free mp3 download nightcall Kavinsky ​– Nightcall. I ain't a big electro fan, but definitely dig this one. First met it somewhere around 2010, gave the songs a few tries, and after a while I realized how fucking awesome and essential this release is when it comes to french electro. It even had a vinyl repress this year, and this says a lot in 2012, when most tracks are released digitally. And, as said above, Nightcall is the opening theme of "Drive", which is 2 steps away from becoming a cult film. It made this track very, very popular, at least in Europe. The remixes are also liked by the mass, but for me, the real deal is side A, without a doubt. One Track Mind. This remix of the title track of French house musician Kavinsky’s recent Nightcall EP sounds like a cross between the Hi-NRG dance pop that the production team of Stock Aitken Waterman cooked up in the late 1980s and the theme from The X-Files . In its original configuration, “Nightcall” is a mid-tempo synth-pop number somewhere in the neighborhood of Berlin’s “Take My Breath Away” and Cyndi Lauper’s “Time After Time.” The lead vocal is handled by from CSS, who trades vocals with a heavily vocoderized Kavinsky throughout the song. It plays like a seduction scene between a sweet and naïve girl and a seedy sort who may be up to no good. Remix artist Robotaki amps up the beats and layers the song in synth effects, recalling Stock Aitken Waterman-helmed hits for the likes of Dead or Alive or Bananarama . He also removes Kavinsky’s processed voice entirely from the proceedings, turning the song into a one-sided conversation between Lovefoxxx and a whistling synth line. Without the male vocal counterpoint, Lovefoxxx’s vocal takes on a more wistful tone, and when the song breaks into a ‘70s style synthesizer solo at the midpoint the whole thing becomes an exercise in disco euphoria. Remixes sometimes can feel like pointless exercises to pump up a single to EP length, but that’s not the case with “Nightcall.” Robotaki takes a strong original song and transforms it into its completely different, but equally strong, Hi-NRG looking glass reflection. Free mp3 download kavinsky nightcall. Nicolas Winding Refn’s recent film, “Drive” operates on a level of cool that's hard to articulate with just words; it takes a snippet from the movie, take the opening credits backed by Kavinksy’s ‘Nightcall’, to really grasp it’s effortless debonair. Since the film’s September release, this single’s Youtube video has climbed to over 7 million views, and has been on repeat across an expanse of playlists, always fueling the after-after party with the slow burn of glossed synth echoes. Now Kavinksy emerges from this late-night haze with the helping of friends, bearing a collection of covers, remixes, and second takes for yet another drive through the midnight hours. Kavinsky died in a car crash in 1986, whilst driving his beloved Testarossa. He re-appeared as a zombie in 2005, with his 12-inch, Teddy Boy. Since then, he has shown up all around the globe, playing his music to fellow humans. Crowds gathered to witness the miracle: despite being dead, Kavinsky was still alive. In 2007, he released his second 12-inch, ‘1986’. This is when his French robot mates in invited him to join their Alive’ Tour, and A-Trak put together an American Tour in his now repaired Testarossa. After discovering the world with his red eyes, Kavinsky retreated to his base camp to work on his debut album. The single ‘Nightcall’ is composed of 4 tracks that represent the sensual, epic and romantic French sound like never before. The song was produced by Guy-Manuel de Homem-Christo of Daft Punk and mixed by SebastiAn and finds the spooky, distorted, zombie vocals of Kavinsky perfectly counterbalanced by the sultry purr of CSS’ front kitten Lovefoxxx. On the other side, Kavinsky has produced the fantastic 'Pacific Coast Highway'. This track really taps into the Kavinsky story as a voiceover narrates a high-speed ghost-car chase on the freeway. Kavinsky’s trademark arpeggiated 80’s sound forms the stylish backdrop to a thrilling pursuit the cops haven’t a chance in hell of winning. The remix package for this release comes courtesy of secretive and emblematic figures. Nightcall gets a rework by the mysterious Dustin Nguyen. The sensuous vibe of the original gets sped-up for dancefloors around the world by one of the finest French talents to emerge in recent years. ‘Pacific Coast Highway’ gets a treatment by the enigmatic Jackson, the true hero of the French electro sound of the last decade. The avante-garde producer, signed to Warp, transforms the original chase into a sprawling, drawn-out nine-minute epic that is pure high-octane. The three digital bonus remixes are signed , the funky Ed Banger crew member, and the two winners of a successful remix contest (544 final entries!), SAWAGii, with a metal cover of the song, and Robotaki, who offers a fantastic and fresh remix. Free mp3 download kavinsky nightcall. Dita Von Teese by Dita Von Teese. Dita Von Teese's debut album, written and composed by Sebastien Tellier ! Kavinsky. Sexuality by Sébastien Tellier. Sebastien Tellier's masterpiece, produced by Daft Punk's Guy Manuel de Homem Christo Kavinsky. Black Boogie Neon by Cola Boyy. New artist on Record Makers, coming from Oxnard, California Kavinsky. If you like Kavinsky, you may also like: Dangerous Days by PERTURBATOR. supported by 205 fans who also own “Nightcall EP” Spooky and synthy, and scary — just how i like em. 8/10 mierenjager. The Uncanny Valley by PERTURBATOR. supported by 200 fans who also own “Nightcall EP” too many sconces. tooface. Last Call For All Passengers by DAN TERMINUS. The French artist's latest album is filled with dark synths and ghostly electronica. Bandcamp New & Notable Sep 25, 2020. Bandcamp Daily your guide to the world of Bandcamp. Where to Begin With French Touch on Bandcamp: Eight Releases to Know. A Guide to Drexciya’s Futuristic Electro. Finding Meaning in 0s and 1s: The Rise of Sheffield’s CPU Records. On Bandcamp Radio. bbymutha joins the show to discuss her latest release, plus featured sounds by Mick Jenkins.