Mosaic Makers Inc. -
Tarble Times FALL 2016 Greetings!
Tarble times FALL 2016 greetings! Welcome to your Fall edition of the Tarble Times! It’s that time of year again, and we at the Tarble couldn’t be more excited about all the new programming the Tarble has to offer our community. This issue of the Tarble Times has a wealth of information, general information particularly in our collections section, which introduces the Tarble’s newly installed permanent collection exhibition and features a special column about collecting from EIU’s very own President Glassman. If you’re curious about collecting art or interested Exhibitions in how to begin your own collection, Dr. Glassman has some insightful tips about his own experiences as a collector. events & programs And as we get back into the swing of things, the Tarble kicks off several exhibitions and programs, which celebrate the theme of nature. Nature can signify being untouched by man, but it can also refer to one’s identity. This year at the Tarble, we’ll explore how Collections visual artists, critics and other arts professionals use a diverse array of media and methods to address this subject as it relates to humankind and our material environments. So there will certainly be something for you to discover at the Tarble education this season. From our new site-specific seriesOutside/Inside , which will be a pair of long-term site- Membership specific installations that use the Tarble’s grounds and Atrium in unexpected ways; to exhibitions of thought-provoking contemporary art; to our educational programs, classes and workshops, there’s plenty to do and see. -
DRAFT - for Public Comment
DRAFT - For Public Comment Baltimore Together A Comprehensive Economic Development Strategy DRAFT - For Public Comment August 2, 2021 1 DRAFT - For Public Comment Building the New Economy in Baltimore This economic development plan identifies critically important goals to strengthen Baltimore City’s economy and create new opportunities for residents and businesses. It outlines strategies and tactics for reaching those goals, and the Baltimore Together team hopes this document will serve as a call to action and roadmap for a range of partners over the next five years. If we choose not to adopt the strategies in this report and continue on our current path, the outcomes are bleak. The city will continue to experience extreme racial disparities. Small businesses will struggle. Residents will continue to leave the city, and neighborhoods will decline. Baltimore will miss the opportunity to lead in key sectors, forgoing significant economic benefits for its residents and tax base. We can and must do better. Please join us as we work to build a new, inclusive, and thriving economy in our city. Go to the Baltimore Together website and sign up to get involved. About Baltimore Together Baltimore Together is a public-private initiative led by the Baltimore Development Corporation to support the creation of a common vision of inclusive economic growth in our city. Through a thoughtful and intentional process, a diverse group of stakeholders developed a Baltimore Together vision: Baltimore will show the world how to create an urban economy that is based on diversity, inclusion, and resiliency and uplifts historically excluded Baltimoreans, while attracting investment, businesses, and people committed to contributing to an equitable economy. -
Overture Ad March 2018 Layout 1 3/19/18 12:01 PM Page 1
MAY–JUNE 2018 LONDON CALLING The BSO makes its debut at The Proms during summer 2018 tour ORCHKIDS PARTNERS OAKLAND: WITH LIBRARY OF BSA PRESENTS CONGRESS FOR 41ST SHOW HOUSE BERNSTEIN PROJECT 14400-BSO Overture Ad March 2018_Layout 1 3/19/18 12:01 PM Page 1 FOLLIES: ARCHITECTURAL WHIMSY IN THE GARDEN Opening April 1, 2018, in the Winterthur Garden Escape into the imaginative world of garden follies, Winterthur’s first-ever exhibition of whimsical and classic garden structures—all set within Henry Francis du Pont’s majestic garden! Thirteen fantastic structures await exploration—from a Gothic-inspired tower, an Ottoman tent, and neoclassical follies to a Chinese pavilion, American summerhouses, a faerie cottage, and creative contemporary follies. Details at 800.448.3883 or visit winterthur.org/follies. Presented by and The Estate of Mrs. Samuel M. V. Hamilton Clockwise from top left: Latimeria Summerhouse Folly, photo by Bob Leitch; Bristol Summerhouse Folly, photo by Bob Leitch; Chinese Pavilion Folly; Pagoda Gate Folly, photo by Jeannette Lindvig Winterthur is nestled in Delaware’s beautiful Brandywine Valley on Route 52, between I-95 and Route 1 800.448.3883 • winterthur.org MAY/ CONTENTS JUNE 2018 2 From the President 4 In Tempo: News of Note 6 BSO Live: Calendar of Events 7 Orchestra Roster 8 London Calling The BSO makes its debut at The Proms during summer 2018 tour 10 To Bernstein with Love MAY 4 & 6 15 NPR’s Scott Simon Joins the BSO in a Salute to Bernstein MAY 5 16 Movie with Orchestra: Raiders of the Lost Ark MAY 10–13 18 Mozart and Brahms MAY 18–20 24 Gershwin’s Piano Concerto MAY 31, JUN 1 & 2 29 Bernstein and Shostakovich JUN 7–10 33 An Evening with John Williams JUN 13 8 35 Campaign Donor Roll 41 Honor Roll 47 Board of Directors & Staff 48 Impromptu: Boram Kang, violin 4 5 ▼ ON THE COVER London's Royal Albert Hall, home of The Proms Be Green: Recycle Your Program! Please return your gently used program to the Overture racks in the lobby. -
Report of the Mayor's Task Force on Safe Arts Space
REPORT OF THE MAYOR’S TASK FORCE ON SAFE ARTS SPACE December 20, 2017 Catherine E. Pugh, Mayor 1 TABLE OF CONTENTS Task Force Membership 3 Background 4 Task Force Charge 5 Task Force Process 5 Summary: Artist Space Needs Workgroup 7 Summary: Code and Regulatory Issues Workgroup 9 Summary: Resources Workgroup 12 Mayor's Executive Order 14 Task Force Recommendations 15 Appendices Appendix 1: Mayor's Executive Order (Full Text) 21 Appendix 2: Safe Space Checklist 22 Appendix 3: Survey Results 26 2 TASK FORCE MEMBERSHIP Community Membership: Jon Laria, Esq. – Managing Partner, Baltimore Office, Ballard Spahr LLP, Task Force Co-Chair Franklin McNeil, Jr. – Vice President/Community Consultant, PNC Bank, Task Force Co-Chair Amy Bonitz – President and CEO, Baltimore Arts Realty Corporation, Workgroup Chair Jeannie Howe – Executive Director, Greater Baltimore Cultural Alliance, Workgroup Chair Dana Johnson – Managing Director, Maryland and DC, The Reinvestment Fund, Workgroup Chair Tracey Barbour – Program Officer for Community Development, Abell Foundation John Berndt – CEO, Berndt Group Beth Blauer – Executive Director, Johns Hopkins University Center for Government Excellence Elissa Blount Moorhead – Former Exec. Director, Station North Arts & Entertainment District Diane Cho – Architect and Principal, Cho Benn Holback & Associates Dan Deacon – Composer and Musician, Baltimore Adam Holofcener – Executive Director, Maryland Volunteer Lawyers for the Arts John Lewis – Executive VP and Chief Administrative Officer, The Harbor Bank of Maryland -
The Painted Path in the Bromo Arts & Entertainment District
Application PDF Bromo Tower Arts & Entertainment, Inc The Painted Path in the Bromo Arts & Entertainment District Request: $35,000.00 Baltimore National Total Match: $35,000.00 Baltimore City PROJECT TITLE: The Painted Path in the Bromo Arts & Entertainment District PROJECT SUMMARY: The grant and matching funds will cover all costs associated with the expansive creative wayfinding project, which includes: hiring a public art agency, Graham Projects, to plan and design the installations with community input; installing 18 major sidewalk artworks and roughly 70 wayfinding markers; all materials; hiring subcontractors; and City permits. Please see the attachments for the detailed budget outline and Graham Projects estimate. PROJECT DESCRIPTION: Project Description The Painted Path will connect historic heritage and modern cultural sites through creative wayfinding to engage visitors and increase tourism in the Bromo Arts & Entertainment District (The District). Community input will guide the planning and design of site-specific sidewalk artwork at 18 main sites that will be connected by a wayfinding path of up to 70 markers. Community volunteers will paint the final piece of sidewalk art, marking the completion of the project. The Painted Path is a self-guided walking tour, drawing visitors to significant District sites and allowing these sites to interpret their own heritage and cultural history. Will any aspects of the project cause ground disturbance (utility lines, footings, underpinnings, grading, signage installation, etc.)? No. The sidewalk artwork will only be applied to sidewalk and street surfaces and will not cause any ground disturbance. Do any aspects of the project have potential to disturb lead paint, asbestos, oil tanks, or other hazardous materials? No. -
Graham Foundation Announces 2021 Grants to Organizations
FOR IMMEDIATE RELEASE Graham Foundation Announces 2021 Grants to Organizations $471,500 awarded to organizations producing projects that encourage new conversations and explorations across architecture and design Chicago, August 23, 2021 Through its second major grant announcement this year, the Graham Foundation is pleased to announce the award of $471,500 to organizations around the world. The 45 projects include exhibitions, publications, digital initiatives, and other public presentations led by organizations based in cities such as Atlanta, London, Los Angeles, Mexico City, New Orleans, and Chicago, where the Graham Foundation is based. Together, these organizations support the work of eminent and emerging architects, artists, designers, critics, curators, scholars, and others, to explore new possibilities for the field and engage practitioners and publics worldwide. The wide-ranging projects include an exhibition focused on the United States Mexico border, A Country is not a House | Ronald Rael + Virginia San Fratello at the Arizona State University Art Museum, and the first solo exhibition of DAAR (Decolonizing Architecture Art Research) in the United Kingdom at The Mosaic Rooms. Publications include The Black Schoolhouse Manual, a contemporary ada Negro Rural School manual by The Black School Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With), published by Primary Information. Other projects include LIGA Space for Architecture s visible, activates, and promotes architectural archives in Mexico and Latin America; and two new fellowship programs that work to make opportunities for a broader constituency of architecture writers and critics by the Association for Collegiate Schools of Architecture Fellowship program and Urban Design Forum and the Architectural League of New York two-year New City Critics program. -
Contributors
Wikipedia @ 20 • ::Wikipedia @ 20 Contributors Published on: Oct 15, 2020 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Wikipedia @ 20 • ::Wikipedia @ 20 Contributors Phoebe Ayers is the librarian for electrical engineering and computer science at the Massachusetts Institute of Technology Libraries. She has been a Wikipedian since 2003, is a former member of the Wikimedia Foundation Board of Trustees, and is the coauthor of How Wikipedia Works: And How You Can Be a Part of It (No Starch Press, 2008). Omer Benjakob is a journalist and researcher based in Israel. He was born in New York and raised in Tel Aviv. His work focuses on Wikipedia and the politics of knowledge in the digital age. He covers the online encyclopedia for Haaretz—Israel’s sole paper of record—in English and Hebrew. His work has also appeared in Wired UK. His academic research focuses on Wikipedia’s ties to science, and he works with scientists from the Weizmann Institute of Science and the Centre de recherches interdisciplinaires to map the growth of knowledge online. He’s pursuing an MA from Tel Aviv University’s Cohn Institute for the History and Philosophy of Science and Ideas. Yochai Benkler is the Berkman Professor of Entrepreneurial Legal Studies at Harvard Law School and codirector of the Berkman Klein Center for Internet & Society at Harvard University. He has been a leading scholar on the impact of the internet on the networked economy and society since the 1990s, with a particular focus on commons, cooperation, and decentralization. His books include Network Propaganda: Manipulation, Disinformation, and Radicalization in American Politics (Oxford University Press, 2018) and The Wealth of Networks: How Social Production Transforms Markets and Freedom (Yale University Press, 2006). -
TRANS-PARADISO - Eine Künstlerisch-Urbanistische Praxis in Times of Dilemma
Barbara Holub [transparadiso] TRANS-PARADISO - eine künstlerisch-urbanistische Praxis in Times of Dilemma Burg Giebichenstein, Kunsthochschule Halle 05.11.2018 www.transparadiso.com www.missingthings.org www.barbaraholub.com www.urban-matters.org 0 Kann “stiller Aktivismus“ zum „Paradies“ beitragen? 1 Künstlerisch-urbanistische Strategien: zwischen Forschung und Praxis Planning Unplanned und direkter Urbanismus 2 The Blue Frog Society“, 2010 > Vision einer Gesellschaft ohne Grenzen 3 Harbour for Cultures (Trieste/ I) Wunschproduktion: urbanistische Programme für eine soziale Gemeinschaft 4 The First World Congress of the Missing Things (Baltimore / USA) Wie operieren in fremdem Terrain? Und wie Gentrifizierung entgegenwirken? Was kann Kunst nicht tun im Kontext von Stadtentwicklung? Was kann Kunst tun im Kontext von Stadtentwicklung? 5 Times of Dilemma (Valletta 2018/ Malta) Schaffen einerSituation für Verantwortung und Eigeninitiative Barbara Holub _TRANS-PARADISO - eine künstlerisch-urbanistische Giebichenstein/05.11.2018 Dilemma_ Burg Halle, Praxis in Times of - Barbara Holub _TRANS-PARADISO 0 Kann “stiller Aktivismus“ zum „Paradies“ beitragen? Wie kann Kunst zu gesellschaftlicher Veränderung beitragen und trotzdem ihre Autonomie bewahren? „Wir befinden uns im noch frischen 21.Jahrhundert in einer Situation, in der es kaum darum gehen kann, dem Künstler oder dessen Werk weitere Autonomie zu verschaffen. Vielmehr verlagert sich die zeitgenössische Form ästhetischer Autonomie darauf, den Rezipienten Möglichkeiten von Autonomie zu eröffnen. -
Widening Circles | Photographs by Reginald Eldridge, Jr
JOAN MITCHELL FOUNDATION MITCHELL JOAN WIDENING CIRCLES CIRCLES WIDENING | PHOTOGRAPHS REGINALD BY ELDRIDGE, JR. Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Sonya Kelliher-Combs Shervone Neckles Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Widening Circles: Portraits from the Joan Mitchell Foundation Artist Community at 25 Years © 2018 Joan Mitchell Foundation Cover image: Joan Mitchell, Faded Air II, 1985 Oil on canvas, 102 x 102 in. (259.08 x 259.08 cm) Private collection, © Estate of Joan Mitchell Published on the occasion of the exhibition of the same name at the Joan Mitchell Foundation in New York, December 6, 2018–May 31, 2019 Catalog designed by Melissa Dean, edited by Jenny Gill, with production support by Janice Teran All photos © 2018 Reginald Eldridge, Jr., excluding pages 5 and 7 All artwork pictured is © of the artist Andrea Chung I live my life in widening circles that reach out across the world. I may not complete this last one but I give myself to it. – RAINER MARIA RILKE Throughout her life, poetry was an important source of inspiration and solace to Joan Mitchell. Her mother was a poet, as were many close friends. We know from well-worn books in Mitchell’s library that Rilke was a favorite. Looking at the artist portraits and stories that follow in this book, we at the Foundation also turned to Rilke, a poet known for his letters of advice to a young artist.